• LFR Interview with Jello Biafra

    Out 26 2009, 4h26 por NathanBolstad

    Jello is a mass marketed snack food that has almost no nutritional value. Biafra was a country in Africa where a lot of people starved to death. Eric Reed Boucher saw the irony of combing the two, so he made it his name. Eric became Jello and Jello became the lead singer of the Dead Kennedys.

    And no, he's not endorsed by Bill Cosby. Few personalities in music have had such a storied history as Jello Biafra. He had both legs broken by Neo-Nazis, ran for mayor of San Francisco (part of his platform would require businessmen to wear clown suits), was charged with obscenity, and pissed off Oprah Winfrey. Not to mention the fact that he was the original Green Party candidate for president in 2000. Biafra, now 47, currently tours and makes albums with The Melvins, and owns the record company Alternative Tentacles.

    NS: Why did you decide to become a musician?

    JB: I guess it was always my Walter-Mitty-Cinderella- ambition, er whatever. I first heard rock n' roll in the Fall of 1965 - during late Beatle mania. In no time I was jumping up and down on my bed thinking I was The Rolling Stones or Paul Revere & the Raiders. I always went for the wilder stuff. My mother even found a picture of The Beatles I drew in red Crayon that I ended up sending to Yoko Ono for her Memories of John book that should come out any day now. I was fascinated with keyboards so I drew in a lot of Vox organs in as well. I wonder which one played the keyboard? When kids said that they wanted to be baseball players or cops or nurses in the case of girls, I had decided I wanted to be The Penguin or The Riddler from Batman. I've always identified with the villains or the darker side of things [laughter]. Then in either eighth or ninth grade they started running music shows on network TV again - there was no cable yet. And the In Concert series debuted with really raw footage of Alice Cooper in front of a live audience. That brought it all back again. But by the time I got out of high school it was all adult rock and soft rock, and you'd have to play as good as Hendrix or you didn't belong in the band. You hadn't paid your dues. So . . . I was kind of fucked. Suddenly punk came along and I jumped in. It turned out I wasn't born at the wrong time, I was born at the right time.

    NS: What was an early Dead Kennedys show like?

    JB: No two shows were alike. One night night we'd be great, and one night we'd kinda suck. We never knew which way it was gonna go . In the early days we were mainly opening up for bands that were on the new wave side, which meant a lot of people hadn't seen us, and didn't know what was going to happen to them. I'd break through the people in the front row at the Mabuhay, where we played, and shower them in their pop-corn and beer - fuck with em - and try and get reactions out of people. As we got better known, there were more people up front so I couldn't get through to the back , and that initial shock value was gone. We had a heavy duty reputation with in a couple of shows, and all kind of weird people started showing up.

    NS: What about when the cops started showing up?

    JB: It reminded me of the police riots that went down in Chicago in '68, or the LAPD's undeclared war against the Latino community in the late 70s. Where they even shot a tear gas canister into the side of an LA Times reporter while he was sitting in a bar and killed him. And got away with it. So, you know, shit like that. I never got hurt bad, but some people did including D.H. Peligro. I think the worst one was the infamous Wilmington riot. Wilmington was this little municipality carved out of Long Beach with a history of labor up risings. So, law enforcement liked to fuck with Wilmington. We were playing there with D.O.A. and Youth Brigade and the Minutemen. Cops stormed in from two entrances after the Circle One gang had started some shit, and somebody called the cops, as if almost on cue. Tons and tons of cops start pouring in, and drove as many as 2000 people out on narrow entrance. Luckily, no one was trampled to death. Once outside, they had to run a gauntlet of rows of cops swinging clubs at their heads, only to be met by tear gas and to be buzzed by helicopters, no less. Other helmeted cops were seen running up and down the streets smashing out windshields and the windows of small businesses with their clubs. And of course, the next day, the LA Times headline says "Punk band causes riot". The entire thing was planned by the LAPD and the Sheriff's Department who showed up outside their jurisdiction. A woman that East Bay Ray knew, who worked in the emergency room of a local hospital, said that a police official came in around four that afternoon and said "You'd better have a few extra people in the ER tonight. There's going to be a couple of casualties." I later found out that was Dexter from The Offspring's first punk show. What a baptism.

    NS: What made you decide to run for mayor?

    JB: The mayor campaign was all on a dare. I was folded into the back of Bruce's, our first drummers, Volkswagen, going to a Pere Ubu show. He said I had such a big mouth that I should run for president, no, better yet, run for mayor. And I said, "Hey, I think I will." I started telling people at the club I was running for mayor. I wrote my platform out on a napkin about five feet away from the state while Pere Ubu played. A lot of the ideas I thought were good just popped in my head, like requiring police officers to be elected by the districts they represented. That way they'd have to live in the hood, instead of hiding out in Simi Valley or whatever. I think police shootings and beatings would drop, and I think there'd be a lot more trust between the people and the cops. I bet you it would make crime go way down.

    NS: Why do you think politicians have such a hard time remembering their responsibility to humanity?

    JB: Well, by the time they reach higher office, they've had to throw away any principles they had in the first place. Look at John Kerry. What a pathetic spineless jelly fish. He could've taken Bush down early, just because of the Nazi-style torture going down at Abu Ghraib prison. He didn't do it. Then he's asked on national TV if people are dying for the mistake in Iraq and he says "no". He threw the election away, right there, because he didn't want to offend rich people. The sad thing is, it's not just the Republicans running rich people for office, it's the Democrats too. That's why they're running Jerry Springer in Ohio. They say, "Hey! He'll be a great candidate! Look how much money he'll put in so we don't to pay to buy the office!" It's insane. Especially because his opponent is going to be Kenneth Blackwell, who was the Secretary of State in Ohio who rigged the votes so Bush could steal the election. Basically, we're a one party state masquerading as a two party state. Call them the Republicans or the Corporate Party, or whatever you want. They sure as hell don't represent us.

    NS: How long do you think we'll have the two party - or (as you put it) - the one party system?

    JB: I'm hoping there's going to be a breakthrough in my lifetime. I'm a member of the Green Party, because I like what the Greens stand for. Slowly but surely we've had more and more local offices won in each election cycle, but there isn't a Green in Congress or in a governor's mansion yet. There was a state legislator in Maine, but the rest of the state legislators re-drew the district so he couldn't get elected anymore. And who did this? Not the Republicans. It was the Democrats. If anything, the Democrats and the Greens should be working together, but the Democrats just slam the door on us, and try and kick us in the teeth whenever possible. As if they intimidate us enough, we'll just get along by going alone like The Sopranos. But it doesn't work that way. No fucking way.

    NS: Do you think they'd ever let a Green in the debate?

    JB: They're gonna fight that tooth n nail. It used to be if you had five percent of the vote in pre-election polls, you got in the televised debate. Then when Ralph Nader started polling between eight and ten percent early in 2000, they raised the bar to fifteen percent, so he couldn't get on the air. The last thing they wanted was any actual debate at the staged Presidential debates. They'd rather dumb down election coverage to pro-wrestling, or at least some stupid ass horse race. Maybe some sort of reality show where nothing that happens really matters, and you root for the good team against the bad one. When the games over, you rip open a bag of potato chips, open a Bud, and go change the channel and watch another sporting event.

    NS: What do you mean by "becoming the media"? Why can't I just crack beer, wave the flag, and sing along to Toby Keith like the other 50% of Americans?

    JB: You're welcome to do that, if you want, but you wouldn't represent the other fifty-percent of Americans. How many albums does Toby Keith sell? One million? Two million? Five million? They're 280 million people in this country, and I doubt everyone of them is a Toby Keith fan. I doubt even 10 million have even heard of that guy. So, let's not assume, just because the corporations that censor our mass media tell us that a majority of certain people believe a certain way that they actually do. That red state/blue state scam is a total myth, and I only started hearing that a few years ago from the corporate media. Study after study has been done by places like Standford University and Pew Research, that show that clear across so-called red states and blue states, the clear majority of people are pro-choice, they think rich people should be taxed fairly, they want a clean environment, they want equal rights for women, and they want good schools. Over half of them favor civil unions, and we're getting close on gay marriage. So tell that to Fox News, and all the other little wannabe Foxes like CNN and NBC. You had another part to that question, . . . what was it?

    NS: Who do you think controls the mass media?

    JB: Um. You'll have yo look at the corporations and who's on the board of directors. NBC is owned by General Electric. One of the largest corporations in the world, and one of the largest arms manufactures who is up to their neck in nuclear power and nuclear bombs. This gives GE executives editorial content of NBC News. So, of course, they're going to be cheerleading wars and the arms race and saying that global warming doesn't matter. In fact, it matters so little they're not even going to mention it exists. I think deliberate omission of important stories, or slanting the news the way Fox does is the worst form of censorship going on today. Worse than Tipper Gore, and jerry falwell, and worse than the new anti-Porn crusade that Bush's Attorney General is trying to launch. What people need to do is teach each other media literacy. I don't even think people should be allowed to pass high school without passing a class on media literacy. But of course, we don't have things like that because people are too greedy to keep up the schools. Plus, the purpose of our schools is to teach obedient drones for our high-tech workforce, not to teach people how to think. It goes back to your question about becoming the media. Becoming the media means emailing and trading articles with people - supporting and maybe even participating in all the underground zines going on right now. The underground zine explosion may be the best thing punk gave the world. Even more important than all the cool music. It also means going one on one with people. At home, work, school, you name it. If they start spouting George Dubya or Pro-War Rush Limbaugh bullshit, don't tune them out, or dismiss them as being unreachable. Sit down and talk to them. Don't argue. Communicate. You may not be able to get through right away, but you'll at least give them something to think about. Word of mouth is what brought down all those Communist regimes, because people's access to mass media was cut off except for government propaganda. When you see something that's obviously bias or full of shit on one of the news programs, point it out. Get them to laugh at it.

    NS: What was it like being on Oprah?

    JB: It's kind of a dog and pony show. You don't really meet Oprah. She has her own separate dressing room and at the proper time they herd you on stage and she blows through the curtains, and starts the show. The first time I was on I couldn't get a word in edge wise because she kept giving the floor to Tipper Gore. She has this unseen hand gesture where the camera cuts out of the frame and she points to who she wants the camera on. The second time I was on there I knew that was going to happen, and that I was only going to be able to talk once , so I strung all my dialogue together and caught Tipper Gore lying on live national television. After the crowd started booing, Oprah cut to commercial in order to save her friend and fellow fundamentalist Christian.

    NS: How did you meet Wesley Willis?

    JB: My friend Tammy Smith from Chicago said, "I have this tape I think you should hear." The first song on it was "Rock n' Roll McDonalds." I was amazed. Usually, when you run into someone like that you get one or two wild or crazy songs, and the rest of it is kinda normal - somebody's trying to sound exactly like The Beatles, or exactly like Bob Dylan. Everything about Wesley was unique, song after song after song - like nothing I'd ever heard before. I tracked him down through her, and talked him into letting us do "The Greatest Hits" series. He wouldn't let any other labels get at him at all. He'd say they either took the album where all the songs were about bands or don't put me out at all. So I called him up, and said, "Hey Wes, I wanna put out your greatest hits." [Wesley responds] "Yeah!" "And these are your greatest hits," and read them off on the phone. And he's going, "Yeah! Yeah!" He was real enthusiastic. We got to become very good friends.

    NS: What was he like in person?

    JB: Like nobody else the world will ever see. To greet you, he wouldn't kiss you or hug you, or embrace you. He'd headbutt you. His brain was wired so differently, sometimes when you asked him a question you'd get something completely different from what you would expect. A wide-eyed fan, who didn't know who I was, came up to us and said: "Are you Wesley Willis>" "Yeah. Give me a headbutt! Wanna buy a CD?" He always had CD's on him and would try and sell them to strangers wherever he went, even random people on the street. So the guy gets the CD, and says: "What do you think of Jewel?" and Wesley looked up to him after thinking a minute, and said, "It's a good food store." The guy stood there in shock for thirty seconds, and then slowly walked away. He was crashing out at my house one night, and I said: "Hey Wes, that was great, you MCed the whole show - you should a talk show host." "Yes. I would like my own TV talk show"." "Who would be your first guest?" And without blinking an eye he said, "Richard Roundtree and Broom Hilda."

    NS: Tell me about the day you learned about the obscenity charge.

    JB: The day the charges came down . . . I was getting a call from my lawyer, and he says, "You're charged in LA." I said, "Oh great." And he said, "No wait, CNN is calling, CBS is calling, and they announced it at a big press conference with all the reporters there. You're it dude, you're Tipper Gore's pigeon." The LAPD and the city attorney's office used it as a publicity stunt to try and scam right-wing votes, and be the first on the block to put a musician in jail after Tipper Gore's anti-music crusade. It never occurred to me to take a slap on the wrist and pay a fine. I knew we had to fight. I figured something was coming down, because the cops had raided my house a couple months earlier. Smashed in a window by the front door, and tore the place to pieces saying they were looking for "harmful matter" as they called it. They were hoping to find drugs or guns, but they didn't find any of that, so they settled for Dead Kennedys albums, Frankenchrist posters, Alternative Tentacles stationery, and my address book. None of which they ever returned. They even looked in the cat box for "harmful matter". There were nine cops tearing my house apart - circling me like sharks - playing good cop and bad cop, while I was sitting there in a bathrobe. Some of them weren't even SFPD cops, they were LAPD that had come some 400-hundred miles outside their jurisdiction to tear my house apart, and San Francisco cops let 'em do it.

    NS: Say you woke up in the White House. What would be some of the first reforms President Jello would make?

    JB: I think about that a lot actually, and I think everybody should. Let's see, what would be some of the first things I'd do . . . commute all federal drug convictions to time served and let all the people convicted on marijuana charges out of prison. Save space, save money. I'd pull the troops out of Iraq immediately. People say, "Oh no! We have to stay there! They'll be chaos if we leave." But there's chaos right now! A lot of it would calm down if we got the hell out of there. I'd do as much as I could to redirect our defense budget to more constructive things, like rebuilding the Gulf Coast and doing it right, instead of preparing to occupy some other Middle Eastern country. I would suspend all military aid to Israel immediately, until their sub-Fascist government rejoins the human race. I'm not against Israel's right to exist - or the Jewish or Israeli people - but their government is insane right now. The reason they get away with it, is because we pay for it. We don't have to do that. Maybe an overriding thing to apply would be something Michael Moore said after September 11th, "Will we ever get to the point when we realize we will be safer when the rest of the world isn't living in poverty so we can have nice running shoes?"Who knows? Maybe I'd even enforce the tax laws on rich people for the first time!




    Interview by Nick Shea. Originally published in LFR03.
  • ROCK-A-ROLLA ISSUE 22 OUT NOW!

    Set 23 2009, 13h27 por Rock-A-Rolla


    Featuring:

    Jello Biafra – ex-Dead Kennedys legend returns with Guantanamo School Of Medicine in our massive cover story!
    Madlove – Bass maestro Trevor Dunn (Fantômas, Mr Bungle etc) talks to us about his brand new band!
    Chuck Mosley – The original Faith No More frontman talks rap, hard rock and his former band in our Q&A!
    The AccÜsed – Splatter Rock legends return with brand new line-up and album!
    Mariachi El Bronx – Hardcore heroes go Mariachi!
    Plus: Kranky, Celan, Eagle Twin, Incoming Cerebral Overdrive!

    Plus: massive Supersonic 2009 live special!

    Plus: over 100 CD, DIY and vinyl reviews including Shrinebuilder, Jodis, Melvins, Baroness, Atlas Sound, Fuck Buttons, Harvestman, Neurosis, HEALTH, Jim O’Rourke, Keelhaul, Monotonix, OM, Boredoms, OOIOO, PART CHIMP, Secret Chiefs 3, A Storm of Light, Themselves, Wolf Eyes, and TONS more!

    SUBSCRIBE TO ROCK-A-ROLLA NOW! Go to www.rock-a-rolla.com

    BUY ISSUE 22 NOW! CLICK HERE
    www.rock-a-rolla.com.bakcissues/htm
  • ROCK-A-ROLLA ISSUE 22 OUT NOW!

    Set 23 2009, 13h26 por Rock-A-Rolla


    Featuring:

    Jello Biafra – ex-Dead Kennedys legend returns with Guantanamo School Of Medicine in our massive cover story!
    Madlove – Bass maestro Trevor Dunn (Fantômas, Mr Bungle etc) talks to us about his brand new band!
    Chuck Mosley – The original Faith No More frontman talks rap, hard rock and his former band in our Q&A!
    The AccÜsed – Splatter Rock legends return with brand new line-up and album!
    Mariachi El Bronx – Hardcore heroes go Mariachi!
    Plus: Kranky, Celan, Eagle Twin, Incoming Cerebral Overdrive!

    Plus: massive Supersonic 2009 live special!

    Plus: over 100 CD, DIY and vinyl reviews including Shrinebuilder, Jodis, Melvins, Baroness, Atlas Sound, Fuck Buttons, Harvestman, Neurosis, HEALTH, Jim O’Rourke, Keelhaul, Monotonix, OM, Boredoms, OOIOO, PART CHIMP, Secret Chiefs 3, A Storm of Light, Themselves, Wolf Eyes, and TONS more!

    SUBSCRIBE TO ROCK-A-ROLLA NOW! Go to www.rock-a-rolla.com

    BUY ISSUE 22 NOW! CLICK HERE
    www.rock-a-rolla.com.bakcissues/htm
  • Tuesday Twenty: My top 100 tracks 2000-09 Pt.02: 80 to 61

    Set 22 2009, 17h47 por amodelofcontrol

    Further to last week, it's time to move onto the next stage of my rundown of the last decade.

    Last week: My top 100 tracks 2000-09 Pt.01: 100 to 81

    80
    Girls Against Boys
    TocarBasstation
    You Can't Fight What You Can't See
    2002

    The only album one of my favourite bands released in this decade, and it was a minor return to a form for a band who had been through such a bad few years previously. Following the somewhat distastrous flirtation with a major label, and a producer that simply didn't work (while some of it was great, I'd love to know who thought that GVSB would make a great industrial-rock band), they retreated, regrouped and came back with an album that followed along the perhaps more logical path from career high-water mark House of GVSB. Which meant a two-bass-player led groovy rock attack, with Scott McCloud drawling his words of wisdom over the top. Opener Basstation - also the single, of course - was a great example of this, in other words what GVSB do best. No further new material has followed since, although the band have continued to play a handful of shows each year - and somehow I've missed every one of their visits to the UK since I last saw them back in 2003...

    79
    Luxt
    Knock You Down
    Chromasex Monkeydrive
    2000

    A band from Sacramento that never really made that much of an impression, who went from being industrial, to industrial-metal, to all but-metal with their last release, were more than a little bit strange. The twin female/male vocals were unusual in this scene, for starters, but in addition to that was their unusually aggressive and confrontational sound and attitude. This track - from their best album by bloody miles, where they got the industrial/metal balance spot on - is a perfect example of just how confrontational they could get, the whole lyric being a challenge to just try and fuck with lead singer Anna Christine. The track rocks like a bastard, too.

    78
    Pitchshifter
    TocarAs Seen On TV
    Deviant
    2000

    After the commercial breakthrough - and big success, comparatively - of www.pitchshifter.com, hopes were high for the follow-up album…and let's be honest, it wasn't as good. For starters, the electronics were toned down, a more punk ethic prevailed, and worst of all, the songs weren't as good. There was one particular exception, though, and it was perhaps no coincidence that this was the track that made it to the likes of Kerrang's cover CDs. A gleefully sneering guest vocal from Jello Biafra skewering US culture, and for once the punk-feel made perfect sense...

    77
    Immortal
    Tyrants
    Sons of Northern Darkness
    2002

    The last album the band put out before splitting, and then reforming again recently (their first album post-reformation, All Shall Fall, is out next week), this was an astonishing album from a band that I suspect many had thought were long past their best, and this track in particular stood out. No hyperspeed blastbeats here (they were elsewhere on the album), this slowed and stretched out Immortal's sound into a monstrous, lumbering beast that proved once and for all to me that there was more to this band than cliched BM and the corpsepaint.

    76
    Dismantled
    Purity
    Dismantled
    2005

    At the time, the closest thing we had to the Front Line Assembly of old, this album was more than a bit of a surprise when it first landed. A trip back into the nineties for an impeccably constructed industrial album, with a seemingly vague concept about the destruction of the world and the rebuilding that would follow that helped, along with an extraordinarily dense production, to make for a release that sounded like no other that year. This was the elegant opening track, that set the stall for what was to come. Gary Zon has changed his output considerably since, moving more towards actual songs and near-pop melodies since, and indeed his side-project is effectively synthpop...

    75
    Electric Wizard
    TocarDopethrone
    Dopethrone
    2000

    I'm not normally one for stoner doom, but this album caught me back when it was first released and I've loved it (and the band in general) ever since. A staggeringly heavy, slow-moving dirge that will not by any means be for everyone, it's perhaps best listened to as it was probably created - in a dense fog of dope smoke. The unusual mixing of the track (and indeed the album), burying the vocals beneath the monstrous guitar riffs and old horror movie samples, only adds to the oppressive atmosphere, and as the track unfolds across it's near-eleven minutes, it only gets heavier.

    74
    Clutch
    The Mob Goes Wild
    Blast Tyrant
    2004

    Clutch never seem to stop, meaning that there have been three studio albums, three live albums and a compilation released since the album this came from, only five years back. It's still my favourite album by them, too, and this track in particular is still my favourite track by them, period. A hulking monster of rock groove, it's feel-good rush is tempered somewhat if you pay attention to the lyrics, which detail the shitty treatment of the families of those in the US armed forces who come back in a coffin from Iraq. So, let's recap: a great song, and even better lyrics (and the video is hilarious, too). Also, how have I never managed to see this band live?

    73
    ManufraQture
    TocarFriqtion
    in spite
    2007

    One of the countless industrial-metal bands to have come from the Chicago area in recent years, and yet another that I first discovered on compilations put out by Sean Payne from Cyanotic. By some considerable distance the best song the band have put out, it's a thumping, raging juggernaut of a track with lyrics aimed squarely at mid-west evangelists (and their preference for money over God), by the sounds of things.

    72
    Gallows
    In The Belly Of A Shark
    Orchestra Of Wolves
    2007

    I really wasn't expecting to like this. At the time, they were "the next big thing", a "hardcore" band who had suddenly shot to prominence in the metal/alt press...but then I heard this. A savage, writhing beast of a track (with an absolutely killer chugging beatdown to close it) that swiftly revealed just why there was such a fuss about the band. The album was equally kick-ass, too, with a whole slew of great hardcore tracks, some intriguingly emotionally-wraught lyrics, and a nice line in wordy titles, too...

    71
    Sunn O)))
    TocarCursed Realms (Of the Winterdemons)
    Black One
    2005

    Yes, a second mention for Immortal...kind of. Not that you could really know it was originally Immortal, as Sunn O))) reduced it to a roaring, crackling drone, with guitars apparently being played through treacle, and the vocals by Malefic (from Xasthur) apparently beamed in directly from the pits of hell. A track - actually fuck that, the whole album - that demands to be played stupendously loud, it's the end of the track that is the most astounding part - where the volume is quickly increased before stopping dead - a moment that I still can't predict and still scares the crap out of me every time I hear it.

    70
    Paradise Lost
    TocarAsh & Debris
    In Requiem
    2007

    This album marked the point, at last, where Paradise Lost finally seemed to have won back most, if not all of their fans, after some years of polarising them with experiments with more electronics. The one point where most cannot agree, though, is with the best song on this album. Some make a convincing argument for Sedative God, but for me it's this track, it's driving urgency, the choral-esque vocals, the string samples...oh and the glorious, heart-stopping chorus when it finally arrives. It will be interesting to see how the new album fares when it is released in a month or so, too...

    69
    Je$us Loves Amerika
    TocarTolerance Versus Rage
    Advanced Burial Technology
    2002

    Now seven years old, this album is still pretty special - and we're still waiting on that follow-up, Paddy - an impressive collection of old-school-influenced industrial, with a raging, snarling vocal to match the harsh atmospheres and heavy duty tunes. The track I've picked? The short, sharp, shock that pretty much sums up the band's politicial outlook, with the track stuffed with well-placed samples about God, the US and George W. Bush...

    68
    Interpol
    PDA
    Turn on the Bright Lights
    2002

    It took me a long, long time to get into this band, but looking back I loved this track all the long, I just never paid attention to who it was. My fail, obviously. Sleek, polished indie-rock, with not half as much of a slavish Joy Division sound as some like to make out, this track's gently seething lyrics and barely-restrained contempt in the delivery is always a winner for me.

    67
    Depeche Mode
    TocarA Pain That I'm Used To
    Playing The Angel
    2005

    It's not an easy opening - that grinding noise that cycles the speakers for the first ten seconds or so *hurts* - even if it is toned down for the single/video edit - but stick with it and this track is a gem. Yes, it comes from yet another DM album that turned out to be not as good as it should have been, but like every DM album in the last decade or so, there are a couple of simply awesome tracks, and this in my view is the best of this whole period. The racing theme of the video is perfectly apt, too - a slow start accelerates into life for the stomping chorus.

    66
    Machine Head
    Imperium
    Through the Ashes of Empires
    2003

    Without a shadow of a doubt, one of the greatest comeback tracks ever - as Allmusic.com put it(it) single-handedly eclips[es) the previous two and a half albums - this six-and-a-half-minute thrash titan served as a pretty fucking shit-hot reminder that Rob Flynn and his band had far more left in the tank than was thought, something only proven even more conclusively three years later by The Blackening. Absolutely immense live (they've opened with it both times I've seen the band, including the day-stealing appearance at Sonisphere in August), on record it loses none of it's power.

    65
    Acumen Nation
    The Wreck Of Us (Guest Vox - Eric Powell)
    What the F**k (10 Years of Armed Audio Warfare)
    2005

    It was criminal, frankly, that this track got tucked away on what was effectively a B-sides/rarities kind of compilation, rather than being the centrepiece of the album that eventually followed (Anticore). But maybe it was that it was a little less aggressive than the norm from this band that scuppered that. Whatever the reasons, the album this appeared on is worth it alone for this track - a pounding industrial dancefloor anthem with added vocal assistance from Eric Powell of 16Volt in the fantastic chorus. If you only ever listen to one Acumen Nation track, make it this one.

    64
    Assemblage 23
    Let Me Be Your Armor
    Addendum
    2001

    A similar fate greeted this, again one of the best ever tracks from this particular artist. I recall hearing a story - and I might be thinking of something else entirely - that this compilation pretty much exists due to the need to get this track released in between albums (and the remixes to pad out the collection already existed anyway), and even if it isn't true, this track is simply so good that it was going to get noticed anyway. An uptempo, string-sample-drenched missive questioning the use/need for antidepressants to numb the pain, it's gloriously anthemic chorus and melodies have meant it still gets requested on dancefloors eight years on (and rightly so, too). For the record, by the way, the rest of the album was a cracking collection of remixes and one other brilliant new track (Breath of Ghosts).

    63
    The Judas Coven
    Burn Your Soul
    appeared on Endzeit Bunkertracks Act III
    2007

    A project that had so much promise, but seemingly got ditched when Adam returned to doing lab4-related stuff. What a damned shame - this was an extraordinary, sparse and very, very dark electro-thrill. A couple of light years from LAB4, and all the better for it in my view, this appeared out of nowhere, and it's still something of a real shame that more material never got released.

    62
    Gogol Bordello
    TocarNot a Crime
    Gypsy Punks: Underdog World Strike
    2005

    It's easy to forget, perhaps, amid the masses of press about how fantastic a live band these guys are, and their famous friends, just how great many of the songs are too. This track - a dizzying, punk-kinda-folk maelstrom with dub interlude (no, really) - appears to be suggestion that marajuana is not a bad thing in the slightest. If the results of smoking said weed really was music this exuberant and fun, it'd be legalised in an instant. Oh, and this track fucking rules live.

    61
    The Damage Manual
    TocarDamage Addict
    >1
    2000

    A somewhat testy project from the start - this industrial supergroup seemed to be finding each other's company difficult from the first interviews - just for a short while they belied the ages of the group and created some astonishing music. This came from the original EP, and despite the mechanical rhythms and various samples, the whole thing flowed so well it sounded marvellously organic (and all-but bounced along on Jah Wobble's characteristically elastic bassline). And with the members of the band's punk/post-punk roots, this was perhaps the ultimate in "industrial punk". The follow-up album, when it eventually arrived, was not the same - needless to say the uneasy union of the original line-up survived only a couple of years - but the first EP and album are well worth getting.

    Next week: My top 100 tracks 2000-09 Pt.03: 60 to 41
  • Subscribe to Rock-A-Rolla now!

    Jun 17 2009, 16h05 por Rock-A-Rolla

    Subscribe to Rock-A-Rolla and have the best music magazine on the planet delivered straight to your door!!!

    Go to www.rock-a-rolla.com and subscribe today! Not only will you save heaps on the cover price, you'll receive the ONLY forward-thinking rock, avant and experimental music magazine in the world! There is simply nothing else like it out there!

    Check out some of these issues, available to order now from www.rock-a-rolla.com/backissues.htm

    ISSUE 20: Sunn O))), Sonic Youth , Ipecac Recordings, Les Claypool , The Jesus Lizard , Head of David , Thorr's Hammer , Altar of Plagues , Tartufi , The Paper Chase



    ISSUE 19: Isis , Fennesz , Mono , Nadja , Black Dice , Wolves in the Throne Room , Crippled Black Phoenix , Stinking Lizaveta , The Kilimanjaro Darkjazz Ensemble , Peter Rehberg



    ISSUE 18: Zu , Dalek , Ephel Duath , Gnaw (ex-Khanate ), Mike Patton and Melvins live special, Ocean , Zombi , Enablers , Glissando , Glacial Movements



    ISSUE 17: Grails , Bohren und Der Club Of Gore , M.G.R. , Akimbo , Zach Hill , Hair Police , Deerhoof , Porn , MoHa! , Helms Alee , Ten East , Aaron Dilloway , Southern Records, Live Reports: Secret Chiefs 3 , Meshuggah



    ISSUE 16: Mogwai , Lustmord , Thurston Moore , Ascend , Caina , Kayo Dot , Jazzfinger , Creature With The Atom Brain , Triclops , Mothlite , umlaut , Racebannon , Hey Colossus



    ISSUE 13: Earth, Skullflower , Stars of the Lid , Atlas Sound , Important Records, Burial Hex , massive live reviews: SunnO)))Boris , Jello Biafra , Jesu



    ISSUE 11: High on Fire , Michael Gira , Qui, Chrome Hoof , Orthodox , Eyvind Kang , Odd Nosdam , Les Savy Fav, Load Records



    ISSUE 7: Wolf Eyes (Cover), Yellow Swans , Jazzkammer , Burning Star Core , Acid Mothers Temple , KK Null , Made Out of Babies , Aethenor



    ISSUE 3: Melvins (cover), Boris , Swans , Alternative Tentacles, Ufomammut , The Mass , Cult of Luna , Todd



    ISSUE 2: Justin Broadrick (Final , Godflesh , Jesu , Head of David ), Mike Patton , Guapo , dälek , Mudhoney , SST Records, Whitehouse , Liars , Atavist , Earth



    Go to www.rock-a-rolla.com and subscribe now!!!!!!!!!!!!!!!!!!!!!!!
  • Subscribe to Rock-A-Rolla now!

    Jun 17 2009, 16h03 por Rock-A-Rolla

    Subscribe to Rock-A-Rolla and have the best music magazine on the planet delivered straight to your door!!!

    Go to www.rock-a-rolla.com and subscribe today! Not only will you save heaps on the cover price, you'll receive the ONLY forward-thinking rock, avant and experimental music magazine in the world! There is simply nothing else like it out there!

    Check out some of these issues, available to order now from www.rock-a-rolla.com/backissues.htm

    ISSUE 20: Sunn O))), Sonic Youth , Ipecac Recordings, Les Claypool , The Jesus Lizard , Head of David , Thorr's Hammer , Altar of Plagues , Tartufi , The Paper Chase



    ISSUE 19: Isis , Fennesz , Mono , Nadja , Black Dice , Wolves in the Throne Room , Crippled Black Phoenix , Stinking Lizaveta , The Kilimanjaro Darkjazz Ensemble , Peter Rehberg



    ISSUE 18: Zu , Dalek , Ephel Duath , Gnaw (ex-Khanate ), Mike Patton and Melvins live special, Ocean , Zombi , Enablers , Glissando , Glacial Movements



    ISSUE 17: Grails , Bohren und Der Club Of Gore , M.G.R. , Akimbo , Zach Hill , Hair Police , Deerhoof , Porn , MoHa! , Helms Alee , Ten East , Aaron Dilloway , Southern Records, Live Reports: Secret Chiefs 3 , Meshuggah



    ISSUE 16: Mogwai , Lustmord , Thurston Moore , Ascend , Caina , Kayo Dot , Jazzfinger , Creature With The Atom Brain , Triclops , Mothlite , umlaut , Racebannon , Hey Colossus



    ISSUE 13: Earth, Skullflower , Stars of the Lid , Atlas Sound , Important Records, Burial Hex , massive live reviews: SunnO)))Boris , Jello Biafra , Jesu



    ISSUE 11: High on Fire , Michael Gira , Qui, Chrome Hoof , Orthodox , Eyvind Kang , Odd Nosdam , Les Savy Fav, Load Records



    ISSUE 7: Wolf Eyes (Cover), Yellow Swans , Jazzkammer , Burning Star Core , Acid Mothers Temple , KK Null , Made Out of Babies , Aethenor



    ISSUE 3: Melvins (cover), Boris , Swans , Alternative Tentacles, Ufomammut , The Mass , Cult of Luna , Todd



    ISSUE 2: Justin Broadrick (Final , Godflesh , Jesu , Head of David ), Mike Patton , Guapo , dälek , Mudhoney , SST Records, Whitehouse , Liars , Atavist , Earth



    Go to www.rock-a-rolla.com and subscribe now!!!!!!!!!!!!!!!!!!!!!!!
  • Mixtape: I AM a CANADIAN mixtape

    Mai 15 2009, 22h35 por FilmoreHolmes


    With the BC election recently and Canada Day at the beginning of next month, I decided to put together a patriotic mixtape. Of course, since it's Canadian, there will be a certain level of corn involved, but with glowing hearts, you should find something to enjoy about it.

    Track Listing:
    01. Edward Johnson - The Maple Leaf Forever [1934]
    02. Dolores Claman - The Hockey Theme (Opening) [1968]
    03. Kid606 - TocarRudestyleindiejunglistmassive [2004]
    04. Antimc - TocarCanadian Dream feat. Cadence Weapon [2006]
    05. Sam Roberts - The Canadian Dream [2003]
    06. The Byrds - TocarBlue Canadian Rockies [1968]
    07. Subhumans - TocarOh Canaduh [1978]
    08. Noisettes - TocarBridge To Canada [2007]
    09. Violent Femmes - Vancouver (Recorded Live @ The Commodore Ballroom) [1993]
    10. Gordon Downie - TocarVancouver Divorce [2001]
    11. Jello Biafra - Spoken Excerpt (Mohawk College, April 25) [2001]
    12. Stompin' Tom Connors - Cross Canada [1972]
    13. Gary Lee & Showdown - The Rodeo Song [1980]
    14. The Tragically Hip - The Dark Canuck [2002]
    15. Sloan - The N.S. [1999]
    16. Hunter S. Thompson - Canada & The Other Trudeau [1977]
    17. A.C. Newman - TransCanada [2006]
    18. Lesser - TocarBusy Canadian Beaver at Work [2001]
    19. Radio Free Vestibule - I Don't Want to Go to Toronto [1994]
    20. Abdominal - Radio Friendly [2007]
    21. k-os - TocarHeaven Only Knows [2002]
    22. Automato - My Casio [2004]
    23. David Suzuki - Phone Excerpt (May) [2001]
    24. The Guess Who - TocarAmerican Woman [1970]
    25. Gear Daddies - I Wanna Drive The Zamboni [1990]
    26. Dolores Claman - The Hockey Theme (Closing Big Band March) [1968]

    Download This Bastard!
  • The "Seen-Live" List... Yeah, I Did One.

    Fev 11 2009, 18h02 por realswellguy

  • Questioning

    Nov 23 2008, 18h44 por nyuudo

    As a teenager, since I was enjoying that distinctive curious punk act called Dead Kennedys in some way I thought: THAT was the way punk should be, sarcastic instead of angry... nevertheless the sound was still important and the definitive members from 1981-1986 did a great job giving that eclectic shape to Dead Kennedys sound, the right media for Jello Biafra's message.

    Later, after many legal problems and many bands co-working with, on 2004 it was funny to hear conclusions from Jello Biafra on TocarEnchanted Thoughtfist, admitting his tendency to instigate the masses but also advising for each-other personal awareness... "question everything..."

    Probably Biafra's beliefs haven't changed but finally he's facing the lonely side of the fight with ages inside and outside his persona. All the paranoia, all the warnings were not enough to avoid things for falling apart again, the unexpected changed the world too many times before and it will happen again.

    Anyway, following his long career he's an interesting character to listen to, but first, following his own directions: question everything, question even him.
  • Song Of The Day - 01 Nov 2008: Ass Clown

    Nov 5 2008, 1h35 por sablespecter

    Ministry / TocarAss clown / Rio Grande Blood (9) / May 2006

    Personal One-Hit Wonder: The first of every month is reserved for Personal One-Hit Wonders. (See 01 Feb 2007 entry for details.)

    Feh...Al Jourgensen has finally run out of things to say. We get it already. Of the "anti-Bush II" triology of albums, I found this one had the least amount of interesting things on it. This song is OK, but maybe that's because Jello Biafra played a part in it. At least it also has a great title.

    So when Al retires Ministry to conicide with the departure of Dubya, I don't think much will be missing from the scene. At least not topically. I wonder what his final, country album will sound like?

    \m/ (ò_ó) \m/