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Lisa Gerrard & Patrick Cassidy

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Lisa Gerrard & Patrick Cassidy made a collaboration album called “Immortal Memory”. As soft and eloquent as a prayer, as vast and impressive as a mountain, this is a grand work by former Dead Can Dance singer and the Irish composer. “Elegy” fits the mood here perfectly; this is music firmly rooted in the classical mystic soil of Gorecki and Handel, but branching up through mysterious blackened thunder clouds.

On “Sailing to Byzantium,” strings and droning vocals slide in and out of each other before some echoing cannon-fire percussion appears on the horizon, slowly adding dimensions of emotion. For the haunting “Our Father,” Gerrard brings her voice down an octave, with results both protean and sophisticated. She reaches down even lower on “Paradise Lost,” as if embodying the genderless voice of the whole human soul as it moves through the fleeting darkness of mortality. What lyrics there are here come mostly from ancient languages—Gaelic, Aramaic, Latin—adding up to the ancient, otherworldly feel. This music may evoke the mourning rites of death, but it also conjures the immortal spirit’s ascent to heaven.
Lisa Gerrard & Patrick Cassidy also worked on the score of “Ashes And Snow” that is an ongoing project of Gregory Colbert that weaves together photographic works, 35mm films, art installations and a novel in letters. With profound patience and an enduring commitment to the expressive and artistic nature of animals, he has captured extraordinary interactions between humans and animals.

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