ssundell

Blog

RSS
  • Reinventing the band

    Set 7 2008, 12h34

    So, Metallica released their first single for the new album, and depending who you ask The Day That Never Comes is either brilliant return to glory or utter crap. It started me thinking on artists, their style and the necessity of reinventing the sound every once in a while.

    When CMX started, A. W. Yrjänä was an angry young man, member of Terveet Kädet, and their music reflected the HC punk past, combined with shamanism, religious concepts and obvious intellect - or at least resemblance of it. The music as a whole pretty soon evolved something more complicated, but in some ways also easier to digest. It was enough to make the band change label. Every album since has had it's own sound, and Talvikuningas was, at least according to some comments by the band, motivated to some extent by the need to do something different "since no one else will". But even today every gig has a set of people that'd like to hear only the aggressive punk melodies from the early days.

    YUP has similar roots, and even though it may have stayed more true to its origins when playing on clubs, the albums have introduced a variety of styles from punk to simple, acoustic sounds and more complicated, almost symphonic instrumental weaves. The gigs are typically a blend of their entire career from the very early days to most recent developments.

    These are Finnish examples, but it's the same with Metallica: it started from thrash, honed it to perfection, and then turned into something completely different. That change also turned them truly popular, which is of course a bad thing. Later they've experimented with other styles with varying success, but all the same, they've managed to keep their own and the audience's interest up.

    I think that evolution is a key to lasting success. Even though the hardcore fans always seem to favor the early material, who would really want their favorite artist to stay the same? Something like Motörhead sounds the same to me from year to year, but it might be just that I haven't listened to them enough - would any artist really want to set their sound in stone and repeat the same clichés until the bitter end?

    Think about The Beatles. Would we remember them as we do, if they'd just done All My Loving and I Saw Her Standing There and then rested on their laurels? No Sgt. Pepper's Lonely Hearts Club Band, forget about Let It Be. Those are wonderful pop tunes of their day, but my guess they would've been forgotten a long time ago.
  • Keeping it physical

    Ago 15 2008, 9h51

    I got into a conversation about buying music the other day.

    Even though I'm engineer by nature, I've never been fond of downloadable music. I'm against piracy in principle, and against commercial downloads in practice. I think the makers should have their rights, and even if the record companies were dirty capitalistic bastards, that doesn't give individuals the right to do what they want. Of course everybody wants everything to be free, that doesn't mean they can act as if it's true.

    On the other hand, commercial downloads haven't actually been a viable choice either. They've been expensive, and restricted - and as we've seen with music services by Yahoo! and MSN, they give all new possibilities to screw you sideways. And even if the files don't have DRM and they are of decent quality, they are still... non-existant. Bits on a hard drive, to be taken away by a whim of the user, computer crash, or something else that haunts digital data.

    Physical release gives you something concrete. They are pretty stable, they fill up your bookshelf quite nicely. They offer cover art - even if it's not the vinyl kind - and more than that, they actually give you a sense of possessing something.

    So, I've taken a habit of going through the midprice section at local supermarkets, and ordering some CDs every once in a while, to keep my shelves filled and to, at least in some small ways, support my favorite musicians.

    Keeping that in mind, I browsed through my collection and realized something: over the past year or so, I've bought over 80 CDs! Some are singles, some are collections, all of them have had significance. There are some clearly defined groups in my list of purchases.

    The old reliables

    The Beautiful South - I got introduced to them in the beginning of the 90's, and I've always liked them. I probably didn't understand much of the lyrics, but that didn't matter back then. I got some albums from the library, but during the spring I've actually bought most of the albums for myself.
    CMX - I've listened to CMX for quite some time, starting from the early punkish records. They steered me away from it for a long time; I thought it was just artsyish noise. Surprisingly, though, once I got to listening their newer material, I've also started to enjoy the older albums. I replenished my collection with most of CMX albums last year, but I'm still missing the oldest ones.
    Faith No More - Easy.
    J. Karjalainen - One of the great Finnish lyricists. Some could say he's an institution, and he is, but that doesn't mean he's chiseled in stone. His latest album proves that - Lännen-Jukka is something that not many artist could pull off.
    Kolmas Nainen & Pauli Hanhiniemen Perunateatteri - Probably unlike most fans, I never really got into the Kolmas Nainen boom, even though I was in ripe age for that. I first started listening Perunateatteri, and that in turn reintroduced me with Kolmas Nainen. Both have been on my playlists ever since. My latest purchases included some Perunateatteri singles that complete my collection more than actually give anything new to listen - just shows how irrational it is, sometimes.
    Queen - The first band I really Listened. It started somewhere between Miracle and Innuendo, I was about fourteen and realized this is the best music there is. Best there ever will be. I bought just about all of their albums as vinyl records, and lately I've bought some of them as CDs. I haven't had any reason to change my opinion.
    Viikate - Finnish melancholy combined with melodic power chords. I'm more fond of the older material, but the latest albums have found their way into my shelf as well.
    YUP - The other three-letter-band. To me it's the more significant one, too. In addition to their newest album Vapauden kaupungit I've also managed to grab a few EP's and two compilations that I didn't have previously.

    Familiar by relation

    Hehkumo - Pauli Hanhiniemi turned into folk music, and I turned with him. I liked their first album, but Aukkoja Tarinassa really convinced me. Not in small part because of the incredible gig I attended.
    Herra Ylppö & Ihmiset - I've listened to the "original band", Maj Karma, but most of their material just isn't for me. Their alnbum Ukkonen was something of an eye-opener, though, and Ylppö's Sata vuotta rubs the same nerve from a slightly different angle.
    The Housemartins - I never realized Paul Heaton was member of The Housemartins. For that matter, I never realized Caravan Of Love was their song. Once I made the connections, I bought three albums, and I've been happily listening to them ever since. Bought the first Heaton solo, too, and I'll more than likely get the new one soon.
    Jarkko Martikainen - His solo albums don't really sound like YUP, and that's a good thing. Not because YUP is bad (duh), but because he has quite significant story-telling skills, and different stories require different atmosphere.

    The new ones

    Fiona Apple - It just hit me. Actually this is sort of relation, since I noticed her voice in TocarBridge Over Troubled Water. Her voice is distinctive and her songs are strong. What's there not to like? I started lightly by buying all three albums after listening part of When the Pawn...
    Audioslave - I never really liked Soundgarden, even if I tried to. It just seems too generic. Audioslave, on the other hand, sounds powerful from the first note.
    Dream Theater - Well, yeah. When a friend is a huge fan, it's hard not to at least get to know the material. I still skip most of their 20-minute antipop tunes, but I actually liked just about every track of Systematic Chaos. Does that mean they're selling their souls?
    Kotiteollisuus - Not that new, really, but I haven't actively listened to them before. I guess the heavy metal pummeling slowly softens me.
    Kuha. - Hard to describe this one. They have a humorous attitude into music, but unlike some humor bands, they actually know how to play. Songs are weird, in a positive way, and if you get tired of that joke, there's still the music in itself.

    In addition to these there's a bunch of random albums from different artists. One thing stands out, though: I'm getting more and more Finnish. Yeah, there's your regular row of Led Zeppelins, Queens and System of a Downs, but there's also hefty set of CMX, Kolmas Nainen, Nylon Beat, Perunateatteri, Sir Elwoodin Hiljaiset Värit, Zen Café...

    Getting back to buying the music. Even though I don't download music, I've taken pretty freely advantage of local libraries: most of the albums I've bought I actually already have as mp3s. In fact, I have a few albums still in wraps, because I listen to the files. I just like to have the physical media as well. Stupid? Probably. But maybe, just maybe, that's more common than record companies would like to think.
  • Mobilization on the way

    Mai 11 2008, 10h44

    Summer has begun, and so have my rollerskating days. After a few rounds I've come to the conclusion that it's time for a new MP3 player. My Gmini is great for what it was bought for - as an auxiliary storage for digital camera photos - but it really isn't suitable for rollerskating. Vibrations are too much for the hard drive, and I'll end up breaking it if I continue using the player.

    So, it's time for a flash-based device. Any suggestions? Currently my requirements are pretty simple:
    • Play MP3s. Anything else is plus, but good ID3 support would be great.
    • Scrobble. There are options for this, so I see no reason to choose anything that doesn't handle last.fm connections.


    Size could be anything from 2GB to 8GB or up, I don't really care as long as there's space for a few hours of music and refilling is easy.

    I guess iPods are the norm here, and something like Nano would fit my pockets well and it isn't ridiculously pricy. On the other hand iPod usually comes with iTunes, which doesn't exactly make me break out in songs of joy.

    On the other hand, I'll be traveling with my mobile phone in my pocket in any case; I'm using Nokia Sports Tracker to track my speed and distance. So combination of a mobile phone and Mobbler would be an optimal solution, if it only works. Does anyone have any experience in using Mobbler and the Nokia S60 player regularly, preferably with some other applications running in the phone at the same time?

    Are there other choices, small, light and scrobbling?
  • Hehkumo did the trick

    Abr 24 2008, 20h06

    Wed 23 Apr – Hehkumo

    I was somewhat hesitant about this gig. The new album - Aukkoja tarinassa - has been out for about a week now, and all I had heard from it were the few cover tracks. However, since Pauli Hanhiniemi is one of my favorite singers and songwriters, and I liked Hehkumo's first album, I thought I could do worse with my time.

    About twenty minutes to the gig I realized this is perhaps the best event I'll attend this year. So I didn't know the new songs - big deal! My foot was tapping from the get-go, I was straining my ears to hear every syllable of the lyrics, every whine of the accordions.

    It may be Finnish folk music, but forget about the Kalevala skullcaps. This is living, breathing, modern music. Clever lyrics that even have something to say, combined with catchy compositions.

    And all this was performed by a bunch of talented musicians who seemed to enjoy themselves. Short introductions filled with puns did well to bring the audience closer. On more tender tunes people waited until the last breath, before erupting in applause.

    The venue, Yo-talo, is quite small, and the people in the audience were of all ages, so that might have something to do with the atmosphere: people were there to listen the music, it was the main event, not just background noise and an excuse for drinking in the middle of the week.

    The new album is good. Live performance is better. If you have the opportunity, run, don't walk, and get the tickets already.

    PS. And no, I don't like the Pauli Hanhiniemi & Hehkumo thing.