To tie in with our next show the Arctic Circle are giving away a free remix of 'Katherine cove'.
Also included in the download is a track by the Andromeda Mega Express Orchestra and a remix of the Notwist by Grizzly Bear.
You can download these tracks by going to http://www.jointhecircle.net/freeep/12december.zip
We are very excited to be playing our last show of 2009 supporting The Notwist and The Andromeda Mega Express Orchestra at the Union Chapel in London on the 12th December.
Doors are at 7pm. We will be onstage at 7.45 pm.
On the 26th Feb 2010 we will be appearing at The Bubbly Green and Blue, 'a four-day festival of eclectic ‘water music’ influenced by shipwrecks, rivers, waves and lighthouses…' at King's Place, London.
Our show will combine the music of Catchers and The Sleeping Years with members of both bands appearing alongside a five-piece brass section. The songs will be performed in special arrangements by John Jermy and Nick Drake-collaborator Robert Kirby.
Tickets are on sale now with very limited SAVER SEATS available online at £9.50 for all concerts. Prices (unless stated otherwise): £24.50, £19.50, £15.50 Premium seats available. http://www.kingsplace.co.uk/music/weekly-themes?theme=102
–Haveyoueverbeenallmessedup?–
I told her no and put off the phone. I hanged myself upside down as I remembered that Special Anget Dale Cooper did once and started staring through the window.
People’s movement lines seemed like bird’s flight paths, and for a moment I felt like flying up (or down) to this not blue sky, but I had to postpone my plan and take myself down, because my nose was starting to bleed again.
Today there are still some blood drops stains on the parquet…
¿Alguna vez has estado tan hecho un lío?
Le dije que no y colgué el telefono. Me colgué bocabajo como recordaba que hizo el Agente Especial Dale Cooper una vez y empecé a mirar por la ventana.
Las líneas del movimiento de la gente parecían trayectorias de vuelo de los pájaros, y por un instante me apeteció subir (o bajar) volando hasta estrellarme en ese cielo nada azul, pero tuve que posponer mis planes y descolgarme, pues ya empezaba a sangrarme la nariz de nuevo. Aún hoyhaymanchasde gotasde sangreen elparqué…
Traducida al español a continuación. One with the Freaks
You'll no longer be kissed and kind,
as you long for intuition,
as you have to learn the lesson twice.
You'll no longer be kissed and kind,
as you long for intuition,
as you have to say the password twice.
Have you ever,
have you ever,
been all messed up?
Have you ever?
You're the pin card,
you're the lifeguard,
you're the information guy,
but things look much bigger
on your knees, on your knees.
Miss the signal,
miss the signpost,
lose the access to it all.
And all of a sudden
you are one with the freaks.
Have you ever,
have you ever,
been all messed up?
Have you ever?Uno más entre los "freaks"
"Ya no serás besado ni amable,
cuando añoras la intuición,
cuando tienes que aprender la lección dos veces.
Ya no serás besado ni amable,
cuando añoras la intuición,
cuando tienes que decir la contraseña dos veces.
¿Alguna vez has,
alguna vez has,
estado tan hecho un lío?
¿Alguna vez lo has estado?
Tú eres la tarjeta PIN,
Tú eres el salvavidas,
Eres el chico de la información,
pero las cosas parecen mayores
en tus rodillas, en tus rodillas.
Pierdes la señal,
pierdes el indicador,
pierdes el acceso a todo.
Y de repente
eres uno más entre los freaks.
¿Alguna vez has,
alguna vez has,
estado tan hecho un lío?
¿Alguna vez lo has estado?"
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Well, it had to be done, and it's a handy excuse to go back and listen to all of these again. Limiting myself to one release per artist and with apologies to
Lawrence English, Sylvain Chauveau, Black Dice, Jan Jelinek, Jasper TX, The Wrens, The Unicorns and all the others I either forgot or didn't have room for, here's one way of looking at my favourite records of the decade:
1. Stars of the Lid - The Tired Sounds Of... (2001)
I can't think of another album in my adult life that has influenced the music I listen to more than this one, and it's fitting that it was released at the beginning of a decade that for me personally was a discovery of ambient music. Together with its successor, ...And Their Refinement Of The Decline, this is where I go when I get paralysed by the agony of choice. Like a Rothko painting, it appears from a distance to be simplistic, but when you stand and stare for a long while, it turns out to be as detailed as your own imagination. A soundtrack to thought.
2. William Basinski - The Disintegration Loops I-IV (2003)
From bohemian New York rooftops to drab and wintry Southwick chimney pots, but the spellbinding melancholic beauty of these records transcends circumstances and back stories. Condensation on windows, graffiti furtively scratched into plastic, long necklines and grids of railings. Just some of all possible worlds that exist in these loops.
3. Joanna Newsom - Ys (2006)
With courageously poetic and challengingly inventive lyrics set to the subtlest and most absorbing arrangements, Ys took a good few listens before you could stand back far enough to see the whole picture. I love the way her voice seems to have a different sound for almost every word on some stretches of this album, and I still find myself smiling at the wonderful rhymes, assonance and alliteration of the lyrics:
But walk a little faster
And don't look backwards
Your feast is to the East which lies a little past the pasture
When the blackbirds hear tea whistling, they rise and clap
And their applause caws the kettle black
And we can't have none of that!
Move along, Bear; there, there; that's that. Monkey & Bear
4. Machinefabriek - Marijn (2006)
This spot could have gone to one of about a dozen or so of his releases (including the fantastic Ranonkel, Dauw, Box Music with Stephen Vitiello and Drawn with Soccer Committee , such has been the prolific and consistently brilliant nature of Rutger Zuyderfeldt's output over the last 6 or 7 years, but, after over 1600 plays according to my lastfm stats, I might as well give it to the one which started it all off for me, Marijn. The most interesting experimental musician working today.
5. Deaf Center - Pale Ravine (2005)
Although this wasn't itself on the Miasmah label, it was made by its founder, Erik Skodvin (a.k.a Svarte Greiner) and seemed to me to be the father of a succession of fantastic albums (for example, from Elegi, Rafael Anton Irisarri, Jacaszek and Gultskra Artikler) that bore the label's trademark mixture of elegaic beauty and sinister sonic debris.
6. The Fiery Furnaces - Blueberry Boat (2004)
One of the most ambitious, entertaining and defiantly individual bands of the decade's finest achievement, Blueberry Boat is an out-of-control splatter-gun attack of ideas, characters and melodies.
8. Burial - Untrue (2007)
Darkly beautiful, like the glint of a knife.
9. Jacaszek - Treny (2008)
Electronics, samples. live strings and haunting soprano voices curl around one another in this heartbreaking album from last year.
10. Animal Collective - Merriweather Post Pavilion (2009)
This seems to be a divisive choice, but from where I am, a million miles away from the source and the chatter and the associations that surround the band, this completed a trio of flawless art-pop albums. It's kind of cool to hear a band who are into ideas like synthesis, harmony and family as well, a kind of.
You wanna do the same, put your Media Player or Itunes or whatever on random mode and let it play ! It sometimes can be funny or totally inappropriate...
Our new single 'Into sunlight' has been picked as the featured track today by industry website 'Record of the day'
ROTD say:
'The Sleeping Years' new single showcases the talent of what Word magazine described as 'one of our great off-centre songwriters' in Dale Grundle. But on Into Sunlight, taken from their forthcoming second album, the sound isn't off-centre – it's simply an exquisitely-arranged and joyous affair. Critical acclaim from Drowned In Sound, Word Magazine and The Guardian was forthcoming for their last album 'We're Becoming Islands One By One'. Radio support has previously come from Gideon Coe on BBC 6Music and 'France's answer to John Peel' Bernard Lenoir on France Inter.' JF
'Into sunlight' is available to buy now on limited edition 7" vinyl with four free downloads.
The digital tracks will be available on iTunes, emusic, amazon, etc.from the 2nd Nov.
Order the single from our website here: http://www.sleepingyears.com/shop
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To celebrate the launch of our new single we will be playing as a full band with added French horn and trumpet players at The Slaughtered Lamb in London on 11th Nov.
To celebrate the launch of our new single ‘Into sunlight’ The Sleeping Years will be playing as a full band with added French horn and trumpet players at The Slaughtered Lamb on 11th Nov.
‘Into sunlight‘ will be released digitally on the 26th Oct and on vinyl on the 2nd Nov. The limited vinyl edition features a free download and will be available at the show.
Frànçois came to Bristol from France in September 2003. He drew a picture and put a note in a window announcing his arrival, and asking people to make music with him. He started going to car-boot sales to find some instruments he could use. Overnight, Frànçois won the hearts of this town. Well of course, he’s a sweet kid, but he’s also armed with an eager sense of adventure and a keen taste for pop thrills.
In January 2004 he played his first live show, taking to the stage alone, making use of keyboards (played with his foot), a guitar, live samples and a drum machine, mixing playful and experimental ideas with his natural pop-tune sensibilities and sweet bilingual vocals. The string of live performances he has since played have all been eagerly anticipated and utterly charming. Musically, you could say he is reminiscent of Stereo Total, Velvet Underground, Hood, and FRANÇOISE HARDY and yet he is also like nothing else at all.
He has also played trumpet onstage with fellow Bristol bands Rozi Plain (Fence records) Movietone (Domino) and Crescent (Fat Cat) and Glaswegian Camera Obscura (4ad) and skateboard onstage with Headfall (Spazoom).
Through the promotion following the release of ‘Plaine Inondable’ on the french label Talitres Records and the british Fence records his music has been given the opportunity to be heard by a broader audience.
Catriona Irving is a tiny, blonde singer/songwriter based in London. For a couple of years she’s been building a reputation for her live show, playing at venues such as 93 feet east, the 12 bar Club and the Borderline, and supporting the Espers and Emilie Simon along the way. Combining clever lyrics and sweet melodies that stick in your head for days, with a sweet and witty live performance, Catriona has been making a significant mark on the DIY scene. Catriona is currently gaining a cult following in France with “Sitting on the Shelf without Shelly”, a song on her next EP out in Nov.
METRO: “An artist worth watching”
FACT: “An example of DIY Music at it’s best”
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Frànçois’ new album is due out in the UK on Fence Records on the 1st Dec and Catriona’s new single is due out on the 16th Nov.