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Ladies of Jazz from 1930 to 1990

The 1930s
Ella Fitzgerald
Adelaide Hall
Annette Hanshaw
Belle Baker
Connee Boswell
Ethel Waters
Helen Humes
Helen Ward
Helen Morgan
Helen Kane
Hilde Hildebrand
Ivie Anderson
Josephine Baker
Lee Wiley
Lee Morse
Lil Armstrong
Mabel Mercer
Martha Tilton
Mae West
Mildred Bailey
Pola Negri
Peter Igelhoff
Ruth Etting
Valaida Snow

The 1940s
Alberta Hunter
Anita O'Day
Bea Wain
Billie Holiday
Dinah Shore
Doris Day
Helen Forrest
Helen Humes
Helen O'Connell
Ivie Anderson
Jeri Southern
Jo Stafford
Joya Sherrill
Kay Davis
Margaret Whiting
Marie Ellington
Mary Ann McAll
Maxine Sullivan
Margot Hielscher
Peggy Lee
Sylvia Syms
Teddy Grace

The 1950s
Anita O'Day
Betty Carter
Betty Roche
Carmen McRae
Chris Connor
Dinah Washington
Ella Fitzgerald
Ernestine Anderson
Ethel Ennis
Helen Humes
Jo Stafford
June Christy
Kay Starr
Lee Wiley
Lucy Reed
Morgana King
Patricia Bredin
Peggy King
Peggy Lee
Sarah Vaughan
Sheila Jordan

The 1960s
Anita Traversi
Aretha Franklin
Annie Ross
Annie-Marie Moss
Betty Carter
Carmen McRae
Chris Connor
Cleo Laine
Ella Fitzgerald
Ernestine Anderson
Etta Jones
Etta James
Helen Humes
Jo Stafford
Lena Horne
Lorez Alexandria
Maryilyn Moore
Morgana King
Nina Simone
Peggy Lee
Sarah Vaughan
Sheila Jordan
Shirley Horn
Teddi King

The 1970s
Ann Burton
Barbara Lea
Betty Carter
Carmen McRae
Carol Sloane
Cleo Laine
Diane Schuur
Ella Fitzgerald
Ernestine Anderson
Esther Phillips
Etta Jones
Etta James
Flora Purim
Gloria Lynne
Helen Merrill
Jeanne Lee
Lena Horne
Margaret Whiting
Marlene VerPlanck
Maxine Sullivan
Meridith d'Ambrosio
Millie Vernon
Minnie Riperton
Nancy Harrow
Nancy Wilson
Nina Simone
Patti Austin
Phoebe Snow
Sandra King
Sarah Vaughan
Sheila Jordan
Shirley Horn
Tania Maria
Roberta Flack

The 1980s
Ann Hampton Callaway
Annette Sanders
Betty Carter
Cheryl Bentyne
Chris Connor
Daryl Ryce
Dee Dee Bridgewater
Della Griffin
Diane Schuur
Dianne Reeves
Eartha Kitt
Eden Atwood
Ethel Ennis
Gloria Lynne
Helen Merrill
Janis Siegal
Karrin Allyson
Laura Fygi
Lena Horne
Marlena Shaw
Mary Stallings
Nancy Kelly
Nancy Wilson
Nina Simone
Nnenna Freelon
Sarah Vaughan
Shirley Horn
Sussanah Mccorkle

The 1990s
Ann Hampton Callaway
Annette Sanders
Carmen Bradford
Cassandra Wilson
Claire Martin
Cleo Laine
Dee Dee Bridgewater
Eden Atwood
Ernestine Anderson
Karrin Allyson
Laura Fygi
Nancy Wilson
Nancy Kelly
Nancy York
Nnenna Freelon
Susannah McCorkle

Two largely wistful hours of Fall-related jazz tunes.

Swing Plus #77
9/22/09 7:00 pm - 9:00 pm
http://www.kbrpradio.com
http://twitter.com/kbrp

1- Early Autumn live 1952 – Woody Herman
2- Early Autumn – Claude Thornhill
3- Autumn Nocturne – Buddy DeFranco
4- Autumn Leaves 1982 – Mel Torme
5- Autumn Harvest – Albert Harris & Ivor Mairants
6- Song D’Automne – Travelin’ Light
7- Sweet September – Pete Jolly
8- September in the Rain – Peggy Lee
9- September in the Rain (take 2) – Muggsy Spanier
10- September Song – Sarah Vaughan
11- September Song – Django Reinhardt
12- Septembre – Les Freres Ferret
13- September Moan – Maynard Ferguson
14- Indian Summer – Anita O’Day
15- Indian Summer 1946 – Esquire All-American Award Winners
16- Shine On Harvest Moon – Dave Brubeck & Jimmy Rushing
17- Shine On Harvest Moon – Count Basie
18- Autumn Serenade – Hal McIntyre
19- Autumn in New York – Frank Sinatra
20- Autumn in New York – Lawrence Brown
21- Automne – alix combelle
22- ‘Tis Autumn – Stan Getz & Jim Raney
23- Fall Leaves – Don Redman
24- Autumn Song – Mose Allison
25- You Have Lived in Autumn –Blossom Dearie
26- Falling Leaves live – Glenn Miller
27- Autumn Leaves – Artie Shaw
28- Lullaby of the Leaves – Benny Goodman
29- Lullaby of the Leaves – Stan Kenton

Очередной пост, посвященный статистике. Сегодня нашей темой является джаз (точнее, топ-100 тега jazz).

Just another one statistical post. Jazz is our field of research today (top-100 of the tag jazz, to be exact).

предыдущие посты / previous entries
mainstream
russian rock
progressive rock
black metal

Сначала наше традиционное упорядочение по количеству прослушиваний и слушателей.

First of all, our traditional arrangement with respect to number of plays and number of listeners.








И тут, и там наиболее популярным исполнителем является Amy Winehouse (и, да, по личным соображениям я убрал из статистики Тома Уэйтса). Дальше начинается вполне классический джаз - Norah Jones, Frank Sinatra, Louis Armstrong и так далее.

In both cases the most popular artist is Amy Winehouse (and, yes, I supposed it would be correct to exclude Tom Waits from jazz stats). Then the things go more classical: Norah Jones, Frank Sinatra, Louis Armstrong and so on.




А вот так выглядит общая зависимость количества прослушиваний джазовых исполнителей от числа слушателей. Заметно, что чем правее, тем сильнее эта зависимость идет вверх. Таким образом, получается, что лидеры находятся на каком-то особенном положении у слушателей.

And that's the way, general dependence of playcount to number of listeners looks like. You can notice, it's bending upwards with growing number of listeners. So, that means, the leaders of our statistics are treated by listeners in a different way, than other artists.




Это также подтверждается графиком удельного числа прослушиваний (число прослушиваний делить на число слушателей для каждого исполнителя). Вообще, у джаза этот показатель оказался рекордно низким - в среднем 11 прослушиваний. Наибольший показатель у вездесущей Эми Уайнхаус - 32.

The graph of specific number of scrobbles (a playcount divided by number of listeners for each artist) confirms that notation. Surprisingly, jazz artists have very low specific scrobble number - 11 in average. Amy Winehouse has the highest one - 32.




Гистограмма лишь подтверждает печальный факт концентрации удельного числа прослушиваний вблизи рекордно низких значений, в целом по форме повторяя распределение для других жанров. Джаз умер?

The histogram just supports concentrating of specific number of scrobbles near very low values, repeating the histogram for other genres in general. Sad, but true. Is jazz dead?




Немного статистики по активности слушателей в рупорах исполнителей. Как видно из графика, какой-либо строгой зависимости числа сообщений в рупоре от числа слушателей не наблюдается. То, что более популярным исполнителям больше пишут, понятно и так. Кстати, Эми Уайнхаус я сюда не включил - взглянув на следующий график, вы поймете, почему.

Some stats about the user activity in shoutboxes. As one can see, there's no strict dependence of number of shouts to number of listeners. It's obvious, that more popular artists should get more shouts. By the way, Amy Winehouse isn't included here - see the next plot to understand why.




А вот зависимость числа сообщений в рупоре от удельного числа прослушиваний. Эми Уайнхаус и здесь лидирует, причем с шестикратным отрывом. Короче говоря, для джаза она - исполнитель, аномальный по всем параметрам) А вот если убрать Эми, то будет видно обнаруженое ранее явление: среднее удельное число прослушиваний является чем-то вроде барьера, разделяющего исполнителей с малым и с большим числом сообщений в рупоре. Посмотрим, что покажут другие жанры)

And here's the dependence of number of shouts in the shoutbox to specific number of scrobbles. Amy Winehouse takes the lead again, having six times more shouts than others. So, she's really anomalous for the jazz. And without Amy, the graph exhibits the property, found in previous research: average specific number of scrobbles behaves like a barrier, separating artists with few shouts from artists with lots of them. Let us see, what another genres would show us the next time)

P.S. Суммарное число прослушиваний в top-100 джаза - 348 миллионов.
The total playcount in jazz's top-100 is 348 millions.

P.P.S. Спасибо Hzlqgmnzhh за полезный скрипт.
Thanks to Hzlqgmnzhh for his script.

List of considered artists:

Miles Davis, Billie Holiday, Nina Simone, Ella Fitzgerald, John Coltrane, Frank Sinatra, Norah Jones, Diana Krall, Louis Armstrong, Herbie Hancock, Charles Mingus, Chet Baker, Amy Winehouse, Thelonious Monk, Jamie Cullum, Duke Ellington, Django Reinhardt, Charlie Parker, Bill Evans, Michael Buble', Katie Melua, Madeleine Peyroux, Nat King Cole, Ray Charles, Sarah Vaughan, Esbjo"rn Svensson Trio, Keith Jarrett, Dave Brubeck, Stan Getz, Pat Metheny, The Cinematic Orchestra, Oscar Peterson, Cassandra Wilson, Count Basie, Pat Metheny Group, Dizzy Gillespie, Dinah Washington, Koop, Weather Report, John Zorn, Richard Cheese, Sonny Rollins, Wayne Shorter, Pink Martini, The Bad Plus, Chick Corea, Wes Montgomery, George Benson, Melody Gardot, Dexter Gordon, Julie London, Brad Mehldau, Cannonball Adderley, Squirrel Nut Zippers, Eva Cassidy, Stacey Kent, Benny Goodman, John Scofield, Horace Silver, Room Eleven, The Dave Brubeck Quartet, Skalpel, Astrud Gilberto, Marcus Miller, Jan Garbarek, Wynton Marsalis, Lee Morgan, Tord Gustavsen Trio, Peggy Lee, Glenn Miller, Bill Frisell, Jimmy Smith, Jaga Jazzist, Sade, Harry Connick, Jr., Freddie Hubbard, Donald Byrd, Bill Evans Trio, Lisa Ekdahl, Lizz Wright, Erik Truffaz, Ella Fitzgerald & Louis, Ornette Coleman, Blossom Dearie, Jaco Pastorius, Sun Ra, Etta James, The Cat Empire, Paolo Conte, Art Blakey & The Jazz Messengers, Mahavishnu Orchestra, Grant Green, Avishai Cohen, Quincy Jones, Al Di Meola, Keiko Matsui, Al Jarreau, Morphine, Silje Nergaard

- 13th Floor Elevators, The psychedelic sounds of 13th Floor Elevators (Sunspots, 1966);
- MC5, Kick out the jams (Wrong, 1969);
- Adriano Correia de Oliveira, O canto e as armas (Orfeu, 1969);
- Afterglow, Afterglow (Sundazed, 1968);
- Al Wilson, Searching for the dolphins (Soul City, 1969);
- Alexander "Skip" Spence, Oar (Sundazed, 1969);
- Amon Düül II, Phallus Dei (Liberty, 1969);
- Andrew Hill, Point of departure (Blue Note, 1964);
- Andromeda, Andromeda (Angel Air, 1969);
- António Carlos Jobim, Wave (Polygram, 1967);
- Arcadium, Breathe awhile (Akarma, 1969);
- Archie Shepp, Kwanza (Impulse, 1969);
- Argent, Argent (BSO, 1969);
- Art, Supernatural fairy tales (Fontana, 1969);
- Art Blakey and The Jazz Messengers, A night in Tunisia (EMI, 1960);
- Arthur Brown, The crazy world of Arthur Brown (Polydor, 1967);
- Arzachel, Arzachel (Akarma, 1969);
- The Association, Renaissance (Collectors’ Choice Music, 1967);
- Astrud Gilberto, Beach samba (Verve, 1967);
- Bakerloo, Bakerloo (Akarma, 1969);
- The Band, Music from big pink (Capitol, 1968);
- The Band, The Band (Toshiba, 1969);
- The Battered Ornaments, A meal we can shake hands with in the dark (Repertoire, 1969);
- The Beach Boys, Surfin' safari (Capitol, 1962);
- The Beach Boys, Surfer girl (Capitol, 1963);
- The Beach Boys, Little deuce coupe (Capitol, 1963);
- The Beach Boys, Today (Capitol, 1965);
- The Beach Boys, Pet sounds (Capitol, 1966);
- The Beach Boys, Smiley smile (Capitol, 1967);
- The Beach Boys, Wild honey (Capitol, 1968);
- The Beach Boys, Friends (Capitol, 1968);
- The Beach Boys, 20/20 (Capitol, 1969);
- The Beatles, A hard day’s night (Parlophone, 1964);
- The Beatles, Help! (Parlophone, 1965);
- The Beatles, Rubber soul (Parlophone, 1965);
- The Beatles, Revolver (Parlophone, 1966);
- The Beatles, Sgt.Pepper's Lonely Hearts Club Band (EMIv);
- The Beatles, Magical mystery tour (EMI, 1967);
- The Beatles, The Beatles (Apple, 1968);
- The Beatles, Abbey Road (Apple, 1969);
- Bee Gees, First (RSO, 1967);
- Bee Gees, Horizontal (Polydor, 1968);
- Bee Gees, Odessa (Polydor, 1969);
- Bert Jansch, Bert Jansch (Transatlantic, 1965);
- Big Brother & The Holding Company, Cheap thrills (Columbia, 1968);
- Bill Evans Trio, Sunday at the Village Vanguard (Riverside, 1961);
- Bill Evans Trio, Waltz for Debby (Riverside, 1961);
- Billy Nicholls, Would you believe (Castle, 1968);
- Blind Faith, Blind Faith (Polydor, 1969);
- Blodwyn Pig, Ahead rings out (BGO, 1969);
- Blonde on Blonde, Contrasts (Sanctuary, 1969);
- Blood, Sweat & Tears, Child is father to the man (Columbia, 1968);
- Blood, Sweat & Tears, Blood, Sweat & Tears (Columbia, 1969);
- Blue Cheer, Vincebus eruptum (Universal, 1967);
- Blue Cheer, New! Improved! (Akarma, 1969);
- Blue Mitchell, The thing to do (Blue Note, 1964);
- The Blues Magoos, Psychedelic lollipop (Repertoire, 1966);
- Bob Dylan, Bob Dylan (Columbia, 1962);
- Bob Dylan, The freewheelin´ Bob Dylan (Columbia, 1963);
- Bob Dylan, The times they are a-changin' (Columbia, 1964);
- Bob Dylan, Another side of Bob Dylan (Columbia, 1964);
- Bob Dylan, Bringing it all back home (Columbia, 1965);
- Bob Dylan, Highway 61 Revisted (Columbia, 1965);
- Bob Dylan, Blonde on blonde (Columbia, 1966);
- Bob Dylan, Nashville skyline (Columbia, 1969);
- Bobby Hutcherson, Dialogue (Blue Note, 1965);
- The Bonzo Dog Band, Gorilla (BGO, 1967);
- Booker T. & The MG's, Green onions (Atlantic, 1962);
- Brian Auger & The Trinity, Definitely what!... (Disconforme, 1969);
- Bridget St. John, Ask me no questions (Cherry Red, 1969);
- Buddy Emmons, Steel guitar jazz (Verve/Mercury, 1963);
- Buffalo Springfield, Buffalo Springfield (Atco, 1966);
- Buffalo Springfield, Again (ATCO, 1967);
- The Byrds, Mr. Tambourine Man (Columbia, 1965);
- The Byrds, Turn! Turn! Turn! (Columbia, 1965);
- The Byrds, Fifth dimension (Columbia, 1966);
- The Byrds, Younger than yesterday (Columbia, 1967);
- The Byrds, The notorious Byrd brothers (Columbia, 1968);
- The Byrds, Sweetheart of the rodeo (Columbia, 1968);
- The Byrds, Dr. Byrds and Mr. Hyde (Columbia, 1969);
- The Byrds, Ballad of Easy Rider (Columbia, 1969);
- Can, Monster movie (Spoon, 1969);
- Canned Heat, Boogie with Canned Heat (EMI, 1968);
- Canned Heat, Living the blues (Akarma, 1968);
- Canned Heat, Hallelujah (BGO, 1969);
- Cannonball Adderley Quintet, Mercy, mercy, mercy! Live at The Club (Capitol, 1967);
- Captain Beefheart & His Magic Band, Safe as milk (Buddah, 1967);
- Captain Beefheart & His Magic Band, Strictly personal (Liberty, 1968);
- Captain Beefheart & His Magic Band, Trout mask replica (Reprise, 1969);
- Caravan, Caravan (Verve, 1968);
- Charles Mingus, The black saint and the sinner lady (Impulse!, 1963);
- Charles Mingus, Mingus, Mingus, Mingus, Mingus (Impulse!, 1963);
- Charlie Haden, Liberation Music Orchestra (Impulse! , 1969);
- Chicago, Chicago Transit Authority (Columbia, 1969);
- Chick Corea, Inner space (Atlantic, 1967);
- Chick Corea, Sundance (Charly, 1969);
- Chicken Shack, O.K. Ken? (Blue Horizon, 1969);
- Count Basie/Sarah Vaughan, Count Basie & Sarah Vaughan (Capitol, 1961);
- Clark Hutchinson, A=MH2 (Repertoire, 1969);
- Climax Blues Band, Plays on (C-Five, 1969);
- Clouds, The clouds scrapbook (BGO, 1969);
- Colosseum, Those who are about to die salute you (Fontana, 1969);
- Colosseum, Valentyne Suite (Castle, 1969);
- Cream, Fresh cream (Polydor, 1966);
- Cream, Disraeli gears (Polydor, 1967);
- Cream, Wheels of fire (Polydor, 1968);
- Creation, We are paintermen (Repertoire, 1967);
- Creedence Clearwater Revival, Creedence Clearwater Revival (Fantasy, 1968);
- Crosby, Stills & Nash, Crosby, Stills & Nash (Atlantic, 1969);
- David Ackles, David Ackles (Elektra, 1968);
- David Bowie, Space oddity (EMI, 1969);
- Davy Graham, Folk, blues & beyond... (DECCA, 1964);
- Davy Graham, Midnight man (Fledgling, 1966);
- Davy Graham/Shirley Collins, Folk roots, new routes (Fledg'ling UK, 1964);
- Deep Purple, Shades of Deep Purple (EMI, 1968);
- Deep Purple, Concerto for Group and Orchestra (Warner Bros., 1969);
- Deep Purple, Deep Purple (EMI, 1969);
- Deep Purple, The book of Taliesyn (EMI, 1969);
- Dexter Gordon, Go (Blue Note, 1962);
- Dexter Gordon, Our man in Paris (Blue Note, 1963);
- Dizzy Gillespie, Live at the Village Vanguard (Blue Note, 1967);
- Donald Byrd, A new perspective (Blue Note, 1963);
- Donovan, Sunshine superman (PYE, 1966);
- The Doors, The Doors (Elektra, 1966);
- The Doors, Strange days (Elektra, 1967);
- The Doors, Waiting for the sun (Elektra, 1968);
- The Doors, The soft parade (Elektra, 1969);
- Duke Ellington, Money jungle (Blue Note, 1962);
- Duke Ellington/John Coltrane, Duke Ellington & John Coltrane (Impulse, 1962);
- Duncan Browne, Give me take you (Immidiate, 1968);
- Dusty Springfield, A girl called Dusty (Philips, 1964);
- Dusty Springfield, Dusty (Mercury, 1964);
- Dusty Springfield, Where am I going (Philips, 1967);
- Dusty Springfield, The look of love (Philips, 1967);
- Dusty Springfield, Dusty in Memphis (Mercury, 1969);
- Earth Opera, Earth Opera (Elektra, 1968);
- East of Eden, Mercator projected (DECCA, 1969);
- Eire Apparent, Sunrise (Sequel, 1969);
- The Electric Prunes, I had too much to dream (Last night) (Rhino, 1967);
- Elmer Gantry’s Velvet Opera, Elmer Gantry’s Velvet Opera (Repertoire, 1967);
- The End, Introspection (DECCA, 1969)
- Eric Dolphy, Out there (Universal, 1960);
- Eric Dolphy, Out to lunch (Blue Note, 1964);
- Eyes of Blue, In fields of Ardath (Black Rose, 1969);
- Fairport Convention, Fairport Convention (Polydor, 1968);
- Fairport Convention, What we did on our holidays (Island, 1969);
- Fairport Convention, Unhalfbricking (Island, 1969);
- Fairport Convention, Liege & lief (Island, 1969);
- Family, Music in a doll's house (Reprise, 1968);
- Family, Family entertainment (See for Miles, 1969);
- The Five Day Week Straw People, The Five Day Week Straw People (Akarma, 1968);
- Fleetwood Mac, Peter Green's Fleetwood Mac (Blue Horizon, 1968);
- Fleetwood Mac, Mr.Wonderful (Blue Horizon, 1968);
- Fleetwood Mac, English rose (Epic, 1969);
- Fleetwood Mac, Then play on (Reprise, 1969);
- The Flock, The Flock (Sony, 1969);
- Forest, Forest (BGO, 1969);
- Frank Zappa,, Absolutely free (Ryko, 1967);
- Frank Zappa,, Lumpy gravy (Ryko, 1967);
- Frank Zappa, Uncle Meat (Ryko, 1969);
- Frank Zappa, Hot rats (Ryko, 1969);
- Freddie Hubbard, Open Sesame (Blue Note, 1960);
- Freddie Hubbard, Ready for Freddie (Blue Note, 1961);
- Freddie Hubbard, The body & the soul (Impulse!, 1963);
- Free, Free (A&M, 1969);
- Free, Tons of sobs (Fontana, 1968);
- The Fugs, The Fugs (Fugs, 1966);
- Gene Clark, Gene Clark with The Gosdin Brothers (Columbia, 1967);
- George Benson, It's uptown (Columbia, 1965);
- George Benson, Shape of things to come (A&M, 1968);
- George Benson, Giblet gravy (Verve, 1968);
- George Harrison, Wonderwall music (Apple, 1968);
- George Harrison, Electronic sounds (Apple, 1969);
- George Russell Sextet, Ezz-thetics (Riverside, 1961);
- Giles, Giles & Fripp, The cheerful insanity of Giles, Giles & Fripp (DECCA, 1968);
- Grachan Moncur III, Some other stuff (Blue Note, 1964);
- Grant Green, Idle moments (Blue Note, 1964);
- Grateful Dead, Anthem of the sun (Rhino, 1968);
- Grateful Dead, Aoxomoxoa (Warner, 1969);
- Grateful Dead, Live/Dead (Warner, 1969);
- Hank Mobley, Soul station (Blue Note, 1960);
- Herbie Hancock, Takin' off (Blue Note, 1962);
- Herbie Hancock, Inventions and dimensions (Blue Note, 1963);
- Herbie Hancock, Empyrean isles (Blue Note, 1964);
- Herbie Hancock, Maiden voyage (Blue Note, 1965);
- The Herd, Paradise lost (Repertoire, 1968);
- High Tide, Sea shanties (Repertoire, 1969);
- Holger Czukay, Canaxis (Spoon, 1969);
- Horace Parlan, Happy frame of mind (Blue Note, 1963);
- Horace Silver Quintet, Song for my father (Blue Note, 1964);
- Horace Silver Quintet/J.J. Johnson, The Cap Verdean blues (Blue Note, 1965);
- Humble Pie, As safe as yesterday is (Immediate, 1969);
- Igginbottom, Igginbottom’s wrench (Angel Air, 1969);
- Ike Quebec, Blue and sentimental (Blue Note, 1962);
- Ike Quebec, It might a well be spring (Blue Note, 1964);
- The Incredible String Band, The Incredible String Band (Elektra, 1966);
- The Incredible String Band, 5000 spirits or the cayers of the onion (Elektra, 1967);
- The Incredible String Band, The hangman's beautiful daughter (Elektra, 1968);
- The Incredible String Band, The big huge (Elektra, 1968);
- The Incredible String Band, Changing horses (Hannibal, 1969);
- Iron Butterfly, In-a-gadda-da-vida (Atco, 1968);
- Isaac Hayes, Hot buttered soul (Stax, 1969);
- Jack McDuff, Down home style (Blue Note, 1969);
- Jackie McLean, Destination out! (Blue Note, 1963);
- Jackson C. Frank, Jackson C. Frank (Columbia, 1965);
- Jefferson Airplane, Takes off (RCA, 1966);
- Jefferson Airplane, Surrealistic pillow (RCA, 1967);
- Jefferson Airplane, Crown of creation (RCA, 1968);
- Jefferson Airplane, Volunteers (RCA, 1969);
- Jesse Colin Young, The soul of a city boy (Capitol, 1964);
- Jimi Hendrix Experience, Are you experienced? (Polydor, 1967);
- Jimi Hendrix Experience, Axis, bold as love (Polydor, 1967);
- Jimi Hendrix Experience, Electric ladyland (Polydor, 1968);
- Jimmy McGriff, Electric funk (Blue Note, 1969);
- Jimmy Smith/Wes Montgomery, The dynamic duo (Verve, 1966);
- Joe Henderson, Page one (Blue Note, 1963);
- Joe Henderson, Inner urge (Blue Note, 1964);
- John Coltrane, Giant steps (Atlantic, 1960);
- John Coltrane, Coltrane plays the blues (WEA, 1960);
- John Coltrane, My favorite things (Audiophile, 1960);
- John Coltrane, Africa/Brass (Impulse!, 1961);
- John Coltrane, Olé (Atlantic, 1962);
- John Coltrane, Impressions (Impulse!, 1963);
- John Coltrane, Stardust (Prestige, 1963);
- John Coltrane, A love supreme (Impulse!, 1964);
- John Coltrane, Ascension (Impulse! , 1965);
- John Coltrane, Meditations (Impulse!, 1966);
- John Coltrane, A love supreme (Impulse!, 1966);
- John Coltrane Quartet, Crescent (Impulse!, 1964);
- John Fahey, The dance of death & other plantation favorites (Takoma, 1964);
- John Martyn, The tumbler (Fontana, 1969);
- John Mayall, John Mayall & The Bluesbreakers with Eric Clapton (DECCA, 1966);
- John Mayall, A hard road (London, 1967);
- John Mayall, Crusade (DECCA, 1967);
- John Mayall, The blues alone (DECCA, 1967);
- John Mayall, Bare wires (London, 1968);
- John Mayall, Blues from Laurel Canyon (DECCA, 1968);
- John McLaughlin, Extrapolation (Polygram, 1969);
- Johnny Cash, Ride this train (Columbia, 1960).
- Johnny Cash, Orange blossom special (Columbia, 1965);
- Johnny Cash, Johnny Cash at Folsom prison (Columbia, 1968);
- Johnny Winter, The progressive blues experiment (BGO, 1969);
- Joni Mitchell, Song to a seagull (Reprise, 1968);
- Joni Mitchell, Clouds (Reprise, 1969);
- José Afonso, Cantares de andarilho (Movieplay, 1968);
- Kaleidoscope, Side trips (Epic, 1967);
- Karen Dalton, It's so hard to tell who's going to love you the best (Capitol, 1969);
- Kenny Burrell, Midnight blue (Blue Note, 1963);
- Kenny Dorham, Whistle stop (Blue Note, 1961);
- Kevin Ayers, Joy of a toy (EMI, 1969);
- King Crimson, In the court of the crimson king (EG, 1969);
- The Kinks, Face to face (Essential, 1966);
- The Kinks, Something else (Essential, 1967);
- The Kinks, The Kinks are Village Green Preservation Society (Essential, 1968);
- The Kinks, Arthur or the decline and fall of the british empire (Essential, 1969);
- La Monte Young, The black record (Edition X, 1969);
- Larry Young, Unity (Blue Note, 1966);
- Laura Nyro, Eli and the thirteenth confession (Columbia, 1968);
- Laura Nyro, New York tendaberry (Columbia, 1969);
- Led Zeppelin, Led Zeppelin (Atlantic, 1969);
- Led Zeppelin, Led Zeppelin II (Atlantic, 1969);
- Lee Morgan, The sidewinder (Blue Note, 1963);
- Lee Morgan, In search of the new land (Blue Note, 1964);
- Leonard Cohen, Songs of Leonard Cohen (Columbia, 1968);
- Leonard Cohen, Songs from a room (Columbia, 1969);
- Love, Da Capo (Elektra, 1966);
- Love, Forever changes (Elektra, 1967);
- The Lovin' Spoonful, Daydream (Buddah, 1966);
- The Lovin' Spoonful, Hums of the Lovin’ Spoonful (Buddah, 1966);
- Lucky Thompson Quartet, Lucky strikes (Prestige, 1964);
- Luiz Bonfá, Plays and sings Bossa Nova (Verve, 1963);
- The Mamas & The Papas, If you can believe your eyes and ears (Dunhill, 1966);
- Manfred Mann, The five faces of Manfred Mann (EMI, 1964);
- The Meters, The Meters (Sundazed, 1969);
- Miles Davis, Someday my prince will come (Columbia, 1961);
- Miles Davis, ’Round about midnight (Columbia, 1962);
- Miles Davis, E.S.P. (Columbia, 1965);
- Miles Davis, Miles smiles (Columbia, 1966);
- Miles Davis, In Berlin (Sony BMG, 1966);
- Miles Davis, Filles de Kilimanjaro (Columbia, 1968);
- Miles Davis, Nefertiti (Columbia, 1968);
- Miles Davis, In a silent way (Columbia, 1969);
- Moby Grape, Moby Grape (Sundazed, 1967);
- The Monks, Black monk time (Repertoire, 1966);
- The Moody Blues, Days of future passed (DECCA, 1967);
- The Moody Blues, In search of the lost chord (DECCA, 1968);
- The Moody Blues, To our children's children's children (DECCA, 1969);
- The Mothers of Invention, Freak out! (Rykodisc, 1966);
- The Mothers of Invention, We're only in it for the money (Verve, 1968);
- The Move, The Move (Repertoire, 1968);
- Music Emporium, Music Emporium (Sundazed, 1969);
- The Music Machine, Turn on (Repertoire, 1966);
- Os Mutantes, Os Mutantes (Omplatten, 1969);
- Nazz, Nazz (Castle, 1968);
- Neil Young & Crazy Horse, Everybody knows this is nowhere (Reprise, 1969);
- The Nice, The thoughts of Emerlist Davjack (Immediate, 1967);
- The Nice, Ars longa vita brevis (Immediate, 1968);
- The Nice, The Nice (Essential, 1969);
- Nick Drake, Five leaves left (Island, 1969);
- Nico, Chelsea girl (Verve, 1967);
- Nico, The marble index (Sundazed, 1968);
- Nirvana (UK), All of us (Island, 1968);
- Open Mind, Open Mind (Philips, 1969);
- Ornette Coleman Double Quartet, Free jazz (Atlantic, 1961);
- Oscar Peterson Trio, Night train (Verve, 1962);
- Otis Redding, The soul album (Stax/Volt, 1966);
- Otis Redding, Dock of the bay (Atco, 1968);
- Paul Desmond, Bossa Antigua (BMG, 1964);
- Pearls Before Swine, One nation underground (ESP-Disk, 1967);
- The Pentangle, Basket of light (Sanctuary, 1969);
- The Pentangle, The Pentangle (Transatlantic, 1968);
- The Pentangle, Sweet child (Transatlantic, 1968);
- Peter, Paul & Mary, See what tomorrow brings (Warner Bros. , 1965);
- Pharoah Sanders, Karma (Impulse! , 1969);
- Pierre Henry, Le voyage, d'après le livre des morts tibétain (ECM, 1962);
- Pierre Henry, Messe de Liverpool (Philips, 1967);
- Pierre Henry, Messe pour le temps présent (Philips, 1967);
- Pink Floyd, The piper at the gates of dawn (EMI, 1967);
- Pink Floyd, A saucerful of secrets (EMI, 1968);
- Pink Floyd, More (EMI, 1969);
- Pink Floyd, Ummagumma (EMI, 1969);
- The Pretty Things, S.F. Sorrow (Snapper, 1969);
- Procol Harum, A whiter shade of pale (Repertoire, 1967);
- Procol Harum, Shine on brightly (Repertoire, 1968);
- Procol Harum, A salty dog (Repertoire, 1968);
- Pussy, Pussy plays (Edsel, 1969);
- Quicksilver Messenger Service, Happy trails (Repertoire, 1969);
- Ravi Shankar/Yehudi Menuhin, West meets east (Angel, 1967);
- Renaissance, Renaissance (Island, 1969);
- Robert Johnson, King of the delta blues singers (Columbia, 1961);
- The Rolling Stones, The Rolling Stones (England's newest hitmakers) (Abkco, 1964);
- The Rolling Stones, 12 X 5 (London Records, 1964);
- The Rolling Stones, The Rolling Stones N°2 (DECCA, 1965);
- The Rolling Stones, Now! (Abkco, 1965);
- The Rolling Stones, Out of our heads (Abkco, 1965);
- The Rolling Stones, December's Children (And everybody's) (London Records, 1965);
- The Rolling Stones, Aftermath (DECCA, 1966);
- The Rolling Stones, Between the buttons (Abkco, 1967);
- The Rolling Stones, Their satanic majesties request (Abkco, 1967);
- The Rolling Stones, Beggars banquet (DECCA, 1968);
- The Rolling Stones, Let it bleed (Abkco, 1969);
- Roy Harper, Sophisticated beggar (Sundown, 1967);
- Sam Rivers, Contours (Blue Note, 1965);
- The Savage Rose, In the plain (Polydor, 1969);
- Scott Walker, Scott (Fontana, 1967);
- Scott Walker, Scott 2 (Fontana, 1968);
- Scott Walker, Scott 3 (Fontana, 1969);
- Scott Walker, Scott 4 (Fontana, 1969);
- Silver Apples, Silver Apples (MCA, 1968);
- Simon & Garfunkel, Sounds of silence (Columbia, 1966);
- Simon & Garfunkel, Parsley, sage, rosemary and thyme (Columbia, 1966);
- Simon & Garfunkel, Bookends (Columbia, 1968);
- Skin Alley, Skin Alley (Akarma, 1969);
- Sonny Rollins, The bridge (RCA, 1962);
- The Small Faces, The Small Faces (DECCA, 1966);
- The Small Faces, From the beginning (DECCA, 1967);
- The Small Faces, Ogden's nut gone flake (EMI, 1968);
- Smokey Robinson and the Miracles, Make it happen (Motown, 1963);
- Soft Machine, Soft Machine (Probe, 1968);
- Soft Machine, Volume Two (One Way, 1969);
- Spirit, Spirit (Epic Legacy, 1968);
- Spirit, The family that plays together (Ode, 1969);
- Spooky Tooth, It's all about (Edsel, 1968);
- Spooky Tooth/Pierre Henry, Ceremony, An electronic mass (Edsel, 1969);
- Stan Getz, Getz Au Go Go (Verve, 1964);
- Stan Getz/João Gilberto, Getz/Gilberto (Verve, 1963);
- Status Quo, Picturesque matchstickable messages from the Status Quo (Essential, 1968);
- Status Quo, Spare parts (Sanctuary, 1968);
- Steve Miller Band, Children of the future (Capitol, 1968);
- Steve Miller Band, Sailor (Capitol, 1968);
- Stevie Wonder, For once in my life (Tamla Motown, 1968);
- Stevie Wonder, My cherie amour (Tamla Motown, 1969);
- The Stooges, The Stooges (WEA, 1969);
- Strawberry Alarm Clock, Incense and peppermints (Big Beat, 1967);
- Tea & Symphony, An asylum for the musically insane (Si-Wan, 1969);
- The Temptations, Cloud nine (Tamla Motown, 1969);
- Terry Riley, Reed streams (Mass Arts, 1966);
- Terry Riley, A rainbow in curved air (Columbia, 1967);
- Thelonious Monk, Monk's dream (Columbia, 1962);
- Thelonious Monk, Big band and quartet in concert (Columbia, 1964);
- Thelonious Monk, Straight, no chaser (Columbia, 1967);
- Thelonious Monk, Underground (Columbia, 1968);
- Them, The angry young Them (DECCA, 1965);
- Them, Them again (DECCA, 1966);
- Tim Buckley, Tim Buckley (Elektra, 1966);
- Tim Buckley, Goodbye and hello (Elektra, 1967);
- Tim Buckley, Happy sad (Elektra, 1969);
- Tim Hardin, 1 (Verve, 1966);
- Tina Brooks, True blue (Blue Note, 1960);
- Tom Rush, Circle game (Elektra, 1968);
- Townes Van Zandt, Our mother the mountain (Tomato, 1969);
- Townes Van Zandt, Townes van Zandt (Tomato, 1969);
- Traffic, Mr Fantasy (Island, 1967);
- Traffic, Last exit (Fontana, 1969);
- Tyrannosaurus Rex, My people were Fair and had sky in their hair... (A&M, 1967);
- Tyrannosaurus Rex, Prophets, seers & sages, the angels of the ages (A&M, 1968);
- Tyrannosaurus Rex, Unicorn (A&M, 1969);
- Ultimate Spinach, Ultimate Spinach (Akarma, 1968);
- Ultimate Spinach, Behold & see (Akarma, 1968);
- Ultimate Spinach, Ultimate Spinach III (Akarma, 1969);
- The United States of America, The United States of America (Edsel, 1968);
- Van der Graaf Generator, The aerosol grey machine (Fontana, 1969);
- Van der Graaf Generator, The least we can do is wave to each other (Virgin, 1969);
- Van Morrison, Blowin' your mind! (Epic/Legacy, 1967);
- Van Morrison, Astral weeks (Warner Bros. , 1968);
- Vanilla Fudge, Vanilla Fudge (Atco, 1967);
- Vanilla Fudge, Near the beginning (Repertoire, 1969);
- The Velvet Underground, White light/White heat (Polydor, 1968);
- The Velvet Underground, The Velvet Underground (Polydor, 1969);
- The Velvet Underground/Nico, The Velvet Underground & Nico (Verve/MGM, 1967);
- Wayne Shorter, Speak no evil (Blue Note, 1964);
- Wayne Shorter, Schizophrenia (Blue Notev);
- White Noise, An electric storm (Island, 1969);
- The Who, My generation (Brunswick, 1965);
- The Who, A quick one (Reaction, 1966);
- The Who, The Who sell out (MCA, 1967);
- The Who, Tommy (Polydor, 1969);
- Wooden O, A handful of pleasant delites (Akarma, 1969).
- Xhol Caravan, Electrip (Garden of Delights, 1969);
- The Yardbirds, For your love, heart full of soul & others (Sunspots, 1965);
- The Yardbirds, Roger the engineer (Warner Bros., 1966);
- The Yardbirds, Little games (EMI, 1967);
- Yes, Yes (Atlantic, 1969);
- The Youngbloods, Elephant Mountain (Edsel, 1969);
- The Zombies, Odessey & oracle (Repertoire, 1967).

^ Hehe, I've always wanted a pretty banner...
So I'm fairly bored, and was wondering which female artists had the most plays. I already knew that Britney Spears had the highest play count, but just thought it may be interesting to see the rest. I'm updating figures where possible, the top twenty are checked fairly often as they're most likely to change, but I try to check the rest too.

The 25M+ Club
1. Britney Spears - 57m
2. Madonna - 48m
3. Björk/Bjork - 48m
4. Avril Lavigne - 41m
5. Regina Spektor - 38m
6. Amy Winehouse - 38m
7. Feist - 35m
8. Tori Amos - 32m
9. Cat Power - 29m
10. Lady GaGa - 30m
11. Beyoncé/Beyonce - 29m
12. Lily Allen - 29m
13. Rihanna - 29m
14. Norah Jones - 27m
15. Nelly Furtado - 25m

10-25M-ers
16. Kelly Clarkson - 24m
17. P!nk/Pink - 24m (many acts with this name)
*haven't updated below here for a while*
18. Alanis Morissette - 22m
19. PJ Harvey - 22m
20. Christina Aguilera - 22m
21. Enya - 22m
22. Imogen Heap - 20m
23. Mariah Carey - 20m
24. Kylie Minogue - 19m
25. Shakira - 17m
26. Katy Perry - 17m
27. M.I.A. - 17m
28. 浜崎あゆみ/Ayumi Hamasaki - 16m
29. Dido - 16m
30. Fiona Apple 15m
31. Alicia Keys - 14m
32. Gwen Stefani - 13m
33. Kate Nash - 13m
34. KT Tunstall - 12m
35. 宇多田ヒカル / Utada - 12m
36. Nina Simone - 12m
37. Sarah McLachlan - 12m
38. Taylor Swift - 11m
39. Sia - 11m
40. Kate Bush - 11m
41. Katie Melua - 11m
42. Miley Cyrus / Hannah Montana - 11m

5-10M
43. Ani DiFranco - 9.8m
44. Fergie - 9.4m
45. Hilary Duff - 9.0m
46. Bat for Lashes - 8.9m
47. Duffy - 8.8m
48. Billie Holiday - 8.8m
49. Leona Lewis - 8.5m
50. Emilíana Torrini/Emiliana Torrini - 8.5m
51. Róisín Murphy/Roisin Murphy - 8.2m
52. Céline Dion/Celine Dion - 8.2m
53. Aimee Mann - 8.1m
54. Ashlee Simpson - 8.1m
55. Janis Joplin - 8.0m
56. Adele - 8.0m
57. Natasha Bedingfield - 7.9m
58. Ella Fitzgerald - 7.8m
59. Santigold / Santogold - 7.7m
60. Aretha Franklin - 7.3m
61. Janet Jackson - 7.2m
62. Jennifer Lopez - 7.1m
63. BoA - 7.1m
64. Joni Mitchell - 7.0m
65. Sheryl Crow - 7.0m
66. Emilie Autumn - 6.9m
67. Joss Stone - 6.9m
68. Diana Krall - 6.8m
69. Colbie Caillat - 6.7m
70. Lykke Li - 6.7m
71. Peaches - 6.5m
72. Loreena McKennitt - 6.4m
73. Jem - 6.2m
74. YUI - 6.1m
75. Corinne Bailey Rae - 6.0m
76. Michelle Branch - 6.0m
77. Jewel - 5.8m (many artists)
78. Natalie Imbruglia - 5.7m
79. Mary J. Blige - 5.6m
80. Sara Bareilles - 5.6m
81. Ciara - 5.5m
82. Missy Elliott/Missy Elliot - 5.4m
83. Vanessa Carlton - 5.3m
84. Koda Kumi/倖田來未 - 5.2m
85. Carrie Underwood - 5.0m
86. Carla Bruni - 5.0m

<5M
87. Cyndi Lauper - 4.9m
88. Sarah Brightman - 4.8m
89. Robyn 4.7m
90. Emilie Simon - 4.6m
91. Whitney Houston - 4.2m
92. Ladyhawke - 4.4m
93. Paris Hilton - 4.3m
94. Laura Marling 4.3m
95. Patti Smith - 4.1m
96. Sinéad O'Connor - 4.2m
97. Lindsay Lohan - 4.2m
98. Anastacia - 4.1m
99. Suzanne Vega - 4.1m
100. Yelle - 4.1m
101. Sophie Ellis-Bextor - 4.0m
102. Namie Amuro/安室奈美恵 - 4.0m
103. Ashley Tisdale - 4.0m
104. Shania Twain - 3.9m
105. Mandy Moore - 3.8m
106. Camille - 3.7m
107. Missy Higgins - 3.7m
108. Anna Nalick - 3.7m
109. Jordin Sparks - 3.6m
110. Eva Cassidy - 3.6m
111. Annie Lennox - 3.6m
112. Dusty Springfield - 3.5m
113. Brandy - 3.4m
114. Cher - 3.4m
115. Bebel Gilberto - 3.3m
116. Marisa Monte - 3.2m
117. Jill Scott - 3.1m
118. Macy Gray - 3.1m
119. Jessica Simpson - 3.0m
120. Tina Turner - 3.0m
121. Annie - 3.0m
122. Mylène Farmer - 2.9m
123. St. Vincent - 2.9m
124. Delta Goodrem - 2.9m
125. Cassie - 2.7m
126. Florence and The Machine (many alternatives) - 2.7m
127. Melanie C - 2.7m
128. Dolly Parton - 2.7m
129. Etta James - 2.7m
130. Brandi Carlile - 2.6m
131. Ashanti - 2.6m
132. LeAnn Rimes - 2.4m
133. Amerie - 2.4m
134. Nico (multiple artists with this name) - 2.4m
135. Demi Lovato - 2.4m
136. Sarah Vaughan - 2.4m
137. My Brightest Diamond - 2.4m
138. Vanessa Hudgens - 2.4m
139. Toni Braxton - 2.4m
140. Faith Hill - 2.3m
141. Heather Nova - 2.3m
142. Charlotte Gainsbourg - 2.3m
143. Natalie Merchant - 2.3m
144. Alizée - 2.3m
145. Miss Kittin - 2.3m
146. Joan Baez - 2.2m
147. Kelly Rowland - 2.2m
148. Little Boots - 2.2m
149. Mika Nakashima - 2.1m
150. Bonnie Tyler - 2.0m
151. Carole King - 2.0m
152. Donna Summer - 2.0m
153. Dinah Washington - 1.9m
154. Keri Hilson - 1.9m
155. Julie London - 1.8m
156. Peggy Lee - 1.8m
157. Melissa Etheridge - 1.8m
158. Kate Voegele - 1.8m
159. Diana Ross - 1.7m
160. Sezen Aksu - 1.7m
161. Pati Yang - 1.7m
162. Christina Milian - 1.7m
163. Anja Garbarek - 1.6m
164. Dar Williams - 1.6m
165. Patsy Cline - 1.6m
166. Dannii Minogue - 1.5m
167. Kim Wilde - 1.5m
168. Dolores O’Riordan - 1.5m
169. Monica - 1.5m
170. Katharine McPhee - 1.5m
171. Monica - 1.5m
172. Nicole Scherzinger - 1.5m
173. Gloria Estefan - 1.5m
174. Barbra Streisand - 1.5m
175. Bic Runga 1.5m
176. Nellie McKay 1.4m
177. Colleen - 1.4m
178. Carly Simon - 1.4m
179. Kate Havnevik - 1.4m
180. Joan Osborne - 1.3m
181. Mýa / Mya - 1.3m
182. Younha - 1.3m
183. Lhasa 1.3m
184. Chantal Kreviazuk - 1.3m
185. Lucie Silvas - 1.3m
186. Paulina Rubio - 1.3m
187. Nerina Pallot - 1.3m
188. Bonnie Raitt - 1.3m
189. Martina McBride - 1.3m
190. Sarah Blasko 1.2m
191. Jennifer Hudson - 1.2m
192. Marianne Faithfull - 1.2m
193. Stacey Kent - 1.2m
194. Shawn Colvin - 1.2m
195. Emma Bunton - 1.2m
196. Charlotte Martin - 1.2m
197. Geri Halliwell - 1.2m
198. Vanessa Paradis - 1.1m
199. Gal Costa - 1.1m
200. Rachel Stevens - 1.1m
201. Jeffree Star - 1.1m
202. Sandi Thom - 1.1m
203. Hanne Hukkelberg - 1.1m
204. Paula Cole - 1.1m
205. Dionne Warwick - 1.1m
206. Juana Molina - 1.1m
207. Şebnem Ferah - 1.1m
208. ORIGA - 1.1m
209. Tamia - 1.0m
210. Belinda - 1.0m
211. Sarah Connor - 1.0m
212. Bette Midler - 1.0m

-------------------------------------------
Please contact here if
* I haven't included an artist with >1m plays (many are missing)
* You notice incorrect figures/have updated figures
* An artist's name is mispelt
* I've added a band or male artist accidently
* You know of anything else that is relevant
* A common mispelling exists of an artist's name (IE, Beyonce / Beyoncé)
-------------------------------------------

Thanks for reading / any contributions =]

Artículo del Blog de Hipoceronte



Hay voces que parecieran llegar a la médula, emocionan, estremecen y sin necesidad de hacer parafernalia. La voz de Sarah Vaughan me provoca una sensación extraña, de nostalgia, de dolor superado, de transitar por la vida con el desamor a cuestas, de continuar. El arte sana dicen, y sin duda el disco que presento a continuación cumple ese rol.




"Sassy", como le decían a Vaughan, partió cantando junto a Dizzy Gillespie y Charlie Parker, por lo que siempre estuvo ligada al jazz, donde fue una de los pioneras en la improvisación en plena era Be-bop. Grabó con importantes músicos como Herbie Hancock, Miles Davis, Oscar Peterson, Clifford Brown, etc. Ella Fitzgerald dijo de ella que era "el talento vocal más grande del mundo", imagínense, es como cuando Chaplin le dijo a Cantinflas que era "el mejor comediante del mundo". Aunque tuvo una vida bohemia, con ingesta de drogas y todo, nunca fue adicta, como muchos de sus amigos músicos, aunque el cigarro le pasó la cuenta en 1990, a sus 66 años, con un cáncer al pulmón que cobró su vida. Pero dejó mucho material, así que no se le puede recriminar que haya sido buena pa' los puchos.




Desde el año '60 al '64 estuvo ligada al sello "Roulette" donde realizo varias sesiones de grabación. El disco Ballads es una recopilación de 13 temas de aquellas grabaciones, remasterizados luego a lo largo de los '90. Hay dos temas con los arreglos orquestales de Count Basie, los otros temas son acompañados con duplas de guitarra y bajo, a veces con la ayuda de un organo o de algún bronce, lo que crea un ambiente muy íntimo que combina perfecto con los días de lluvia. Hay letras muy bellas, aunque la mayoría de los temas son ya obras legendarias que se han hecho famosas en otras voces también legendarias.

La hermosa y nocturna carátula del disco es de Robert Arnow, quien hizo las carátulas de toda la colección de baladas de Blue note.

Personalmente, existen acá dos canciones que me ponen los pelos de punta: "All or Nothing at All" ( con este tema se da inicio al disco) e "In A Sentimental Mood".



Si necesita música para una noche romántica, éste es el disco.
Si quiere estar menos solo en invierno, escuche este disco.
Si quiere sentir algo de calidez en estas heladas noches, abríguese con este disco.
Si le gusta la música, he aquí otro buen disco



"On the wings of every kiss, every kiss, every kiss
drifts a melody so strange and sweet.
In this sentimental bliss
you make my paradise, my paradise complete."

Two hours of swinging jazz musicians covering compositions by George Gershwin & Ira Gershwin.

Swing Plus #66
6/30/09 7:00 pm - 9:00 pm
http://www.kbrpradio.com
http://twitter.com/kbrp

1- Summertime – Sidney Bechet
2- I Got Rhythm – Fats Waller
3- Fascinating Rhythm – Fred Astaire
4- Shall We Dance – Oscar Peterson
5- Bidin’ My Time – Billy Butterfield & Patricia O’Connor
6- Rhapsody in Blue – Duke Ellington
7- Sweet & Low Down – Lee Wiley
8- I’ll Build a Stairway to Paradise – Eddie Condon
9- Strike Up the Band – Erroll Garner
10- Love Walked In – Una Mae Carlisle
11- They All Laughed – Johnny Hodges
12- Someone to Watch Over Me – Swingcats & Shaunette Hildabrand
13- ‘Swonderful – Lionel Hampton
14- They Can’t That Away From Me – Sarah Vaughan
15- Somebody Loves Me – Art Tatum
16- Nice Work If You Can Get It – Mel Torme
17- I Got Plenty O’Nuttin’ – Rex Stewart
18- It Ain’t Necessarily So – Ray Brown
19- Bess, You Is My Woman – Teddy Wilson
20- Where Is My Bess – Frank Sinatra
21- Summertime – Budd Johnson
22- Liza – Chick Webb
23- How Long Has This Been Going On – Louis Armstrong
24- Embraceable You – Braff-Barnes Quartet
25- The Lorelei – Doris Rhodes & Joe Sullivan
26- The Man I Love – Coleman Hawkins
27- Who Cares – Kate Smith
28- But Not For Me – Sun Ra
29- Oh, Lady Be Good – Django Reinhardt