Adele - Make You Feel My Love The Beatles - Something, Oh! Darling, Blackbird, Revolution 1, I've Just Seen A Face, Girl, In My Life, The Ballad Of John And Yoko, Real Love Calexico - Two Silver Trees, Quattro (World Drifts In) Chris Isaak - Wicked Game The Church - Under The Milky Way Cowboy Junkies - Sweet Jane The Cure - Close To Me DeVotchKa - Along The Way, New World Drive-By Truckers - Two Daughters And A Beautiful Wife Feist - The Water, Past In Present, 1234 The Go-Betweens - Streets Of Your Town Israel Kamakawiwo'ole - Over The Rainbow Jenny Lewis - Pretty Bird Jenny Lewis with The Watson Twins - Rise Up With Fists!!, Melt Your Heart, Handle With Care Joan as Police Woman - Real Life, Eternal Flame, The Ride, Flushed Chest, Anyone, Holiday, To Be Loved, To Be Lonely, Start Of My Heart Little Birdy - Into My Arms Little Red - So Long Lucinda Williams - Lake Charles Massive Attack - Teardrop Mazzy Star - Bells Ring (Acoustic Version), Fade Into You Midlake - Roscoe (Beyond The Wizard aka Erol Alkan & Richard Norris Remix) Neko Case - Deep Red Bells, Tightly, Look For Me (I'll Be Around), Stinging Velvet, I Wish I Was The Moon, Star Witness, Hold On Hold On, That Teenage Feeling, Lion's Jaws, Maybe Sparrow, This Tornado Loves You, Vengeance Is Sleeping, Never Turn Your Back On Mother Earth, Middle Cyclone, Magpie To The Morning, The Pharaohs The Pains of Being Pure at Heart - A Teenager In Love The Panics - Don't Fight It, This Day Last Year Phoenix - Too Young Pixies - Here Comes Your Man Rand and Holland - It's Alright Rilo Kiley - Silver Lining Ryan Adams - Two Sade - No Ordinary Love She & Him - I Should Have Known Better Sia - Breathe Me (Four Tet Remix) The Smashing Pumpkins - 1979 The Smiths - This Charming Man The Stone Roses - I Wanna Be Adored Stray Cats - Stray Cat Strut Talking Heads - This Must Be The Place (Naive Melody) The Watson Twins - Just Like Heaven Wilco - I'll Fight
I had to cut the first pick of songs down from over 10 hours of music to 5 hours, it sucked cause there so many songs i wanted to sneak in but there was no point, so i just picked the more well known/more appropriate stuff and leaned towards more of the fun side.
Andrew Bird - Noble Beast
Ruarri joseph - Both Sides Of The Coin
The Felice Brothers - Yonder is the Clock
Andrew White - Walk in Light
Gospel claws - Gospel Claws (EP)
Clem Snide - Hungry Bird
Iggy Pop - Preliminaires
The Victor Mourning - Fire Fire Demos
Larry Keel & Natural Bridge - Backwoods
Black Joe Lewis & The Honeybears - Tell 'Em What Your Name Is!
Alela Diane - To Be Still
Basket of Figs - Oh Eye, Oh Night
Bob Alunni - Thinking of Flight
Drew Nelson - Dusty Road To Beulah Land
The Morning Benders - Grain of Salt (EP)
Dan Michaelson & The Coastguards - Saltwater
Great Lake Swimmers - Lost Channels
The Decemberists - The Hazards of Love
Old School Freight Train - Six Years
Eilen Jewell - Sea Of Tears
J.Tillman - Vacilando Territory Blues
Kate Mann - Things Look Different When The Sun Goes Down
Jason Lytle - Yours Truly, The Commuter
Dave Matthews Band - Big Whiskey & The Crew Crux King
U2 - No Line on the Horizon
Heartless Bastards - The Mountain
Gurf Morlix - Last Exit To Happyland
James Taylor - Other Covers
Steve Earle - Townes
Richard Swift - The Atlantic Ocean
Alexi Murdoch - Towards The Sun
North Twin - Stronger At The Broken Places
Inneke 23 - Charcoal
David Grissom - 10,000 Feet
The Love Language - The Love Language
Daniel Ward-Murphy - Until the morning light
Chriss Sutherland - Worried Love
Danielle Ate the Sandwich - Things People Do
Ruthie Foster - The Truth According to Ruthie Foster
Charlie Winston - Hobo
The Handsome Family - Honey Moon
The Flatlanders - Hills And Valleys
Radio Moscow - Brain Cycles
Shemekia Copeland - Never Going Back
Neil Young - Fork in the Road
Dakota Suite - The End of Trying
The Pains of Being Pure at Heart - The Pains of Being Pure at Heart
A.C. Newman - Get Guilty
The Whitest Boy Alive - Rules
Karima Francis - The Author
Tom Caufield - The Times Are Never So Bad
His Name Shall Breathe - There Is an Earthquake Inside of Me
Ben Harper and Relentless 7 - White Lies For Dark Times
Romi Mayes - Achin In Yer Bones
Neal Casal - Roots & wings
Lance Mills - Wore Out Shoes
Oumou Sangare - Seya
Lene Marlin - Twist The Truth
Beirut - March Of The Zapotec / Realpeople Holland
Bruce Springsteen - Working on a Dream
Hello Wisconsin -EP
As we reach the midpoint of the year, I've been putting together a brief survey of some of my musical picks of 2009. It's a pretty loose assortment of tracks, sequenced in a way that appeals to me rather than as a way of expressing any overall preference.
In case anybody's interested, here's what I wound up with. A 20-track compilation that could be tentatively titled "Year of the accordion", I guess.
Apocalyptic is a word which sits well with the Handsome Family. The haunting traditional melodies of their songs are overlaid with words about loneliness, death and decay, in which birds (particularly birds), paper cups and urban desolation come to symbolise the transience and fragility of human existence and the ultimate victory of nature. And there has been something slightly apocolyptic about both times I have seen the band play in Leeds.
The first time was back in 2000(?) at Maguires on New York Street. A lorry driver's strike had caused a fuel shortage and for a very strange period of around 48 hours, it seemed as if the country might be on the verge of collapse.
This time, political turbulence was provided by the MP's expenses scandal and the air of apocalypse augmented by the kind of thunderstorm which brings premature night and sees the sky torn in two by mile-long streaks of lightning.
The big difference betwen the two shows was the number of attendees. Back in the day, the Family was little known in this (or probably any) country and barely twenty souls were there to watch them..Today, it seems, they are huge and the excellent Brudenell struggles to accommodate their throng of enthusiasts. So dense is the crowd, in fact, that my partner and I listen to the first half of Liz green's set whilst watching rain water evaporate off the back of a fat man's Tshirt.
As interesting as this is, it is something of a shame, because, when we finally tear ourselves away from the spectacle and force our way front of the crowd, Liz Green turns out to have been well worth the bruises we sustained in getting there. She's kind of gawky looking, an effect she achieves, in part, by wearing a plaid dress with a white, buttoned collar and, in part ,by everything else about her. She plays little jerky songs, which she accompanies with folky, finger-picking guitar and which she sings in a warbly, slightly nasal, yet strangely powerful voice. She ought, by rights, to be about 90 years old and to have grown up in the coal-mining part of Kentucky with an idiot brother called Deak. She also has a shadow theatre ("I have shadows. They haunt me.") and her CDs come in little cloth bags which she may well have sewn herself. She's quirky. In a good way. You never saw the like of her, I can vouch for that.
Rennie ( the female half of the Handsome Family) must be one of my favourite people in the whole world. I used to be on the band's mailing list and, when I wrote to her, she always wrote something funny back. She's honest, modest and, well, just plain nice, in a way which rehabilitates the word and makes it something noble. Her gentle banter with husband Brett (a charming, lurching bear of a man with a fantastically mournful voice) and her wry and surreal asides create an instant intimacy with the audience which transcends the setting (i've seen her do it at Manchester University and I'm confident she could bring life even to the dreaded Faversham). She sings harmonies, plays autoharp, bass and melodica and OK, so I fancy her, that's not a crime, surely?
Tonight, any way, the band are on cracking form. Their sound is bossted by an additional guitarist and a drummer and they seem to have grown in confidence musically, giving an extra bit of verve and swing to old favourites such as "Weightless" and "So much Wine". The set is dominated by songs from their new album "Honey Moon", which on this evidence, is even better than its predecessors and Brett is particularly clumsy, sweaty and beaming and the rain and collapsing government and credit crunch and global warming all seem like good things in a sad and poignant and cosily shambolic way. A member of the audience had earlier requested a song whose name I forget about saying goodbye to all of the animals you have accidentally killed in amusing ways and this is an excellent choice and the final encore is "Don't be Scared" which is my favourite HF song.
Boah, der Frühling hat echt langen Atem diesen April, wo ist denn das berümte April-Wetter? Nicht, dass wir's vermissen würden, aber da wird uns ja Angst und Bange mit Blick auf den Mai. Aber lassen wir das und widmen uns lieber unserem kleinen wöchentlichen Update.
I worry. Are these lists getting predictable? And is that necessarily a bad thing? Wouldn't it be bizarre to have ten completely new artists on each new list? That's not taste, that's just diversity for its own sake. Nonetheless, I'm running out of things to say about the Ramones.
The fact that this project is not a snapshot but a trajectory might just save it; I am counting on having new things to talk about as I proceed. But yeah--this thing is still impossible to imagine finishing. I'm only going to do it as long as it's fun--otherwise I'm Sergeant Major, marching up and down the square:
Counting the intro piece, this is the 19th of these silly little lists. Only 200-odd silly little lists left to go! At this glacial pace, that means I'll be finished sometime early in the 2020s, by which time music will be obsolete. Also, lists will be horribly unfashionable. Especially ranked lists, with their authoritarian and anti-inclusive bias against the vast array of things that aren't on the list. Good God, what a minefield. I have probably already caused someone offense merely by broaching the topic. My insensitivity knows no bounds.
NOTE: Index is coming soon.
The Top Ten Songs at 3:29
1)Gardening at Night--R.E.M.
Stipe’s holy haunted altar-boy falsetto floats over Buck’s sunny jangle; the benefit of the mumbly vocals and oblique lyrics is to reap the rewards of sounding earnest without having to actually commit to being earnest about something in particular.
2)Tiger Mountain Peasant Song--Fleet Foxes
My primary reservation about Fleet Foxes, the thing that keeps me from loving them unconditionally, is their too-heavy reliance on 70s soft folk influences: they feel too sanitized. But this one is a quiet fire, the softness just barely containing a despair that threatens to burst the song's construction. A strong traditional verse/chorus gives way to coda that implodes the lyrical abstractions to reveal an intensely personal confession: “Jesse, I don’t know what I have done. I’m turning myself into a demon.”
3)Regenisraen--Game Theory
Here is some Christmas music I can really get behind. The lyrics only barely mention Christmas, but it has a beautifully melancholic wintry feel, the choral harmonies evoking a spiritual awe like a more existential "O Holy Night." Let's get this in the Christmas music rotation!
4)Memories Can't Wait--Talking Heads
Indicator of high album quality: often when a random song from Fear of Music comes up in a mix, I think “This is surely the best song on this record.” This hallucinatory yawp suggests an acid trip that won’t end, or perhaps the world of a catatonic, or simply someone so traumatized that he is unable to stop reliving what he has already experienced, which is unsettlingly close to normal and universal human experience.
5)When We're Dead And Gone--The Moaners
I love musical collisions, such as this sweaty old slide and harmonica electric blues topped with a sweet girl group melody about death.
6)No More Heroes--The Stranglers
In answer to the question, well, Bono came along, and the world lived in peace and harmony under his benevolent rule.
7)Down in the Valley of Hollow Logs--The Handsome Family
A thematic/stylistic collision here, as the dissonance of a science fiction apocalypse merges with a stately murder ballad. Two lovers laying in the grass poetically profess their love for each other, then commit suicide in anticipation of what seems to be a nuclear holocaust. It begs the question of what meaning a suicide pact has when death is already imminent and certain; I suppose it’s about volition, and the idea that insane romantic gestures actually make sense under those conditions.
8)Amelia--Cocteau Twins
Regardless of what Liz Fraser may actually be singing about, for me the Cocteau Twins have always been primarily about sex, or at least its romantic abstraction. All those trills and lush orchestration, y'know? Yes, actual sex is a bit dirtier and gruntier, but this is what it sounds like when the endorphins throw a gauzy tent over all that mammal lust.
9)Nothing Is True--The Jim Carroll Band
Jim Carroll’s junkie poetry thinks it’s cooler and smarter than it actually is, but his band’s lean twin-guitar attack is cool enough, borrowing Television’s tough melodicism and playing it faster.
10)She's a Sensation--Ramones
The Ramones at their most pop-friendly, which is pretty friendly indeed. Such a shame radio did not agree at the time.
The Most Annoying Song at 3:29
Only a Pawn in Their Game--Bob Dylan
This lame explanation of why poor whites don’t share a “class consciousness” with their brothers is the nadir of hippie philosophy, espousing the dangerous idea that individuals are not responsible for their actions. It posits governors and law enforcement as puppet masters, but didn’t they grow up in the same culture? How do they deserve blame if these other folks can’t think for themselves? When you defend “pawns” with this paternalistic, patronizing bullshit, you rob them of their volition and humanity. Boo.
Now you can march up and down the square with me, unless there's something else you'd rather be doing. Off with you, then.