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One year of Beatles.
Nov 20 2008, 20h11 por Guidoble
Almost exactly one year ago (somewhere this week) I actively started listening to The Beatles. Of course, I knew who the Beatles were and had heard their music, but I never bothered to really listen to this little band from Liverpool.
My earliest memory of a Beatles song is "Ob-la-di, Ob-la-da". Back then I didn't know it was a song by them. Back then I didn't know any band, really.
I was about 7 or 8 years old, still in primary school. I remember singing this song a few times, along with "Drunken Sailor" (or "What Shall We Do With The Drunken Sailor"). It was just one of the handful of English songs we were thought.
[Insert a boring, and perhaps embarrassing, paragraph here about my musical taste way before the Beatles, including bands like Linkin Park, blink-182 and Avril Lavigne.I was listening to Animal Collective and of Montreal right before the Beatles. Still dig 'em.]
I was getting bored of constantly listening to the same music. There were 40 songs in my Limewire (p2p program) folder which were on repeat for weeks, if not months. I was browsing on Wikipedia and, as what always happens when I'm on Wikipedia, tabs were beginning to pile up in my Firefox window. Little did I know that in between all those tabs was a page that would literally change my life.
"The 500 Greatest Albums of All Time". It was a page on an article by Rolling Stone, published in November '03. I don't think I read the page itself; I just went onto the External Links part and clicked the link leading to the magazine's website. So, here I was, on a page filled with artists of which I had either never heard or barely heard of. Naturally, I began reading the the review for the #1 on the list; Sgt. Pepper's Lonely Hearts Club Band. I sifted through the review while already downloading "the most important rock & roll album ever made".
I stuffed the 13 songs in a WMP playlist and put on my headphones and started playing the album. I don't remember much of it, really, except that I got bored and stopped listening in the middle of Harrison's "Within You Without You". Wait, what? This was the magnum opus of the greatest rock & roll group of all time? Really? I had heard albums that I thought were much, much better. I did dig three songs, though, and I had those on repeat for a few days; "Sgt. Pepper's Lonely Hearts Club Band", "With A Little Help From My Friends" and "Lucy In The Sky With Diamonds". The first three songs on the album. I explicitly remember telling my friend "It's nothing special. I mean, it's alright and all, but nothing special."
I decided to give the four lads from Liverpool another chance by watching some videos on Youtube. I think I watched about 3 or so, but none of them really didn't do anything. Until "Lady Madonna" started playing. The piano started rocking in the beginning and you know when the vocal, bass and drums come in at about 8 seconds? Yeah, that was it. Those first 10 seconds did everything for me. It was life-altering, really. I went on STMusic.org in search of Beatles albums and I found a .torrent which had all the albums (294 files, 856.60MB). I left the computer on all night, something I almost never do, and went to bed.
The next day would be the first day of my Beatlemania of non-stop Beatles. And by non-stop, I literally mean non-stop. Sure, there were some songs sent by friends which I checked on Youtube, but other than that it was all Beatles. An eargasm which lasted almost 5 months (November 19th till April 9th).
I started with Please Please Me and just went on to Let It Be, I think. I remember not liking the White Album and onwards. Again, I told my friend that it was just some standard 60s/70s/80s rock which I really didn't dig. I got this feeling after hearing songs like "Birthday". I couldn't have been more wrong.
I did really like the albums before the White Album, though. I really liked their early, poppy stuff and Sgt. Pepper's Lonely Hearts Club Band was steadily going higher in my list of all-time favorite albums. In the meantime I already ordered one of my favorite movies, A Hard Day's Night (November 22nd, '07). You won't believe how many times I said to myself, "Hey, I know this song!" and "This is the Beatles? Oooooh."
So, days became weeks, and weeks became months. As bands like The Rolling Stones, The Beach Boys and The Kinks started to pile up on my “This is what I'm going to listen to next”-list, I still couldn't really give a damn about listening anything except for something these five Gods made. The variety in their music is simply amazing. And that's an understatement. To know that five persons can make such a body of work in just 7 years, is mind blowing. Yes, I said “five”. I had to include George Martin.
Somewhere in the first week of April I stumbled across a page of an avid '60s listener who has a great taste (ForEmily), and I just browsed through his massive list of bands. Somewhere on the 150th place or something (not sure), was a fairly unknown band named Kaleidoscope (the British one). I looked up a song, “Flight From Ashiya”, on Youtube and got hooked. It reminded me of Animal Collective, a band I still like. So, I downloaded their album, Tangerine Dream, and that was pretty much the end of my Beatlemania (April 9th).
Well, actually, more like the end of my non-stop Beatlestreak. I started listening again the next night and the Beatles were still topping all my weekly charts by far, so yeah. However, I wasn't only listening to the Beatles anymore, and I finally began listening to the aforementioned bands.
As I said, the Beatles have had a massive impact on my life, so here's a short list:
- Musical taste. Yeah, obvious. Look at my page and try to find a band or artist who is in no way related to the '60s. There's probably none.
- Vinyl. I started collection (and listening, durrr) vinyl in september. So far I have about 50 vinyls, and in my collection are 26 Beatle records. Studio, compilation, stereo, mono, I try to get as much as possible. My parents did have some old records, but only one Beatle record (The Beatles – Love Songs; the brown one). My mom was more into “black” music, and, if anything, they both preferred the Rolling Stones over the Beatles. Can you believe that?
- Guitar. I picked up guitar playing somewhere in March. I bought an Epiphone Les Paul with, of course, a classic sunburst finish because I saw that quite a few times when I was watching stuff from the '60s.
- Clothing. Couldn't save myself from buying a coat like theirs on Beatles For Sale. I believe that kind of coat is called a “caban”.
- Hair. Oh yeah.
- Drugs. I won't ever take heroin, cocaine, xtc or even marihuana, but I can't help myself being curious about LSD. I'm not saying I'm ever going to take a hit, but I'm certainly not ruling it out anymore.
- English. I hated the English accent, but I don't anymore. And I've found myself using a lot of “, really” and “and all that” in my sentences now. Thank you, mr. Harrison.
- DDR/Guitar Hero/Rock Band. Guess I'm gonna have to learn to play games like this if I want to rock with the Beatles in that upcoming Rock Band-ish game. I really hate games like these, but we'll see how that goes.
So, that's it. One year of Beatles. At the time of writing I have scrobbled 31,761 songs. According to the Last.fm Normaliser, that's 84,699 minutes, or 1412 hours, or 59 days, or 2 months. I'm not even including all the time I've listened on my MP3-player (not an iPod). You could add another 10 to 15,000 songs then, I think. And they're still topping nearly all of my weekly charts after all this time.
The Beatles are the greatest band ever. -
No accusations, just friendly crustaceans
Nov 20 2008, 0h15 por seandalai
With the sad demise of Muxtape, I've had to look elsewhere for my mix hosting needs. This is a small experiment with 8tracks, which has the significant advantage that it's completely legal and is unlikely to get shut down - each "mix" acts as an Internet radio station, and royalties are paid to the appropriate parties. The downside is that the order of the tracks is different on successive listens, which means that you can't control the pacing of your mix or liven it up with ace segues.
The mix is called No accusations, just friendly crustaceans, and it deals with weighty themes such as the permanence of the ocean and the transience of human-octopus love. It's your typical story of Fisherman Meets Octopus, Fisherman Falls In Love, Discovers Life Under The Sea Is So Much Fun!, Relationship Eventually Goes Sour, Nasty Breakup, The Sea Has Been Through All This Before And Will Go Through It Again (But Still Feels Bad For A While).
1. Arthur Russell - The Platform on the Ocean
2. The Congos -
Fisherman
3. The Beach Boys -
Catch a Wave
4. dEUS -
Disappointed in the Sun
5. The Beatles - Octopus's Garden
6. Alice Coltrane -
Oceanic Beloved
7. Mock & Toof -
Underwater
8. Movietone - Ocean Song
9. Matt Sweeney & Bonnie "Prince" Billy - My Home Is the Sea
10. Los Zafiros - Dichoso Mar
11. Dick Kent - Octopus Woman Please Let Me Go
12. Bob Dylan -
When the Ship Comes In
13. Dirty Three -
The Restless Waves
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Misheard Lyrics (x-posted)
Nov 19 2008, 8h07 por DerekBowie
This is a journal I wrote on my old profile, put here as well, with the unrelated ramblings removed.
PLEASE NOTE:
All these songs are awesome. They just, in my humble opinion, could be much more awesomer.
September Gurls (Big Star)
I loved you, well, never mind
I can't cry all the time
It is in fact I've been crying all the time, so a part I thought was self-affirming and decisive and "let's move on" is in fact "you made me really sad". Boooo.
Bargain (The Who)
In life one and one don't make two
One and one make one
This is the most cliched (I cannot be bothered finding an accent for that word) idea ever. Somehow in my mind I decided it meant not "in love we become one person", but "if we are not together, I am alone". Those words were really the reason I liked the song. Now it disappoints me. Looking at it now, I wonder why I ever thought what I did. I guess I am just mental.
Running Man (Hanson)
Waiting up all night
There's something on my mind
I need to tell you I ...
WHOOAH-OH-oh-oh.
In fact, he needs to tell her why he was waiting up all night, he's not chickening out of telling her how he feels.
Life isn't what it seems
Sunken in a dream
That's not quite what I mean
Really it's or something in a dream which makes more sense in the context of the song but isn't that good in those few lines. I think this one is more aesthetic than anything.
Could I be a better songwriter than Zac Hanson and that other guy he wrote it with? IT'S POSSIBLE.
AND he sings feeling so sad like feeling so sane, which does nothing but confuse me.
God Knows I'm Good (David Bowie)
I was surprised to hear Bowie's explanation of this song. He said (I don't remember where) that it was about uncaring society and how no-one noticed the old woman and how she was forced to steal. I, like others I have spoken to, saw it as being about people's selectivity of when God will take action.
She's stealing:
God knows I'm good
God knows I'm good
God knows I'm good
God may look the other way today
She's in trouble :
God knows I'm good
God knows I'm good
God knows I'm good
Surely God won't look the other way
I guess it's me being cynical and all that.
Life on Mars? (David Bowie)
... focus on
Sailors fighting in the dance hall.
Oh man! Look at those gay men go.
Come on, sailors in a dance hall? How much more gay do you want to get? Cavemen are so dull...
Lucy (Hanson)
I basically had all this song wrong until I heard Lucy (MON Acoustic).
Now I don't have anyone's soul to sing
Singing someone's soul, while weird and ungrammatical, is more original and romantic than not having any more songs to sing because you're no longer with your girlfriend.
NB: I went through a stage in the middle there where I thought he had no-one's songs to sing, which was quite nice. But all good things must come to an end. Or so they say.
Runaway Run (Hanson)
Maybe one day I will find someone to
Run, run, runaway run
Why didn't I realise that "to" could be spelled "too"? I cheated and included this one even though the real version is better and my version makes no sense. Yar boo sucks. The song is good.
Cactus (really by Pixies, but I heard Bowie's first)
Sitting here, wishing on a semen floor
Just wishing that I had just something you wore
Um, yeah. Well, I wouldn't put it past the Pixies to be singing about semen floors. This song is hell-creepy. And even when I know what it's meant to be (cement), I can't really hear it. So there.
Baby Boomerang (T. Rex)
I was convinced I was hearing this wrong. But it turns out this really is about a girl who never spikes a person but always bangs the whole gang. Don't ask me.
There is no deciphering most of that man's lyrics. Are they MEANT to mean things? I don't know. You win five billion points if you can explain to me just how the cosmic sea is like a bumblebee. Points can but may not be awarded for effort.
Madeline (Hanson)
I was empty inside but I just didn't know
You wanted ten thousand roses and I let you go
"Why is this a bad thing?" I wondered. "Surely if the damn girl is so demanding, you SHOULD let her go. Silly, silly Ike." Then I learned that Madeline WAS his ten thousand roses and it all made sense.
Yeah, and another post-entry one.
Mod Lang (Big Star)
All night long
I was howlin'
I was a funky dog
It took me a while to realise how great this song was. It became less great when I found out that, as makes more sense, Alex Chilton is a barking dog. Somehow the snarly spiky delivery seems to fit funky better. Or so it seems to me.
Also,
When I Grow Up (to Be a Man) (The Beach Boys)
Will I joke around and still take both sides
When I grow up to be a man?
I thought this was a really neat sort of description, with an everyday and annoying habit as something that may or may not last. But whoops! it's the Beach Boys, so clearly he wants to know if he's going to dig the same sounds. Silly old me.
Oh, and
Rockin' Around the Christmas Tree (Hanson)
This is the hollow where you can see
Every couple cross in style
This is a nice image. Little boy hiding watching all the people at a Christmas party. Not to be. It's really
Mistletoe hung where you can see
Every couple tries to stop
Which is also very nice when you think about it. So, yeah. Hooray for Christmas ect. Also, sneak a peek at its shoutbox.
Long Tall Sally (Little Richard)
Long Tall Sally she's bittersweet
She's got everything that I don't need
Quite fitting lyrics for the "Queen of Rock 'n' Roll", although I was surprised that he could sing something suggestive of homosexuality in the 50s. Then I learned about
Tutti Frutti *snicker snicker*.
When I read the lyrics to it finally I realised how little I had ever understood of it:
Long Tall Sally she's built for speed
She's got everything that Uncle John need
So, yeah. Totally way completely off. -
Hanson (x-posted)
Nov 19 2008, 8h04 por DerekBowie
This is an entry I posted in my old profile that I wanted on the record here as well
This is a journal about Hanson, from a fan who considers them very similar to most of their top artists but who is quite conscious that most of the world would not. I find it impossible to look at Hanson and their music subjectively, having grown up with an older sister wayyyy into them in the Famous Days. I'm interested in how much people actually know or care about this, so please leave a comment (especially if you're not a fan), and let me know what you think of the journal, or of them, or of the state of the world today. If you can't be bothered reading, there are videos just below.
Start with the start, or as close as I can get to it.
Boomerang
Often irritating, cutesy and ear-splitting, this was made back when they were teensy-tiny (9-14), with covers and originals. At this stage they played no instruments. The best track on here is
Rain, an original a capella track with impressive vocals: always their strength. This album doesn't get played much by me at all. It's not the greatest, but it has its moments.
A year later they made the album MMMBop, as good as impossible to get now, but most of which was re-released as 3 Car Garage after they'd struck fame. This is the first album where they play instruments and all the songs are originals. I often find myself comparing it with David Bowie, as they're each the pre-fame record. I find 3 Car Garage much less irritating than Bowie, and it sets the scene much more accurately as well. It has the original
Mmmbop, a steady ballad that I like much better than the famous one and that strongly resembles the way it's been performed since the end of the mega-fame.
The best track on 3 Car Garage, though, is Stories. Acoustic guitar, finger snaps, harmonica, top-notch vocals and a nice story and theme. I find it hard to believe that they were ten-to-fifteen at this point, but some of the others songs on here do show that quite clearly. Anyway, it has the originals of
Thinking of You and
With You in Your Dreams, written for their then-dying grandmother. It also has
River, a song that isn't on any studio albums but has stayed in their live set all this time.
I think most people would be somewhat familiar with the next stage. Middle Of Nowhere, global fame and
Mmmbop. Yadda yadda. This is trying not to be a preachy journal, so I'll just ask you to see this as a next step, not all they have done, and to look past MMMBop to other, possibly better, songs on that album.
Their next studio album, This Time Around came three years later and on a different label. Mercury was absorbed by Island/Def Jam, and Hanson released an album of original songs written solely by the three of them, less poppy than MoN with some very strong songs. Of course, it never came anywhere near the success of MMMBop and its like, and listening to it now it can sometimes be a little too teen-y. I think both albums contain filler, or at least songs I rarely listen to, but TTA's best are far better than MoN's best.
You Never Know is a straight-out rocker, awesome live,
If Only is relentlessly catchy,
Runaway Run is gorgeous, and
A Song to Sing puts their harmonies right up front where they belong, and runs along a theme common to all their work: the power of music in a person's life.
After this came the big crisis about creative control that led to them splitting from their label and forming 3CG, on which they released their next studio album, Underneath. The split is shown in the movie Strong Enough to Break, available free on iTunes as a podcast, and doesn't need to be gone into here. Suffice to say I think Underneath is their best album, though this opinion will probably have changed in a week or so. I think what I would show to anyone wondering about Hanson is Underneath Acoustic Live, the DVD just before the release of Underneath. So here are a few videos.
Rockin'
Coverin'
Angstin'
Underneath is what I would call indie-pop. It's more understated than TTA, soulful and quite obviously made during a tough time. My favourite tracks are sparkly upbeat pop, Penny & Me and Lost Without Each Other, angsty Strong Enough to Break and the always-enjoyable sad-song-dressed-up-as-cheery-pop Misery. At this stage (2004) they were 24, 21 and 17, I think.
Then they set out to make The Walk, their first album since MMMBop (the album, remember) to have been made entirely independently. They kept the podcast going (Taking the Walk) all through the making of the album. I really like this podcast. It's a close look at the writing, recording process, showing early versions of songs, those that don't make it and basically everything they do music-wise to make it. It's a pretty natural album, recorded mostly live off the floor and for the first time in a long while pure, untweaked Hanson.
I find the album hit and miss myself (mostly hit, gladly), and again, the best songs on that album are the best they've done yet. To be a really great band I think what they need to do is just let go and rock out more. The worst tracks on The Walk come across (to me) as whiny and a bit too determined to be deep. The best let their hair down and rock.
Tearing It Down,
Running Man,
blue sky and Something Going Round all do this perfectly. On the whole it's the rockiest of their albums, I think, which is a very good thing.
Georgia is pure listenable pop,
Fire On The Mountain an atypical song for them with acoustic guitar and Biblical imagery. The Walk is a really strong piano-song from Zac that encompasses exactly what this album is about. In fact, Zac's increasingly strong presence in the band (he sings almost half the songs on The Walk, plus the two Japanese bonus tracks I Am and In A Way, the first of which is one of their very best songs) is what makes me so optimistic about their future: he has an amazing vocal range, a distinctive yet varied songwriting style and is a CEO of 3CG. He is also 22.
Here is him being awesome at life, doing Oh! Darling
And so that people might actually read this, here are some songs they have covered (all brilliantly)
Money (That's What I Want)
Gimme Some Lovin'
Good Lovin'
Teach Your Children
Ain't No Sunshine
Rip It Up
Never Been to Spain
Oh! Darling
And here are the artists of those songs and others I think are relevant
Barrett Strong
The Spencer Davis Group
The Young Rascals
Crosby, Stills, Nash & Young
Bill Withers
Little Richard
Three Dog Night
The Beatles
The Beach Boys - a strong influence
Chuck Berry - same
Aretha Franklin - an eleven-year-old Zac's favourite singer
Big Star - both good pop?? Big Star better, Hanson still good
I don't want to scrape the barrel here, so I'll just stop where I am. Final word, most of their music is directly streamable on their site hanson.net, and there's reams of youtube.
Again, please comment. -
[61] The Beach Boys - Pet Sounds (1966)
Nov 14 2008, 17h49 por Llorenza
The Beach Boys - Pet Sounds
The first song '
Wouldn't It Be Nice' starts with a music box, and that is also the best way to describe this album: as a music box. You hear a collection of sounds, mixed perfectly well together: a train, a car, a bycicle bell,... All those sounds are fitted together so well, together with the beautiful voices of The Beach Boys, it makes this a piece of musical art. Therefore this is considered to be one of the best albums ever made. You can listen and be amazed all of the time. Like watching fireworks.
Two songs on this album are extremely fantastic. The first one is
I'm Waiting for the Day. The melody falls from one surprise into the other, and then after the last break:
You didn't think that I could sit around and let him work
You didn't think that I could sit around and let (watch) him take you
You didn't think that I could sit around and let him go
You didn't think that I could sit back and let you go
You didn't think...
Euphoria!
The other extremely fantastic song is
Sloop John B. It has always been my favourite Beach Boys song, and this album doesn't change that. The way they sing together in the chorus is unbelievable catchy. The only thing I always found a pity was that the fade out at the end comes way too soon. Damn those fade out tricks! Luckily modern music is (mostly) spared of fade outs. So if the only deficiency of a song is that it ends too soon, the song is nearly perfect.
So yes, aha, alright, this is a good album. An attempt of Brian Wilson to write perfect pop songs. Ranked number 2 on Rolling Stone's 500 Greatest Albums of All Time. Considered as essential musical edication by Paul McCartney. Voted "The Greatest Album Ever Made" by MOJO magazine. And so on, and so on...
Now it's time for confessions. Although I like the album, I do not find it one of the best 100 albums ever made. Actually, I liked The Beach Boys Today even better. Actually, I believe that the Beatles come much closer to the perfect pop songs with Revolver. Actually, I don't really get what the fuss is about. I admire the way this album is composed, but I do not love it and I definitely do not want to listen to it all day long (as should be the case with the greatest album ever made)
Oh well.
;)
(Essentieel:
Sloop John B.
Ook zeer goed:
Wouldn't It Be Nice,
Don't Talk (Put Your Head on My Shoulder),
I'm Waiting for the Day,
Let's Go Away for Awhile,
God Only Knows)
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.ılılıll|̲̅̅●̲̅̅|̲̅̅=̲̅̅|̲̅̅●̲̅̅|llılılı.
Nov 14 2008, 4h18 por TheLucifer
:wumpscut: !!! 2 Many DJ's 2raumwohnung 4hero a-ha Above & Beyond Air Akira Yamaoka Amon Tobin Annie Aphex Twin Aphrodite Apollo 440 Apoptygma Berzerk Apparat Archive Armand van Helden Armin van Buuren Art of Noise Asian Dub Foundation ATB Audio Bullys Autechre Basement Jaxx Basshunter Beastie Boys Beck Benny Benassi Björk Blank & Jones Boards of Canada Bob Sinclar Bomfunk MC's Bonobo Booka Shade Boys Noize Brian Eno BT Burial Café Del Mar Calvin Harris Cansei de Ser Sexy Cascada Cassius Chicane Chromeo Clint Mansell Coil Coldcut Cornelius Crystal Castles CSS Cut Copy Daedelus Daft Punk Danny Elfman Darude Dave Gahan David Guetta David Holmes Death in Vegas Deep Dish Deichkind Delerium Depeche Mode Digitalism Diplo DJ Krush DJ Shadow DJ Tiësto Dntel Does It Offend You, Yeah? Duran Duran E Nomine Eiffel 65 Electric Light Orchestra Electric Six Ellen Allien Emilie Simon Enigma Erasure Eric Prydz Erlend Øye Eurythmics Everything but the Girl Faithless Fatboy Slim Felix da Housecat Ferry Corsten Fischerspooner Fluke Foals Four Tet Freestylers Front 242 Frou Frou Garbage Gary Numan Gigi D'Agostino Girl Talk Goldfrapp Gorillaz Gotan Project Groove Armada Groove Coverage Gus Gus Hadouken! Hooverphonic Hot Chip Hybrid Imogen Heap Infected Mushroom Jamiroquai Jazzanova Jean-Michel Jarre Junior Boys Junkie XL Juno Reactor Justice Kasabian Klaxons KMFDM Kosheen Kraftwerk Kruder & Dorfmeister Kylie Minogue Lady GaGa Ladytron Lali Puna Late of the Pier LCD Soundsystem Le Tigre Leftfield Lemon Jelly M.I.A. M83 Madonna Massive Attack MGMT mia Mika Mike Oldfield Mindless Self Indulgence Ministry of Sound Miss Kittin Moby Modeselektor Moloko Mr. Oizo Mr. Scruff MSTRKRFT MUM múm Mylo New Order Nightmares on Wax Nine Inch Nails Orbital Patrick Wolf Paul Oakenfold Paul van Dyk Peaches Pendulum Pet Shop Boys Phoenix Placebo Plaid Portishead Prefuse 73 Primal Scream Propellerheads quantic Radiohead Ratatat RJD2 Rob Dougan Robert Miles Robyn Roger Sanchez Roisin Murphy Róisín Murphy Röyksopp Saint Etienne Santogold Sash! Sasha Schiller Scissor Sisters Scooter Sébastien Tellier Shiny Toy Guns Sia Sigur Rós Simian Mobile Disco Skinny Puppy Sneaker Pimps Soulwax Squarepusher St. Germain Stereo MC's Stereo Total Stereolab t.A.T.u. Tangerine Dream Télépopmusik The Avalanches The Chemical Brothers The Cinematic Orchestra The Crystal Method The Dust Brothers The Faint The Flaming Lips The Future Sound of London The Go! Team The Herbaliser The KLF The Knife The Magnetic Fields The Notwist The Orb The Postal Service The Presets The Prodigy The Rapture The Streets The Teenagers The Ting Tings Thievery Corporation Thom Yorke Tiësto Tiga Timbaland Timo Maas Tosca Trentemøller TV on the Radio Uffie Ulver Underworld UNKLE Vangelis Venetian Snares Vitalic VNV Nation Xiu Xiu Yelle Yello Zero 7 2Pac 50 Cent A Tribe Called Quest Aaliyah Aesop Rock Afroman Akon Alicia Keys Arrested Development Asa Ashanti Asian Dub Foundation Atmosphere AZ Baby Bash Beastie Boys Beyoncé Big L Big Punisher Black Eyed Peas Black Star Blackalicious Blumentopf Bone Thugs-N-Harmony Bow Wow Bubba Sparxxx Buck 65 Bushido Busta Rhymes Cam'ron Cassidy Chamillionaire Chingy Chris Brown Ciara Clipse CNN Common Coolio CunninLynguists Cypress Hill D12 Daddy Yankee David Banner De La Soul Dead Prez Deichkind Del tha Funkee Homosapien Deltron 3030 Destiny's Child Devin the Dude Die Fantastischen Vier Dilated Peoples Diplo Diverse Dizzee Rascal DJ Danger Mouse DJ Khaled DJ Krush DJ Premier DJ Shadow DJ Vadim DMX Dr. Dre Dr. Octagon E-40 Eazy-E El-P Eldo Eminem EPMD Eric B. & Rakim Erykah Badu Estelle Eve Everlast Fabolous Fat Joe Fergie Fettes Brot Flo Rida Flying Lotus Fort Minor Fugees Fun Lovin' Criminals G-Unit Gang Starr Geto Boys Ghostface Girl Talk Gnarls Barkley Gorillaz Guru Gwen Stefani Gym Class Heroes GZA/Genius Handsome Boy Modeling School Hieroglyphics Hilltop Hoods House of Pain IAM Ice Cube Ill Bill Immortal Technique Insane Clown Posse J Dilla Ja Rule Jadakiss Jay Dee Jay-Z Jay-Z and Linkin Park Jedi Mind Tricks Jennifer Lopez Jim Jones Joe Budden John Legend Juelz Santana Jurassic 5 Justin Timberlake Juvenile k-os Kaliber 44 Kanye West Kelis KRS-One Lady Sovereign Lauryn Hill Lil Jon Lil Jon & The East Side Boyz Lil' Flip Lil' Kim Lil' Wayne Little Brother LL Cool J Lloyd Banks Looptroop Ludacris Lupe Fiasco m-flo M.I.A. M.O.P. Madlib Madvillain Mariah Carey Mark Ronson Mary J. Blige Masta Ace Matisyahu mc chris MC Hammer MC Solaar Method Man Method Man & Redman MF DOOM Mike Jones Missy Elliott Mobb Deep Mos Def Murs N.W.A N*E*R*D Nas Naughty by Nature Ne-Yo Necro Nelly Noize MC Notorious B.I.G. Nujabes O.S.T.R. Obie Trice Ol' Dirty Bastard Onyx Orishas OutKast P. Diddy Paktofonika Papoose People Under the Stairs Pete Rock Pharoahe Monch Pharrell Pitbull Prefuse 73 Promoe Public Enemy Puff Daddy Pussycat Dolls Q-Tip Quasimoto R. Kelly Raekwon Redman Rick Ross Rihanna RJD2 Roots Manuva Royce da 5'9" Run-D.M.C. RZA Sage Francis Salt-N-Pepa Saul Williams Scarface Sean Kingston Sean Paul Shaggy Sido Slum Village Snoop Dogg Soulja Boy Spank Rock Styles P Swollen Members T-Pain T.I. Talib Kweli Tech N9ne TEDE The Beatnuts The Cool Kids The Game The Herbaliser The Pharcyde The Pussycat Dolls The Roots The Streets Three 6 Mafia Timbaland Timbuktu TLC Trick Daddy Tricky Twista UGK UNKLE Usher Warren G Why? Wiley Will Smith will.i.am Wu-Tang Clan WWO Wyclef Jean Xzibit Ying Yang Twins Young Buck Young Jeezy Zion I *NSYNC 50 Cent a-ha ABBA Ace of Base Akon Alanis Morissette