Executar Rádio Herbert von Karajan
Herbert von Karajan
448.554 execuções (54.170 ouvintes)
Herbert von Karajan é considerado um dos maiores regentes da história. Nascido em 1908, começou sua carreira na Alemanha em 1929. De 1954 a 1989 foi diretor musical da Orquestra Filarmônica de Berlim. Seu desempenho à frente das maiores orquestras européias alçou-o à condição de lenda. Gravou aproximadamente 900 discos.
Principais álbuns
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J. Strauss II: Die Fledermaus
Herbert von Karajan
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Mozart: Le nozze di Figaro
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Maestro Nobile -Mozart
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Karajan: Mozart - Symphonies 35 "Haffner," 40 &…
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As faixas mais tocadas
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Symphony No. 41 in C, K.551 "Jupiter": Molto allegro
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Symphony No. 40 in G minor, K.550: Andante
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Symphony No. 40 In G minor KV 550: Allegro Molto
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Piano Concerto No. 4 in G major Op. 58: Allegro moderato
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Symphony No. 35 in D major KV 385: Andante
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Serenade No. 13 in G major KV 525: Romanza (Andante)
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Serenade No. 13 in G major KV 525: Rondo: Allegro
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Caixa de mensagens
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Nilson_Neto escreveu:
Don't feed the trolls, please. He's my favourite. Beethoven, Bruckner, Brahms & Tchaikovsky? The Karajan's versions are the greatest, simple the best.
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realRemox escreveu:
so nice
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Lizoraga escreveu:
By far the one and only the so called hype isn't needed at all as he was an outstanding conductor.
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freeaway escreveu:
Pure and clean! Greatest... One, and only ;)
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Thornspire escreveu:
@Gratis666: Don't blame him for being overhyped, blame the ones who do overhype him. Besides that, he is really a great conductor, but I won't say that he is "the greatest".
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futaichigo escreveu:
Karajan + Tchaikovsky Symphonies CD Box Set... *__*/
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iantm escreveu:
sterile, go with fricsay or furtwangler
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TeodorC escreveu:
The best conductor that ever lived!
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king_prawn95 escreveu:
There's trolling in a classical artist, LOL.
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__Lis__ escreveu:
Hello! If you are interested in Russian classical music, you are welcome to listen to my Russian classical radio (http://www.lastfm.ru/listen/user/ClassicaRussa/personal). In our Russian classical group (http://www.lastfm.ru/group/Russian+classical+music) you are also most welcome!
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Gratis666 escreveu:
Boring, overhyped conductor.
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Seavas escreveu:
It may have had more than one reason, but money was definitely a factor. I wouldn't call Furtwängler's conducting 'sharp' either, 'sharp' is Toscanini, Kleiber or Leibowitz, but certainly not Furtwängler - as for the Karajan sound, what's wrong with my characterization? It's an artificial sound that leaves no space for meaningful articulation, it's stiff, yet soft-edged. Utterly boring, but just right for the petty bourgeois of the time.
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leerwind escreveu:
Of course, Seavas' description of Karajans work in Berlin is completely wrong. He did, of course, not leave because of money, but because of his health and, more importantly, the "divas" in the orchestra. There have been extreme differences between some of the "stars" in the orchestra and Karajan. Berlin soon found out, that they can always find good musicians, but a truly good conductor is hard to find. The musical impact is dead wrong as well, he had no intention in conducting as sharp as Furtwängler, his ideal was a smooth music that leaves out the "playing sounds" of an instrument. That created the much celebrated smoothness and richness of the Berlin Philharmonic orchestra.
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Seavas escreveu:
To admire Karajan as a conductor one has to look past his questionable personality and far back into his career, where he did great things with Wagner, Strauss, Verdi and other composers from the late-Romantic period, but from the 60s on he began to cultivate his trademark sound - warm, bulky, edgeless. Kitschy, one might say. Compare the recording of Beethoven's Seventh from the 50s with the Philharmonia Orchestra and the one from the 60s with the Berlin Philharmonic, especially the second and fourth movements: While the 60s one still has more grit and character than those that would follow, the march rhythm of the second movement is grossly disfigured, the fourth movement lacks the gravity, the constant struggle between the high and the lower strings, irritating notes thrown in by the brass – Karajan brushes over the edges of Beethoven's music and suppresses many of the secondary voices. He was a superficial conductor, and while some composers profit from surface polish, most do not.
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Seavas escreveu:
I agree, as there are far better reasons to dislike Karajan: He was a spineless, self-serving opportunist who always aligned himself with those currently in power. He amassed one of the greatest fortunes of any recording artist, estimated between 300 and 400 billion dollar. He drove up the performance fees for classical music like no one before and after him, monopolized several orchestras at once and ceaselessly played out different record labels against each other to maximality his profits. Just before his death he even resigned from the leadership of the Berlin Philharmonic because he was dissatisfied with his revenues and planned to leave the Deutsche Grammophon in favor of the better-paying Sony company. He was a materialist, a populist and an opportunist. But he was also an authoritarian perfectionist – he certainly was a great conductor in his earlier years, but he was not the be-all-end-all conductor he and his Deutsche Grammophon marketing team made him out to be.
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systemino escreveu:
Karajan's Mozart's Requiem is fantastic.
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DiosaCoronada escreveu:
Karajan Forever !
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0x13 escreveu:
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eleaveyou escreveu:
I for example would prefer that my beethoven tracks conducted by Karajan be scrobbled (is that the word?) as Beethoven tracks. But I guess it's up to me to change tags
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wmigda escreveu:
dear all, for probably 100% of the listed tracks Karajan was a conductor, not a composer. According to the classical music tagging rules the performer shall be set to the composer name. Please correct that. For assistance refer to musicbrainz.org
Ouvintes
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jean_cdz
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jesus_bizzie
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img_inary
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musiky
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daniel20080850
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RJ_Constanze
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Atividade recente
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