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Hank Mobley
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Henry (Hank) Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the “middleweight champion of the tenor saxophone”, a metaphor used to describe his tone that was neither as aggressive as John Coltrane nor as mellow as Stan Getz. This description suggested to some that Mobley was mediocre; and, as his style was laid-back, subtle and melodic, especially in contrast with players like Sonny Rollins and John Coltrane, it took connoisseurs until after his demise to fully appreciate his talent.
Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. Early in his career, he worked with Dizzy Gillespie and Max Roach. He took part in one of the landmark hard bop sessions, alongside Art Blakey, Horace Silver, Doug Watkins and trumpeter Kenny Dorham. The results of these sessions were released as Horace Silver and the Jazz Messengers. They contrasted with the classical pretensions of cool jazz, with Mobley’s rich lyricism being bluesier, alongside the funky approach of Horace Silver. When The Jazz Messengers split in 1956, Mobley continued on with pianist Horace Silver for a short time, although he did work again with Blakey some years later, when the drummer appeared on Mobley’s albums in the early 60s.
During the 1960s, he worked chiefly as a leader, recording 25 albums for Blue Note Records, including Soul Station and Roll Call, between 1955 and 1970. He performed with many of the most important hard bop players, such as Grant Green, Freddie Hubbard, Sonny Clark, Wynton Kelly and Philly Joe Jones, and formed a particularly productive partnership with trumpeter Lee Morgan.
Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. Early in his career, he worked with Dizzy Gillespie and Max Roach. He took part in one of the landmark hard bop sessions, alongside Art Blakey, Horace Silver, Doug Watkins and trumpeter Kenny Dorham. The results of these sessions were released as Horace Silver and the Jazz Messengers. They contrasted with the classical pretensions of cool jazz, with Mobley’s rich lyricism being bluesier, alongside the funky approach of Horace Silver. When The Jazz Messengers split in 1956, Mobley continued on with pianist Horace Silver for a short time, although he did work again with Blakey some years later, when the drummer appeared on Mobley’s albums in the early 60s.
During the 1960s, he worked chiefly as a leader, recording 25 albums for Blue Note Records, including Soul Station and Roll Call, between 1955 and 1970. He performed with many of the most important hard bop players, such as Grant Green, Freddie Hubbard, Sonny Clark, Wynton Kelly and Philly Joe Jones, and formed a particularly productive partnership with trumpeter Lee Morgan.
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Soul Station
Hank Mobley
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Dippin'
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No Room for Squares
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Workout
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As faixas mais tocadas
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Recado Bossa Nova
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The Dip
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Smokin'
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The Breakdown
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The Turnaround
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Take Your Pick
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Roll Call
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Caixa de mensagens
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sGarrista- escreveu:
Well this sounds just superb!
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ItalianMike escreveu:
Hank Mobley could very well be my favorite Jazz artist. I just can't get enough of his playing.
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grahamr93 escreveu:
He is so good :)
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CPadgitt escreveu:
Hank Mobley's solo on Miles Davis's "Someday my Prince will Come" in the album of the same name is gorgeous--beautiful melodic lines.
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dugall escreveu:
When I went to japan I came across a jazz shop. There I bought my first jazz cd. Kenny Dorham and the Jazz prophetes. I just bought it becaus of one single song; "Dont explain" there isnt more to say.
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LilMsMetaphor escreveu:
feels real good.
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jaredplane escreveu:
I've recently been transcribing some Mobley solos. Man, the lines that he comes up with are so good. Very smooth, hard bop lines. He's been a big influence on me for the last year or so.
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gunerri escreveu:
Mobley together with COLTRANE, is there any word to say?
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MirkoFait escreveu:
still cool...
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frederickellis escreveu:
Hank Mobley`s style is so eeeeaazzzeeee to listen to. Bossa nova & bebop is a perfect marriage - look no furthur than H.M. & Cannonball - case proven
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jazzgooner escreveu:
Oh Hank Baby, Peckin' Time is my fav album. Hank and Lee are just toooooooo much...
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F_Hole escreveu:
I was asleep too long on Hank, even though I'd loved his solos on Someday My Prince Will Come since I first heard it in the '70's, before I'd discovered the joys of a softer tenor sound like Lester Young or Ben Webster.
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mada11 escreveu:
Yup
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doceasubio escreveu:
Paaa@ffffff
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SirAlecHendrix escreveu:
Hank Mobley—now connected to the brandnew group ➤ Round Midnight
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praisingfolly escreveu:
Soul Station is so smooth... my favorite in a slew of jazz albums I've discovered recently, and my #5 jazz album all time (just edging out Bitches Brew).
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RyanJones escreveu:
No Room For Squares is so good.
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Os_ escreveu:
Mobley is undoubtly one of my favourites. Together with Coltrane and Gordon the best of that time.
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arrdis escreveu:
the cover-boy of blue notes looks like an asian rufus wainwright minus the sideburns
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gautam3 escreveu:
Yeah, Mobley's the man.
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AmericanWayne, M_Othon, SigurdMNO e 12 outras pessoas adicionaram Hank Mobley às suas bibliotecas. 9 horas atrás
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Rzarect0r adicionou aos itens Hank Mobley as tags blue note records, bebop, hard bop e 2 outras tags. Terça à noite
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alicedivine adicionou aos itens Hank Mobley as tags jazz saxophonists, jazz saxophonist, jazz sax e 8 outras tags. Domingo à noite
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