• THE BLUE WALL: Some Guitar Virtuosso ALBUM Recommendations

    Fev 25 2009, 1h10 por maidenhell

    Adrian Belew-Desire Of The Rhino King -1991
    Adrian Belew-Inner Revolution -1992
    Al Di Meola-Splendido Hotel -1980
    Billy Sheehan-The Talas Years -1989
    Blues Saraceno-The Best of Blues Saraceno -2000
    Brad Gillis-Gilrock Ranch -1993
    Buckethead-Day of the Robot -1996
    Buckethead-Electric Tears -2002
    Buckethead-Monsters & Robots -1999
    Buckethead-Bucketheadland -1992
    Cacophony-Go Off! -1989
    Cacophony-Speed Metal Symphony -1987
    David T. Chastain-Elegant Seduction -1991
    Dweezil Zappa-Automatic -2000
    Eric Johnson-Ah Via Musicom -1990
    Eric Johnson-Seven Worlds -1998
    Eric Johnson-Tones -1986
    Gary Hoey-Animal Instinct -1993
    George Lynch-George Lynch -1993
    Greg Howe-Greg Howe -1988
    Greg Howe-Howe 2: High Gear -1989
    Impellitteri-Impellitteri -1987
    Impellitteri-Stand in Line -1988
    Jason Becker-Perpetual Burn -1988
    Jeff Beck-Blow By Blow -1975
    Jeff Beck-Wired -1976
    Joe Satriani-Flying in a Blue Dream -1989
    Joe Satriani-Surfing With the Alien -1987
    Joe Satriani-The Extremist -1992
    Joe Satriani-Crystal Planet -1998
    Joe Satriani-Not of This Earth -1986
    Joe Satriani-Time Machine -1993
    Marty Friedman-Dragon's Kiss -1988
    Nuno-Schizophonic -1997
    Paul Gilbert-King of Clubs -1998
    Racer X-Second Heat -1987
    Racer X-Street Lethal -1986
    Randy Coven-The Best of Randy Coven -2000
    Richie Kotzen-Fever Dream -1990
    Steve Morse Band-The Introduction -1984
    Steve Vai-Flex-Able -1984
    Steve Vai-Passion and Warfare -1990
    Steve Vai-Fire Garden -1996
    Steve Vai-Flex-Able Leftovers -1998
    Stevie Ray Vaughan and Double Trouble-Live Alive -1986
    Stevie Salas-Stevie Salas Colorcode -1988
    Stuart Hamm-Kings of Sleep -1989
    The Great Kat-Beethoven on Speed -1990
    Tony Macalpine-Maximum Security -1987
    Uli J Roth-Earthquake/Firewind -1994
    Vinnie Moore-Time Odyssey -1988
    Vinnie Moore-Mind's Eye -1986
    Yngwie J. Malmsteen-Trilogy -1986
  • Song Of The Day - 8th November 2008: Fire of Rock

    Nov 8 2008, 21h49 por GrantRS

    Racer X / "Fire of Rock" / Technical Difficulties (2) / Dec 1999

    Artist: Racer X
    Original Album: Technical Difficulties
    Track: Fire of Rock

    Although I've picked two tracks by Racer X before, I don't think I've ever presented a sort of '"beginner's guide" style introduction for the benefit of people who are new to the band. So here goes:

    For most people the primary attraction to Racer X is Paul Gilbert's solos. The band were formed in 1985 seemingly for the primary purpose of showcasing PG's Malmsteen inspired guitar wizardry. The debut album was recorded with a line-up featuring Jeff Martin (the American one) on vocals, John Alderete (now known as Juan Alderete and performing with The Mars Volta) on bass and Harry Gschoesser on drums. Incidentally, singer Jeff Martin has been the drummer for Dokken, Michael Schenker and Badlands at various points as well as singing backing vocals on the Priest track TocarWild Nights, Hot & Crazy Days from Turbo, he also now has a solo album available called The Fool. The debut album Street Lethal was released in '86 on Mike Varney's (that's the guy who discovered Malmsteen, Marty Friedman, [artist vinnie moore and many others I've listed time and time again) Shrapnel label, and seemed mainly to catch the attention of fans of Malmsteen, not least on account of the instrumental Y.R.O. (which stands for Yngwie Rip Off). Between solos, the music of Racer X initially owed a lot to the faster 'speed metal' style Judas Priest tracks, lyrics tended to revolve around motorcycles and going very fast on the streets of LA at night, unsurprising given that the music itself was very fast and the band took its name from a character in Speed Racer. Vocally, Jeff Martin was a decent disciple of the Halford school of vocals, though he's perhaps not as good as the real thing.

    There wasn't much change for the second album Second Heat, although there were some changes to the line-up, an even bigger Priest fan, Scott Travis (who is now the actual drummer of Judas Priest) replaced Gschoesser on drums, and a second guitarist Bruce Bouillet, presumably to bring more of a live feel to the lightning fast guitar harmonies (imagine if there was someone harmonising Malmsteen's playing in perfect time, if you're completely in the dark). Further adding to the similarities between Racer X and Judas Priest, Jeff Martin. a personal friend of many of the members of Priest having performed backing vocals on Turbo had, so the story goes, expressed an interest in an unused Priest demo TocarHeart of a Lion, so when the band decided they weren't going to use it, they gave it to him, and Racer X covered the unreleased Priest track for Second Heat. Another cover also found its way onto the sophomore release David Bowie's TocarMoonage Daydream, if you're a fan of that track it's well worth checking it out by the way as the Racer X version is a very cool rockier version.

    Sadly though, after two albums and frequent touring the band's popularity was failing to increase at rates certain band members were happy with, and when label owner Mike Varney offered to set Paul Gilbert up with a new supergroup he was assembling on behalf of Atlantic records, Paul jumped ship to the newly formed Mr. Big. Around the same time Judas Priest began looking for a new drummer when Jeff Martin (also a drummer himself don't forget) recommended Scott for the position, which as I mentioned earlier, he was soon awarded. Two live albums Extreme Volume Live and Live Extreme Volume 2 were recorded during the touring supporting Second Heat though.

    From there there was a brief period with a couple of alternate members which yielded no studio albums and essentially lead to an extended hiatus, until a couple of years after Paul left Mr. Big. Between late '99 and 2002, the reformed band (minus Bouillet who returned only in a production role) recorded three albums, though exact release dates of the albums are rather unreliably reported these days so its hard to put exact dates on the albums which were mostly released either just before or just after New Year's over the subsequent years of that period. The first two albums Technical Difficulties and Superheroes while carrying over several unrecorded songs from before the hiatus (including today's track) featured a vastly improved studio sound, an injection of mild humour in several songs, and a handful of slower songs that brought some admirable variety to the songs and arguably better songwriting. Many listeners agree that instrumental tracks like the title track Technical Difficulties and King of the Monsters are among the liveliest, most interestingly crafted and, above all, challenging instrumentals they've heard. Of course, some disagree but that's always going to be the case. The vocal tracks regularly meet a much more mixed bag of reactions, it's notable that the vocals are mostly lower pitched (though still fairly high) and more like the sort of rock vocals music you'd have heard on 'alternative hard rock' radio at the time. There's still a strong influence of Judas Priest and Malmsteen, but a myriad of other influences too many to name are given a more rominent role, a reflection perhaps of theband members' added maturity post-hiatus and experience with other bands during said hiatus, perhaps? If you're not particularly partial to Halford imitation vocals, Technical Diffilties is the first album you'd ant to check out.

    The fifth and, to date, final album was 2002's misleadingly titled Getting Heavier. The music on which was generally slower paced and not as heavy. The band would later respond to criticism, claiming that the title was more a description of how life was 'getting heavier' every day and that the lyrics supposedly reflected that. You could almost call Getting Heavier a sell out album, except that there was no real increase in sales, and if anything a decrease as a result of the album, and the band never really saw any commercial success. Getting Heavier generally bares more resemblance to Paul Gilbert's first handful of solo albums that drew heavily from the Beatles, Who, Rolling Stones and a even The Osmonds (and included a Spice Girls' cover on 2000's Alligator Farm) than Priest, but sounds even more like Jeff Martin's 2006 album The Fool, which again draws from the Beatles, but more from bands like Zeppelin and UFO. If that sounds appealing to you, it might be worth a gamble, but the general consensus, even among fans, is that their effort at mind 70s hard rock/metal doesn't really standout as a great album.

    Nevertheless, I enjoy all the albums, though to varying degrees. They're all good, but in these days of wide choices of great music, I fully understand if people think they can find music they prefer. Anyway, I hope this is a helpful (to someone), if slightly badly planned, "beginners' guide", though I feel like I've probably written more here than on their wikipedia page, making it more of a thorough, expert's guide than a beginner's. Thank you for listening to my lecture, are there any questions?
  • Song Of The Day - 28th August 2008: Sunlit Nights

    Ago 28 2008, 22h37 por GrantRS

    Racer X / "Sunlit Nights" / Second Heat (4) / Feb 1987

    Artist: Racer X
    Original Album: Second Heat
    Track: Sunlit Nights

    Every now and then I think I can get away with allowing a selection from one of my personal favourite bands, Racer X. There's little more to say unless you lot wan to read my gushing about how awesome the band are and name-dropping their side projects.

    Ok, so there haven't been a lot of artists debuting in my song of the day recently. I have a couple of ideas in store, but in most cases I want to give myself a little more time before committing to any one track, or wondering if any track at all is worthy from some. Who be these artists? Well, you'll have to wait.

    Anyway, sorry if I seem to be retreading old ground a little bit, but coming up with a new awesome band everyday is not as easy as it sounds.

    If there's demand for it, though I'm not anticipating there will be, I may be open to requests to provide this track for people struggling to find it, but I must make it clear first that this would be on the understanding that it would be very much on a 'try before you buy' kind of deal. I don't want to be infringing copyright too much now.
  • Top 5 Speed Metal Albums

    Mai 18 2008, 20h17 por jackalow


    1.Perpetual Burn - Jason Becker


    2.Speed Metal Symphony - Cacophony


    3.Rising Force - Yngwie Malmsteen


    4.Get Out Of My Yard - Paul Gilbert


    5.Second Heat - Racer X
  • How To Buy: Paul Gilbert

    Out 5 2007, 19h08 por GrantRS

    This is the fourth entry in 'How To Buy' series of journals. In this series, I am taking guitarists whose catalogues I know at least ninety percent of and, for the benefit of people who both (i) Still buy CDs; and (ii) Have yet to hear said guitarist in any real depth; I am recommending an order to buy said guitarists back catalogue.

    Today, I am going to attempt to recommen an order in which new listeners should buy Paul Gilbert's back catalogue, including both his Racer X work and his Mr. Big work.

    This is going to be a difficult one as Paul's work hops from genre to genre depending on whether you are listening to his solo releases or either of the two aforementioned bands. A recommendation for where to start with Paul's material should probably be tailored to which background one, as a listener, is coming to his work from. Nevertheless, I am going to attempt to find the best possible middle ground.

    Buy First:
    Get Out Of My Yard

    Justification:
    Annoyingly, last.fm does not currently acknowledge the existence of this album. Hopefully that will change eventually.

    Get Out Of My Yard, or GOOMY, is Paul's first all instrumental studio album, and, to date, his only one. The album covers a variety of different styles, from the pleasant laid back likes of Three E's for Edward and Marine Layer to metally rockers like The Curse of Castle Dragon and You Kids. It showcases Paul's playing ability to stunning effect.

    Highlights include but are not limited to Hurry Up with its seemingly constantly shifting time signatures and keys, and an arrangement of a Franz Joseph Haydn piece entitled on the album as Haydn Symphony No. 88 Finale.

    This album is my first recommendation of Paul's for a few reasons. Firstly, it is a culmination of a notably wider scope of identifiable influences than the majority of Paul's Racer X or Mr. Big material. It is my firm belief that there is far more likely to be something for every guitar enthusiast on this album than some of his others, although I love them all.

    Then Buy:
    Technical Difficulties
    Mr. Big

    Justification:
    Technical Difficulties is the album I've chosed to recommend as the first Racer X album you should buy, and represents the intense shred metal choice of the two I'm listing in this category. It features three instrumental tracks, though the first seems primarily to serve as a mood setting intro to the album. Of the other two instrumental tracks, the title track is an absolute treat of metal instrumental goodness, while B.R.O. is a reminder of Paul's Bach influences.
    That's not where the interest in the album ends though. Racer X as a band excel during their instrumental breaks and share many desirable qualities with metal legends Judas Priest including a drummer.
    Paul Gilbert has demonstrated time and time again that he has an ear for fantastic riffs and 17th Moon is a perfect example of this. There's also a fantastic cover of Black Sabbath's Children of the Grave.

    Mr. Big's Self titled 1989 debut is a nice contrast. While with the band, Paul's guitar work was not always a central focus of the music, but in '89 it was right there. Scarcely a track goes by on this album without great work by Paul. The intro to the album's first track features Paul harmonising with bassist Billy Sheehan for a track that Paul even performed at his 2007 solo gigs.
    While other albums of Paul's may display a more condensed and intense guitar attack, the Mr. Big album strikes a brilliant balance between shred and tasteful application. Alternatively, Racer X's misleadingly titled 2002 outing Getting Heavier may give you a similar alternative.

    Leave 'til Last:
    King of Clubs
    Acoustic Samurai

    Justification:
    While I do believe Paul Gilbert can do no wrong and do like to play these two albums quite regularly myself, I am aware that many people dislike Paul's solo work. It's my belief that this is largely because the 'right' audience don't get to hear about these. I think if someone could get Paul's solo work to the right audience that the albums would be snapped up by a respectable number of people.
    However, by the same logic, I doubt this journal will be read by a large number of the 'right' people, so I'm going to make an effort to cater to the people who I think will read it.

    King of Clubs is not a bad album. Indeed, it was Paul's first solo album, and, I think, surprised many people with its fun but meaningless pop lyrics. The majority of these songs seem to whizz by as if they were under two minutes long, and indeed some of them are. It has its redeeming points though, My Naomi rips off a lot from The Who's track Baba O'Riley, itself a track well worth ripping off. The record also featured a track called Bumblebee with very silly lyrics, but nice, though not astounding, guitar work and catchy melodies. Also worth mentioning is the final track, the 20 minute The Jam which, if you can handle the length and the concept of Paul trading licks with Bruce Boulliet for 20 minutes has some very nice guitar work.

    Finally, Acoustic Samurai. An album I'm very fond of, it has some great acoustic guitar work, and a selection of Paul's most light hearted songs, as well as n acoustic version of the mighty Scarified, although you will have to pick up Racer X's Second Heat for the original. Unfortunately, the album suffers from excessive crowd noise and a plain sillyness of some of the lyrics, which many may find almost intolerable, or possibly even intolerable.

    Final words
    If you've found this journal to be helpful to you, I'd love to have you comment to say so. Similarly, if you haven't, I'd be interested to hear from you. Similarly, if you already know Paul Gilbert's material and agree or disagree, feel free to comment.