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lost_soulofmine's top albums (overall)
1. John Mayer - Room for Squares (82) 2. Screaming Headless Torsos - Screaming Headless Torsos (61) 3. Porcupine Tree - In Absentia (57) 4. Blackstratblues - Nights In Shining Karma (54) 5. Morcheeba - Big Calm (51) 6. Larry Coryell - Spaces Revisited (50) 7. Radiohead - In Rainbows (50) 8. Radiohead - OK Computer (50) 9. Jimi Hendrix - The Ultimate Experience (44) 10. Kula Shaker - K (39) 11. Fiona Apple - When the Pawn Hits the Conflicts He Thinks Like a King... (38) 12. Jason Mraz - Waiting for My Rocket to Come (36) 13. Mahavishnu Orchestra - The Inner Mounting Flame (36) 14. Prasanna - Be the Change (36) 15. Morcheeba - Dive Deep (36) 16. Frou Frou - Details (36) 17. Beck - Sea Change (35) 18. S.M.V. - Thunder (35) 19. John McLaughlin - Floating Point (34) 20. Charles Mingus - Mingus Ah Um [Remastered] (34) 21. Yellowjackets - Politics (33) 22. Miles Davis - Kind of Blue (33) 23. Jamiroquai - Synkronized (32) 24. U2 - How To Dismantle An Atomic Bomb (32) 25. Miles Davis - The Essential Miles Davis (31) 26. John Mayer Trio - Try! [Live] (30) 27. B.B. King - Blues on the Bayou (29) 28. John Coltrane - Giant Steps (29) 29. Dave Matthews - Some Devil (27) 30. Charlie Parker - Charlie Parker With Strings: The Master Takes (27) 31. Hiromi's Sonicbloom - Tokyo Jazz Festival 2008 (27) 32. Hiromi's Sonicbloom - Beyond Standard (26) 33. Beirut - The Flying Club Cup (26) 34. Coldplay - Parachutes (26) 35. Pat Metheny - Bright Size Life (26) 36. Duke Ellington - Never No Lament: The Blanton-Webster Band (25) 37. Ray LaMontagne - Till The Sun Turns Black (25) 38. J.J. Cale - To Tulsa and Back (24) 39. Jeff Buckley - Grace (24) 40. Mahavishnu Orchestra - The Lost Trident Sessions (24) 41. Starsailor - On the Outside (24) 42. Dave Matthews Band - Busted Stuff (24) 43. Red Hot Chili Peppers - One Hot Minute (24) 44. Dire Straits - On Every Street (24) 45. John Scofield - Uberjam (24) 46. Avial - Avial (24) 47. Bill Frisell - Blues Dream (24) 48. Lifehouse - Lifehouse (24) 49. Radiohead - Com Lag: 2+2=5 [EP] (24) 50. Zero 7 - The Garden (23)

- 13th Floor Elevators, The psychedelic sounds of 13th Floor Elevators (Sunspots, 1966);
- MC5, Kick out the jams (Wrong, 1969);
- Adriano Correia de Oliveira, O canto e as armas (Orfeu, 1969);
- Afterglow, Afterglow (Sundazed, 1968);
- Al Wilson, Searching for the dolphins (Soul City, 1969);
- Alexander "Skip" Spence, Oar (Sundazed, 1969);
- Amon Düül II, Phallus Dei (Liberty, 1969);
- Andrew Hill, Point of departure (Blue Note, 1964);
- Andromeda, Andromeda (Angel Air, 1969);
- António Carlos Jobim, Wave (Polygram, 1967);
- Arcadium, Breathe awhile (Akarma, 1969);
- Archie Shepp, Kwanza (Impulse, 1969);
- Argent, Argent (BSO, 1969);
- Art, Supernatural fairy tales (Fontana, 1969);
- Art Blakey and The Jazz Messengers, A night in Tunisia (EMI, 1960);
- Arthur Brown, The crazy world of Arthur Brown (Polydor, 1967);
- Arzachel, Arzachel (Akarma, 1969);
- The Association, Renaissance (Collectors’ Choice Music, 1967);
- Astrud Gilberto, Beach samba (Verve, 1967);
- Bakerloo, Bakerloo (Akarma, 1969);
- The Band, Music from big pink (Capitol, 1968);
- The Band, The Band (Toshiba, 1969);
- The Battered Ornaments, A meal we can shake hands with in the dark (Repertoire, 1969);
- The Beach Boys, Surfin' safari (Capitol, 1962);
- The Beach Boys, Surfer girl (Capitol, 1963);
- The Beach Boys, Little deuce coupe (Capitol, 1963);
- The Beach Boys, Today (Capitol, 1965);
- The Beach Boys, Pet sounds (Capitol, 1966);
- The Beach Boys, Smiley smile (Capitol, 1967);
- The Beach Boys, Wild honey (Capitol, 1968);
- The Beach Boys, Friends (Capitol, 1968);
- The Beach Boys, 20/20 (Capitol, 1969);
- The Beatles, A hard day’s night (Parlophone, 1964);
- The Beatles, Help! (Parlophone, 1965);
- The Beatles, Rubber soul (Parlophone, 1965);
- The Beatles, Revolver (Parlophone, 1966);
- The Beatles, Sgt.Pepper's Lonely Hearts Club Band (EMIv);
- The Beatles, Magical mystery tour (EMI, 1967);
- The Beatles, The Beatles (Apple, 1968);
- The Beatles, Abbey Road (Apple, 1969);
- Bee Gees, First (RSO, 1967);
- Bee Gees, Horizontal (Polydor, 1968);
- Bee Gees, Odessa (Polydor, 1969);
- Bert Jansch, Bert Jansch (Transatlantic, 1965);
- Big Brother & The Holding Company, Cheap thrills (Columbia, 1968);
- Bill Evans Trio, Sunday at the Village Vanguard (Riverside, 1961);
- Bill Evans Trio, Waltz for Debby (Riverside, 1961);
- Billy Nicholls, Would you believe (Castle, 1968);
- Blind Faith, Blind Faith (Polydor, 1969);
- Blodwyn Pig, Ahead rings out (BGO, 1969);
- Blonde on Blonde, Contrasts (Sanctuary, 1969);
- Blood, Sweat & Tears, Child is father to the man (Columbia, 1968);
- Blood, Sweat & Tears, Blood, Sweat & Tears (Columbia, 1969);
- Blue Cheer, Vincebus eruptum (Universal, 1967);
- Blue Cheer, New! Improved! (Akarma, 1969);
- Blue Mitchell, The thing to do (Blue Note, 1964);
- The Blues Magoos, Psychedelic lollipop (Repertoire, 1966);
- Bob Dylan, Bob Dylan (Columbia, 1962);
- Bob Dylan, The freewheelin´ Bob Dylan (Columbia, 1963);
- Bob Dylan, The times they are a-changin' (Columbia, 1964);
- Bob Dylan, Another side of Bob Dylan (Columbia, 1964);
- Bob Dylan, Bringing it all back home (Columbia, 1965);
- Bob Dylan, Highway 61 Revisted (Columbia, 1965);
- Bob Dylan, Blonde on blonde (Columbia, 1966);
- Bob Dylan, Nashville skyline (Columbia, 1969);
- Bobby Hutcherson, Dialogue (Blue Note, 1965);
- The Bonzo Dog Band, Gorilla (BGO, 1967);
- Booker T. & The MG's, Green onions (Atlantic, 1962);
- Brian Auger & The Trinity, Definitely what!... (Disconforme, 1969);
- Bridget St. John, Ask me no questions (Cherry Red, 1969);
- Buddy Emmons, Steel guitar jazz (Verve/Mercury, 1963);
- Buffalo Springfield, Buffalo Springfield (Atco, 1966);
- Buffalo Springfield, Again (ATCO, 1967);
- The Byrds, Mr. Tambourine Man (Columbia, 1965);
- The Byrds, Turn! Turn! Turn! (Columbia, 1965);
- The Byrds, Fifth dimension (Columbia, 1966);
- The Byrds, Younger than yesterday (Columbia, 1967);
- The Byrds, The notorious Byrd brothers (Columbia, 1968);
- The Byrds, Sweetheart of the rodeo (Columbia, 1968);
- The Byrds, Dr. Byrds and Mr. Hyde (Columbia, 1969);
- The Byrds, Ballad of Easy Rider (Columbia, 1969);
- Can, Monster movie (Spoon, 1969);
- Canned Heat, Boogie with Canned Heat (EMI, 1968);
- Canned Heat, Living the blues (Akarma, 1968);
- Canned Heat, Hallelujah (BGO, 1969);
- Cannonball Adderley Quintet, Mercy, mercy, mercy! Live at The Club (Capitol, 1967);
- Captain Beefheart & His Magic Band, Safe as milk (Buddah, 1967);
- Captain Beefheart & His Magic Band, Strictly personal (Liberty, 1968);
- Captain Beefheart & His Magic Band, Trout mask replica (Reprise, 1969);
- Caravan, Caravan (Verve, 1968);
- Charles Mingus, The black saint and the sinner lady (Impulse!, 1963);
- Charles Mingus, Mingus, Mingus, Mingus, Mingus (Impulse!, 1963);
- Charlie Haden, Liberation Music Orchestra (Impulse! , 1969);
- Chicago, Chicago Transit Authority (Columbia, 1969);
- Chick Corea, Inner space (Atlantic, 1967);
- Chick Corea, Sundance (Charly, 1969);
- Chicken Shack, O.K. Ken? (Blue Horizon, 1969);
- Count Basie/Sarah Vaughan, Count Basie & Sarah Vaughan (Capitol, 1961);
- Clark Hutchinson, A=MH2 (Repertoire, 1969);
- Climax Blues Band, Plays on (C-Five, 1969);
- Clouds, The clouds scrapbook (BGO, 1969);
- Colosseum, Those who are about to die salute you (Fontana, 1969);
- Colosseum, Valentyne Suite (Castle, 1969);
- Cream, Fresh cream (Polydor, 1966);
- Cream, Disraeli gears (Polydor, 1967);
- Cream, Wheels of fire (Polydor, 1968);
- Creation, We are paintermen (Repertoire, 1967);
- Creedence Clearwater Revival, Creedence Clearwater Revival (Fantasy, 1968);
- Crosby, Stills & Nash, Crosby, Stills & Nash (Atlantic, 1969);
- David Ackles, David Ackles (Elektra, 1968);
- David Bowie, Space oddity (EMI, 1969);
- Davy Graham, Folk, blues & beyond... (DECCA, 1964);
- Davy Graham, Midnight man (Fledgling, 1966);
- Davy Graham/Shirley Collins, Folk roots, new routes (Fledg'ling UK, 1964);
- Deep Purple, Shades of Deep Purple (EMI, 1968);
- Deep Purple, Concerto for Group and Orchestra (Warner Bros., 1969);
- Deep Purple, Deep Purple (EMI, 1969);
- Deep Purple, The book of Taliesyn (EMI, 1969);
- Dexter Gordon, Go (Blue Note, 1962);
- Dexter Gordon, Our man in Paris (Blue Note, 1963);
- Dizzy Gillespie, Live at the Village Vanguard (Blue Note, 1967);
- Donald Byrd, A new perspective (Blue Note, 1963);
- Donovan, Sunshine superman (PYE, 1966);
- The Doors, The Doors (Elektra, 1966);
- The Doors, Strange days (Elektra, 1967);
- The Doors, Waiting for the sun (Elektra, 1968);
- The Doors, The soft parade (Elektra, 1969);
- Duke Ellington, Money jungle (Blue Note, 1962);
- Duke Ellington/John Coltrane, Duke Ellington & John Coltrane (Impulse, 1962);
- Duncan Browne, Give me take you (Immidiate, 1968);
- Dusty Springfield, A girl called Dusty (Philips, 1964);
- Dusty Springfield, Dusty (Mercury, 1964);
- Dusty Springfield, Where am I going (Philips, 1967);
- Dusty Springfield, The look of love (Philips, 1967);
- Dusty Springfield, Dusty in Memphis (Mercury, 1969);
- Earth Opera, Earth Opera (Elektra, 1968);
- East of Eden, Mercator projected (DECCA, 1969);
- Eire Apparent, Sunrise (Sequel, 1969);
- The Electric Prunes, I had too much to dream (Last night) (Rhino, 1967);
- Elmer Gantry’s Velvet Opera, Elmer Gantry’s Velvet Opera (Repertoire, 1967);
- The End, Introspection (DECCA, 1969)
- Eric Dolphy, Out there (Universal, 1960);
- Eric Dolphy, Out to lunch (Blue Note, 1964);
- Eyes of Blue, In fields of Ardath (Black Rose, 1969);
- Fairport Convention, Fairport Convention (Polydor, 1968);
- Fairport Convention, What we did on our holidays (Island, 1969);
- Fairport Convention, Unhalfbricking (Island, 1969);
- Fairport Convention, Liege & lief (Island, 1969);
- Family, Music in a doll's house (Reprise, 1968);
- Family, Family entertainment (See for Miles, 1969);
- The Five Day Week Straw People, The Five Day Week Straw People (Akarma, 1968);
- Fleetwood Mac, Peter Green's Fleetwood Mac (Blue Horizon, 1968);
- Fleetwood Mac, Mr.Wonderful (Blue Horizon, 1968);
- Fleetwood Mac, English rose (Epic, 1969);
- Fleetwood Mac, Then play on (Reprise, 1969);
- The Flock, The Flock (Sony, 1969);
- Forest, Forest (BGO, 1969);
- Frank Zappa,, Absolutely free (Ryko, 1967);
- Frank Zappa,, Lumpy gravy (Ryko, 1967);
- Frank Zappa, Uncle Meat (Ryko, 1969);
- Frank Zappa, Hot rats (Ryko, 1969);
- Freddie Hubbard, Open Sesame (Blue Note, 1960);
- Freddie Hubbard, Ready for Freddie (Blue Note, 1961);
- Freddie Hubbard, The body & the soul (Impulse!, 1963);
- Free, Free (A&M, 1969);
- Free, Tons of sobs (Fontana, 1968);
- The Fugs, The Fugs (Fugs, 1966);
- Gene Clark, Gene Clark with The Gosdin Brothers (Columbia, 1967);
- George Benson, It's uptown (Columbia, 1965);
- George Benson, Shape of things to come (A&M, 1968);
- George Benson, Giblet gravy (Verve, 1968);
- George Harrison, Wonderwall music (Apple, 1968);
- George Harrison, Electronic sounds (Apple, 1969);
- George Russell Sextet, Ezz-thetics (Riverside, 1961);
- Giles, Giles & Fripp, The cheerful insanity of Giles, Giles & Fripp (DECCA, 1968);
- Grachan Moncur III, Some other stuff (Blue Note, 1964);
- Grant Green, Idle moments (Blue Note, 1964);
- Grateful Dead, Anthem of the sun (Rhino, 1968);
- Grateful Dead, Aoxomoxoa (Warner, 1969);
- Grateful Dead, Live/Dead (Warner, 1969);
- Hank Mobley, Soul station (Blue Note, 1960);
- Herbie Hancock, Takin' off (Blue Note, 1962);
- Herbie Hancock, Inventions and dimensions (Blue Note, 1963);
- Herbie Hancock, Empyrean isles (Blue Note, 1964);
- Herbie Hancock, Maiden voyage (Blue Note, 1965);
- The Herd, Paradise lost (Repertoire, 1968);
- High Tide, Sea shanties (Repertoire, 1969);
- Holger Czukay, Canaxis (Spoon, 1969);
- Horace Parlan, Happy frame of mind (Blue Note, 1963);
- Horace Silver Quintet, Song for my father (Blue Note, 1964);
- Horace Silver Quintet/J.J. Johnson, The Cap Verdean blues (Blue Note, 1965);
- Humble Pie, As safe as yesterday is (Immediate, 1969);
- Igginbottom, Igginbottom’s wrench (Angel Air, 1969);
- Ike Quebec, Blue and sentimental (Blue Note, 1962);
- Ike Quebec, It might a well be spring (Blue Note, 1964);
- The Incredible String Band, The Incredible String Band (Elektra, 1966);
- The Incredible String Band, 5000 spirits or the cayers of the onion (Elektra, 1967);
- The Incredible String Band, The hangman's beautiful daughter (Elektra, 1968);
- The Incredible String Band, The big huge (Elektra, 1968);
- The Incredible String Band, Changing horses (Hannibal, 1969);
- Iron Butterfly, In-a-gadda-da-vida (Atco, 1968);
- Isaac Hayes, Hot buttered soul (Stax, 1969);
- Jack McDuff, Down home style (Blue Note, 1969);
- Jackie McLean, Destination out! (Blue Note, 1963);
- Jackson C. Frank, Jackson C. Frank (Columbia, 1965);
- Jefferson Airplane, Takes off (RCA, 1966);
- Jefferson Airplane, Surrealistic pillow (RCA, 1967);
- Jefferson Airplane, Crown of creation (RCA, 1968);
- Jefferson Airplane, Volunteers (RCA, 1969);
- Jesse Colin Young, The soul of a city boy (Capitol, 1964);
- Jimi Hendrix Experience, Are you experienced? (Polydor, 1967);
- Jimi Hendrix Experience, Axis, bold as love (Polydor, 1967);
- Jimi Hendrix Experience, Electric ladyland (Polydor, 1968);
- Jimmy McGriff, Electric funk (Blue Note, 1969);
- Jimmy Smith/Wes Montgomery, The dynamic duo (Verve, 1966);
- Joe Henderson, Page one (Blue Note, 1963);
- Joe Henderson, Inner urge (Blue Note, 1964);
- John Coltrane, Giant steps (Atlantic, 1960);
- John Coltrane, Coltrane plays the blues (WEA, 1960);
- John Coltrane, My favorite things (Audiophile, 1960);
- John Coltrane, Africa/Brass (Impulse!, 1961);
- John Coltrane, Olé (Atlantic, 1962);
- John Coltrane, Impressions (Impulse!, 1963);
- John Coltrane, Stardust (Prestige, 1963);
- John Coltrane, A love supreme (Impulse!, 1964);
- John Coltrane, Ascension (Impulse! , 1965);
- John Coltrane, Meditations (Impulse!, 1966);
- John Coltrane, A love supreme (Impulse!, 1966);
- John Coltrane Quartet, Crescent (Impulse!, 1964);
- John Fahey, The dance of death & other plantation favorites (Takoma, 1964);
- John Martyn, The tumbler (Fontana, 1969);
- John Mayall, John Mayall & The Bluesbreakers with Eric Clapton (DECCA, 1966);
- John Mayall, A hard road (London, 1967);
- John Mayall, Crusade (DECCA, 1967);
- John Mayall, The blues alone (DECCA, 1967);
- John Mayall, Bare wires (London, 1968);
- John Mayall, Blues from Laurel Canyon (DECCA, 1968);
- John McLaughlin, Extrapolation (Polygram, 1969);
- Johnny Cash, Ride this train (Columbia, 1960).
- Johnny Cash, Orange blossom special (Columbia, 1965);
- Johnny Cash, Johnny Cash at Folsom prison (Columbia, 1968);
- Johnny Winter, The progressive blues experiment (BGO, 1969);
- Joni Mitchell, Song to a seagull (Reprise, 1968);
- Joni Mitchell, Clouds (Reprise, 1969);
- José Afonso, Cantares de andarilho (Movieplay, 1968);
- Kaleidoscope, Side trips (Epic, 1967);
- Karen Dalton, It's so hard to tell who's going to love you the best (Capitol, 1969);
- Kenny Burrell, Midnight blue (Blue Note, 1963);
- Kenny Dorham, Whistle stop (Blue Note, 1961);
- Kevin Ayers, Joy of a toy (EMI, 1969);
- King Crimson, In the court of the crimson king (EG, 1969);
- The Kinks, Face to face (Essential, 1966);
- The Kinks, Something else (Essential, 1967);
- The Kinks, The Kinks are Village Green Preservation Society (Essential, 1968);
- The Kinks, Arthur or the decline and fall of the british empire (Essential, 1969);
- La Monte Young, The black record (Edition X, 1969);
- Larry Young, Unity (Blue Note, 1966);
- Laura Nyro, Eli and the thirteenth confession (Columbia, 1968);
- Laura Nyro, New York tendaberry (Columbia, 1969);
- Led Zeppelin, Led Zeppelin (Atlantic, 1969);
- Led Zeppelin, Led Zeppelin II (Atlantic, 1969);
- Lee Morgan, The sidewinder (Blue Note, 1963);
- Lee Morgan, In search of the new land (Blue Note, 1964);
- Leonard Cohen, Songs of Leonard Cohen (Columbia, 1968);
- Leonard Cohen, Songs from a room (Columbia, 1969);
- Love, Da Capo (Elektra, 1966);
- Love, Forever changes (Elektra, 1967);
- The Lovin' Spoonful, Daydream (Buddah, 1966);
- The Lovin' Spoonful, Hums of the Lovin’ Spoonful (Buddah, 1966);
- Lucky Thompson Quartet, Lucky strikes (Prestige, 1964);
- Luiz Bonfá, Plays and sings Bossa Nova (Verve, 1963);
- The Mamas & The Papas, If you can believe your eyes and ears (Dunhill, 1966);
- Manfred Mann, The five faces of Manfred Mann (EMI, 1964);
- The Meters, The Meters (Sundazed, 1969);
- Miles Davis, Someday my prince will come (Columbia, 1961);
- Miles Davis, ’Round about midnight (Columbia, 1962);
- Miles Davis, E.S.P. (Columbia, 1965);
- Miles Davis, Miles smiles (Columbia, 1966);
- Miles Davis, In Berlin (Sony BMG, 1966);
- Miles Davis, Filles de Kilimanjaro (Columbia, 1968);
- Miles Davis, Nefertiti (Columbia, 1968);
- Miles Davis, In a silent way (Columbia, 1969);
- Moby Grape, Moby Grape (Sundazed, 1967);
- The Monks, Black monk time (Repertoire, 1966);
- The Moody Blues, Days of future passed (DECCA, 1967);
- The Moody Blues, In search of the lost chord (DECCA, 1968);
- The Moody Blues, To our children's children's children (DECCA, 1969);
- The Mothers of Invention, Freak out! (Rykodisc, 1966);
- The Mothers of Invention, We're only in it for the money (Verve, 1968);
- The Move, The Move (Repertoire, 1968);
- Music Emporium, Music Emporium (Sundazed, 1969);
- The Music Machine, Turn on (Repertoire, 1966);
- Os Mutantes, Os Mutantes (Omplatten, 1969);
- Nazz, Nazz (Castle, 1968);
- Neil Young & Crazy Horse, Everybody knows this is nowhere (Reprise, 1969);
- The Nice, The thoughts of Emerlist Davjack (Immediate, 1967);
- The Nice, Ars longa vita brevis (Immediate, 1968);
- The Nice, The Nice (Essential, 1969);
- Nick Drake, Five leaves left (Island, 1969);
- Nico, Chelsea girl (Verve, 1967);
- Nico, The marble index (Sundazed, 1968);
- Nirvana (UK), All of us (Island, 1968);
- Open Mind, Open Mind (Philips, 1969);
- Ornette Coleman Double Quartet, Free jazz (Atlantic, 1961);
- Oscar Peterson Trio, Night train (Verve, 1962);
- Otis Redding, The soul album (Stax/Volt, 1966);
- Otis Redding, Dock of the bay (Atco, 1968);
- Paul Desmond, Bossa Antigua (BMG, 1964);
- Pearls Before Swine, One nation underground (ESP-Disk, 1967);
- The Pentangle, Basket of light (Sanctuary, 1969);
- The Pentangle, The Pentangle (Transatlantic, 1968);
- The Pentangle, Sweet child (Transatlantic, 1968);
- Peter, Paul & Mary, See what tomorrow brings (Warner Bros. , 1965);
- Pharoah Sanders, Karma (Impulse! , 1969);
- Pierre Henry, Le voyage, d'après le livre des morts tibétain (ECM, 1962);
- Pierre Henry, Messe de Liverpool (Philips, 1967);
- Pierre Henry, Messe pour le temps présent (Philips, 1967);
- Pink Floyd, The piper at the gates of dawn (EMI, 1967);
- Pink Floyd, A saucerful of secrets (EMI, 1968);
- Pink Floyd, More (EMI, 1969);
- Pink Floyd, Ummagumma (EMI, 1969);
- The Pretty Things, S.F. Sorrow (Snapper, 1969);
- Procol Harum, A whiter shade of pale (Repertoire, 1967);
- Procol Harum, Shine on brightly (Repertoire, 1968);
- Procol Harum, A salty dog (Repertoire, 1968);
- Pussy, Pussy plays (Edsel, 1969);
- Quicksilver Messenger Service, Happy trails (Repertoire, 1969);
- Ravi Shankar/Yehudi Menuhin, West meets east (Angel, 1967);
- Renaissance, Renaissance (Island, 1969);
- Robert Johnson, King of the delta blues singers (Columbia, 1961);
- The Rolling Stones, The Rolling Stones (England's newest hitmakers) (Abkco, 1964);
- The Rolling Stones, 12 X 5 (London Records, 1964);
- The Rolling Stones, The Rolling Stones N°2 (DECCA, 1965);
- The Rolling Stones, Now! (Abkco, 1965);
- The Rolling Stones, Out of our heads (Abkco, 1965);
- The Rolling Stones, December's Children (And everybody's) (London Records, 1965);
- The Rolling Stones, Aftermath (DECCA, 1966);
- The Rolling Stones, Between the buttons (Abkco, 1967);
- The Rolling Stones, Their satanic majesties request (Abkco, 1967);
- The Rolling Stones, Beggars banquet (DECCA, 1968);
- The Rolling Stones, Let it bleed (Abkco, 1969);
- Roy Harper, Sophisticated beggar (Sundown, 1967);
- Sam Rivers, Contours (Blue Note, 1965);
- The Savage Rose, In the plain (Polydor, 1969);
- Scott Walker, Scott (Fontana, 1967);
- Scott Walker, Scott 2 (Fontana, 1968);
- Scott Walker, Scott 3 (Fontana, 1969);
- Scott Walker, Scott 4 (Fontana, 1969);
- Silver Apples, Silver Apples (MCA, 1968);
- Simon & Garfunkel, Sounds of silence (Columbia, 1966);
- Simon & Garfunkel, Parsley, sage, rosemary and thyme (Columbia, 1966);
- Simon & Garfunkel, Bookends (Columbia, 1968);
- Skin Alley, Skin Alley (Akarma, 1969);
- Sonny Rollins, The bridge (RCA, 1962);
- The Small Faces, The Small Faces (DECCA, 1966);
- The Small Faces, From the beginning (DECCA, 1967);
- The Small Faces, Ogden's nut gone flake (EMI, 1968);
- Smokey Robinson and the Miracles, Make it happen (Motown, 1963);
- Soft Machine, Soft Machine (Probe, 1968);
- Soft Machine, Volume Two (One Way, 1969);
- Spirit, Spirit (Epic Legacy, 1968);
- Spirit, The family that plays together (Ode, 1969);
- Spooky Tooth, It's all about (Edsel, 1968);
- Spooky Tooth/Pierre Henry, Ceremony, An electronic mass (Edsel, 1969);
- Stan Getz, Getz Au Go Go (Verve, 1964);
- Stan Getz/João Gilberto, Getz/Gilberto (Verve, 1963);
- Status Quo, Picturesque matchstickable messages from the Status Quo (Essential, 1968);
- Status Quo, Spare parts (Sanctuary, 1968);
- Steve Miller Band, Children of the future (Capitol, 1968);
- Steve Miller Band, Sailor (Capitol, 1968);
- Stevie Wonder, For once in my life (Tamla Motown, 1968);
- Stevie Wonder, My cherie amour (Tamla Motown, 1969);
- The Stooges, The Stooges (WEA, 1969);
- Strawberry Alarm Clock, Incense and peppermints (Big Beat, 1967);
- Tea & Symphony, An asylum for the musically insane (Si-Wan, 1969);
- The Temptations, Cloud nine (Tamla Motown, 1969);
- Terry Riley, Reed streams (Mass Arts, 1966);
- Terry Riley, A rainbow in curved air (Columbia, 1967);
- Thelonious Monk, Monk's dream (Columbia, 1962);
- Thelonious Monk, Big band and quartet in concert (Columbia, 1964);
- Thelonious Monk, Straight, no chaser (Columbia, 1967);
- Thelonious Monk, Underground (Columbia, 1968);
- Them, The angry young Them (DECCA, 1965);
- Them, Them again (DECCA, 1966);
- Tim Buckley, Tim Buckley (Elektra, 1966);
- Tim Buckley, Goodbye and hello (Elektra, 1967);
- Tim Buckley, Happy sad (Elektra, 1969);
- Tim Hardin, 1 (Verve, 1966);
- Tina Brooks, True blue (Blue Note, 1960);
- Tom Rush, Circle game (Elektra, 1968);
- Townes Van Zandt, Our mother the mountain (Tomato, 1969);
- Townes Van Zandt, Townes van Zandt (Tomato, 1969);
- Traffic, Mr Fantasy (Island, 1967);
- Traffic, Last exit (Fontana, 1969);
- Tyrannosaurus Rex, My people were Fair and had sky in their hair... (A&M, 1967);
- Tyrannosaurus Rex, Prophets, seers & sages, the angels of the ages (A&M, 1968);
- Tyrannosaurus Rex, Unicorn (A&M, 1969);
- Ultimate Spinach, Ultimate Spinach (Akarma, 1968);
- Ultimate Spinach, Behold & see (Akarma, 1968);
- Ultimate Spinach, Ultimate Spinach III (Akarma, 1969);
- The United States of America, The United States of America (Edsel, 1968);
- Van der Graaf Generator, The aerosol grey machine (Fontana, 1969);
- Van der Graaf Generator, The least we can do is wave to each other (Virgin, 1969);
- Van Morrison, Blowin' your mind! (Epic/Legacy, 1967);
- Van Morrison, Astral weeks (Warner Bros. , 1968);
- Vanilla Fudge, Vanilla Fudge (Atco, 1967);
- Vanilla Fudge, Near the beginning (Repertoire, 1969);
- The Velvet Underground, White light/White heat (Polydor, 1968);
- The Velvet Underground, The Velvet Underground (Polydor, 1969);
- The Velvet Underground/Nico, The Velvet Underground & Nico (Verve/MGM, 1967);
- Wayne Shorter, Speak no evil (Blue Note, 1964);
- Wayne Shorter, Schizophrenia (Blue Notev);
- White Noise, An electric storm (Island, 1969);
- The Who, My generation (Brunswick, 1965);
- The Who, A quick one (Reaction, 1966);
- The Who, The Who sell out (MCA, 1967);
- The Who, Tommy (Polydor, 1969);
- Wooden O, A handful of pleasant delites (Akarma, 1969).
- Xhol Caravan, Electrip (Garden of Delights, 1969);
- The Yardbirds, For your love, heart full of soul & others (Sunspots, 1965);
- The Yardbirds, Roger the engineer (Warner Bros., 1966);
- The Yardbirds, Little games (EMI, 1967);
- Yes, Yes (Atlantic, 1969);
- The Youngbloods, Elephant Mountain (Edsel, 1969);
- The Zombies, Odessey & oracle (Repertoire, 1967).

This review was originally posted on Rate Your Music on 14 July, 2009: http://rateyourmusic.com/collection/Joci/rating16095639

On the Corner was released in 1972 as an attempt by Miles to get closer to the young black audience. This is an admirable intention, but so many people despise this record. "It is cacophonous/too hard to get/too hard to follow/not jazz," they say. Well, it certainly isn't jazz. It's simply music with directions by Miles Davis (as it is implied on the album covers).

I'm not a jazz expert, so my approach may not be that consistent. First of all, I really love this album. It took me quite a long time until it grew on me, but it finally happened. Although the album has four tracks (two in the 20 minute range and two short ones), it feels like a continuous groove over the same rhythm pattern.

Many people find the album tedious and monotonous, but if one listens to the album a bit more carefully (not as mere background music), they will find so many nuances and little parts that are really enjoyable and quite diverse. I think I managed to find these little parts and I can really feel the groove of the music. It's not about traditional song structures, it's just about the groove, the particular feel that the musicians had while recording and the feeling you get while you listen. If one pays attention, certain motifs reappear in the songs, such as the main "riff" of On the Corner (the song) and the main theme of Black Satin in Helen Butte/Mr. Freedom X.

The instrumentation is also very interesting. Miles often utilizes his new electric trumpet whose sound is fed through a wah-wah pedal, thus creating a tone similar to an electric guitar. At times he sounds like Hendrix, especially when he plays those "screaming" sounds. Another special addition is the sitar, although it is featured much less than the other instruments. It gives a sort of Eastern vibe to the music, which is quite unusual even for Miles. The line-up features some of Miles' best-known sidemen: among others, John McLaughlin, Herbie Hancock, Chick Corea, and Jack DeJohnette.

All in all, On the Corner often feels like an ambient album from the time when that term hasn't even been coined. But while typical ambient music is peaceful and helps one relax, this album grabs you and doesn't let you go, not even when it's over. The cover art is a perfect reflection of the music: the tumultuous vibe of the city (NYC) with its archetypal figures: the pimp, the prostitute (at least it seems to me like that), the down and out businessman and the hipsters dancing in the street.

I strongly recommend this album to anyone who would like to dig deep into Miles' music. However, the music might not reward you with its treasures right after the first listen.

Shringar from the album Saturday Night In Bombay

Guitar: John McLaughlin

Tabla: Zakir Hussain

Santoor: Shivkumar Sharma

Kanjira, Ghatam, Mridangam: V. Selvaganesh

Five Peace Band at the Keswick Theatre, Glenside PA.

The Five Peace Band is:

Chick Corea - keyboards
John McLaughlin - guitar
Brian Blade - drums
Christian McBride - bass
Kenny Garrett - sax

Setlist:

Raju
The Disguise
New Blues, Old Bruise
Senor C.S.
***encore***
It's About That Time (Miles Davis)


Note to people sitting next to me: You don't have to ruin the show for everyone around you by yelling out things like, "Wow!" and "Jesus Christ" and "What the fuck?" every single time there's a drum roll, or a sustained sax note, or an arpeggio performed, no matter how many Miller Lites you had before the show. It's nice that you're learning to appreciate jazz, but you don't have to try to prove it to the people around you by acting like you know what's going on on stage. Fucking idiots.


Sun 26 Apr – Chick Corea & John Mclaughlin with "Five Peace Band"

The New Tony Williams Lifetime / Snake Oil / Believe It (1) / 1975

The drummer Tony Williams was talent spotted at age 17 and shortly thereafter joined Miles Davis's quintet, achieving a hefty helping of success and cult following for his adept skill as part of Davis' rhythm section. In '69 at the age of 23 though Williams surprised by leaving Davis' group to put together The Tony Williams Lifetime with guitarist John McLaughlin and organist Larry Young. Soon after their first album Emergency line up was joined by Cream's Jack Bruce on bass. However acclaimed the initial couple of records were in the jazz world though, the group couldn't maintain a steady line-up and gradually collapsed.

In 1975 The New Tony Williams Lifetime was formed with pianist Alan Pasqua, guitarist Allan Holdsworth and bassist Tony Newton. The New Lifetime lasted only two albums but the first 'Believe It' is a very highly acclaimed jazz fusion record.

This track kicks the album off with a very funky rocky bass line by Newton who also wrote the track.

I'm bored to effin' death, so here's a list of bands I need to see live!

Al Di Meola
Alice Cooper
Alice in Chains
Allan Holdsworth
Black Sabbath
Buckethead
Clutch
Devil's Slingshot
Diamond Head
El Caco
Extreme
Faith No More
Guthrie Govan
Jeff Beck
Joe Satriani
John McLaughlin
King's X
KISS
Lamb of God
Liquid Tension Experiment
Mastodon
Megadeth
Nevermore
Opeth
Ozzy Osbourne
Paul Gilbert
Pearl Jam
Planet X
Porcupine Tree
Primus
Rage Against the Machine
Rush
Slayer
Steve Vai
Testament
The Jelly Jam
Tony Macalpine
Tool
Van Halen


Too late for:

Audioslave
Brand X
Death
Frank Zappa
Jimi Hendrix
Mahavishnu Orchestra
Mr. Big
Soundgarden
Span
The Clash
Trouble

Seen Live:

Deep Purple
Dream Theater
Symphony X
Dio
Stage Dolls
Ian Hunter
Nazareth
Primal Fear
U.D.O.
Vamp

I haven't seen many bands yet, mainly because almost all of the concerts here in Norway are 18+, but when I'm 18... Heeell Yeeeaaah!

Return to Forever - "Hymn of the Seventh Galaxy" и, пожалуй, "Romantic Warrior". И концертники :)
John McLaughlin - "Floating Point" (2008)