FUGAZI: “Sweet and Low” from In On the Kill Taker
Killtaker has always been a favorite of mine, and a massive (but often unspoken) part of the charm of that record is the sequencing. “Facet Squared” butted against “Public Witness Program” has to be one of the better 1-2 punches in history. Flip the record over and side two opens quite differently (yet equally gripping) with the instrumental, “Sweet and Low.” It’s an incredibly delicate and thoughtful way to coax the listener into flipping the record. Brendan Canty somehow found a way to be both subtle and bombastic with each drum roll that coasts smoothly into each build-up of this short song. And it’s impossible to avoid bobbing your head along with the steady pace of the ride and snare.
THE AQUARIUM: “Maxxo Sesh” from their self-titled CD
Like “Bone Machine” or “Taxman” or Lungfish’s “The Words” (from Necrophones ), I’ve got no problem putting Aquarium’s “Maxxo Sesh” up on the list of Greatest Opening Songs Ever. Don’t let the instrumental factor fool you: by no means is this background music. Crank the car stereo as loud as it can go and prepare to drown in the majesty and wonderment of The Aquarium.
I love this song because it transcends genre. Huge beat, massive fuzzed out bass tones, dreamy delay – is it rock? is it hip-hop? is it punk? is it some weird outtake from Check Your Head?
Nope … it’s just ... it's just Aquarium.
LUNGFISH: “At Liberty to Say” from Pass and Stow
Clocking in at just under two and a half minutes, this song has been a favorite of mine since Pass and Stow was released in 1994. It opens with some nonabrasive feedback and fades into a beautifully noisy, layered, and remarkably alluring song. This is the perfect tune to have queued up when you need to cleanse the palette after bombarding the road trip listeners with everything from Mingus to Off.
As always, thanks for reading.
Leia o artigo completo em:
A Last.fm não se responsabiliza pelo contéudo de sites externos.