Here are some music wot I liked this year.
Animal Collective - Merriweather Post Pavilion / Fall Be Kind EP
Animal Collective "started the year off with a bang." Literally for me as I listened to Merriweather for the first time as I saw in the new year under the lights and fireworks of Hyde Park. They basically perfected their sampled-pop-psychedelia, and became bigger than ever, topping numerous best of year lists. Towards the end of the year they also released the Fall Be Kind EP which was great but sort of more of the same, not counting the weirdo hobbit-dance that is the second half of "Graze".
Atlas Sound - Logos (Kranky)
Deerhunter called it a day this year, but Bradford released his latest solo effort to much acclaim. Despite him accidentally leaking an unfinished version of the album in August, I didn't really get around to it until the end of the year, but his breathy paen's are perfect for these bright winter days. He also treated us to a picture of him without his shirt on, and that's... umm... yeah.
Brainworms - Brainworms II: Swear to Me (Rorshach)
Awesome punk/grunge band who put to shame all of the current trend of hardcore revivalists and hipster punk outfits. Amazing guitar tones, clever lyrics, and just straight up fun as hell.
El Grupo Nuevo De Omar Rodriguez-Lopez - Cryptomnesia (Rodriguez-Lopez Productions)
The Mars Volta fired their 4th drummer this year. In an obvious move to avoid any further Spinal Tap-isms, Omar enlisted the apparently indestructible Zach Hill and co. for this Hella/Mars Volta mind-meld, and yet still for some reason decided to name it after himself and put himself on the cover, and release it on his own label (named after himself, of course). The result is a claustrophobic clusterfuck of potty-mouthed psychedelic punk that'll probably leave you more bemused than anything else, at least on first listen. There are two more albums with this line up yet to be released.
Emeralds - Emeralds / What Happened (No Fun)
Emeralds are one of my favourite discoveries this year, even though these two major releases are far from their best I.M.H.O. Synth drones, tape-hiss and guitar loops combine to make beguiling ambient, almost sci-fi textures that are good for zoning out, reading, ETC.
Evangelista - Prince of Truth (CST)
The second album from Carla Bozulich's Evangelista project is too similar to their first, but maybe that's the curse of being on Constellation (scoff, chortle, snort, etc). But, just in case you really dig broken, half-sung songs and getting yelled at for EVERY TIME SOMEONE DID HER WRONG, Carla & her friends have made another record just for you. The artwork is amazing this time too.
Kidcrash - Snacks (Denovali, Init Records)
These four friends are still having fun making tappy-mathy-hardcore in their basement or garage or wherever, touring in a little van and sleeping on peoples sofas, but did a much better job of recording it and made a much more cohesive record than their last.
Krallice - Dimensional Bleedthrough (Profound Lore)
\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/
New York tech-metal geek-squad Krallice got serious on their second album and packed in an hour and 20 minutes of brutal, punishing, endlessly inventive math-metal. The first album was great too, but they brought so much new stuff to the table this time that by comparison it seems monotonous. Just don't call them Black Metal, coz Burzum is out of Prison and he's PISSED.
Kreng - L'Autopsie Phenomenale De Dieu (Miasmah)
I've no idea really where this record came from and who's involved or anything, I just stumbled across it online one night when dazed and unable to sleep and noticed the album cover on a blog. It's a mish-mash of modern classical composition, sampling and electronics, though it's often hard to tell what's what. The whole thing is obviously very conceptual, with parts of speech, overheard phonecalls and creepy atmospherics, which makes it perfect for a noir-esque, middle of the night on headphones type of listen.
Magik Markers - Balf Quarry (Drag City) / Shame Mask EP (Self-released)
Magik Markers got more stoned than ever this year and completed their transition from fuck-off noise rock to fuzzed-out blues and psych on their second album for Drag City. They also self-released a few tour-only CD-R's of weirdo improv, of which the Shame Mask EP was probably the best, if only for the mammoth destructo-jam that is the untitled 30-minute closer.
The Mars Volta - Octahedron (Universal)
The Mars Volta fired a few members and stripped back to a much more palatable six-piece for their fifth LP. Whilst opener 'Since We've Been Wrong' was something of a throwaway Led Zeppelin ballad, they otherwise made refreshing use of space and made a record which was (comparitively) more straightforward. The songs are all linked by a crystalline drone that runs throughout the album, and all the songs appear out of it as if from the ether.
Mastodon - Crack the Skye (Reprise)
Hawkwind much? Conceptual prog-rock-crust-punk rules OK.
maudlin of the Well - Part the Second (Self-released)
In the absence of new Kayo Dot material this year (shakes fist), main-man Toby Driver got his old band back together to record some old songs that they'd never put to tape. The divide between the two bands is something of a grey area anyway, and this feels more like Kayo Dot recording motW songs, especially as it features Kayo Dot violinist Mia Matsumiya so heavily. Basically what that means is that is has all the awesome light and airy prog-metal goodness, but no bad death metal growling, and guitar soloing kept to a minimum. Bonus. It was totally fan-funded and as such, you can download it for free at
http://www.maudlinofthewell.net/
OM - God is Good (Drag City)
Is a two-man band still a band when one of them quits? Remaining bassist/vocalist Al Cisneros could be accused of flogging a dead horse by continuing with Om's signature sound with a new line-up. He enlisted Grails' drummer, a Tambourist and a flautist to spruce things up a bit, though not surprisingly it still sounds exactly like Om. Super-stoned, spaced out and faux-mystical as ever. Steve Albini recorded it again it so you know it sounds awesome, the drums especially, and when they finally kick in on the huge opening track, you'll be groovin'.
Omar Rodriguez-Lopez - Solar Gambling / Xenophanes (Rodriguez-Lopez Productions)
Yet more Omar. What sets these two apart from his other 8 million albums this year is that Omar himself and his beau Ximena Sarinana handle all the vocals, Omar taking the lead on Xenophanes and Ximena on Solar Gambling. Focusing more on straight songwriting, and with the bulk of tracks having vocals, they feel more like complete albums and less like side projects and guitar solo practice for Mars Volta albums than most of his other solo releases. Solar Gambling particularly feels like one of his strongest out of his many, many releases.
Pissed Jeans - King of Jeans (Sub Pop)
The monotony of your boring workaday life never sounded so good. See lyrics to ''Spent''.
Polvo - In Prism (Merge)
I'd never really been into Polvo, especially after seeing a lacklustre live show when they first reformed, but the first new album in over a decade by these apparent math-rock pioneers has them sounding super fresh and inventive. The sheer riffage on Beggar's Bowl should be enough to convert anyone to the cause, if you can stand the college rock vocals. If Explosions in the Sky have ever done anything worthwhile, it's convincing this band to get back together.
Shrinebuilder - Shrinebuilder (Neurot)
Om wasn't the only band that Chris Hakius quit this year. In fact he quit music altogether and Dale Crover of Melvins fame took over on drums to complete this uber-metal supergroup. The music is somewhere between the obvious - Om, Sleep, Neurosis et al - but with the SpaceEcho turned up to 11 (see artwork, song title "Pyramids of the Moon"). I still can't decide whether I actually like it or not, but it's definitely an interesting listen, and there's a lot more to it than just stoner rock.
Six Organs of Admittance - Luminous Night (Drag City)
2009 was the year I remembered how much I loved Ben Chasny's Six Organs. I haven't seriously loved an album of his since 2005's School of the Flower, and he's so prolific that I inevitably lost track of everything he's been releasing. I guess I got burnt out on the whole new wave/freak-folk thing, as most did, and this unfairly got swept along with it. Looking back, I'm not sure how I missed 2007's awesome Shelter From the Ash, but I tried to make up for my loss this year. His latest, as Pitchfork rightly pointed out, feels a bit like a Best of, but with improved sound quality, and no 20-minute freak-outs. That said, it's still a solid album, it just feels like a bit phoned in, though I am a sucker for a psychedlic flute solo.
Slayer - World Painted Blood (Sony)
fuuuuuuuuuuuuuuuuuuck
god hates you
kill your parents
hate the government
spread a little hate
kicksnarekicksnarekicksnarekicksnarekicksnarekicksnare
\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/\m/
wooooow-weooooooooown
(solo)
William Basinski - 92982 (2062)
92982 is another release culled from cult ambient hairdo-weirdo William Basinski's apparently vast archives of tape loop experiments. This one finds him playing with loops in his New York loft (on 09/29/82, incidentally) but also allowing the sounds of his surroundings - people, sirens, birds, etc. to become squashed and distorted in the mix. The result is an intoxicating mix that sounds like the end of summer, more steeped in nostalgia than his usual deeper melancholy. He will also release Vivian & Ondine before the end of the year, which judging by the preview will also be awesome.
Wolf Eyes - Always Wrong (Hospital Productions)
Wolf Eyes destruction of music continued unabated in '09. I've given up trying to follow every cassette tape and outbid Henry Rollins for a 7" that was limited to 13 copies on eBay, but their LP's are always gold. Amidst the layers of destruction, these "songs" almost have beats, even if accidentally. The title track is up there with some of the best stuff they've done, and the creepy, not-squealed vocals give the album something of a Throbbing Gristle-esque edge.
Wolves in the Throne Room - Black Cascade / Malevolent Grain EP (Southern Lord)
I'd say that Black Cascade is WITTR's most ferocious album yet. Those who enjoyed their more ethereal sound on 2007's Two Hunters were most likely put off by how tribal and trance-like this album gets, often finding a theme and playing it to the hilt. The accompanying Malevolent Grain EP by contrast featured their most conventional song yet, featuring choruses of ethereal female vocals in something of a black metal ballad.
YOB - The Great Cessation (Profound Lore)
The album is a behemoth of super-slow, evil as fuck doom metal. It's my first exposure to them, but I plan to check out their previous band Middian too, coz this rules. Three of the five songs run over the 10 minute mark, and run to over an hour of crushingly heavy epic riffage.
Worthy mentions:
Fever Ray - Fever Ray
Antony & The Johnsons - The Crying Light
Axolotl - Of Bonds in General
Future of the Left - Travels With Myself and Another
Trail Of Dead - Century of the Self
Gnaw Their Tongues - Rend each other like wild beasts, till earth shall reek with midnight massacre
Arctic Monkeys - Humbug
Disappointments:
BLK JKS - Robots
Espers - III
Pyramids with Nadja - s/t
Sonic Youth - The Eternal
Xasthur - All Reflections Drained
Dalek - Gutter Tactics
Sweet.