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Nialloleary escreveu:

Btw have you checked out Beak> yet? Interested in your thoughts-it's also on Spotify.

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Nialloleary escreveu:

Agreed vintage year, I've got 350 tracks in my best of 09 playlist-although it's been a year where I've spent many hours scratching my head trying to work out how to classify each artist by genre-here have a go; 2562, Nosaj Thing, Lukid, Hudson Mohawke, Zomby.

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Nialloleary escreveu:

Yeah yeah ok I hear you :) Btw are you mentally constructing a best of 2009? I'm not sure I could easily choose an album of the year at this point.

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Nialloleary escreveu:

I rated nine tracks of London Zoo at 5 star but in truth I haven't returned to it that often-maybe I should now.

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Nialloleary escreveu:

I'm not sure the review suggested something like Rhythm & Sound-but the album artwork looks a little like Shaggy :) It's not on Spotify so I'll have to see if I'm prepared to part money for it.

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Nialloleary escreveu:

Reading about the new Luciano album-have you heard it? Or want to?

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themilkman escreveu:

I'm new to Steve Reich, but I agree that Different Trains is particularly emotional in part. I am also fascinated by how the strings can reproduce the sound of a train on there.

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smbrannan escreveu:

I nearly snorted my coffee when you called this "dance oriented". Maybe for some folks with phenomenal mind/body synchroniztion, but certainly not for the way I [used to] dance. ☺ I did find an opportunity for a complete listen, with nearly full attention (I was alone, but making dinner). I think the choice of the the "Moritz von Oswald Trio" moniker is inspired. On tracks 1 and 3 I could really see them as a trio in a small beatnik club - all 3 wearing shades, one with a beret, and all intensely grooving to their tunes. I mean this in a positive way BTW. I really found some resonance with these two tracks. Not sure why - but I was reminded of the liner notes to Morton Subotnik's "Sidewinder" from the '70's - these tracks make extremely good use of their time. On this go-round - I didn't find as much to like in tracks 2 and 4. Perhaps later....

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