LondonLouis

Ageing music lover who had the luck to start listening to music at the time of Rock Around the Clock (OK, being honest, I do remember the pre-Rock era of "How much is that doggie in the window" and the likes of Frankie Laine - and disgusted aunts actually stopped me buying Bill Haley). Bought early skiffle records (the Vipers) and Sidney Bechet (who turned me on to trad jazz). The Beatles exploded in my second year at University, and no one who didn't live through this period can imagine the excitement as the Beatles went global, and were joined on a weekly basis by the Stones, the other Liverpool groups, the Animals, Motown, Phil Spector, Dylan et al - and a large part of the music which emerged in that 1963-5 period has remained eminently playable. Moving to Manchester in the mid-1960s, I shared a house with a guy called John Pilgrim, the washboard player from the Vipers(see above). He was one of the generation who had grown up in London's Soho in the 1950s, when people like Ken Colyer worked the Atlantic liners, bringing rare records back from New Orleans and New York. John had an encyclopediac knowledge of the jazz and blues scene. Since he was into the Manchester folk/jazz scene, I would regular return from a night out to find an elderly American blues singer or a folk group in my bed. People like Sonny and Brownie, Arthur Big Boy Crudup and Martin Carthy all passed through during this era. Later, in the 1980s, I filled in a lot of gaps with the incredible boxed sets which the Franklin Mint put out on Jazz (60+ Vinyl discs, put together with immense scholarship), the Band Era and Musicals. It was these collections which alerted me to relatively obscure talents such as the Claude Thornhill band and fun groups such as Bob Crosby's BobCats. Obviously, old timers like myself envy the ease with which everyone can now range easily across all musical boundaries thanks to institutions such as last.fm. As it is, I'm sitting here looking at a wall of shelves containing 1500 vinyl albums, which basically sum up my tastes from ages 25-35. I still miss the visual excitement of picking out one of the great album covers, pulling the disk out, lowering the needle and then browsing the album notes as the tracks played in the sequence the artists intended. Happy Days!
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Incidentally, just a note on why I'm hooked on last.fm, despite the fact that it has its rough edges (some misattributions of tracks, and the substitutions of inferior alternative takes). Obviously, if what one wants to do is spend a day sampling the output of a handful of artists, other sites allow you to do that much more freely.

However, I am naturally curious, and this is where last.fm comes into its own. Quite deliberately, I am using this site to delve into all kinds of musical strands, a lot of which I didn't know existed a couple of months back (try "Shoe Gazing" or, what I am playing as I write this, "Raga-Folk").

I quickly hit the 500 artist limit, beyond which last.fm's charts don't do rankings (though my library keeps expanding). Although I've listened to a lot of the established greats (Ellington, Armstrong, Dylan, Clapton et al), I've been randomly exploring the whole of my play list, paying most attention to artists in the lower half of it. I'll play the radio of any artist I alight on, often then going on to explore artists in their networks who catch my attention. In some cases, I pick on a tag and explor that (through the "play radio" option). Today, I've done this with "electronica" - which didn't grab me too much - and then with "raga-folk" which has brought a lot of new, talented guitarists to my attention.

I've poked around the playlists of "Neighbours", and I've also followed up links with people who have delivered particularly interesting shouts. Having taken out a subscription to last.fm (which is relatively cheap), I can fully explore their lists, and I'll sometimes play their radios too. (I'm aware that people who don't have a subscription have less freedom to do this, so I'm happy to sign up as a Friend - though my play list will sometimes seem to go in very strange directions)

All this means that for every three tracks I'm playing, I'm picking up around one artist I haven't played before. Obviously, there will be a proportion of rubbish amongst what I'm listening to. Following tags can introduce one to some very weird connections. However, whenever I start off with a serious artist, I am genuinely led to quality, if lesser-known figures.


Funnily enough, I haven't used last.fm's recommendations very much. However, I am seriously impressed with how last.fm works. It's continually bringing me to great music - some of which I've been aware or, but equally often, I've been delighted to discover.