I wasn't sure how to categorize this as far as reviews go. I've never reviewed a live DVD box set. And I'm not sure how to go about reviewing something as epic and massive as this. A total of nine discs that encompass the band's entire musical and biographical career (one that's longer than you might think), and hands down the best packaging I've ever seen on a DVD set. Truly, if you are a hardcore fan, this is something that few bands or artists will entreat you with.
If you're unaware,
Coheed and Cambria held a four-night gig in NYC (as well as Chicago, LA, and London), in which they played one of their albums in its entirety each night. In its fucking entirety. If you've been to more than a few of their shows, you know what a big deal that is.
I'm not one to claim that I've been a fan since
Shabutie or even since their first album, but I picked up
In Keeping Secrets of Silent Earth: 3 based almost purely upon recommendation from a friend who's big into prog. I had only heard a couple of samples from their website, I wanted to get into some prog, and the songs (
The Crowing and
Devil in Jersey City), as well as the concept, appealed to me. It wasn't
Spock's Beard, or
Meshuggah, or even
Dream Theater, but that's kinda why I liked it. This friend had been trying to get me into those kind of bands, and I enjoyed some of it, but something definitely struck me about Coheed.
It was in January 2004 that I bought the album. Original
Equal Vision release, so, no big radio single yet, though there were talks of a major label deal. My life revolved around Publix and technical college, so for a long time, I was one of the only people I knew who was into the band. IKSSE:3 grew on me like a tumor. I absolutely adored it and blasted it everywhere I went for most of that year. I loved the contrasts (poppy hand-claps one minute, progressive metal the next), the epic storytelling, the unique vocals...everything. My next purchase was obviously
The Second Stage Turbine Blade, and I loved it too, but IKSSE:3 will always be my favorite.
Somewhere in between, they were signed to
Columbia and took off from there. I remember fans on message boards doubting they'd have any mainstream appeal unless they changed their sound, which thankfully hasn't happened to the extent that we feared. If you've heard them, you love them or hate them, there's no in between. Thankfully, there turned out to be enough people who love them for this kind of thing to happen.
I guess I started to lose interest in Coheed when they damn near fell apart a couple of years ago. The live shows suffered, and I was tiring of the same old setlists. I first saw them at the Masquerade in ATL in support of IKSSE:3, and they played a lot of those songs, including
The Light & the Glass as a full band. Fucking epic. But it wasn't long after that that the setlists became formulaic, and they spent a good 20 minutes wanking around during
The Willing Well IV: The Final Cut. Which is cool once or twice, but after that, I'm bored. Play something we haven't heard in a while (I'm talking about
21:13).
If you watch their previous DVD from the Hammerstein, you can sense that they're just going through the motions. Something wasn't right. I only watched that DVD once or twice; it was a disappointment overall. But Neverender more than makes up for any previous shortcomings.
Alright. Now I've gotta review. I had to share my personal story first, because of how personal this set feels. The band put their heart and soul into these performances. The documentary included among the DVDs is an extremely comprehensive autobiography. I consider myself a hardcore fan, meaning I own the original first edition of the first comic book, bought on the official website, not eBay, I could've bought the vinyls if I wanted, but was stupid and didn't, I introduced a bunch of people to the band, I wore out my bloody dragonfly track jacket that I bought at that first show and I was pretty much recognized for it on campus at GCSU; whatever, I'm not here to boast about how I'm the biggest fan, 'cause I know there's someone out there who can boast about more than I can. The point I wanted to make is that I thought I knew everything, but to borrow a cliché, I had no idea. I'm not going to spoil it if you haven't seen it yet, but there are a number of surprises on the documentary, and you'll learn more than you expect.
The shows included here are incredible, even in their few flaws. Chris Pennie, at least subconsciously, is almost solely responsible for the fact that I'm still listening to this band. He brought them back to life from a point of near death. And he kicks insane amounts of ass. The drums pretty much own this band musically now, at least live. That's not to discount Travis or Claud's guitar work, or Mic, because they're all top notch as well, but I watched the extended Final Cut in awe rather than boredom for the first time since the first time. The venue, NYC's Terminal 5, is perfect for this showcase. It has a space station/sci-fi feel to it that complements their intent of telling the story, one chapter per night. The crowd is so in-sync with the band that some of my energy was derived solely from watching them. The mix is perfect; when you hear how pronounced the drums are, you'll agree with me when I say that Chris pretty much drives this band now. Everyone else listens to him and follows. Which is fine, because they're even better for it.
I could go into an in-depth review, but I think I've said enough. They play it all, except most of the b-sides and rarities. But everything else is intact, just as you heard it on the albums, only better, and full of added improvisations; they do not merely emulate the albums. This is a band in their element, who has finally reached their full potential live. As much as I want to claim Night II as my favorite for the inclusion of, finally,
21:13, Night III's Willing Well tetralogy is what I consider the climax of this collection.
What I love about having the CDs also is finally being able to create a dream setlist that plays seamlessly. Mix it up, burn it to a CD, and you've got your dream show. The hard part is narrowing it down to 80 minutes. (Unless you have an iPod, unlike me.)
I've gone on longer than I intended. This is a definite must-buy if you're a hardcore fan, and you can show it to nonbelievers who I'm confident will follow. Don't skimp and buy the condensed edition if you're a rabid fan. Borrow money if you have to. Even in this economy, this is worth it.
I can't stop raving, here or elsewhere. Absolutely an A+ release and gig.