Bobby Previte “can break your heart with one cymbal crash.” Bobby Previte began his life in music as a great way to meet girls, but then fell in love with the drums instead. At thirteen, he fashioned his first set out of a rusted iron garbage can turned on its side (the bass drum), four upside-down rubber trash bins (the toms), a box with loose junk rattling around inside (the snare), three plungers with aluminum pie plates nailed on top, (the cymbals), and two pieces of linoleum crimped together, stuck through with a wire coat hanger wound into a spring, crowned with a rubber ball on top (the kick pedal) - and for hours on end would play to records in his dark basement with a lone spotlight shining on him. Eventually hired by a band, he rehearsed with them for a year, only to get fired the day of the first booking for not having “real” drums. After this experience he decided to strike out on his own, and has been doing so ever since. Brought up playing soul and rock music in the old bars,clubs, and bordellos of Niagara Falls, NY, he later studied formally at the University of Buffalo, which boasted musicians John Cage, Lucas Foss, Morton Feldman, and Jan Williams. He then ran head on into Miles Davis, Edgard Varese, Charles Mingus, Terry Reilly, Abstract Expressionism, Igor Stravinsky, Frank Lloyd Wright, George Balanchine and William Faulkner. That was that. He moved to New York City in 1979, with great fortune quickly met the leading lights of the ãDowntownä scene, settled in, and never looked back. For twenty-five years he has remained a leader, widely hailed for his electrifying drumming and his stunning, unclassifiable compositions. He has played an astonishing range of genres and venues, from the Palace Burlesque House in Buffalo, NY to country music at Gloriaâs Corral Club in the Kentucky backwoods (complete with, yes, a real corral surrounding the bandstand) to Carnegie Hall, and has presented his music at the major festivals around the world, from Europe to Russia, Japan to South America, and back. The subject of articles in the world’s major publications as well as in many books on music, Previte leads more bands than he probably should, and has added the electronic drums to his ever widening arsenal.
Jamie Saft is a virtuoso pianist, keyboardist, producer, and composer from New York. Saft’s stylistic versatility, multi-instrumentalist capabilities, and production skills have been featured with Beastie Boys, Bad Brains, The B-52’s, John Zorn, John Adams, Laurie Anderson, Donovan, Antony and the Johnsons, and scores of other artists. Saft leads the New Zion Trio and is a core member of bands such as Grizzly Adamz, Electric Masada, The Dreamers, Kingston Yard, Whoopie Pie, OV, and Kalashnikov. Saft has composed a number of original film scores including the Oscar nominated “Murderball” and Sundance winner “God Grew Tired Of Us.” Saft has also scored extensively for Nickelodeon, MTV, VH1, Vice TV, NFL Football, CBS, and A&E. Saft currently runs the independent record label Veal Records as well as Potterville International Sound, both based out of Kingston, NY.
Editado por ametistaon em Mai 4 2014, 18h52
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