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Jonny Greenwood

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  • How diverse is your music taste?

    Dez 19 2009, 19h50 por xyuuki

    Thought this might turn out interesting. xD This is what I do when I get bored.

    ~~~

    First, make a list of your top-20 artists overall. Then, for each of these artists, add the 8 most similar artists to your list. Delete any duplicates, count up the number of entries on your list and this will give you some idea of how eclectic your listening habits are. A score of 9 represents an extremely unvaried musical taste while a 160 represents an extremely varied one.

    ~~~
    (Artists aren't in a particular order)..
    This is so hard because this is constantly changing!! >.>

    1. Cinema Bizarre
    ~Tokio Hotel
    ~Lovex
    ~Negative
    ~LeFee
    ~Panik
    ~Killerpilze
    ~Fräulein Wunder

    2. Green Day
    ~Foxboro Hot Tubs
    ~Pinhead Gunpowder
    ~The Network
    ~Sum 41
    ~The Offspring
    ~blink-182
    ~Good Charlotte

    3. The Hush Sound
    ~Forgive Durden
    ~Panic at the Disco
    ~Charlotte Somtimes
    ~The Academy Is...
    ~This Providence
    ~Phantom Planet
    ~Eisley

    4. Owl City
    ~Swimming With Dolphins
    ~Lights
    ~A Rocket To The Moon
    ~Breathe Carolina
    ~nevershoutnever!
    ~The Secret Handshake
    ~Breathe Electric

    5. Tori Amos
    ~Charlotte Martin
    ~Kate Bush
    ~Alanis Morrisette
    ~PJ Harvey
    ~Poe
    ~Sarah Slean
    ~Fiona Apple

    6. Flyleaf
    ~Fireflight
    ~Three Days Grace
    ~Sick Puppies
    ~Red
    ~Breaking Benjamin

    7. Evanescence
    ~Amy Lee
    ~Within Temptation
    ~Lacuna Coil
    ~Ben Moody
    ~Nightwish
    ~Epica

    8. Basshunter
    ~Cascada
    ~Tune Up!
    ~Special D
    ~DJ Splash
    ~Dj Satomi
    ~Groove Coverage

    9. t.A.T.u.
    ~Serebro
    ~Юлия Савичева
    ~МакSим
    ~Линда
    ~Ничья
    ~Сергей Лазарев
    ~Britney Spears

    10. The Fratellis
    ~Kaiser Chiefs
    ~Dirty Pretty Things
    ~The Pigeon Detectives
    ~Franz Ferdinand
    ~Arctic Monkeys
    ~The Wombats
    ~The Kooks

    11. Gackt
    ~HYDE
    ~MALICE MIZER
    ~L'Arc~en~Ciel
    ~Chachamaru
    ~VAMPS
    ~-Miyavi-
    ~Acid Black Cherry

    12. Utada Hikaru
    ~Utada
    ~Cubic U
    ~BoA
    (There were 4 artists here whose names couldn't translate).

    13. Hey Monday
    ~All Time Low
    ~We The Kings
    ~The Cab
    ~Boys Like Girls
    ~The Friday Night Boys
    ~Automatic Loveletter

    14. Jimmy Eat World
    ~The Get Up Kids
    ~Dashboard Confessional
    ~Brand New
    ~Taking Back Sunday
    ~Something Corporate
    ~The Early November
    ~The Ataris

    15. Meg & Dia
    ~VersaEmerge
    ~Daphne Loves Derby
    ~New Years Day
    ~Brighten

    16. Muse
    ~Kasabian
    ~The Killers
    ~Keane

    17. Radiohead
    ~Thom Yorke
    ~Jonny Greenwood
    ~Interpol
    ~Blur

    18. Paramore
    ~Hayley Williams

    19. Stream of Passion
    ~Delain
    ~Elfonía
    ~Ayreon
    ~Star One
    ~Ambeon
    ~Leaves' Eyes

    20. Coldplay
    ~Snow Patrol
    ~Travis
    ~The Fray
    ~Oasis

    I counted 121 but I have a feeling that's way off. :3
    <3
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  • How diverse is your musical taste?

    Dez 10 2009, 20h11 por Renegadesteve2

    First, make a list of your top-20 artists overall. Then, for each of these artists, add the 8 most similar artists to your list. Delete any duplicates, count up the number of entries on your list and this will give you some idea of how eclectic your listening habits are. A score of 8 represents an extremely unvaried musical taste while a 160 represents an extremely varied one.

    Similar artists
    Thurston Moore
    Ciccone Youth
    Lee Ranaldo
    Free Kitten
    Dinosaur Jr. x2
    Pixies
    Yo La Tengo
    Pavement x3
    Zwan
    Billy Corgan
    James Iha
    Silverchair
    Stone Temple Pilots x2
    Auf der Maur
    Jane's Addiction
    Soundgarden x3
    A Tribe Called Quest
    Run-D.M.C.
    Cypress Hill
    De La Soul
    House of Pain
    Public Enemy
    OutKast
    Fugees
    John Lennon
    George Harrison
    Paul McCartney
    Ringo Starr
    Paul McCartney & Wings
    Wings
    The Who
    The Rolling Stones
    Morrissey
    Joy Division
    The Cure
    Echo & The Bunnymen
    New Order
    The Stone Roses
    Pulp
    The Libertines
    Modwheelmood
    Trent Reznor
    Marilyn Manson
    Tweaker
    Halo33
    Black Light Burns
    Puscifer x2
    KMFDM
    John Frusciante
    Ataxia
    Rage Against the Machine
    Foo Fighters
    Audioslave
    Nirvana
    John Frusciante and Josh Klinghoffer
    Incubus
    Skepta
    JME
    Roll Deep
    Ghetto
    Kano
    Jammer
    Frisco
    Durrty Goodz
    Eddie Vedder
    Temple of the Dog
    Alice in Chains
    Mother Love Bone
    Mad Season
    Screaming Trees
    Kanye West
    Nas
    R. Kelly & Jay-Z
    Fabolous
    Beanie Sigel
    Lupe Fiasco
    Notorious B.I.G.
    Drake
    Porno for Pyros
    Perry Farrell
    Dave Navarro
    Satellite Party
    The Panic Channel
    Faith No More
    Blind Melon
    Tricky
    Portishead
    Lamb
    UNKLE
    Morcheeba
    Hooverphonic
    Sneaker Pimps
    Archive
    David Gilmour
    Roger Waters
    Syd Barrett
    Led Zeppelin
    The Doors
    Rick Wright
    Jefferson Airplane
    King Crimson
    Thom Yorke
    Jonny Greenwood
    Muse
    Placebo
    Coldplay
    Interpol
    Blur
    Beck
    The Chemical Brothers
    Maxim
    Pendulum
    The Crystal Method
    Fatboy Slim
    Prodigy
    Apollo 440
    Lunatic Calm
    fIREHOSE
    Hüsker Dü
    Mission of Burma
    Wipers
    Mike Watt
    Saccharine Trust
    Fugazi
    Flipper
    Les Claypool
    Les Claypool and the Holy Mackerel
    Colonol Claypool's Bucket Of Bernie Brains
    Les Claypool's Frog Brigade
    Sausage
    Oysterhead
    Infectious Grooves
    Mr. Bungle
    A Perfect Circle
    Peach
    ASHES dIVIDE
    Rishloo
    Riverside
    Deftones
    Porcupine Tree
    The Breeders
    Frank Black
    Sonic Youth x2
    Frank Black and the Catholics
    Black Francis
    The Flaming Lips x2
    Built to Spill
    Guided by Voices
    Condo Fucks
    Galaxie 500
    The Sea and Cake

    151/160

    Nice!!
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  • Another "How Varied Is Your Music Taste?"

    Dez 6 2009, 19h08 por energeticlove

    First, make a list of your top-20 artists overall. Then, for each of these artists, add the 8 most similar artists to your list. Delete any duplicates, count up the number of entries on your list and this will give you some idea of how eclectic your listening habits are. A score of 9 represents an extremely unvaried musical taste while a 160 represents an extremely varied one.

    Yeah Yeah Yeahs
    1 Metric
    2 The Kills
    3 Be Your Own Pet
    4 Interpol
    5 Arcade Fire
    6 Florence + The Machine

    Madonna
    7 Kylie Minogue
    8 Janet Jackson
    9 Cher
    10 Lady GaGa
    11 Britney Spears
    12 Dannii Minogue

    Le Tigre
    13 Bikini Kill
    14 Sleater-Kinney
    15 Bratmobile
    16 Julie Ruin
    17 Lesbians On Ecstacy
    18 Peaches

    Moby
    19 Voodoo Child
    20 Faithless
    21 Fatboy Slim
    22 The Chemical Brothers
    23 Massive Attack

    Portishead
    24 Beth Gibbons & Rustin Man
    Massive Attack
    25 Tricky
    26 Hooverphonic
    27 Lamb
    28 Morcheeba

    Deerhoof
    29 The Curtains
    30 The Fiery Furnaces
    31 Marnie Stern
    32 OOIOO
    33 Ponytail
    34 Boredoms

    Interpol
    35 Julian Plenti
    36 Editors
    37 I Love You But I've Chosen Darkness
    38 The National
    39 She Wants Revenge
    40 stellastarr*

    The White Stripes
    41 The Raconteurs
    42 Jack White
    43 The Dead Weather
    44 The Black Keys
    45 The Kills
    46 The Greenhornes

    Soldout
    47 Superlux
    48 Sharko
    49 Sexy Sushi
    50 Hollywood Porn Stars
    51 Terry Poison
    Lesbians on Ecstasy

    Fatboy Slim
    52 Deeds Plus Thoughts
    53 Psychedeliasmith
    54 The Chemical Brothers
    55 Beats International
    56 Mighty Dub Katz
    57 Christopher Just

    Ladytron
    58 Client
    59 Fischerspooner
    60 Vive la Fête
    61 The Knife
    62 Miss Kittin
    63 Miss Kittin & The Hacker

    Black Eyed Peas
    64 Fergie
    65 The Pussycat Dolls
    66 Ciara
    67 will.i.am
    68 Flo Rida
    Lady GaGa

    Radiohead
    69 Thom Yorke
    70 Jonny Greenwood
    71 Muse
    72 Placebo
    73 Coldplay
    Interpol

    Lily Allen
    74 Kate Nash
    75 Katy Perry
    Lady GaGa
    76 The Ting Tings
    77 Girls Aloud
    78 Mika

    Daft Punk
    79 Thomas Bangalter
    80 Justice
    81 Le Knight Club
    82 Stardust
    83 Digitalism
    84 Boys Noize

    Thievery Corporation
    85 Thunderball
    86 Indian Vibes
    87 The 13th Sign
    88 Da Lata
    89 Tosca
    90 Nightmares on Wax

    Bloc Party
    91 Foals
    92 Editors
    93 Pin Me Down
    94 The Maccabees
    95 The Cribs
    96 Maxïmo Park

    Massive Attack
    Tricky
    97 Portishead
    Lamb
    98 UNKLE
    Morcheeba
    Hooverphonic

    Air
    99 Air and Alessandro Baricco
    100 Zero 7
    101 Darkel
    102 Röyksopp
    103 Télépopmusik
    104 Goldfrapp
    105 Thievery Corporation

    Sleater-Kinney
    106 Heavens to Betsy
    107 Cadallaca
    108 Excuse 17
    Bikini Kill
    Bratmobile
    109 Team Dresch


    My score is 109

    This took way long to add the numbers and tags. Excel helped but ahh!
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  • How Varied Is My Music Taste 2009

    Dez 3 2009, 20h39 por kellie237

    First, make a list of your top-20 artists overall. Then, for each of these artists, add the 8 most similar artists to your list. Delete any duplicates, count up the number of entries on your list and this will give you some idea of how eclectic your listening habits are. A score of 9 represents an extremely unvaried musical taste while a 160 represents an extremely varied one.

    1. Muse (9)
    // Franz Ferdinand
    // Placebo
    // Kasabian
    // Radiohead
    // The Killers
    // Arctic Monkeys
    // Kaiser Chiefs
    // Keane


    2. The Strokes (17)
    // Julian Casablancas
    // Albert Hammond, Jr.
    // Little Joy
    // The Libertines
    // Kings of Leon
    // The Last Shadow Puppets
    // Moptop


    3. Arctic Monkeys (20)
    // The Rascals
    // The Kooks
    // Milburn


    4. Radiohead (26)
    // Thom Yorke
    // Jonny Greenwood
    // Coldplay
    // Interpol
    // Blur
    // Beck


    5. The Beatles (35)
    // John Lennon
    // George Harrison
    // Paul McCartney
    // Ringo Starr
    // Paul McCartney & Wings
    // Wings
    // The Who
    // The Rolling Stones


    6. Oasis (43)
    // Noel Gallagher
    // The Stone Roses
    // The Verve
    // Stereophonics
    // Richard Ashcroft
    // The La's
    // Ian Brown


    7. Franz Ferdinand (45)
    // The Fratellis
    // The Rakes


    8. The Cribs (53)
    // The Maccabees
    // Jamie T
    // Bombay Bicycle Club
    // Good Shoes
    // The Paddingtons
    // The Courteeners
    // Johnny Foreigner


    9. M83 (62)
    // School of Seven Bells
    // The Radio Dept.
    // Slowdive
    // Maps
    // The Album Leaf
    // Air France
    // Hammock
    // Eluvium


    10. We Are Scientists (69)
    // The Futureheads
    // Maxïmo Park
    // Boy Kill Boy
    // The Automatic
    // Bloc Party
    // Mystery Jets


    11. Nine Inch Nails (78)
    // Modwheelmood
    // Trent Reznor
    // Marilyn Manson
    // Tweaker
    // Halo33
    // Black Light Burns
    // Puscifer
    // KMFDM


    12. The Presets (87)
    // Pnau
    // Midnight Juggernauts
    // Grafton Primary
    // Van She
    // Cut Copy
    // Muscles
    // Bag Raiders
    // Simian Mobile Disco


    13. Foals (93)
    // Maths Class
    // Late of the Pier
    // These New Puritans
    // Friendly Fires
    // Youthmovies


    14. Hot Chip (100)
    // LCD Soundsystem
    // Junior Boys
    // Metronomy
    // Fujiya & Miyagi
    // Lo-Fi-Fnk
    // Grovesnor


    15. Howling Bells (109)
    // The Duke Spirit
    // The Joy Formidable
    // Giant Drag
    // The Long Blondes
    // Waikiki
    // The Grates
    // Little Birdy
    // Sky Larkin


    16. Friendly Fires (114)
    // Passion Pit
    // Jack Peñate
    // The Temper Trap
    // Frankmusik
    // Delphic


    17. The Last Shadow Puppets (115)
    // The Little Flames

    18. Glasvegas (123)
    // White Lies
    // Broder Daniel
    // The View
    // Timo Räisänen
    // Kent
    // The Twilight Sad
    // Laakso


    19. Rage Against the Machine (132)
    // One Day as a Lion
    // Audioslave
    // Zack De La Rocha
    // Street Sweeper Social Club
    // The Nightwatchman
    // Limp Bizkit
    // Red Hot Chili Peppers
    // Incubus


    20. Yeah Yeah Yeahs (140)
    // Metric
    // The Kills
    // Be Your Own Pet
    // Arcade Fire
    // Florence + The Machine
    // The Gossip
    // Bat for Lashes
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  • To check:

    Nov 14 2009, 23h22 por bzitkichlopcik

    The Smashing Pumpkins
    Stafrænn Hákon - CHECKED
    Archive - CHECKED
    Moby - CHECKED
    Die Mannequin
    Skunk Anansie
    Bat for Lashes - CHECKED
    múm CHECKED
    Psaap
    Massive Attack
    Ólafur Arnalds
    You Love Her Coz She's Dead
    Roisin Murphy
    Moloko
    Seabear
    500won Project
    Slowblow
    Kira Kira
    Pornopop
    Final Fantasy
    Pete Yorn
    Passion Pit
    HeartsRevolution
    Alec Empire
    Kap Bambino
    Daft Punk
    Robots in Disguise
    She Wants Revenge
    Death Cab for Cutie
    SOiL
    Lykke Li - CHECKED
    Dionne Bromfield - CHECKED
    Pissed Jeans
    Klingonz
    Flogging Molly
    The Amino Acids
    Fucked Up
    Zebrahead
    Motörhead
    A Static Lullaby
    Audioslave
    Batmobile
    Hellbillys
    The Gun Club
    Sense Field
    Explosions in the Sky
    Red House Painters
    Bob Dylan
    David Bowie
    Kings of Leon
    Yeah Yeah Yeahs
    Boards of Canada
    Eths
    Fuck... I'm Dead
    Arctic Monkeys
    White Lies
    Rezurex
    Mad Sin
    Muchy
    Rotofobia
    The Quakes
    L.Stadt
    Drivealone
    The Car Is on Fire
    Tiger Arm
    George Dorn Screams
    Kawałek Kulki
    Gabriela Kulka
    Lili Marlene
    The Meteors
    Muzyka Końca Lata
    Phantom Rockers
    Los Gatos Locos
    MUM
    Guana Batz
    Os Catalépticos
    not
    Efterklang
    Dick4Dick
    Thee Merry Widows
    Miss Kittin
    Ladytron - CHECKED
    The Album Leaf
    Saluminesia
    Edyta Bartosiewicz
    Puscifer - CHECKED
    New York Crasnals
    Bajzel
    Kiev Office
    Iowa Super Soccer
    Renton
    Reverend Horton Heat
    ASHES dIVIDE
    Mudvayne
    Worm Is Green
    Fischerspooner
    The Used
    Aphex Twin
    California Stories Uncovered
    Retard-O-Bot
    The Peacocks
    Stone Sour
    The Other
    Deftones
    Emigrate
    Patrick Wolf - CHECKED
    Suchy Chleb Dla Konia
    Maanam
    God Is an Astronaut - CHECKED
    Chicks on Speed
    Mono
    T.Love
    Mister Monster
    Lesbians on Ecstasy
    Pencey Prep
    The Brains
    Jonny Greenwood
    Godspeed You! Black Emperor
    Dope
    Godsmack
    Cobra Starship
    Röyksopp
    Animal Collective
    The Rapture
    !!!
    Enter Shikari
    Cobra Starship
    Santigold
    M.I.A.
    Franz Ferdinand
    Arctic Monkeys
    Telefon Tel Aviv
    Ladyhawke
    Air
    Isis
    Tortoise
    Gang Gang Dance
    Kasabian
    Regina Spektor
    The xx
    Suicide Silence
    Fever Ray
    The All-American Rejects
    A Day to Remember
    La Roux
    Phoenix
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  • OK Computer~!

    Out 29 2009, 20h48 por RATM4ever



    Este álbum é de uma genialidade imensa. Não o digo apenas por ser um dos meus álbuns predilectos, digo-o por todo o material contido por ele.
    Desde uma perfeita "TocarParanoid Android" até uma genial "TocarKarma Police" encontramos uma grande fonte de inspiração ao som de "TocarLet Down". Esta é mais uma das obras inconfundíveis de uma banda talentosa - Radiohead.

    Mas falemos um pouco da banda: Thom Yorke, Jonny Greenwood, o seu irmão Colin Greenwood/artist], Ed O'Brien e Phil Selway são os nomes dos membros que fazem dos Radiohead uma banda de sucesso a nível global!
    Mas, os excelentes sons que conseguiram produzir neste álbum conseguiram com que estes cinco nomes relacionados com o mundo da música conseguissem atingir o estrelato!

    Se tivesse de atribuir uma nota a este álbum, dava-lhe 5/5 mais pela qualidade do que por opinião pessoal, mesmo esta influenciando um bocadinho desta nota!
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  • How varied is your music taste?

    Out 17 2009, 12h47 por scarletttlady

    First, make a list of your top-20 artists overall. Then, for each of these artists, add the 8 most similar artists to your list. Delete any duplicates, count up the number of entries on your list and this will give you some idea of how eclectic your listening habits are. A score of 9 represents an extremely unvaried musical taste while a 160 represents an extremely varied one.

    01. Arctic Monkeys
    - The Last Shadow Puppets
    - The Rascals
    - Milburn
    - Franz Ferdinand
    - Kasabian
    - The Fratellis
    (6)

    02.Muse
    - Kaiser Chiefs
    - Coldplay
    (2)

    03. Radiohead
    - Thom Yorke
    - Jonny Greenwood
    - Beck
    - Blur
    (4)

    04. Placebo
    - IAMX
    - Placebo (fT. David Bowie)
    - Trash Palace
    - 30 Seconds to Mars
    - Garbage
    (5)

    05. Joy Division
    - New Order
    - Bauhaus
    - Warsaw
    - The Smiths
    - The Cure
    - Gang of Four
    - Echo & The Bunnymen
    - The Chameleons
    (8)

    06. Portishead
    - Beth Gibbons & Rustin Man
    - Massive Attack
    - Trippy
    - Lamb
    - Hooverphonic
    - Morcheeba
    - Mandalay
    - Sneaker Pimps
    (8)

    07.Kings of Leon
    - White Lies
    - The Maccabees
    - Cold War Kids
    (3)

    08. Yeah Yeah Yeahs
    - The Kills
    - Metric
    - Be Your Own Pet
    - Arcade Fire
    - The Gossip
    - Florence + The Machine
    (6)

    09. The Strokes
    - Albert Hammond, Jr.
    - Little Joy
    - The Libertines
    - Moptop
    (4)

    10. Crystal Castles
    - You Love Her Coz She's Dead
    - HeartsRevolution
    - Kap Bambino
    - Klaxons
    - Crystal Castles VS Uffie
    - Bondage Fairies
    - Late of the Pier
    - Metronomy
    (8)

    11. Nirvana
    - Mudhoney
    - Alice in Chains
    - Hole
    - Green River
    - Soundgarden
    - Meat Puppets/artist]
    -
    Pagoda
    - Pearl Jam
    (8)

    12. Bloc Party
    - Pin Me Down
    - Foals
    - Editors
    - Maxïmo Park
    - We Are Scientists
    - The Cribs
    - The Rakes
    (7)

    13. System of a Down
    - Serj Tankian
    - Scars on Broadway
    - Slipknot
    - KoЯn
    - Disturbed
    - Rammstein
    - Static X
    - Stone Sour
    (8)

    14. The Killers
    (0)

    15. Interpol
    - Julian Plenti
    - She Wants Revenge
    - The National
    - I Love You But I've Chosen Darkness
    - stellastarr*
    - Elefant
    (6)

    16. The Kooks
    - The Wombats
    - Razorlight
    - The Pigeon Detectives
    - Cajun Dance Party
    - The Subways
    (5)

    17. Peaches
    - Chicks on Speed
    - Lesbians on Ecstasy
    - Miss Kittin & The Hacker
    - Miss Kittin
    - Fischerspooner
    - Robots in Disguise
    - Le Tigre
    - Electrocute
    (8)

    18. Death Cab for Cutie
    - The Postal Service
    - Ben Gibbard
    - The Shins
    - The Decemberists
    - Bright Eyes
    - Ra Ra Riot
    - Modest Mouse
    - Band of Horses
    (8)

    19. The Presets
    - Midnight Juggernauts
    - Pnau
    - Grafton Primary
    - Cut Copy
    - Van She
    - Muscles
    - Bag Raiders
    - The Whip
    (8)

    20. Modest Mouse
    - Ugly Casanova
    - Built to Spill
    - Wolf Parade
    - The Flaming Lips
    - Neutral Milk Hotel
    - Clap Your Hands Say Yeah
    (6)


    [u][b]TOTAL SCORE: [/u][/b]116
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  • Archive - Schaf im Wolfspelz

    Out 15 2009, 18h37 por thewaywewalk

    Wed 14 Oct – Archive, Birdpen

    14. Oktober 2009 - Dresden - Alter Schlachthof
    Archive

    Die Studio-Alben der relativ jungen Band aus London waren zum Großteil richtig klasse – konnten sie die Erwartungen auch live erfüllen? Auch wenn ich die Meinung nur mit einer Minderheit im gut gefüllten Schlachthof teile: mich haben sie enttäuscht. Ich hätte von der Band technisch einfach viel mehr erwartet, sie haben ihr Potenzial in keinster Weise ausgeschöpft. Okay die Stimmung war spitze, die Akustik Schlachthof-typisch sowieso und die Mukke hat mit ordentlich Wums die Bude gerockt. Aber verglichen mit den sauber produzierten Platten hat einfach eine ganze Menge gefehlt. In meinen Augen kamen viel zu viel Elektronik- und Perkussion-Elemente vom Band , es gab Synthie-Passagen, wo jeder im Raum sehen konnte, dass sie ganz bestimmt nicht von einem der beiden Keyboarder kamen. Vielleicht bin ich immer noch etwas von den Klangwelten des Jonny Greenwood geblendet, aber Archive ist in puncto Effekte zusammen nicht das gelungen was der Radiohead-Gitarrist alleine schafft. Ob der Vergleich gerechtfertigt ist, soll jeder für sich selbst entscheiden. Hinzu kam ein mitunter nerviges "Scheppern", welches sich in der Live-Performance nicht so richtig einfügen wollte. Auch die wunderschöne Stimme der Maria Q gabs nur von Band und auf Leinwand.
    Der Opener Controlling Crowds vom aktuellen gleichnamigen Album bot einen tollen Auftakt in den Abend, danach ging es auf und ab, einige Lieder machten ordentlich Laune, andere waren sehr einfallslos dargeboten, oft waren sie auf das nötigste reduziert und viele schöne Elemente, die die Band eigentlich so außergewöhnlich machen, fehlten einfach. Daran änderte auch das heiß erwartete "Again" nichts, auf das ich mich den ganzen Abend gefreut hatte. Die Stimmung war am kochen, es war der absolute Höhepunkt des Abends - ABER kann mir jemand einen triftigen Grund nennen warum das Gitarrenintro vom Band kam? Ich kann es mir nicht erklären. Und wo war die Mundharmonika - das Herzstück dieses Songs? Auch die bereits bekannten Rap-Einlagen kamen sehr monoton daher, immer derselbe Beat, dasselbe Tempo.
    Im Gegensatz dazu sind die Gesangsleistungen der beiden Sänger Pollard Berrier und Dave Penney sehr positiv hervorzuheben, die wussten auf alle Fälle zu gefallen.

    Fazit: Es war ein solides Konzert, insbesondere zu dem humanen Preis von 20€, allerdings mit vielen Schwächen im Detail. Rückblickend auf die "Live at the Zenith" Scheibe des Jahres 2007 war es ein Rückschritt, ich hoffe das ändert sich wieder, dann gebe ich der Band in ein paar Jahren live noch eine Chance.
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  • accepting Thom Yorke as your personal savior

    Out 5 2009, 4h02 por rcstars

    Have you been saved yet?

    Recognize that you are a sinner and have listened to music that falls short of Radiohead's standard. You must understand that you are a natural-born-sinner, and deserve Radiohead's punishment for your horrible taste in music.

    You must come to the understanding that Thom Yorke made a tit of himself for you, and that him making a tit of himself onstage was his paying the penalty for your sins and mine. he willingly took the punishment for you while you were not even a fan.

    Repent and turn away from crappy music once and for all. Ask Thom Yorke to forgive you of your sins and surrender your life to him. Confess with your mouth that Thom Yorke is Lord, and you believe in your heart that Jonny Greenwood helped him raise c-sides from the dead for his two latest solo singles and you will be saved.

    Find yourself a fan club or internet forum that believes in salvation through repentance and faith in Thom Yorke alone.

    Talk to a groupie and tell him about the decision you have just made, and splash around in a lake or pool screaming out words of admiration for radiohead (or just get a t-shirt) to publicly proclaim the spiritual transformation and the awesome music you now listen to.

    If you love Thom Yorke and his lazy eye from the bottom of your heart, Radiohead has heard you and will forgive you.

    Yorke asks that we simply abide in Him. So live your life in accordance with His lyrics and live your life as it is not your own- you belong to Thom Yorke. It is Thom Yorke's life now, so live in sweet surrender knowing that we are now free and our ears have been made alive since they were slain by Hannah Montana and other crappy pop "artists" on the radio.

    BUT BEWARE!

    you may soon give up some of the music you used to listen to. Your new found love for Radiohead may lead to losing friends, as you grow more and more in your new found faith, you will find that true obsession is best. In this event, your free will and social life should yield to listening to Radiohead, and thus you will share this saving message with others, so they too can become fans of Radiohead.

    Some people may think you are a tool that you have the nerve to explain why Radiohead is better than their favorite band, and they could abandon you as a close friend. But that's ok: love them anyway! Thom Yorke still loves you. the Discography says to go and convince them -- quote: "You're so fucking special"

    Beware the Disney. The closer you grow to Thom Yorke, the greater target you become for Disney. But if you resist Disney, he can not touch you. ("I'm a reasonable man, get off my case"). Remember also that your temptations come from Nickelback and Lady Gaga too. There is nothing more powerful than Thom Yorke. Through Him, Jonny Greenwood, Ed O'Brian, Phil Selway, and Colin Greenwood, all things are possible. Thom Yorke is the only "name" whereby you "must" be saved (refer to Paranoid Andoid verse 3: "You don't remember/Why don't you remember my name?/Off with his head, man"); yes, Radiohead is the just Judge of all things both good and bad...
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  • Radiohead

    Set 22 2009, 17h10 por pyls

    contains Radiohead
    Radiohead are an English alternative rock band from Abingdon, Oxfordshire. The band consists of Thom Yorke (lead vocals, rhythm guitar, piano, beats), Jonny Greenwood (lead guitar, keyboard, other instruments), Ed O'Brien (guitar, backing vocals), Colin Greenwood (bass guitar, synthesizers) and Phil Selway (drums, percussion).


    • History

    Radiohead released their first single, "Creep", in 1992. The song was initially unsuccessful, but it became a worldwide hit several months after the release of their debut album, "Pablo Honey" (1993). Radiohead's popularity rose in the United Kingdom with the release of their second album, The Bends (1995). Radiohead's third album, OK Computer (1997), propelled them to greater international fame. Featuring an expansive sound and themes of modern alienation, OK Computer has often been acclaimed as a landmark record of the 1990's.

    Kid A (2000) and Amnesiac (2001) marked an evolution in Radiohead's musical style, as the group incorporated experimental electronic music, krautrock, post-punk and jazz influences. Although critical opinion was divided, Radiohead remained popular. Hail To The Thief (2003), a mix of guitar-driven rock, electronics and lyrics inspired by headlines, was the band's final album for their major record label, EMI. Radiohead independently released their seventh album, In Rainbows (2007), originally as a digital download for which each customer could set their own price, later in stores, to critical and chart success.

    Radiohead's work has appeared in a large number of listener polls and critics' lists. In 2005, Radiohead were ranked number 73 in Rolling Stone's list of "The Greatest Artists Of All Time". While the band's later albums brought them a wide audience, their earlier sound on The Bends and OK Computer remained influential on British rock music.

    The musicians who form Radiohead met while attending Abingdon School, a boys-only public school in Abingdon, Oxfordshire. Thom Yorke and Colin Greenwood were in the same year, Ed O'Brien and Phil Selway were one year older and Jonny Greenwood two years younger than Thom Yorke. In 1985 they formed the band, "On a Friday", the name referring to the band's usual rehearsal day in the school's music room. The group played their first gig in late 1986 at Oxford's Jericho Tavern; Jonny Greenwood originally joined as a keyboard player but he soon became the lead guitarist.

    Although Yorke, O'Brien, Selway, and Colin Greenwood had left Abingdon by 1987 to attend university, the band continued to rehearse often on weekends and holidays. In 1991, when all the members except Jonny had completed their university degrees, "On a Friday" regrouped, began to record demos such as Manic Hedgehog, and performed live gigs around Oxford. Oxfordshire and the Thames Valley had an active indie scene in the late 1980's, but it centred around shoegazing bands such as Ride and Slowdive; "On a Friday" were never seen as fitting this trend, commenting that they had missed it by the time they returned from university.

    Nevertheless, as "On a Friday's" number of live performances increased, record labels and producers became interested. Chris Hufford, Slowdive's producer and the co-owner of Oxford's Courtyard Studios, attended an early "On a Friday" concert at the Jericho Tavern. Impressed by the band, he and his partner Bryce Edge produced a demo tape and became "On a Friday's" managers; they remain the band's managers to this day. Following a chance meeting between Colin Greenwood and EMI representative Keith Wozencroft at the record shop where Greenwood worked, the band signed a six-album recording contract with the label in late 1991. At the request of EMI, the band changed their name to Radiohead, inspired by the title of a song on Talking Heads' True Stories album.


    • Pablo Honey, The Bends and early success (1992–1995)

    "Drill", Radiohead's debut EP, was recorded with Hufford and Edge at Courtyard Studios and released in March 1992. Its chart performance was poor, and consequently the band hired Paul Kolderie and Sean Slade who had worked with American indie bands Pixies and Dinosaur Jr. to produce their debut album, which was recorded quickly in an Oxford studio in 1992. With the release of the "Creep" single in late 1992, Radiohead began to receive attention in the British music press, although not all of it was favourable; Nme described them as "a lily-livered excuse for a rock band", and the song was not played on BBC Radio 1 because it was deemed "too depressing". The band released their debut album, "Pablo Honey", in February 1993. Its style was sometimes compared to the wave of grunge music popular in the early 1990's to the extent of Radiohead being dubbed "Nirvana-lite" yet "Pablo Honey" reached no higher than number 22, and singles "[track artist=radiohead]Stop Whispering" and "TocarAnyone Can Play Guitar" failed to make much impact on the charts. "TocarPop Is Dead", a one-off single, sold equally poorly.

    However, "Creep" made quite a splash on Israel's top charts. A local representative of EMI had introduced the song to acclaimed DJ Yoav Kutner who had played "Creep" incessantly on Israeli radio. Radiohead was invited to Tel Aviv for their first gig outside the UK. Around the same time, the San Francisco, California radio station KITS added the song to its playlist; and soon other radio stations along the American west coast followed suit. By the time Radiohead began their first United States tour in early 1993, the music video for "Creep" was in heavy rotation on MTV. The song rose to number two on the US modern rock chart and then to number seven in the UK singles chart when re-released there later that year. Radiohead nearly broke up due to the pressure of sudden success as the "Pablo Honey" supporting tour extended into its second year. Band members described the tour as difficult, saying that towards its end they were "still playing the same songs that [they had] recorded two years previously ... like being held in a time warp" when they were eager to work on new songs.

    After the American tour, Radiohead began work on their second album, hiring veteran Abbey Road studios producer John Leckie. Tensions were high, as the band felt smothered both by "Creep" 's success and the mounting expectations for a superior follow-up. The band sought a change of scenery, touring Australasia and the Far East in an attempt to reduce the pressure. However, confronted again by their popularity, Yorke became disenchanted at being "right at the sharp end of the sexy, sassy, MTV eye-candy lifestyle" he felt he was helping to sell to the world. The 1994 EP "My Iron Lung", featuring the single of the same title, was Radiohead's reaction, marking a transition towards the greater depth they aimed for on their second album. The single was promoted through underground radio stations; sales were better than expected, starting a loyal fan base for the band. Having developed more new songs on tour, Radiohead finished recording their second album in late 1994, and they released "The Bends" in March 1995.

    While Radiohead were seen as outsiders to the Britpop scene that dominated the media's attention at the time, they were finally successful in their home country with "The Bends". The album was driven by dense riffs and ethereal atmospheres from the band's three guitarists, with greater use of keyboards than their debut. Singles "TocarFake Plastic Trees", "TocarHigh And Dry", "TocarJust", and "TocarStreet Spirit (Fade Out)" achieved chart success in the UK, "TocarStreet Spirit (Fade Out)" put Radiohead in the top five for the first time. In mid-1995, Radiohead toured in support of R.E.M., one of their formative influences and at the time one of the biggest rock bands in the world. Introducing his opening act, Michael Stipe said, "Radiohead are so good, they scare me." The buzz generated by such famous fans, along with distinctive music videos for "TocarJust" and "TocarStreet Spirit (Fade Out)", helped to expand Radiohead's popularity outside the UK. Jonny Greenwood said, "I think the turning point for us came about nine or twelve months after "The Bends" was released and it started appearing in people's [best of] polls for the end of the year. That's when it started to feel like we made the right choice about being a band." But critical acclaim and a growing fan base weren't sufficient for Radiohead to repeat the commercial popularity of "Creep" outside the UK. The album's number 88 peak on the US charts remains Radiohead's lowest there.


    • OK Computer, fame and critical acclaim (1996–1998)

    In late 1995, Radiohead had already recorded one song that would make their next record. "TocarLucky", released as a single to promote the War Child charity's The Help Album, had come out of a brief session with Nigel Godrich, a young audio engineer who had assisted on "The Bends" and also produced a 1996 B-side, "Talk Show Host". The band decided to produce their next album with Godrich's assistance, and they began work in early 1996. By July they had recorded four songs at their rehearsal studio, Canned Applause, a converted apple shed in the countryside near Didcot, Oxfordshire.

    In August 1996 Radiohead toured as the opening act for Alanis Morissette, seeking to perfect their new songs live before completing the record. They then resumed recording, again outside a traditional music studio, settling instead at a 15th-century mansion, St. Catherine's Court, near Bath. The recording sessions were relaxed, with the band playing at all hours of the day, recording songs in different rooms, and listening to The Beatles, DJ Shadow, Ennio Morricone and Miles Davis for inspiration. Radiohead contributed their new song "Talk Show Host" to Baz Luhrmann's adaptation of Romeo + Juliet late in the year. Most of the album was complete by the end of 1996, and by March 1997, the record was mixed and mastered.

    Radiohead released their third album, "OK Computer", in June 1997. Largely composed of melodic rock songs, the new record also found the band experimenting with song structures and incorporating some ambient, avant garde and electronic influences. "OK Computer" was the band's first number one UK chart debut, propelling Radiohead to commercial success around the world. Despite peaking at number 21 in the US charts, the album eventually met with mainstream recognition there, receiving a Grammy Award for Best Alternative Music Album and a nomination for Album Of The Year. "TocarParanoid Android", "TocarKarma Police" and "TocarNo Surprises" were released as singles from the album, of which "TocarKarma Police" was most successful internationally.

    "OK Computer" met with great critical acclaim, and Yorke admitted that he was "amazed it got the reaction it did. None of us fucking knew any more whether it was good or bad. What really blew my head off was the fact that people got all the things, all the textures and the sounds and the atmospheres we were trying to create." The release of "OK Computer" was followed by the "Against Demons" world tour. Grant Gee, the director of the "[track artist]No Surprises[/track]" video, accompanied and filmed the band, releasing the footage in the 1999 documentary Meeting People Is Easy. The film portrays the band's disaffection with the music industry and press, showing their burnout as they progressed from their first tour dates in mid-1997 to mid-1998, nearly a year later. During this time the band also released a music video compilation, 7 Television Commercials, as well as two EPs, "Airbag/How Am I Driving?" and "No Surprises/Running From Demons", that compiled their B-sides from "OK Computer" singles.


    • Kid A, Amnesiac and a change in sound (1999–2001)

    Radiohead were largely inactive following their 1997–1998 tour; after its end, their only public performance in 1998 was at an Amnesty International concert in Paris. Yorke later admitted that during that period the band came close to splitting up, and that he had developed severe depression. In early 1999, Radiohead began work on a follow-up to "OK Computer". Although there was no longer any pressure or even a deadline from their record label, tension during this period was high. Band members all had different visions for Radiohead's future, and Yorke was experiencing writer's block, influencing him toward a more abstract, fragmented form of songwriting. Radiohead secluded themselves with producer Nigel Godrich in studios in Paris, Copenhagen, and Gloucester, and in their newly completed studio in Oxford. Eventually, all the members agreed on a new musical direction, redefining their instrumental roles in the band. After nearly 18 months, Radiohead's recording sessions were completed in April 2000.

    In October 2000 Radiohead released their fourth album, Kid A, the first of two albums from these recording sessions. Rather than being a stylistic sequel to OK Computer", "Kid A featured a minimalist and textured style with less overt guitar parts and more diverse instrumentation including the ondes Martenot, programmed electronic beats, strings, and jazz horns. It was Radiohead's greatest commercial success to date, debuting at number one in many countries, including the US, where its debut atop the Billboard chart marked a first for the band and a rare success in the US by UK musicians. This success was attributed variously to marketing, to the album's leak on the file-sharing network Napster a few months before its release, and to advance anticipation based, in part, on the success of "OK Computer". Although Radiohead did not release any singles from "Kid A", promos of "TocarOptimistic" and "TocarIdioteque" received radio play, and a series of "blips", or short videos set to portions of tracks, were played on music channels and released freely on the Internet. The band had read Naomi Klein's anti-globalization book No Logo during the recording, and they decided to continue a summer 2000 tour of Europe later in the year in a custom-built tent free of advertising; they also promoted "Kid A with three sold-out North American theatre concerts.

    "Kid A received a Grammy Award for Best Alternative Album and a nomination for Album of the Year in early 2001. Yet it won both praise and criticism in independent music circles for appropriating underground styles of music, while some mainstream British critics saw "Kid A" as a "commercial suicide note", labelling it "intentionally difficult" and longing for a return to the band's earlier style. Radiohead's fans were similarly divided; along with those who were appalled or mystified, there were many who saw the album as the band's best work. Yorke, however, denied that Radiohead had set out to eschew commercial expectations, saying, "I was really, really amazed at how badly [Kid A] was being viewed ... because the music's not that hard to grasp. We're not trying to be difficult ... We're actually trying to communicate but somewhere along the line, we just seemed to piss off a lot of people ... What we're doing isn't that radical."

    "Amnesiac", released in June 2001, comprised additional tracks from the "Kid A" recording sessions. Radiohead's musical style on these songs was similar to that of "Kid A" in their fusion of electronic music and jazz influences, though more reliant on the use of guitars. The record was a critical and commercial success worldwide, it topped the UK Albums Chart and reached number two in the US and being nominated for a Grammy Award and the Mercury Music Prize. After Amnesiac's release, the band embarked on a world tour, visiting North America, Europe and Japan. Meanwhile, "TocarPyramid Song" and "TocarKnives Out", Radiohead's first issued singles since 1998, were modestly successful, and "TocarI Might Be Wrong", initially planned as a third single, expanded into Radiohead's thus far only live record. "I Might Be Wrong: Live Recordings", released in November 2001, featured performances of seven songs from "Kid A" and "Amnesiac" along with the acoustic, previously unreleased "TocarTrue Love Waits".


    • Hail To The Thief and a hiatus (2002–2004)

    During July and August 2002 Radiohead toured Portugal and Spain, playing a number of newly written songs. They then recorded the new material in two weeks in a Los Angeles studio with Nigel Godrich, adding several tracks later in Oxford, where the band continued their work into the next year. Radiohead members described the recording process as relaxed, in contrast to the tense sessions for "Kid A" and "Amnesiac. The band's sixth album, "Hail To The Thief", was released in June 2003. Mixing sounds from throughout their career, Hail to the Thief combined guitar-based rock with electronic influences and topical lyrics by Yorke. Although the album was critically praised, many critics felt that Radiohead were treading water creatively rather than continuing the "genre-redefining" trend that "OK Computer" had begun. Nevertheless, "Hail To The Thief" enjoyed commercial success, debuting at number one in the UK and number three on the Billboard chart and eventually being certified platinum in the UK and gold in the US. The album's singles, "TocarThere There", "TocarGo To Sleep" and "Tocar2+2=5", achieved a level of play on modern rock radio. At the 2003 Grammy Awards, Radiohead were again nominated for Best Alternative Album, while producer Godrich and engineer Darrell Thorp received the Grammy Award for Best Engineered Album.

    Yorke denied that Hail To The Thief's title was a comment on the controversial 2000 US presidential election, explaining that he first heard the words in a BBC Radio 4 discussion of 19th century American politics. Yorke said his lyrics had been affected by news reports of war in 2001 to 2002 and "the feeling that we are entering an age of intolerance and fear where the power to express ourselves in a democracy and have our voices heard is being denied us" but said, "[Radiohead] didn't write a protest record, we didn't write a political record." After the release of Hail To The Thief, Radiohead embarked in May 2003 on a world tour, including a headlining performance at the Glastonbury Festival. The tour finished in May 2004 with a performance at the Coachella Festival. During their tour, the band released Com Lag, an EP compiling most of their b-sides from the time. Following their tour, the band began writing and rehearsing in their Oxford studio but soon went on hiatus. Free of their label contract, Radiohead spent the remainder of 2004 resting with their families and working on solo projects.


    • In Rainbows (2005–present)

    Radiohead began work on their seventh album in February 2005. In September 2005, the band recorded a piano-based song, "I Want None Of This", for the War Child charity album Help: A Day In The Life. The album was sold online, with "I Want None of This" being the most downloaded track, although it was not released as a single. Radiohead had already begun recording their next album on their own and then with producer Mark Stent. However, in late 2006, after touring Europe and North America and debuting 13 new songs there, the band resumed work with Nigel Godrich in London, Oxford and several rural locations in Somerset, England. Work was finished in June 2007 and the recordings were mastered the following month.

    Radiohead's seventh album, In Rainbows, was released through the band's own website on 10 October 2007 as a digital download for which customers could make whatever payment that they wanted, including nothing; the site only advised, "It's up to you!". Following the band's sudden announcement 10 days beforehand, Radiohead's unusual strategy received much notice within the music industry and beyond. 1,2 million downloads were reportedly sold by the day of release, but the band's management did not release official sales figures, claiming that the Internet-only distribution was intended to boost later retail sales. A "discbox", including a second disc from the recording sessions, vinyl and CD editions of the album, and a hardcover book of artwork, was sold and shipped in late 2007.

    In Rainbows was physically released in the United Kingdom in late December on XL Recordings and in North America in January 2008 on TBD Records, charting at number one both in the United Kingdom and in the US. The album's success in the US marked Radiohead's highest chart success in that country since Kid A, while it was their fifth United Kingdom number one album. "[track artist=radiohead]Jigsaw Falling into Place
    ", the first single from the album, was released in the United Kingdom in January 2008. The second single, "Nude", debuted at number 37 in the Billboard Hot 100, Radiohead's first song to make that chart since 1995's "TocarHigh And Dry" and their first top 40 hit in the US since "Creep". A greatest hits album, titled Radiohead: The Best of, was released by EMI in June 2008. The compilation was made without the input of the band and also did not contain any songs from In Rainbows, as the band had already left their label.Radiohead continued to put out tracks from In Rainbows as singles and videos; in July a digitally-shot video for "TocarHouse of Cards" was made available. "TocarHouse of Cards", along with "TocarBodysnatchers", also received a single release on radio. In September the band announced a fourth single, "TocarReckoner", and a remix competition similar to one organised for "Nude".

    In Rainbows received overwhelmingly positive reviews, among the best of Radiohead's career. Critics praised the album for having a more accessible sound and personal style of lyrics than their past work. In July 2008, In Rainbows was nominated for the short list of the Mercury Music Prize. At the 2009 Grammy Awards, the band won Best Alternative Music Album. Their production team also won the Grammy for "Best Boxed" or "Special Limited Edition Package". The band received their third nomination for "Album Of The Year", along with three other nominations for the band, plus nominations for Godrich's production work and for the "[track artist= radiohead]House of Cards" video.

    From mid-2008 to early 2009, Radiohead toured North America, Europe, Japan, Mexico, Brazil, Argentina and Chile (the band's first ever tour in South America) - to promote In Rainbows. The band headlined the Reading and Leeds Festivals in August 2009.


    "If you want something good to come out of something, you have to put in a lot of effort. That involves a lot of hard work, and a lot of blood, sweat and tears sometimes. No different to anything, no different to what we all do."

    Radiohead guitarist - Ed O'Brien.
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