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Douglas Spotted Eagle

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Jazz? New Age? Pop? Ethnic? Native American? World Beat?Call it what you’d like, it’s very difficult to pigeonhole Douglas Spotted Eagle’s music. His expressions span so many genre’s and bin cards, he seems to defy nearly every label put upon his musical taste. Having released classical forms, jazz, rock, pop, and what he terms “modern ethnic” blends of traditional Native music forms and contemporary sensibilities, his constantly shifting sound focuses around one instrument. The Native American Flute. Already world renown as a virtuoso performer on Native American flute and a preeminent composer of contemporary ethnic music, Douglas Spotted Eagle received a Grammy™ Award for his production of “Gathering of Nations Powwow.” He made his Higher Octave album debut with “PRAY”, a musical and spiritual journey combining ancient and progressive sensibilities in a dazzling multicultural context. Now he has recently releasedd his second solo project on the Higher Octave/Virgin label, entitled, “VOICES.” Introduced to Higher Octave fans through his work on Craig Chaquico’s “Once in a Blue Universe”, Spotted Eagle has recorded 13 previous albums under his own name and collaborated on more than 40 recent projects, including the Kevin Costner production of “500 Nations”, Robbie Robertson’s score for “The Native Americans”, and Brian Keane’s “The Way West”, as well as performances with Willie Nelson, Kenny Rogers, Peter Buffett, David Arkenstone, John McEuen, and others.
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