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Christian Fennesz (born 25 December 1962) is an Austrian electronic musician, often credited on albums simply as Fennesz.
A key figure in the ascent of IDM and electronica in the 1990s, Fennesz uses guitar and notebook computers to make multilayered compositions that blend melody and conventional musical instruments with harsh, irregular glitch-influenced sounds and washes of white noise. He lives and works in Vienna, Austria and Paris, France.
Biography
Fennesz was born and raised in Austria and studied music formally in art school. He started playing guitar around the ages 8 or 9.
In the late 1980s, he formed a band called Maische, with a ‘noise meets pop’ approach similar to bands such as Sonic Youth and My Bloody Valentine. Maische found some local popularity, but Fennesz was uncomfortable with the band setup and left
Afterwards, he became involved in the Viennese techno scene of the early 1990s. From there on, he began to collect his own equipment and produce music based loosely around guitar and synthesizer sounds.
Since the 1990s, Fennesz played live with Ryuichi Sakamoto, with British electroacoustic improvisation icon Keith Rowe, and with quirky American pop group Sparklehorse. He has also worked alongside Peter Rehberg and Jim O’Rourke in the improvisional trio Fenn O’Berg, and with British singer David Sylvian - Sylvian sang on Fennesz’s album Venice while Fennesz composed the music for “A Fire in the Forest” from Sylvian’s album Blemish and made contributions to Sylvian’s “When Loud Weather Buffeted Naoshima”. Fennesz also remixed Ulver on the album 1993-2003: First Decade in the Machines, as well as appearing on their 2007 album Shadows of the Sun.
A key figure in the ascent of IDM and electronica in the 1990s, Fennesz uses guitar and notebook computers to make multilayered compositions that blend melody and conventional musical instruments with harsh, irregular glitch-influenced sounds and washes of white noise. He lives and works in Vienna, Austria and Paris, France.
Biography
Fennesz was born and raised in Austria and studied music formally in art school. He started playing guitar around the ages 8 or 9.
In the late 1980s, he formed a band called Maische, with a ‘noise meets pop’ approach similar to bands such as Sonic Youth and My Bloody Valentine. Maische found some local popularity, but Fennesz was uncomfortable with the band setup and left
Afterwards, he became involved in the Viennese techno scene of the early 1990s. From there on, he began to collect his own equipment and produce music based loosely around guitar and synthesizer sounds.
Since the 1990s, Fennesz played live with Ryuichi Sakamoto, with British electroacoustic improvisation icon Keith Rowe, and with quirky American pop group Sparklehorse. He has also worked alongside Peter Rehberg and Jim O’Rourke in the improvisional trio Fenn O’Berg, and with British singer David Sylvian - Sylvian sang on Fennesz’s album Venice while Fennesz composed the music for “A Fire in the Forest” from Sylvian’s album Blemish and made contributions to Sylvian’s “When Loud Weather Buffeted Naoshima”. Fennesz also remixed Ulver on the album 1993-2003: First Decade in the Machines, as well as appearing on their 2007 album Shadows of the Sun.
Principais álbuns
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Il Libro Mio: Recherchen zum Manierismus
Fennesz
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Plus Fourty Seven Degrees 56'37" Minus Sixteen…
Fennesz Comprar- Fazer download do álbum
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- iTunes Pesquisar
- Comprar álbum
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Caixa de mensagens
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Schrollum escreveu:
vote for his amazing new pic: http://last.fm/music/Fennesz/+images/37305593
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spacematador escreveu:
This. On headphones.
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Coreyfornicatio escreveu:
Endless Summer is such a good album
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Morganiano escreveu:
I love Field Rec 95-02
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xxxxglosoli escreveu:
Endless Summer for me.
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theStarry escreveu:
I agree, Black Sea may very well be his best. Utter bliss.
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humansausage escreveu:
Black Sea is the best. its a great combo of fennesz's undecipherable guitar noise with bits of melodic/less altered guitar sound. And the atmosphere and mood of this album :o i love it!
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Get_Fighted escreveu:
It's not a split, it's a full-on collaboration. & it's pretty cool; definitely heavier on the Fennesz-style stuff than Sparklehorse.
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Bolshevized escreveu:
Has anyone heard his new split with Sparklehorse? They're both talented, wondering if the result will be worthwhile.
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cbui escreveu:
we had the pleasure of interviewing and featuring him, check out the feature in current issue of Title Magazine www.titlemagazine.net
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mecha51 escreveu:
Tremendous artist. I've been listening to The Point of It All from Venice all week. As well as Black Sea. Simply amazing.
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MrZombie91 escreveu:
Why so christian?
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listentoSCQ escreveu:
Black Sea soundtracked my trip from Toronto to Montreal last winter; a tremendous album! Album review here: http://theskeletoncrewquarterly.blogspot.com/2009/02/black-sea-fennesz.html
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xXcLoNeXx escreveu:
i think i like Venice the most
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wormwoodscrubs escreveu:
absolutely fucking lush
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SupportedBy escreveu:
Hi :) Wir suchen wieder Supportbands: für Richmond Fontaine am 21.10.09 in der Vorstadt Wien & mikroboy am 15.12.2009 im PPC Graz! www.supportedby.at
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bufo_alvarius escreveu:
any record of that set? it would be interesting to hear, thanx.
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aurora_borealis escreveu:
Field Day set was amazing indeed. But I don't think he received a polite treatment from the organisors as he was used as a filler while they were setting up for Santo(i)gold. I thought that was proper disrespectful both to the artist and the audience as he was adversited on the mainstage as any other act. The same approach applied to Skream who was very good at getting the crowd going. Yet his set was both delayed and cut shortly on top of being harassed by the stage crew for Mogwai. I understand their curfew problems but I don't think that is an excuse. Very very disrespectful of EYOE.
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curare_curare escreveu:
бла-бла. russians, everybody is tired of your pretensious russian comments. shove your tongues up your ass or speak enlish. escpecially on fennesz shoutbox. we know you can)
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bigoandtwigetti escreveu:
'Absolutely beautiful set at Field Day, just wish it could have been longer. Much longer' I love fennesz sound and it was a slick set, but don't you think it was on the wrong stage and at the wrong time? - very few people in the audience seemed to engage with it at all........... I wonder what he thought???
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Atividade recente
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sxzx adicionou aos itens Fennesz as tags guitar, avantgarde, minimal e 2 outras tags. 38 minutos atrás
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tiagogandra, IdMod, ghst3 e 3 outras pessoas adicionaram Fennesz às suas bibliotecas. 4 horas atrás
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GrimFaust adicionou a tag 'try this' a Fennesz. ontem de manhã
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GrimFaust, cocovein e jimandjuice80 adicionaram Fennesz às suas bibliotecas. ontem de manhã
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ffxi_frohike adicionou a tag 'ambient' a Fennesz. Sexta à noite
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v394, Alien_Lanes, lhomeletn e 4 outras pessoas adicionaram Fennesz às suas bibliotecas. Sexta à noite
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mtzion adicionou aos itens Fennesz as tags electronica, glitch, electronic e 2 outras tags. Quinta de manhã
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adicionaram Fennesz às suas bibliotecas. Quinta de manhã
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thesvelteone escreveu sobre Fennesz em Fennesz, Grouper review on me blog. Quarta à noite
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boneyboy adicionou a tag 'seen live' a Fennesz. Quarta à noite
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