I got into a conversation about buying music the other day.
Even though I'm engineer by nature, I've never been fond of downloadable music. I'm against piracy in principle, and against commercial downloads in practice. I think the makers should have their rights, and even if the record companies were dirty capitalistic bastards, that doesn't give individuals the right to do what they want. Of course everybody wants everything to be free, that doesn't mean they can act as if it's true.
On the other hand, commercial downloads haven't actually been a viable choice either. They've been expensive, and restricted - and as we've seen with music services by
Yahoo! and
MSN, they give all new possibilities to screw you sideways. And even if the files don't have DRM and they are of decent quality, they are still... non-existant. Bits on a hard drive, to be taken away by a whim of the user, computer crash, or something else that haunts digital data.
Physical release gives you something concrete. They are pretty stable, they fill up your bookshelf quite nicely. They offer cover art - even if it's not the vinyl kind - and more than that, they actually give you a sense of possessing something.
So, I've taken a habit of going through the midprice section at local supermarkets, and ordering some CDs every once in a while, to keep my shelves filled and to, at least in some small ways, support my favorite musicians.
Keeping that in mind, I browsed through my collection and realized something: over the past year or so, I've bought over 80 CDs! Some are singles, some are collections, all of them have had significance. There are some clearly defined groups in my list of purchases.
The old reliables
The Beautiful South - I got introduced to them in the beginning of the 90's, and I've always liked them. I probably didn't understand much of the lyrics, but that didn't matter back then. I got some albums from the library, but during the spring I've actually bought most of the albums for myself.
CMX - I've listened to CMX for quite some time, starting from the early punkish records. They steered me away from it for a long time; I thought it was just artsyish noise. Surprisingly, though, once I got to listening their newer material, I've also started to enjoy the older albums. I replenished my collection with most of CMX albums last year, but I'm still missing the oldest ones.
Faith No More - Easy.
J. Karjalainen - One of the great Finnish lyricists. Some could say he's an institution, and he is, but that doesn't mean he's chiseled in stone. His latest album proves that -
Lännen-Jukka is something that not many artist could pull off.
Kolmas Nainen & Pauli Hanhiniemen Perunateatteri - Probably unlike most fans, I never really got into the Kolmas Nainen boom, even though I was in ripe age for that. I first started listening Perunateatteri, and that in turn reintroduced me with Kolmas Nainen. Both have been on my playlists ever since. My latest purchases included some Perunateatteri singles that complete my collection more than actually give anything new to listen - just shows how irrational it is, sometimes.
Queen - The first band I really Listened. It started somewhere between
Miracle and
Innuendo, I was about fourteen and realized this is the best music there is. Best there ever will be. I bought just about all of their albums as vinyl records, and lately I've bought some of them as CDs. I haven't had any reason to change my opinion.
Viikate - Finnish melancholy combined with melodic power chords. I'm more fond of the older material, but the latest albums have found their way into my shelf as well.
YUP - The other three-letter-band. To me it's the more significant one, too. In addition to their newest album
Vapauden kaupungit I've also managed to grab a few EP's and two compilations that I didn't have previously.
Familiar by relation
Hehkumo - Pauli Hanhiniemi turned into folk music, and I turned with him. I liked their first album, but
Aukkoja Tarinassa really convinced me. Not in small part because of the incredible gig I attended.
Herra Ylppö & Ihmiset - I've listened to the "original band",
Maj Karma, but most of their material just isn't for me. Their alnbum
Ukkonen was something of an eye-opener, though, and Ylppö's
Sata vuotta rubs the same nerve from a slightly different angle.
The Housemartins - I never realized
Paul Heaton was member of The Housemartins. For that matter, I never realized
Caravan Of Love was their song. Once I made the connections, I bought three albums, and I've been happily listening to them ever since. Bought the first Heaton solo, too, and I'll more than likely get the new one soon.
Jarkko Martikainen - His solo albums don't really sound like YUP, and that's a good thing. Not because YUP is bad (duh), but because he has quite significant story-telling skills, and different stories require different atmosphere.
The new ones
Fiona Apple - It just hit me. Actually this is sort of relation, since I noticed her voice in
Bridge Over Troubled Water. Her voice is distinctive and her songs are strong. What's there not to like? I started lightly by buying all three albums after listening part of
When the Pawn...
Audioslave - I never really liked
Soundgarden, even if I tried to. It just seems too generic. Audioslave, on the other hand, sounds powerful from the first note.
Dream Theater - Well, yeah. When a friend is a huge fan, it's hard not to at least get to know the material. I still skip most of their 20-minute antipop tunes, but I actually liked just about every track of
Systematic Chaos. Does that mean they're selling their souls?
Kotiteollisuus - Not that new, really, but I haven't actively listened to them before. I guess the heavy metal pummeling slowly softens me.
Kuha. - Hard to describe this one. They have a humorous attitude into music, but unlike some humor bands, they actually know how to play. Songs are weird, in a positive way, and if you get tired of that joke, there's still the music in itself.
In addition to these there's a bunch of random albums from different artists. One thing stands out, though: I'm getting more and more Finnish. Yeah, there's your regular row of
Led Zeppelins, Queens and
System of a Downs, but there's also hefty set of CMX, Kolmas Nainen,
Nylon Beat, Perunateatteri,
Sir Elwoodin Hiljaiset Värit,
Zen Café...
Getting back to buying the music. Even though I don't download music, I've taken pretty freely advantage of local libraries: most of the albums I've bought I actually already have as mp3s. In fact, I have a few albums still in wraps, because I listen to the files. I just like to have the physical media as well. Stupid? Probably. But maybe, just maybe, that's more common than record companies would like to think.