09-15-00 (Part One) (16:23)

Gltch escreveu:

The opening is the single, most greatest moment in the history of music!

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knifeintheback escreveu:

The drum gallops!!

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raquelaquer escreveu:

magical point at 6:30 creepy silence and then the strings! [2] omfg, this is so true

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ich_liebe_musik escreveu:

magical point at 6:30 creepy silence and then the strings!

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aung escreveu:

The buildup from 7:00 onward is amazing!

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riigo escreveu:

gah, curse steve albini

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FunkyRenegade99 escreveu:

@imaginarypetbat The version of East Hastings used in the film was heavily edited though, and I do believe some parts of 09-15-00 are in it, I can hear it too, it's not just Ehrmann :P

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alex0275 escreveu:

VVVV hahahahahahahahahahahaha

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fapinfinity escreveu:

8:01 It's like the music is crying out to my soul. The taught violin strings are being stretched, wailing and at the same time resting in a river flowing down an endless cliff. And then around 9:20 it explodes as the drums kick in with the booming thunder and building up the cymbals provide the lightning to this perfect storm. Except that it is imperfect, the speed of sound is quicker than the speed of light in this case. The rain is steady and continues to fall with subtle changes in its downpour that no one notes but whose vicissitudes have altered significantly nonetheless. Now the taught despairing violins are merely a background accompaniment, they are still wailing, tears of diamonds still flowing down their cheeks but their grief is drowned by the rain.

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fapinfinity escreveu:

The forces of nature gather themselves and for a moment their is silence. And then building up again with the smooth keys of the piano and with the help of the drums and the guitar, the crescendo approaches. A constant sequence of crescendos and decrescendoes. Haven't I been here before? Deja vu. Except that it's not, each seemingly repeated routine is fresh with new insights into my soul and into the tempestuous seas of my consciousness. And then suddenly, from the steady deluge of aural delight a jagged peak with a jagged edge is reached, too high to be a crescendo. There are rocks everywhere. Stones borne of the rocks that are borne of the boulders that are borne of the mountain. The mountain on who's summit I stand. One foot balanced on an imbalanced rock and the other in mid air, hanging over the drop. And my equilibrium is stable. I am as stable as I would be on a matte floor stage. If I fall, I fall. So it goes.

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imaginarypetbat escreveu:

Ehrmann, their track "East Hastings" was the track used in 28 days later, If yi Similar in tone and composition. As much of their work can be. Beautiful, nonetheless.

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Ehrmann escreveu:

The last part reminds me of the soundtrack for 28 days/weeks later. This could've been used for the soundtrack alternately.

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CIAPALO escreveu:

godspeed for ever

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IcosmonautI escreveu:

don't stop...

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planetstoney escreveu:

Hope, despair, destruction, creation... This piece is absolutely epic.

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voicelesschorus escreveu:

magic. it exists. ive heard it.

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lemst escreveu:

Superbe progression, haute tension, sentiment d'urgence... Impressionnant From Montréal en plus...

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peperonni escreveu:

Best post rock.

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