I picked up a couple of CDs from the
mosz label and really enjoyed them both. Then I cottoned on to fact that the MP3 shop
Amie Street has the whole label discography (all for free at the time), so I thought "bugger it, time to go completist on this".
Here are some thoughts:
mosz 001 Kapital Band 1 - 2 CD
Already written about this. Not much new to add. I've read since this was supposed to be an abstraction of funk, and that's certainly not at all obvious on this first album.
mosz 002 Martin Siewert - No Need To Be Lonesome
I was disappointed by this one - I like his more improvisional stuff, like in
Trapist and with (Mosz co-owner, Radian member) Martin Brandlmayr. It's more pop than his material usually is, and comes off a bit
too Thrill Jockey? Like a one-man-band version of
Tortoise or something - jaunty, busy beats cut up from sampled percussion, squeaky synth lines, some rock guitar. The melody lines and some of the harmonies are a bit stranger than usual, which is interesting, but I'm not sure it's one I'll be coming back to very often.
mosz 003 Szely - Welcome To My World
Didn't like this much either - very repetitive, with lots of blippy synthetic drum beats with window-shattering high pings and super sub tones. Bit Raster-Noton, but on top of that is lots of loops of guitars, some wordless vox, and other samples wandering through. Some tracks just strike me as a bit ugly from the start, others sound good but outstay their welcome, either due to the pace or form of development. It's not awful, but I didn't enjoy it much.
mosz 004 Metalycée - Another White Album
Bit of a bad run here... This is the Mosz release I like least, chiefly because it's based around metal, not a genre I enjoy. The base of the tracks is still electronic, and in a lot of ways the sounds are quite similar to e.g. the Szely ones, with blippy synthetic beats and so on. The original sources, though, are clearly metal metal guitar riffing. It doesn't exactly thrill me, and I'm not sure it even makes much sense when sitting in the background of fairly ambient tracks. Would've thought the thunderous, slow-mo dirge approach of bands like Earth would work better.
mosz 005 Gustav - Rettet die Wale
If I'd discovered Mosz's releases in chronological order I think this would've been a big surprise. Gustav (a woman, btw) sings - in English, French and German - over a mix of electronic sounds and sampled / edited instruments such as (what sound like) flutes, harmonium, violins and guitars. The instrumentation actually reminds me quite a bit of
Patrick Wolf, or a less fussy
Dntel. The vocals are kind of half sung / half spoken, which I guess put me in mind of
Lali Puna and
AGF of
Laub to some extent, but she sounds more passionate and less icy than either of those. Need to give this more listens to really get into it, I think.
mosz 006 Lokai - 7 million
Beatless guitar ambience with occasional bursts of distortion. Feels like it could be on
Touch sometimes, but then goes off into much brighter, friendler territory. Chiming guitar harmonics and the like. Can't think of much to say about it, but it's certainly one of the good ones.
mosz 007 Peter Rehberg - Fremdkoerper
AKA
Pita and
Mego label boss... This is a collection of tracks for a contemporary dance piece. I think it's superb, but it is hard going too. The beatless pieces feature loud, buzzing digital sounds, which are often very fierce and noisy. Although beatless, it would be a mistake to describe the tracks as either drone or ambient, because the material is resampled, scattered about the stereo field and bludgeoned so it stammers and lurches in unpredictable ways. Even the most droning track is cut off by an abrupt change.
The mix of "nice" tonal elements with quite aggressive treatments is a reminder that last I heard Rehberg he was collaborating with Christian
Fennesz... It's great to hear what he's been up to solo.
mosz 008 Boris Hauf - Soft Left onto Westland
This guy plays sax in some pretty free improv groups, but here it sounds to be all synth based, or at the least no obvious acoustic instruments (beyond a few chiming noises and what sounds like insects on one track). Quiet, repeating electronic motifs and ambience puts me in mind of stuff like
Mapstation, with occasional soft synthetic beats. The opening track is one of the weakest, to my mind, focusing on a clicking and skipping synth bassline that's really pretty unpleasant. From there on ni things get a lot nicer for a while.
mosz 009 Forest Jackson - Cymbalism
This is actually
Static, who I associate with much more poppy electronic music labels like
City Centre Offices and
Morr Music. The opening track has a kind of electronic dub feel - drum hits booming through reverb, driving ride cymbals and echoing chord jabs. The album continues in this kind of vein -
Monolake at their slowest, Torsten Profrock's
Din label (
Dynamo,
Traktor) - and wraps up with a
Rechenzentrum remix that cranks up the tempo and throws in a techno beat and scraping string samples. Nice one.
mosz 010 Pan•American - For Waiting, For Chasing
This is great. Definitely the best Pan•American album (well, most to my tastes) and a good step up from the decent
Quiet City. Nelson's continued to expand his pallette of sounds and instrumentation, and has pulled right back on the muddy techno beats that ruined his earliest stuff for me. Singing bowls, flugelhorn, field recordings... An excellent ambient album.
mosz 011 Rashim - suns.shadows
There are some really good tracks here, but it's quite a funny mix of things - sampled acoustic guitar loops, atonal piano lines, techno beats and female vox in a mix of English & German. It's the most raw-sounding of the Mosz releases, production-wise. Quite dry- and clean-sounding.
Yes, Xenakis lives up to its concept of combining
Xenakis and techno quite nicely - acoustic drums are bashed and walloped a la something like
Psappha against a pulsing drum machine and halfway in a loud piano line starts up.
(mosz 12's a DVD, who knows what happened to 13 - unlucky?)
mosz 014 September Collective - All The Birds Were Anarchists
Already written about this. I also put it in my end of year faves for last year and think it still holds up. Much more approachable and consequently probably less demanding than a lot of the Mosz releases.
mosz 015 Szely - Processing Other Perspectives
The second Szely album is more to my tastes. The guitars are more to the fore, and just a bit more pleasant sounding. Lots of slide which I like, especially in this kind of context, wandering about on top of semi-ambient beds with some chugging synthlines providing a vaguely anachronistic backdrop. Reminds me of Frippertronics and also (strangely)
Michael Brook too, despite other tracks being much harsher and less well-mannered than he would ever be. The repetitive beats are still here, but are more pallatable. The last track is a song, and ... it's no good, IMO.
(mosz 016's not out yet)
mosz 017 Kapital Band 1 - Playing by numbers
Very different from the first record - three long tracks, with almost no distorted or typical "glitch" textures to any of them. Starts with untreated cello chords before a sparse, syncopated beat with bright synth-like stabs comes in. A chiming riff wanders about on top. The abstraction of funk idea they talked about with the first album seems to be realised here and the result is like
Radian meets
Timbaland. The track works through a series of subtle developments over 10 minutes, but is grounded in this repeating loop. Bizarre, intriguing, and really enjoyable. I reckon fans of
The Necks would enjoy this album. Brandlmayr's worked with their drummer, Tony Buck, in the past. The last track is a song, and ... it's good, IMO. Weirdly sparse and mantra-like, and whichever of them is singing is no great chanteur, but the overall results is pretty decent.