• The three page essay on what I've listened to since I was born

    Jul 12 2008, 0h49 por LilleFluff

    I decided to write it, because I have nothing better to do.

    When my mother found out she was pregnant with me, the song TocarWuthering Heights was playing. I don't remember it, obviously. I love that song though.

    When I was a kid, my mother (and thus me as well) listened to a lot of Italian music. Eros Ramazotti was the most played artist in our house. I also have good memories with Joe Dassin, a French guy, and Randy Crawford. It took me a long while to love TocarStreet Life, I didn't care much for it as a kid, but I love it now. It's part of my childhood soundtrack. Another important track is Sara perche ti amo.

    Of course this was all at a time when I wasn't very interested in music, so it was more of a background noise. I didn't understand much English (or Italian), so the lyrics of what was played were unintelligible, and I often wondered why they kept repeating "Baby" so much in English songs. Why did they all sing songs about babies? Aren't babies just annoying? ...such were the thoughts that crossed my mind at the time.

    When I started I school I started noticing music on my own, albeit a lot later than the others. I would probably have loved the Spice Girls if only I had known their music! But my family didn't listen to that kind of music, so it totally went past me. I knew that all the kids at school were absolutely crazy about them and I saw their pictures everywhere, and I stubbornly claimed to hate them with a passion. I rather liked this - it shocked the other kids deeply, and I felt pretty damn cool since I wasn't mainstream. Typical of my 7-8 year old self (maybe even my current self, haha). Anyway, my first dive into music was probably a CD released in Norway called "Hits for Kids".
    (Before that I'd had no way of listening to the songs I liked when I wanted to, although I loved Blue by Eiffel 65 ... and at some point there was also TocarBetter Off Alone by Alice Deejay which I also never got the chance to listen to anywhere besides on the radio/at stupid school parties)
    Actually the first one I acquired was "Hits for Kids 2". It included artists like Backstreet Boys, Britney Spears, Cartoons and Stig Van Eijk among others. I remember a girl from my class owning it and it was the "cool" thing back then, so I asked my mother to buy it, which she did (she probably felt it was good that I was finally developing a musical taste of my own, no matter how crappy). Since this was the only CD I owned for maybe a whole year, I listened to it -a lot-. I secretly loved the Backstreet Boys track most of them all.

    Later I got the first CD in the compilation series (this opened my eyes to the LOVE that is Together Forever (The Cyber Pet Song), more commonly known simply as "Tamagotchi") and then the fourth, which included a free Pokémon card. I got an energy card, which was disappointing, but at least it was one I could use for my deck.

    At this point I became a huge Britney fan, and I guess this continued for the rest of my life. I started noticing her when she released Tocar(You Drive Me) Crazy, I think. I also remember being totally mesmerized by TocarBorn To Make You Happy when it was on MTV. My best friend back then and I would spend countless hours at her house listening to her second album, and most of all we loved TocarLucky. Because of money shortage I didn't own the album myself until I was much older.

    Somewhere along the road came a Norwegian idol group produced by a TV show called Superstars (I think? Or was it Popstars?). They were called Cape and all teh kids loved them, including me. I bought their craptastic album for my own hard-earned money. Owning a CD was still very rare for me back then, and I had no access to music downloads or CD burners or the like. I recorded my favorite songs from the radio onto cassettes and listened to them, with a radio speaker intruding at the beginning and end of songs with his/her stupid comments. But somehow it was charming (and surely I was the only one who still listened to music this way!).

    Because I was so hungry for the way too expensive CDs, I took everything I could get. When someone offered me a free or very cheap CD I'd grab it regardless of whether I liked the artist in question or not. Because of this I listened a lot to the Coast to Coast album (I think it was?) by Westlife and a small, home-burned compilation of songs by a pop group called Six, both of which I'd gotten for free from friends. I absolutely loathed the Westlife album, but because of lack of anything else to listen to I listened to it anyway in the hope of liking it more eventually. It never happened, and now I luckily don't have to suffer the Westlife fate anymore (no one can accuse me of not having tried to get into it). The Six CD was a bit more tolerable, but not much, really.

    Two artists I have strong memories with are Pink and Christina Aguilera. I disliked Christina's first stuff a lot, but when her album Stripped came out... I was a big fan. Of course, after the initial shock of the TocarDirrty video had worn off! It was very controversial at the time, I remember it being a subject of discussion in the papers too. Now I can't for the life of me see why, really. Had we really not seen this before? Anyway, all the singles from this album as well as the album as a whole were very strong, catchy and lyrically decent tracks. This, and Pink's mizundaztood, both owned by my lucky friend, were played a lot for a period.

    I went to Paris in the sixth grade, and in Pigalle's McDonald's I saw the video for the song J'en ai marre ! by Alizée. I fell in love with it and bought her album based solely on that single, a decision I never regretted. For a good couple of months it was all I ever listened to. I totally wanted to take French later in school (someone should have warned me!).

    Somewhere along the road I learned how to download mp3s. A whole new world opened to me. I can clearly remember the very first mp3 I ever downloaded. It was Girls Keep Secrets in the Strangest Ways by Ephemera. I had a dial-up connection at the time, which allowed to download at the maximum speed of 4kb/s. Each song that I managed to obtain was a treasure and I listened to every single mp3 a bazillion times. I remember listening to Sum 41, of all people. Another very notable song is TocarThe Last Goodbye by Atomic Kitten. I loved that song so, so much. If it was scobbled it would have like 10,000 plays, I kid you not.

    In seventh grade sometime a girl named Avril Lavigne appeared. I am not going to hide that I developed the biggest celebrity crush I've ever had on her. I was as in love with her as you get when it comes to celebrities. My room looked like a shrine for her. All the other girls had posters of some "handsome" guys and other people thrown in for good measure, however, my walls were entirely covered in Avril. Damn, I stared hard at these pictures every night before going to bed, and when I slept I dreamt that she was real and alive in my room.

    Later I found out that like very other pop star she was little more than a product of her management, and it was quite a letdown for a naïve girl like me. But I continued loving her music, and I feel that it has grown with me. The first album was as childish as I was when it was released, with silly nonsensical lyrics and also some pretty stupid subject matter on some of the songs (...but even though we don't want to admit it, we all feel a bit like TocarThings I'll Never Say now and then.) The aforementioned song, and TocarAnything But Ordinary were my favorite tracks, but I loved them all.
    Avril's second album was a bit more emo at some parts I guess, but it had nice upbeatness too. It was more mature than the previous one, but still a bit too...I don't know. Again it fit well for me at the time.
    The third album was fun and upbeat, which reflects more maturity in my opinion. Being able to not take everything so seriously, letting your hair down and stop being emo is, the way I see it, also a way of finally letting go of the typical teenage stupidity. (Sounds weird I suppose, but I feel a point is hidden in that mess.)

    Now I've gone a bit too far ahead. I've now reached an exiting time - my first experiences with Japanese, and Asian music.

    It started with (don't shoot me!) anime. My favorite anime was (no, please, spare my life!!) was Tottoko Hamutaro. It was the first time I heard songs in Japanese. Now...ミニモニ。 were voicing some characters in the movies, as well as singing the theme songs. These songs really were something special. I listened to them countless times, learned all the lyrics, the distinct voices of the four girls, and so on. Naturally I wanted to hear more of this, and so I became a huge ミニモニ。 fan. This was the ONLY Japanese music I knew of at the time, so I tolerated that the tracks were very silly and childish (they were a lot of fun though!). My mother hated that I played it all day long... However, simple lyrics like those allowed for me understanding more and more naturally, which was what awakened my single true talent in the world, the one for languages. I soon couldn't take any more unintelligible words, and this led to my Mission of Mastering Japanese. Yes, for the sake of ミニモニ。, and later モーニング娘。, I decided this at the tender age of 13, and I never looked back.

    So, yeah, I found out about MoMusu. My favorite songs were Go Girl~恋のヴィクトリー~, Do it! Now and I WISH. I didn't have access to much of their stuff, really, all I had was Limewire. The one PV I remember very clearly is the one for Do it! Now, I absolutely loved it. The song I loved as well, so dramatic and catchy and with a lovely "rap" in the middle. After all these years it's perhaps the one song from that time that enjoy (almost) as much as I did back then. When I listen to it now I still get that special feeling...one that has been hard to find again in music later. (Now I understand the lyrics too, a big step forward).

    A website called Toshinbu introduced me to early berryz koubou, 美勇伝, and some other H!P stuff from that time. It feels like a golden age of H!P to me, but I think it was because it was new to me.

    Back then I honestly LOVED everything that was served me as long as it originated from the Japanese islands. I didn't have years of jpop listening behind me, so it all sounded new and fresh to my ears. I hadn't developed an ear for what is "generic" and it didn't feel recycled or anything like I feel about a lot of stuff now.

    Eventually I took the steps out of H!P, since Toshinbu had another section for non-H!P artists. I remember being totally blown away by every single song I heard from SweetS (that was in the good old days, with BOUNCEBACK. Their sound was dramatic and a bit atypical of idol groups. Then came the generic crap...). My friend burned me a CD with their songs and I think I almost wore it completely out.

    Simultaneously I had my first contact with the music of ayumi hamasaki. Notable songs were No Way To Say, Evolution (OF COURSE.) and Vogue.

    When I first encountered jpop, it was all I wanted. I remember signing up for Last.fm in 2005, when the site still was named Audioscrobbler. My first scrbbles ever was Berryz. I had a period of Berryz obsession, which then turned into a period of intense dislike. For a while I couldn't stand them. (Now I listen to them again, I think it would be interesting to listen to their oldest stuff once more...just to see if I can handle it). I went back to listening to more Western music, and now it's almost at 50/50 I'd say (which is perfect. I feel that there is almost as much Japanese music being produced as there is English, they churn out songs in a mind-blowing tempo!).

    I discovered what might quite possibly be my favorite genre in Western music - folk.

    A thing that I feel is prominent in all of my music history is the lack of access to music. First because I never was a rich kid and couldn't afford many CDs, and later because I had no CD burner, a maximum speed of 4kb/s and 4GB of disc space on the entire computer for a long time. This isn't necessarily a bad thing. I had to listen to what I could get a hold of, and I had to listen to it a lot. I thus developed strong memories with this music, and I like that feeling of being able to listen to a song and recall my entire register of emotions from a certain point in my past. It's a very special thing, and to me it is the best way I can preserve a memory.

    Being so limited with downloads also made each song I got a treasure. I would listen to them many times and really appreciate all parts of the song. One song I remember fighting for to get to download properly is ささやかな祈り by Every Little Thing. That intro really captured me.. It's still my favorite intro for a song ever. I listened to this song again and again while daydreaming.

    Now I have unlimited access to everything I could ever dream of. I can even listen to patriotic songs from North Korea if that's what floats my boat (Which I've done, just to see what they were like. Let's just say it's a funny, but not entirely bad genre). Like my previous situation this has its pros and cons.

    I've discovered a shitload of new artists. "My library" in the Last.fm beta site has about 2500 artists that I've listened to, and if you think about it, that really is a lot. I mean, compared to what you are exposed to via normal radio and CDs that you own! This really is great and has broadened my horizons to the furtherest corners of the planet. Another thing I've experienced is that there now is at least -something- I am able to enjoy in every genre I've listened to. Music I earlier dismissed as "not my cup of tea" or downright bad has gotten a second chance and I now genuinely like a bunch of artists with very diverse styles of music. If you were to ask me what genres I like I'd have to list most of the genres I know of. (This doesn't mean that I'm not picky or don't have any defined taste at all, even though it might sound like it.)

    However, these massive amounts of music available has resulted in me not "feeling it" as much as I did before. I don't mean that I don't get eargasms or whatever. But favorite tracks remain favorites for shorter periods of time, I get bored a lot more quickly, and I am not as easily impressed. It happens when I get into a new genre, but even then it doesn't last the way it did before. I can't recall being totally blown away by a H!P song in a looong while, and that really disappoints me. I miss the old feeling, the "Do it! Now" feeling, the listening to the voices of ミニモニ。 feeling. I am still waiting for that feeling to return. (Maybe the trick is to do a lot of repeat-listening, after all that's what I did in the past XD)

    I feel that I now consume music in an entirely different manner. But don't get me wrong, they are both good in their ways.

    I'll wrap up this story for now, some time later I will write more about the most recent events in my musical history. It pretty much stopped at 2004-2005 in this entry, and that's because the developments from there have to be written about in a different manner since there are extremely many new artists and genres. I'll write a separate story for each genre/type of music...because I like to bore the living shit out people with this. =)
  • Meine Top-Alben

    Jul 9 2008, 10h36 por skraatz

  • Jackie Brown (Tarantino) O.S.T.

    Abr 16 2008, 8h56 por Kilgorius

    Yesterday I saw Tarantino's fantastic 'Jackie Brown' after a long time. It's not just a great movie, the soundtrack is also great...so here are my personally highlights:

    TocarAcross 110th Street - Bobby Womack

    TocarStrawberry Letter 23 - The Brothers Johnson

    TocarStreet Life - Randy Crawford

    TocarTennessee Stud - Johnny Cash



    ...and finally here's the Jackie Brown Intro


  • Нашла новую интересную музыку Randy Crawford

    Abr 7 2008, 18h29 por tenaniri

    Приятный вокал, стильные композиции.

    Слушаю:
    Randy Crawford - Street Life
    Randy Crawford - Wishing On A Star
    Joe Sample/Randy Crawford - Feeling Good
    кстати, эту песню я тоже недавно записала с Пусикатами- Irina Philippova feat The Pussicat Dolls - Feelin' Good (live home audio).mp3 - http://webfile.ru/1853739 (2 мБ) - не бить! :)

    Все три трека Randy Crawford можно послушать у меня http://vkontakte.ru/id7652

    Живу музыкой - она меня буквально спасает и вдохновляет.
    А занимаюсь черт знает чем.

    И еще.
    Друзья, мы не одиноки.

    ВЕРИМ В ЛУЧШЕЕ.Randy Crawfordхорошая музыка
  • Top 50 Survey

    Ago 16 2007, 13h42 por irie86

    01. How did you get into 29? Jippu I heard her song Saviruukku and it was breathtaking! Her voice was just so... wow.

    02. What was the first song you ever heard by 22? Jay-Z I really can't remember! Coulda been Hard Knock Life

    03.What's your favorite lyric by 33? 50 Cent Hmmm... "I complimented her, I said you have very nice lips, With my imagination, I could see her suckin my d**k" I don't know why, it just makes me laugh every time. :D

    04.What is your favorite album by 49? Daughtry Would have to be Daughtry then. :)

    05.How many albums by 13 do you own? Mika None, actually.

    06.What is your favorite song by 50? Mary J. Blige I love so many of her songs! If I have to choose only one, It's TocarBe Without You

    07.Is there a song by 39 that makes you sad? September There most certainly is not!

    08.What is your favorite song by 15? Rihanna feat. Jay-Z I suppose I only have one option: Umbrella

    09.What is your favorite song by 5? Kelly Rowland TocarThis Is Love, no question about it.

    10.Is there a song by 6 that makes you happy? Les Nubians Maybe TocarVoyager

    11.What is your favorite album by 40? Joss Stone feat. Common Well they don't have a whole album together... :)

    12.What is your favorite song by 10? Jennifer Lopez I'd have to say TocarGet Right

    13.What is a good memory you have involving 30? Kelly Rowland feat. Eve I don't know if I have any particular memories of them... :)

    14.What is your favorite song by 38? India.Arie Ooohhh... do I really have to choose one? Ok then, TocarThe Truth

    15.Is there a song by 19 that makes you happy? Jennifer Hudson TocarAnd I Am Telling You I'm Not Going is quite empowering.

    16.How many times have you seen 25 live? Cheek feat. Sami Saari None.

    17.What is the first song you ever heard by 23? Sergio Mendes Feat. Erykah Badu & will.i.am That Heat, obviously.

    18.What is your favorite album by 11? PMMP Leskiäidin Tyttäret

    19.Who is your favorite member of 1? Stella Marja Kiiskilä... it's the voice <3

    20.Have you ever seen 14 live? Lauryn Hill I have! At Pori Jazz a few years ago and she was truly amazing.

    21.What is a good memory involving 27? Justin Timberlake I can't think of any right now...

    22.What is your favorite song by 16? Kelly Clarkson TocarNever Again

    23.What is the first song you ever heard by 47? Jamiroquai Must have been TocarVirtual Insanity

    24.What is your favorite album by 18? Kelis Feat. Cee-Lo They don't have an album...

    25.What is your favorite song by 21? Jill Scott Oh man... I love her stuff. I guess I could say TocarThe Fact Is (I Need You)

    26.What is the first song you ever heard by 26? Nas I think it was TocarIf I Ruled the World (Imagine That)

    27.What is your favorite album by 3? Psapp The Only Thing I Ever Wanted

    28.What is your favorite song by 2? Beyonce Me, Myself & I (Remix) I'm mad about that song! The reason she is my #2 is that I've listening to that song so much.

    29.What was the first song you ever heard by 32? Keyshia Cole feat. Missy Elliott & Lil Kim Let it Go, obviously.

    30.What is your favorite song by 8? Amy Winehouse Right now I like TocarBack To Black the best.

    31.How many times have you seen 17 live? Erykah Badu None, but I really really want to.

    32.Is there a song by 44 that makes you happy? Justin Timberlake feat. The Benjamin Wright Orchestra They only have one song and it doesn't make me particularly happy.

    33.What is your favorite album by 12? Kanye West Absolutely The College Dropout

    34.What is the worst song by 45? Zero 7 I don't know very many of their songs and I like all of them.

    35.What was the first song you ever heard by 34? Joss Stone TocarFell In Love With A Boy, wasn't that her breaktrough?

    36. What is your favorite album by 48? Ne-Yo Ummm... I dunno In My Own Words I guess.

    37.How many times have you seen 42 live? Lilleman None, I just discovered him.

    38.What is your favorite song by 36? Jamelia absolutely Something About You

    39.What was the first song you ever heard by 28? Katri Ylander Piste Or technically Almáz...

    40.What is your favorite album by 7? Ninni Poijärvi As far as I know, Vapaapäivä is her only album.

    41.Is there a song by 31 that makes you happy? Bobby Valentino feat. Timbaland ummm... not really.

    42. What is your favorite album by 41? Beverley Knight I don't know any of her albums...

    43.What is your favorite song by 24? David Guetta Love Don't Let Me Go! It's so cool!

    44.What is a good memory you have involving 46? Randy Crawford I always think of the movie Jackie Brown..

    45.What is your favorite song by 35? Timbaland feat. Keri Hilson Obviously The Way I Are

    46.Is there a song by 9 that makes you happy? Tweet For some reason TocarCall Me always gets me in a good mood.

    47.What is your favorite album by 4? Regina It's a tough choice but I'll say Oi miten suuria voimia

    48.Who is your favorite member of 37? Fantasia well... Fantasia Barrino obviously.

    49.What is the first song you ever heard by 43? Boyz II Men Feat. MC Lyte that would be What You Won't Do For Love

    50.How many albums do you own by 20? Goldfrapp sorry, none.
  • Eclectic score

    Mai 14 2007, 8h15 por vdbroekw

    Take your top 20 artists. For each of these artists, collect the top 5 similar artists. The resulting number of unique artists is your eclectic score. If the score is small (extreme = 5) your musical preferences are very limited, and if it is large (larger than 80, extreme = 100), then you have an eclectic musical preference. You can compute your own score at http://anthony.liekens.net/pub/scripts/last.fm/eclectic.php

    My eclectic score is currently

    96/100



    The 96 related artists for my profile are Absynthe Minded Acda en De Munnik Admiral Freebee Al Jarreau Alicia Keys Amy Winehouse Amália Rodrigues Angie Stone Anthony B Anthony Hamilton Ben Harper Beyoncé Billie Holiday Bløf Bob Dylan Boney James Briskey (2) Bugge Wesseltoft Capleton Carla Bruni Cesária Évora Corinne Bailey Rae Cristina Branco Culcha Candela David Bowie De-Phazz Diana Krall Don Carlos Dwele Ella Fitzgerald Euge Groove George Benson George Benson & Al Jarreau GIEL 3FM Girls Aloud Gorillaz Gregg Karukas Groundation Ft Don Carlos & Co Hilary Hahn Ilse DeLange Israel Vibration Jaguar Wright Jamiroquai Jay-Z Jill Scott John Legend Julian Lloyd Webber & Elton John Kano Kanye West Katie Melua Kelis Kero One Kerry Norton Klashnekoff Koop Lhasa Lily Allen Lucas, Koen en Jan David Mariza Massive Attack Micatone Mo' Horizons Nathan Haines Neil Young & Crazy Horse Nicola Conte Nina Simone Norah Jones (2) Novastar Ozark Henry Patrice Randy Crawford Richard Elliot Roll Deep Ruuddewild.nl Seeed Sergio Mendes & Brasil '66 Sioen Sizzla Slow Train Snoop Dogg Spinvis St. Germain Steve Cole Suba Sugababes The Beatles The Gladiators The Mitchell Brothers The Rolling Stones The Roots (2) Thievery Corporation Tosca Trijntje Oosterhuis Wessel van Diepen Wiley http://www.kmac.nl nofollow=yes
  • Cigarette in the Rain

    Fev 20 2007, 5h29 por abstracttruth

    Like a cigarette
    In the rain
    A single drop
    Puts out the flame

    We were lovers
    But we were never friends
    I should have known that it would end
    When the first storm came

    Like a cigarette in the rain

    Randy Crawford - "Cigarette in the Rain"

    RE: How I feel about the end of my most recent relationship.
  • Sharon (Dutch X-Factor)

    Fev 19 2007, 21h47 por Babydoll724

    This show is almost to it's end (next saturday finale!!). Too bad, because I loved watching it with my friends. The finalists are Richy and Sharon. I hope Sharon wins, because she is a great vocalists. Here are her performances throughout the show (at least, the ones I could find):

    Confrontation 2b: I Will Always Love You (Whitney Houston)


    Liveshow 1: The Boss (Diana Ross)


    Liveshow 2: You Were My Friend (?)


    Liveshow 3: Goldfinger (Shirley Bassey)


    Liveshow 4: Lovin' You (Minnie Ripperton)


    Liveshow 5: One Day I'll Fly Away (Randy Crawford)


    Liveshow 6a: I Wanna Dance With Somebody (Whitney Houston)


    Liveshow 6b: At Last (Etta James)


    Liveshow 7a: Hurt (Christina Aguilera)


    Liveshow 7b: McArthurs Park (Donna Summer)




    Some other performances she did:

    Free (denise williams)


    Agua De Beber (?)
  • in my pants

    Jan 18 2007, 10h32 por LilleFluff

    Yes, I never get tired of this. I crack up every time I read one of them. This is one of the funnier memes!

    1. The Dan Band - Total Eclipse of the Heart in My Pants
    2. Jewel - Standing Still in My Pants
    3. Chandeen - No Warm Smile Reunions the People in My Pants
    4. ayumi hamasaki - walking proud in my pants
    5. Kate & Karen - STEP INTO MY HEART IN MY PANTS
    6. GARNET CROW - Naked Story in My Pants
    7. Exile - HERO IN MY PANTS
    8. ETSU69 for TRAPNEST - REVERSE IN MY PANTS
    9. Straylight Run - Mistakes We Knew We Were Making in My Pants
    10. 大谷幸 - Love Will Light the Way in My Pants
    11. Enya - A Day Without Rain in My Pants
    12.The Flaming Lips - She Don't Use Jelly in My Pants
    13. Every Little Thing - Get into a Groove in My Pants
    14.Reach - A Vapour Trail in My Pants
    15. Tommy february6 - HEY BAD BOY IN MY PANTS
    16. ルルティア - tone in my pants
    17.カヒミ・カリィ - Candyman in My Pants
    18. 北出菜奈 - This is a GIRL in my pants
    19.Denise - Don't Give Up Your Love in My Pants
    20. Randy Crawford - Street Life in My Pants
    21. OLIVIA - Fake Flowers in My Pants
    22. Dar Williams - The Great Unknown in My Pants
    23. Dar Williams - Liar in My Pants
    24. Sara Evans - Need to Be Next to You in My Pants
    25. U2 - With or Without You in My Pants
    26. 倉木麻衣 - secret of my heart in my pants
    27. Juliet - Speak in English in My Pants
    28. 高岡亜衣 - forever my friend in my pants
    29. Sweetbox - Unforgiven in My Pants
    30. Live - Heaven in My Pants

    3 & 9 are my favorites, especially 9. Hahahaha!
  • A Belated Look at New Albums or Is Summer Over Yet?

    Set 30 2006, 1h01 por blues_hound

    Damn! I hate the heat! Love the desert but hate the heat. I'd rather have sunburn than frostbite though, which is why The Boss and I chose this little cactus paradise. When the temp hits 110F I scoot indoors, hide under the bed, and snooze until Fall. Which is my way of apologizing for the absence of journal entries. All of you must have been waiting in suspense all summer for my next entry. Right. And there's a pile of WMDs under the cat's litter box. The temperature sneaked under 99F today so I thought I would exercise these paws on the word processor.

    Falling mercury wasn't the only thing that woke me from my voluntary limbo. The Boss had the TV on Fox News and I heard the dulcet tones of former President Clinton. Dulcet like a hornet! He was berating Chris Wallace fo attempting the usual hit job FOX does on anyone left of Anne Coulter. All I can say is kudos for Big Bill. It's about time someone put that swarmy Chris Wallace in his place and called FOX on their sorry excuse for journalism. Now that Bill has set the tone maybe other liberals and moderates will adopt the same stance Reagan took with Mondale during the 1984 presidential campaign. When FOX News uses the same misleading accusatory questions they reserve for anything outside the conservative realm, all the interviewees need to do, since Bill Clinton (OMG! Last'fm has a page for Clinton! Who would have thought?) set the ground work, is to use the same line that Reagan did.."There you go again" and maybe the viewers will learn to recognize the shoddy methods that pass for journalism in Murdockland. I could say a lot more but I'm suppose to be writing some record reviews. If you want me to say more, leave a comment and I may at a later time. Besides, I've been thinking of do a political blog like Matt Drudge does. Anyone want to buy a stained blue dress?

    OK. Let get caught up on some dynamite albums that didn't get melted in the heat of summer.

    This first one is so hot it probably melted a few Ipods by itself. Chris Potter is a recent addition to the decreasing number of good post-bop saxophonists. He is firmly in the jazz tradition with a clear and huge debt to Sonny Rollins but his sharp and snappy tones brings more than a little funk and rock to the post-bop arena. His 2006 release Underground steps right into this funk-bop mode with the first track. "Next Best Western" barges along with the energy usually reserved for rock stars (the ones who haven't sold out, that is). The energy is augmented with superb backing by guitarist Wayne Krantz, keyboard artist Craig Taborn, and drummer Nate Smith. Did I say backed? The "sidemen", especially Krantz, are a integral part of the success of this album. Krantz astounds throughout and Taborn's imaginative work behind Potter on "Nudenik" has to heard to be believed. The recording is evenly divided into pot-boilers and mood pieces. I go for the cookers myself but Potter does an incredible job in interpreting Strayhorn's "Lotus Blossom" and Lennon/McCartney's "Yesterday". There is a celebratory nature on this album that has been missing for years in most jazz endeavors. It's still too early to say Underground is the best jazz album of 2006 but its will be hard to surpass it.

    If any 2006 release does surpass it, the mission will be led by by an unjustly forgotten jazz vocalist of the 80s and a sometimes unappreciated veteran of soul jazz. Randy Crawford became a bit of a sensation when she teamed up with Joe Sample and the Jazz Crusaders for "Street Life" in 1979. The vocalist had a electrifying style that should have meant a lucrative career but, for reasons beyond my comprehension, never really caught on. She did what a lot of artists do in that circumstance. She went to Europe where her talents were more appreciated. Joe Sample has fared a bit better after leaving the Jazz Crusaders by building up an impressive reputation as a keyboardist and composer/arranger. While starting as a post-bop player, Sample flourished by writing and recording some of the best examples of the often maligned sub-genre called Jazz Fusion. Now they have re-united with Feelin' Good. It's an excellent pairing proving that commercial jazz doesn't have to be condescending and easy listening doesn't have to be bland. Sample's chops are fine honed and exudes good taste. His arranging has never been better. Sample does everyone justice by keeping the session a small and intimate affair rather than the overproduced army that usually plagues this form of music. Randy Crawford's voice is like mana from heaven forcing us to realize just what we've been missing these last two decades. It's hard to find a superlative that effectively describes her performance but just a one listen to the title track will demonstrate her amazing vocal skill in song interpretation. Sample's groove based piano stylings are right there next to her. The songs are mostly old and new standards, all impeccably interpreted, giving a new look to even the oldest warhorse. There's only one Sample original here "Last Night at Danceland", but it's a winner. Of the others, "The End of the Line", "But Beautiful", and "Save Your Love For Me" are near perfect ballads. "Rio De Janiero Blues" is a latin tinged wonder that has the two collaborators in a playful but bittersweet mood and Harry Neilsson's "Everybody's Talking" is given a jazz sendoff that late Nilsson would have been very happy with. Did I say near perfect? This may the most perfect thing since Cheddar-Jalapeno Cheetos. Crawford and Sample have more than adequate help by some heavy hitters. Steve Gadd, Christian McBride, and other add expert nuances throughout. Let us hope Crawford and Sample doesn't wait 25 years to strut their stuff. At least, let's recognize Crawford as the great jazz singer she is.

    Since I'm also posting this to the Last.fm [url="http://www.last.fm/group/eMusic%2BSubscribers";]eMusic subscriber group, I probably should mention that Feelin' Good is not yet available on eMusic.

    Never heard of Darondo? Don't feel bad. Neither did I until I listened to this first time compilation titled Let My People Go by the unjustly neglected soul artist of the 60s and early 70s. As the title track confirms, Darondo was an extraordinarily passionate vocalist. At his best, his style combined the urgency of Otis Redding with the simmering sexiness of Marvin Gaye and Al Green. On "Legs", he even predates Prince's falsetto lustiness.This is way better than anything being hyped as urban/soul/R&B in the current generation. There are some problems with this collection. The production values are often third-rate and Darondo's vocal limitations sometime show up glaringly as on "Sure Know How To Love Me." and "Listen To My Song". But when he is good, he cooks. Other Highlights include "Didn't I" (not to be confused with the Delfonics hit of the same name) and the testimonial "How I Got Over" which owed a great deal to Al Green's gospel-grind intensity.

    The best rock album yet of 2006 goes to The Drive-By Truckers with A Blessing And A Curse. The group's punk fringed brand of Southern rock never sounded so good since the classic Southern Rock Opera. If anything, The guys have mellowed out a bit often letting their lyrics stand out above the sometimes blaring guitars. There's more of a reflective glow to this album. Patterson Hood continues to refine his vision of human passion and seeking. His patented narration is limited to one track but the band does well on this album to let the music speak for itself. The title track is especially moving, a purgatorial anthem of the pain and paradox of relationships. There are two acoustic jewels in "Space City" and "Little Bonnie". Hood's monologue appears on "A World of Hurt" and the beginning line ("Once upon a time my advice to you would be to go out and get yourself a whore / I guess I've grown up 'cause I don't give that advice anymore") reveals both a growing maturity and a continuing frankness with the unsavory facts of life. The Drive-by Truckers just gets better as they grow up.

    Finally, we come to a contender for come-back of the year. He'll be battling for that honor with Dion, Eric Burdon, and Jerry Lee Lewis (whose new album is said to be a real screamer. Unfortunately I haven't heard it yet). Tony Joe White has been reviewed in an earlier column but his new 2006 release Uncovered, also not yet available on eMusic, is a revelation. White's brand of country and blues hold up fine 40 years after "Polk Salad Annie" and is full of blues emotions rarely seen in our Clear Channel world. The opening track "Run for Cover" shows Mr. White hasn't wandered far for his Southern swamp roots. The track steams and boils in a swampy grind aided by a superb Wayne Johnson horn arrangement. The swamp dog is well assisted on certain tracks by Mark Knopfler, Eric Clapton, JJ Cale, Waylon Jennings, and Michael McDonald. All of them had the good sense to stay in the background and let White's smoky baritone rule the day. Waylon Jennings voice blends perfectly with White's and Eric Clapton bring his collaboration to new heights by simply playing what he does best, the blues. It's hard to remain indifferent to the poignancy of a Tony Joe White song like "Did Somebody Make a Fool out of You" or "Rainy Nights in Georgia". I guess we all have a little swamp in us. The last two tracks on the CD are real winners. "Taking The Midnight Train" is a riveting look at the unfairness of life while "Keeper of the Fire" is a funky caldron of soulful love and lust that boasts "She an intellectual woman, I'm a low maintenance man / Lord. I'll take her love any way that I can". Enjoy this album but don't blame me if you get a craving for alligator tail and grits.

    Well, there you have it. The lowdown on what I've been diggin' this summer...beside bones that is. I'll try to write more often. In the meantime go check on what the Boss has to offer on Free Albums Galore. A hint; grab that free Mississippi Alligators [url="http://freealbums.blogsome.com/2006/08/11/mississippi-alligators-babylon-boogie/";]blues treat fresh from the juke joints of Barcelona. Comprende, Amigos?