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Donald Byrd

Blog

12…4Próximo
  • Best of 2009 - 500 artists list

    Dez 3 2009, 14h39 por mr_maxis

    IZIA, Wu-Tang Clan, Suprême NTM, Assassin, Nirvana, IAM, Bob Marley & The Wailers, La Spirale, Django Reinhardt, Squarepusher, The Prodigy, Necro, Ill Bill, Cypress Hill, Craig Armstrong, Heather Nova, La Coka Nostra, Scala & Kolacny Brothers, Keny Arkana, Bérurier Noir, Birdy Nam Nam, System of a Down, dead prez, Le Peuple de l'Herbe, Beastie Boys, Busta Rhymes, Alpha & Omega, House of Pain, Seth Gueko, Aphex Twin, Profecy, DJ Krush, Prefuse 73, R.A. the Rugged Man, Rage Against the Machine, Laurent Garnier, Dead Can Dance, Kool Keith, High Tone, Hildur Guðnadóttir, Erik Truffaz, Portishead, Wax Poetic, Johnny Cash, Foreign Beggars, Lady Sovereign, Sinéad O'Connor, Vitalic, Radikal Dub Kolektiv, Lee "Scratch" Perry, Jan Garbarek, Svinkels, Love Spirals Downwards, KRS-One, Dave Clarke, DJ Cam, The Doors, Clint Mansell, Lisa Gerrard, Fat Jon, Les Gourmets, The Beatles, Johannes Heil, KoЯn, Sleater-Kinney, Wax Tailor, B-Real, J Dilla, Filastine, Two Fingers, Asian Dub Foundation, Eminem, Jefferson Airplane, Autumn's Grey Solace, Gym Class Heroes, Shpongle, Herbie Hancock, Radiohead, Rockin' Squat, Mike Patton, Björk, Esbjörn Svensson Trio, Waldeck, Millencolin, Massive Attack, This Ascension, Lordz of Brooklyn, Ensemble Badila, Snoop Dogg, The Problemaddicts, Dub Syndicate, Groundation, Wolf Myer Orchestra, Beth Orton, Oh No, Edward "Kid" Ory, The Offspring, Venetian Snares, Alexander Kowalski, Rageous Gratoons, Noir Désir, Ben Harper, Nas, Ideal J, Verbose, Micropoint, The Black Seeds, Metallica, General Elektriks, Buraka Som Sistema, The Chemical Brothers, Thom Yorke, Lisa Gerrard & Pieter Bourke, Ayọ, EZ3kiel, Amon Tobin, Mano Negra, King of Conspiracy, Bob Marley, Moondog, 25G, Jimi Hendrix, Bauchklang, Moderat, Sigur Rós, DJ Muggs & Planet Asia, Louis Armstrong, Son Doobie, Tryo, Kronos Quartet, Iration Steppas, Looptroop, Mysa, Nine Inch Nails, Wolfgang Amadeus Mozart, Olympic Gramofon, Leftfield, Fairy, Joy Division, 2Pac, Peace Orchestra, Eek-A-Mouse, Snowgoons, Heiko Laux, The Temptations, Le Trio Joubran, Omar Faruk Tekbilek, Guru, Flunk, Earl Hines, Erykah Badu, Burning Spear, Mary Lou Williams, Art Blakey & The Jazz Messengers, Oi Va Voi, 80kidz, Infected Mushroom, Animal Collective, The Quantic Soul Orchestra, NOMAK, Year of No Light, Horace Andy, The Cinematic Orchestra, Red Snapper, Nneka, Leila, NOFX, Lucky Thompson, Cal Tjader, Le Klub des 7, Jeff Buckley, Manu Chao, Wagon Christ, Drummers of the Societe Absolument Guinin, Barney Wilen, Ol' Dirty Bastard, UNKLE, Erik Truffaz & Sly Johnson, The Blue Stars, Underworld, Shurik'N, Arsonists, Madeleine Peyroux, The Kilimanjaro Darkjazz Ensemble, Nostalgia 77, Terry Callier, Medine, Fingathing, Big Daddy Kane, Macka B, Keith Jarrett Trio, Iration Steppas Meet D. Rootical, De La Soul, Chali 2na, Lee "Scratch" Perry & The Upsetters, John Coltrane, DJ Food, Sergent Garcia, Rockamovya, Antonio Vivaldi, Notorious B.I.G., Sidney Bechet et Claude Luter, Tracy Chapman, Angélique Kidjo, EPMD, Ben Harper & The Innocent Criminals, St. Germain, Daft Punk, Fat Freddy's Drop, Fatboy Slim, Johnny Clarke, RJD2, René Thomas, Soul Assassins, Deftones, Kaophonic Tribu, Linkin Park, The Skatalites, Muse, Belleruche, Sunflower Caravan, Les Reines Prochaines, DJ Shadow, Mass Hysteria, múm, Кочани Оркестар, Israel Vibration, Jurassic 5, Gelka, Lionel Hampton, Lost in Hildurness, Hilight Tribe, Shadow Dancer, Elek Bacsik, Nusrat Fateh Ali Khan, Tânia Ârab, Troublemakers, William Orbit, Plastikman, The Specials, CunninLynguists, dead prez & DJ Green Lantern, Mansfield.TYA, Thievery Corporation, Raphael Saadiq, Smooth, Kery James, DJ Muggs vs. GZA/Genius, Love Is Colder Than Death, Miss Kittin & The Hacker, YAS, Chet Baker, Pendulum, Claude Bolling, Hubert Rostaing, Georges Brassens, Refractory, Scarface, Bill Coleman, Funkdoobiest, Telefon Tel Aviv, Lightning Bolt, Morcheeba, DJ Mitsu The Beats, Tricky, Hafdís Huld, Sidsel Endresen & Christian Wallumrød & Helge Sten, Danger Mouse & Sparklehorse, Akhenaton, Alif Tree, Tiken Jah Fakoly, Maurice Meunier, TAT, Carl Craig & Moritz von Oswald, Stéphane Grappelli, Black Uhuru, Kid Loco, Common, Ellen Allien, Roots Manuva, Joris Voorn, Method Man, Jah'licious, Hux Flux, Toots Thielemans, Blockhead, Rokia Traoré, Max Romeo, Cœur de Pirate, Method Man & Redman, RND, Volta & FX909, Venetian Snares & Speedranch, The Rolling Stones, BHASS Project, Orchestre National de Jazz, Pink Floyd, The Jimi Hendrix Experience, Michel Legrand, Sayag Jazz Machine, Emilie Simon, Late Night Fruit, Buddy Banks, Pan•American, Booba, DJ Muggs vs. Planet Asia, The Kumba Mela Experiment, Jeff Mills, Ulytau, ZAMAN 8 & Hafez Modir, Ematom, Harmonic 313, Freestylers, The Gladiators, Control Machete, The Bush Chemists, Twista, Orange Street, The Roots, Michael Jackson, Los Hermanos, Dub Incorporation, RZA, The Ananda Shankar Experience and State of Bengal, Da Taz, Thelonious Monk, Limp Bizkit, Mr. Oizo, 雅-miyavi-, Ella Fitzgerald, Sex Pistols, AC/DC, Minty Fresh Beats, Gus Gus, Gideon, Themselves, Parabellum, K2R Riddim, Easy Star All-Stars, Rhythm & Sound, The Toraia Orchestra Of Algiers, Lee "Scratch" Perry & King Tubby, Keziah Jones, Ataraxia, TTC, Immortal Technique, Coldcut, A Tribe Called Quest, Lali Puna, Rhoda Scott & Kenny Clarke, Iron Maiden, Dizzy Gillespie, Pierre Michelot, Umek, Miles Davis, Gang Starr, DJ Muggs, Orbital, OutKast, Anthony Rother, Donald Byrd Quintet, Diego, Igorrr, Raekwon, Pharoahe Monch, Dream Theater, Anoushka Shankar, Sonny Criss, The Smashing Pumpkins, K's Choice, Massive Attack vs. Mad Professor, The Herbaliser, Blakroc, Lenny Kravitz, Cujo, Cosma, Killarmy, Big Punisher, Jamiroquai, Charles Mingus, Missak, Burial, Bernard Peiffer and his Saint-Germain-des-Prés Orchestra, Albert Nicholas, Édith Piaf, Mix Master Mike, Maceo Parker, Rae & Christian, Steel Pulse, Hocus Pocus, Opeth, Dee Nasty, Tom Waits, DJ Fresh, Manu le Malin, Khoiba, Animaltek, Peter Tosh, Steppenwolf, Alter Ego, DJ Jazzy Jeff, Boards of Canada, Red Hot Chili Peppers9, Bernard Zacharias et ses solistes, Ill Bill & Necro, Sublime, Crystal Distortion, The Dave Brubeck Quartet, GZA/Genius, Salmonella Dub, Harold Nicholas et son Orchestre, Grems, Missy Elliott, Sammy Price & Lucky Thompson, The Herbaliser Band, Ghostface Killah, Cranes, Slaine, Necro & Ill Bill, Lars Klein, Outlines, Saïan Supa Crew, John Dahlbäck, Junior Murvin, Delinquent Habits, Dubians, Arom & Gourmets Beatclub, Afu-Ra, Slide Hampton, Agoria, 2Pac & The Outlawz, Archive, The Alchemist, Somogo, Toots and The Maytals, Philip Glass, Ray Charles, Sia, Marcel et son Orchestre, Trust, Aretha Franklin, Sinsemilia, Public Enemy, Buck Clayton, James Brown, Zenzile & High Tone, The Streets, Adam F, Oscar Peterson, The Abyssinians, Improvisators Dub, Yuksek, Alanis Morissette, Alici, CAKE, Up, Bustle and Out, Art Blakey, Scan X, DMX, Etikal Lab, Lady B, Keith Jarrett, David Carretta, Cocteau Twins, Lhasa de Sela, Jacques Brel, Charlie Singleton, Dimitri from Paris, Bonobo, Emmanuel Top, CéU, Kosheen, Jungle Brothers, Del tha Funkee Homosapien, Nada Surf, Cercle Rouge, Monolake, Marilyn Manson, Rachid Taha, Alain Goraguer, Dub Pistols, Jimmy Archey, Pat Metheny, Ravi Shankar and Philip Glass, Jimmy Riley, Wailing Souls, Taigaz, Air, Triston Palmer, Donald Byrd, Promoe, Ice Cube, Gang Gang Dance, Barbara Morgenstern, Technasia, Dubmood, Josh Wink, Eddy Louiss, Africa Combo & Bugge Wesseltoft.
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  • Статистика, часть 5: джаз // Stats, part 5: jazz

    Ago 20 2009, 16h15 por -273C

    Очередной пост, посвященный статистике. Сегодня нашей темой является джаз (точнее, топ-100 тега jazz).

    Just another one statistical post. Jazz is our field of research today (top-100 of the tag jazz, to be exact).

    предыдущие посты / previous entries
    mainstream
    russian rock
    progressive rock
    black metal

    Сначала наше традиционное упорядочение по количеству прослушиваний и слушателей.

    First of all, our traditional arrangement with respect to number of plays and number of listeners.


    Pic. 1 - full size




    Pic. 2 - full size


    И тут, и там наиболее популярным исполнителем является Amy Winehouse (и, да, по личным соображениям я убрал из статистики Тома Уэйтса). Дальше начинается вполне классический джаз - Norah Jones, Frank Sinatra, Louis Armstrong и так далее.

    In both cases the most popular artist is Amy Winehouse (and, yes, I supposed it would be correct to exclude Tom Waits from jazz stats). Then the things go more classical: Norah Jones, Frank Sinatra, Louis Armstrong and so on.


    Pic. 3


    А вот так выглядит общая зависимость количества прослушиваний джазовых исполнителей от числа слушателей. Заметно, что чем правее, тем сильнее эта зависимость идет вверх. Таким образом, получается, что лидеры находятся на каком-то особенном положении у слушателей.

    And that's the way, general dependence of playcount to number of listeners looks like. You can notice, it's bending upwards with growing number of listeners. So, that means, the leaders of our statistics are treated by listeners in a different way, than other artists.


    Pic. 4 - full size


    Это также подтверждается графиком удельного числа прослушиваний (число прослушиваний делить на число слушателей для каждого исполнителя). Вообще, у джаза этот показатель оказался рекордно низким - в среднем 11 прослушиваний. Наибольший показатель у вездесущей Эми Уайнхаус - 32.

    The graph of specific number of scrobbles (a playcount divided by number of listeners for each artist) confirms that notation. Surprisingly, jazz artists have very low specific scrobble number - 11 in average. Amy Winehouse has the highest one - 32.


    Pic. 5


    Гистограмма лишь подтверждает печальный факт концентрации удельного числа прослушиваний вблизи рекордно низких значений, в целом по форме повторяя распределение для других жанров. Джаз умер?

    The histogram just supports concentrating of specific number of scrobbles near very low values, repeating the histogram for other genres in general. Sad, but true. Is jazz dead?


    Pic. 6


    Немного статистики по активности слушателей в рупорах исполнителей. Как видно из графика, какой-либо строгой зависимости числа сообщений в рупоре от числа слушателей не наблюдается. То, что более популярным исполнителям больше пишут, понятно и так. Кстати, Эми Уайнхаус я сюда не включил - взглянув на следующий график, вы поймете, почему.

    Some stats about the user activity in shoutboxes. As one can see, there's no strict dependence of number of shouts to number of listeners. It's obvious, that more popular artists should get more shouts. By the way, Amy Winehouse isn't included here - see the next plot to understand why.


    Pic.7


    А вот зависимость числа сообщений в рупоре от удельного числа прослушиваний. Эми Уайнхаус и здесь лидирует, причем с шестикратным отрывом. Короче говоря, для джаза она - исполнитель, аномальный по всем параметрам) А вот если убрать Эми, то будет видно обнаруженое ранее явление: среднее удельное число прослушиваний является чем-то вроде барьера, разделяющего исполнителей с малым и с большим числом сообщений в рупоре. Посмотрим, что покажут другие жанры)

    And here's the dependence of number of shouts in the shoutbox to specific number of scrobbles. Amy Winehouse takes the lead again, having six times more shouts than others. So, she's really anomalous for the jazz. And without Amy, the graph exhibits the property, found in previous research: average specific number of scrobbles behaves like a barrier, separating artists with few shouts from artists with lots of them. Let us see, what another genres would show us the next time)

    P.S. Суммарное число прослушиваний в top-100 джаза - 348 миллионов.
    The total playcount in jazz's top-100 is 348 millions.

    P.P.S. Спасибо Hzlqgmnzhh за полезный скрипт.
    Thanks to Hzlqgmnzhh for his script.

    List of considered artists:

    Miles Davis, Billie Holiday, Nina Simone, Ella Fitzgerald, John Coltrane, Frank Sinatra, Norah Jones, Diana Krall, Louis Armstrong, Herbie Hancock, Charles Mingus, Chet Baker, Amy Winehouse, Thelonious Monk, Jamie Cullum, Duke Ellington, Django Reinhardt, Charlie Parker, Bill Evans, Michael Buble', Katie Melua, Madeleine Peyroux, Nat King Cole, Ray Charles, Sarah Vaughan, Esbjo"rn Svensson Trio, Keith Jarrett, Dave Brubeck, Stan Getz, Pat Metheny, The Cinematic Orchestra, Oscar Peterson, Cassandra Wilson, Count Basie, Pat Metheny Group, Dizzy Gillespie, Dinah Washington, Koop, Weather Report, John Zorn, Richard Cheese, Sonny Rollins, Wayne Shorter, Pink Martini, The Bad Plus, Chick Corea, Wes Montgomery, George Benson, Melody Gardot, Dexter Gordon, Julie London, Brad Mehldau, Cannonball Adderley, Squirrel Nut Zippers, Eva Cassidy, Stacey Kent, Benny Goodman, John Scofield, Horace Silver, Room Eleven, The Dave Brubeck Quartet, Skalpel, Astrud Gilberto, Marcus Miller, Jan Garbarek, Wynton Marsalis, Lee Morgan, Tord Gustavsen Trio, Peggy Lee, Glenn Miller, Bill Frisell, Jimmy Smith, Jaga Jazzist, Sade, Harry Connick, Jr., Freddie Hubbard, Donald Byrd, Bill Evans Trio, Lisa Ekdahl, Lizz Wright, Erik Truffaz, Ella Fitzgerald & Louis, Ornette Coleman, Blossom Dearie, Jaco Pastorius, Sun Ra, Etta James, The Cat Empire, Paolo Conte, Art Blakey & The Jazz Messengers, Mahavishnu Orchestra, Grant Green, Avishai Cohen, Quincy Jones, Al Di Meola, Keiko Matsui, Al Jarreau, Morphine, Silje Nergaard
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  • Best Albums of the Sixties (1960-1969)

    Ago 17 2009, 19h05 por thomas10

    1969;

    1 Funkadelic - Funkadelic
    2 The Rolling Stones - LET IT BLEED
    3 The Velvet Underground - The Velvet Underground
    4 James Brown - Say It Loud I'm Black And I'm Proud
    5 The Stooges - The Stooges
    6 Led Zeppelin - Led Zeppelin
    7 Nick Drake - Five Leaves Left
    8 Neil Young & Crazy Horse - Everybody Knows This Is Nowhere
    9 Sly & The Family Stone - Stand!
    10 Creedence Clearwater Revival - Bayou Country
    11 Quicksilver Messenger Service - Happy Trails
    12 Dusty Springfield - Dusty In Memphis
    13 The Beatles - Abbey Road
    14 Miles Davis - Bitches Brew
    15 Fleetwood Mac - English Rose


    1968;

    1 Van Morrison - Astral Weeks
    2 The Beatles - The Beatles (White Album)
    3 Aretha Franklin - Lady Soul
    4 The Small Faces - Ogden's Nut Gone Flake
    5 Big Brother & The Holding Company - Cheap Thrills
    6 The Rolling Stones - BEGGARS BANQUET
    7 Nico - Chelsea Girl
    8 Dr. John - Gris-Gris
    9 The Jimi Hendrix Experience - Electric Ladyland
    10 Big Mama Thornton - Ball N' Chain
    11 Leonard Cohen - Songs of Leonard Cohen
    12 The Zombies - Odessey & Oracle
    13 The Everly Brothers - Roots
    14 Traffic - Traffic
    15 Ray Barretto - Acid


    1967;

    1 The Velvet Underground & Nico - The Velvet Underground & Nico
    2 Pink Floyd - The Piper at the Gates of Dawn
    3 The Jimi Hendrix Experience - Are You Experienced?
    4 Tim Buckley - Goodbye and Hello
    5 The Doors - The Doors
    6 The Beatles - Sgt. Pepper's Lonely Hearts Club Band
    7 Fred Neil - Fred Neil
    8 Jefferson Airplane - Surrealistic Pillow
    9 The Doors - Strange Days
    10 Love - Forever Changes
    11 Buffalo Springfield - Buffalo Springfield Again
    12 13th Floor Elevators - Easter Everywhere
    13 Sun Ra - Atlantis
    14 The Beau Brummels - Triangle
    15 Magic Sam - West Side Soul


    1966;

    1 The Beatles - Revolver
    2 Bob Dylan - Blonde On Blonde
    3 The Beach Boys - Pet Sounds
    4 Otis Redding - Otis Blue: Otis Redding Sings Soul
    5 The Rolling Stones - AFTERMATH
    6 Bob Dylan - Highway 61 Revisited
    7 Frank Zappa & The Mothers Of Invention - Freak Out!
    8 The Kinks - Face To Face
    9 John Mayall & The Bluesbreakers - Bluesbreakers with Eric Clapton
    10 Them - Them Again
    11 Paul Revere & the Raiders - Midnight Ride
    12 Tim Hardin - Tim Hardin 1
    13 The Mamas & The Papas - If You Can't Believe Your Eyes and Ears
    14 Simon & Garfunkel - Parsley, Sage, Rosemary and Thyme
    15 Mitch Ryder & The Detroit Wheels - Breakout...!!!


    1965;

    1 Bob Dylan - Bringing It All Back Home
    2 The Beatles - Rubber Soul
    3 The Rolling Stones - OUT OF OUR HEADS
    4 Horace Silver - Song For My Father
    5 The Zombies - The Zombies (Featuring She's Not There and Tell Her No)
    6 The Who - My Generation
    7 The Kinks - You Really Got Me
    8 Bert Jansch - Bert Jansch
    9 Smokey Robinson & The Miracles - Going To A Go-Go
    10 Jackson C. Frank - Blues Run The Game
    11 The Beatles - Help!
    12 The Byrds - Mr. Tambourine Man
    13 Jackie Wilson - Soul Time
    14 Sun Ra - The Heliocentric Worlds of Sun Ra, Vol. 1
    15 The Beach Boys - The Beach Boys Today!


    1964;

    1 Jerry Lee Lewis - Live at the Star Club, Hamburg
    2 John Coltrane - A Love Supreme
    3 Terry Callier - The New Folk Sound of Terry Callier
    4 Dusty Springfield - A Girl Called Dusty
    5 Solomon Burke - Rock 'N' Soul
    6 Sam Cooke - Ain't That Good News
    7 The Rolling Stones - The Rolling Stones
    8 The Supremes - Where Did Our Love Go?
    9 Jacques Brel - Olympia 64
    10 Bob Dylan - Another Side of Bob Dylan
    11 Skip James - Greatest of the Delta Blues Singers
    12 The Beatles - A Hard Day's Night
    13 Mississippi Fred McDowell - My Home Is In The Delta
    14 The Rolling Stones - 12 X 5
    15 Charles Aznavour - La mamma


    1963;

    1 Sam Cooke - Night Beat
    2 John Barry - From Russia With Love
    3 Lee Morgan - The Sidewinder
    4 Bob Dylan - The Freewheelin' Bob Dylan
    5 Link Wray - Jack the Ripper
    6 Sam Cooke - Live At The Harlem Square Club
    7 Thelonious Monk - Monk's Dream
    8 Mississippi John Hurt - Avalon Blues
    9 Ravi Shankar - India's Master Musician
    10 Stan Getz & João Gilberto - Getz/Gilberto
    11 The Beatles - With the Beatles
    12 Charles Mingus - The Black Saint and the Sinner Lady
    13 Jackie McLean - One Step Beyond
    14 The Beatles - Please Please Me
    15 Roy Orbison - In Dreams


    1962;

    1 James Brown - Live At The Apollo
    2 Howlin' Wolf - Howlin' Wolf (The Rockin' Chair Album)
    3 Ray Charles - Modern Sounds in Country and Western Music
    4 Odetta - Odetta and the blues
    5 Thelonious Monk - Monk's Dream
    6 Duke Ellington - Money Jungle
    7 Lee Dorsey - Ya Ya
    8 Ben E. King - Don't Play That Song
    9 Stan Getz & Charlie Byrd - Jazz Samba
    10 Booker T. & The MG's - Green Onions
    11 Dick Dale - Surfer's Choice
    12 Roy Orbison - Crying
    13 Bob Dylan - Bob Dylan
    14 John Lee Hooker - Burnin'
    15 The Drifters - Save The Last Dance For Me


    1961;

    1 Nina Simone - Forbidden Fruit
    2 Dizzy Gillespie Quintet - An Electrifying Evening With The Dizzy Gillespie Quintet
    3 Jerry Lee Lewis - Jerry Lee's Greatest!
    4 Jimmy Smith - Midnight Special
    5 Nina Simone - Nina Simone At Newport
    6 Yusef Lateef - Eastern Sounds
    7 Elvis Presley - Elvis Is Back
    8 Bill Evans - Sunday At The Village Vanguard
    9 Duke Ellington with Count Basie's Orchestra - First Time! The Count Meets the Duke
    10 Quincy Jones - The Great Wide World of Quincy Jones: Live!
    11 Bobby Vee - Bobby Vee
    12 Jimmy Smith - Back At The Chicken Shack
    13 Bobby "Blue" Bland - Two Steps From the Blues
    14 Donald Byrd - The Cat Walk
    15 Ben E. King - Spanish Harlem


    1960;

    1 Muddy Waters - Muddy Waters at Newport
    2 Miriam Makeba - Miriam Makeba
    3 Miles Davis - Sketches of Spain
    4 Ike & Tina Turner - The Soul of Ike & Tina Turner
    5 Link Wray - Link Wray & the Wraymen
    6 John Lee Hooker - The Country Blues Of John Lee Hooker
    7 Etta James - At Last!
    8 Eric Dolphy - Out There
    9 Oscar Brown Jr - Sin & Soul
    10 James Brown - Please Please Please
    11 John Coltrane - Giant Steps
    12 Joan Baez - Joan Baez
    13 Blind Willie McTell - Last Session
    14 Gil Evans Orchestra - Out of the Cool
    15 Dinah Washington - What A Diff'rence A Day Makes!


    See also;
    Best Albums of The Late Fifties;
    http://www.last.fm/user/thomas10/journal/2009/08/17/2y26bt_best_albums_of_the_late_fifties_%281956-1959%29

    Best albums of The Seventies;
    http://www.last.fm/user/thomas10/journal/2009/08/17/2y22fg_best_albums_of_the_seventies_%281970-1979%29

    Best Albums of the Eighties;
    http://www.last.fm/user/thomas10/journal/2009/08/17/2y24lq_best_albums_of_the_eighties_%281980-1989%29

    Best Albums of The Nineties;
    http://www.last.fm/user/thomas10/journal/2009/08/17/2y25kn_best_albums_of_the_nineties_%281990-1999%29

    Best Albums of The Noughties;
    http://www.last.fm/user/thomas10/journal/2009/09/08/2zux3s_best_albums_of_the_noughties_%282000-2009%29
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  • Chosen records II: 1960s

    Ago 17 2009, 12h48 por samueljeronimo

    - 13th Floor Elevators, The psychedelic sounds of 13th Floor Elevators (Sunspots, 1966);
    - MC5, Kick out the jams (Wrong, 1969);
    - Adriano Correia de Oliveira, O canto e as armas (Orfeu, 1969);
    - Afterglow, Afterglow (Sundazed, 1968);
    - Al Wilson, Searching for the dolphins (Soul City, 1969);
    - Alexander "Skip" Spence, Oar (Sundazed, 1969);
    - Amon Düül II, Phallus Dei (Liberty, 1969);
    - Andrew Hill, Point of departure (Blue Note, 1964);
    - Andromeda, Andromeda (Angel Air, 1969);
    - António Carlos Jobim, Wave (Polygram, 1967);
    - Arcadium, Breathe awhile (Akarma, 1969);
    - Archie Shepp, Kwanza (Impulse, 1969);
    - Argent, Argent (BSO, 1969);
    - Art, Supernatural fairy tales (Fontana, 1969);
    - Art Blakey and The Jazz Messengers, A night in Tunisia (EMI, 1960);
    - Arthur Brown, The crazy world of Arthur Brown (Polydor, 1967);
    - Arzachel, Arzachel (Akarma, 1969);
    - The Association, Renaissance (Collectors’ Choice Music, 1967);
    - Astrud Gilberto, Beach samba (Verve, 1967);
    - Bakerloo, Bakerloo (Akarma, 1969);
    - The Band, Music from big pink (Capitol, 1968);
    - The Band, The Band (Toshiba, 1969);
    - The Battered Ornaments, A meal we can shake hands with in the dark (Repertoire, 1969);
    - The Beach Boys, Surfin' safari (Capitol, 1962);
    - The Beach Boys, Surfer girl (Capitol, 1963);
    - The Beach Boys, Little deuce coupe (Capitol, 1963);
    - The Beach Boys, Today (Capitol, 1965);
    - The Beach Boys, Pet sounds (Capitol, 1966);
    - The Beach Boys, Smiley smile (Capitol, 1967);
    - The Beach Boys, Wild honey (Capitol, 1968);
    - The Beach Boys, Friends (Capitol, 1968);
    - The Beach Boys, 20/20 (Capitol, 1969);
    - The Beatles, A hard day’s night (Parlophone, 1964);
    - The Beatles, Help! (Parlophone, 1965);
    - The Beatles, Rubber soul (Parlophone, 1965);
    - The Beatles, Revolver (Parlophone, 1966);
    - The Beatles, Sgt.Pepper's Lonely Hearts Club Band (EMIv);
    - The Beatles, Magical mystery tour (EMI, 1967);
    - The Beatles, The Beatles (Apple, 1968);
    - The Beatles, Abbey Road (Apple, 1969);
    - Bee Gees, First (RSO, 1967);
    - Bee Gees, Horizontal (Polydor, 1968);
    - Bee Gees, Odessa (Polydor, 1969);
    - Bert Jansch, Bert Jansch (Transatlantic, 1965);
    - Big Brother & The Holding Company, Cheap thrills (Columbia, 1968);
    - Bill Evans Trio, Sunday at the Village Vanguard (Riverside, 1961);
    - Bill Evans Trio, Waltz for Debby (Riverside, 1961);
    - Billy Nicholls, Would you believe (Castle, 1968);
    - Blind Faith, Blind Faith (Polydor, 1969);
    - Blodwyn Pig, Ahead rings out (BGO, 1969);
    - Blonde on Blonde, Contrasts (Sanctuary, 1969);
    - Blood, Sweat & Tears, Child is father to the man (Columbia, 1968);
    - Blood, Sweat & Tears, Blood, Sweat & Tears (Columbia, 1969);
    - Blue Cheer, Vincebus eruptum (Universal, 1967);
    - Blue Cheer, New! Improved! (Akarma, 1969);
    - Blue Mitchell, The thing to do (Blue Note, 1964);
    - The Blues Magoos, Psychedelic lollipop (Repertoire, 1966);
    - Bob Dylan, Bob Dylan (Columbia, 1962);
    - Bob Dylan, The freewheelin´ Bob Dylan (Columbia, 1963);
    - Bob Dylan, The times they are a-changin' (Columbia, 1964);
    - Bob Dylan, Another side of Bob Dylan (Columbia, 1964);
    - Bob Dylan, Bringing it all back home (Columbia, 1965);
    - Bob Dylan, Highway 61 Revisted (Columbia, 1965);
    - Bob Dylan, Blonde on blonde (Columbia, 1966);
    - Bob Dylan, Nashville skyline (Columbia, 1969);
    - Bobby Hutcherson, Dialogue (Blue Note, 1965);
    - The Bonzo Dog Band, Gorilla (BGO, 1967);
    - Booker T. & The MG's, Green onions (Atlantic, 1962);
    - Brian Auger & The Trinity, Definitely what!... (Disconforme, 1969);
    - Bridget St. John, Ask me no questions (Cherry Red, 1969);
    - Buddy Emmons, Steel guitar jazz (Verve/Mercury, 1963);
    - Buffalo Springfield, Buffalo Springfield (Atco, 1966);
    - Buffalo Springfield, Again (ATCO, 1967);
    - The Byrds, Mr. Tambourine Man (Columbia, 1965);
    - The Byrds, Turn! Turn! Turn! (Columbia, 1965);
    - The Byrds, Fifth dimension (Columbia, 1966);
    - The Byrds, Younger than yesterday (Columbia, 1967);
    - The Byrds, The notorious Byrd brothers (Columbia, 1968);
    - The Byrds, Sweetheart of the rodeo (Columbia, 1968);
    - The Byrds, Dr. Byrds and Mr. Hyde (Columbia, 1969);
    - The Byrds, Ballad of Easy Rider (Columbia, 1969);
    - Can, Monster movie (Spoon, 1969);
    - Canned Heat, Boogie with Canned Heat (EMI, 1968);
    - Canned Heat, Living the blues (Akarma, 1968);
    - Canned Heat, Hallelujah (BGO, 1969);
    - Cannonball Adderley Quintet, Mercy, mercy, mercy! Live at The Club (Capitol, 1967);
    - Captain Beefheart & His Magic Band, Safe as milk (Buddah, 1967);
    - Captain Beefheart & His Magic Band, Strictly personal (Liberty, 1968);
    - Captain Beefheart & His Magic Band, Trout mask replica (Reprise, 1969);
    - Caravan, Caravan (Verve, 1968);
    - Charles Mingus, The black saint and the sinner lady (Impulse!, 1963);
    - Charles Mingus, Mingus, Mingus, Mingus, Mingus (Impulse!, 1963);
    - Charlie Haden, Liberation Music Orchestra (Impulse! , 1969);
    - Chicago, Chicago Transit Authority (Columbia, 1969);
    - Chick Corea, Inner space (Atlantic, 1967);
    - Chick Corea, Sundance (Charly, 1969);
    - Chicken Shack, O.K. Ken? (Blue Horizon, 1969);
    - Count Basie/Sarah Vaughan, Count Basie & Sarah Vaughan (Capitol, 1961);
    - Clark Hutchinson, A=MH2 (Repertoire, 1969);
    - Climax Blues Band, Plays on (C-Five, 1969);
    - Clouds, The clouds scrapbook (BGO, 1969);
    - Colosseum, Those who are about to die salute you (Fontana, 1969);
    - Colosseum, Valentyne Suite (Castle, 1969);
    - Cream, Fresh cream (Polydor, 1966);
    - Cream, Disraeli gears (Polydor, 1967);
    - Cream, Wheels of fire (Polydor, 1968);
    - Creation, We are paintermen (Repertoire, 1967);
    - Creedence Clearwater Revival, Creedence Clearwater Revival (Fantasy, 1968);
    - Crosby, Stills & Nash, Crosby, Stills & Nash (Atlantic, 1969);
    - David Ackles, David Ackles (Elektra, 1968);
    - David Bowie, Space oddity (EMI, 1969);
    - Davy Graham, Folk, blues & beyond... (DECCA, 1964);
    - Davy Graham, Midnight man (Fledgling, 1966);
    - Davy Graham/Shirley Collins, Folk roots, new routes (Fledg'ling UK, 1964);
    - Deep Purple, Shades of Deep Purple (EMI, 1968);
    - Deep Purple, Concerto for Group and Orchestra (Warner Bros., 1969);
    - Deep Purple, Deep Purple (EMI, 1969);
    - Deep Purple, The book of Taliesyn (EMI, 1969);
    - Dexter Gordon, Go (Blue Note, 1962);
    - Dexter Gordon, Our man in Paris (Blue Note, 1963);
    - Dizzy Gillespie, Live at the Village Vanguard (Blue Note, 1967);
    - Donald Byrd, A new perspective (Blue Note, 1963);
    - Donovan, Sunshine superman (PYE, 1966);
    - The Doors, The Doors (Elektra, 1966);
    - The Doors, Strange days (Elektra, 1967);
    - The Doors, Waiting for the sun (Elektra, 1968);
    - The Doors, The soft parade (Elektra, 1969);
    - Duke Ellington, Money jungle (Blue Note, 1962);
    - Duke Ellington/John Coltrane, Duke Ellington & John Coltrane (Impulse, 1962);
    - Duncan Browne, Give me take you (Immidiate, 1968);
    - Dusty Springfield, A girl called Dusty (Philips, 1964);
    - Dusty Springfield, Dusty (Mercury, 1964);
    - Dusty Springfield, Where am I going (Philips, 1967);
    - Dusty Springfield, The look of love (Philips, 1967);
    - Dusty Springfield, Dusty in Memphis (Mercury, 1969);
    - Earth Opera, Earth Opera (Elektra, 1968);
    - East of Eden, Mercator projected (DECCA, 1969);
    - Eire Apparent, Sunrise (Sequel, 1969);
    - The Electric Prunes, I had too much to dream (Last night) (Rhino, 1967);
    - Elmer Gantry’s Velvet Opera, Elmer Gantry’s Velvet Opera (Repertoire, 1967);
    - The End, Introspection (DECCA, 1969)
    - Eric Dolphy, Out there (Universal, 1960);
    - Eric Dolphy, Out to lunch (Blue Note, 1964);
    - Eyes of Blue, In fields of Ardath (Black Rose, 1969);
    - Fairport Convention, Fairport Convention (Polydor, 1968);
    - Fairport Convention, What we did on our holidays (Island, 1969);
    - Fairport Convention, Unhalfbricking (Island, 1969);
    - Fairport Convention, Liege & lief (Island, 1969);
    - Family, Music in a doll's house (Reprise, 1968);
    - Family, Family entertainment (See for Miles, 1969);
    - The Five Day Week Straw People, The Five Day Week Straw People (Akarma, 1968);
    - Fleetwood Mac, Peter Green's Fleetwood Mac (Blue Horizon, 1968);
    - Fleetwood Mac, Mr.Wonderful (Blue Horizon, 1968);
    - Fleetwood Mac, English rose (Epic, 1969);
    - Fleetwood Mac, Then play on (Reprise, 1969);
    - The Flock, The Flock (Sony, 1969);
    - Forest, Forest (BGO, 1969);
    - Frank Zappa,, Absolutely free (Ryko, 1967);
    - Frank Zappa,, Lumpy gravy (Ryko, 1967);
    - Frank Zappa, Uncle Meat (Ryko, 1969);
    - Frank Zappa, Hot rats (Ryko, 1969);
    - Freddie Hubbard, Open Sesame (Blue Note, 1960);
    - Freddie Hubbard, Ready for Freddie (Blue Note, 1961);
    - Freddie Hubbard, The body & the soul (Impulse!, 1963);
    - Free, Free (A&M, 1969);
    - Free, Tons of sobs (Fontana, 1968);
    - The Fugs, The Fugs (Fugs, 1966);
    - Gene Clark, Gene Clark with The Gosdin Brothers (Columbia, 1967);
    - George Benson, It's uptown (Columbia, 1965);
    - George Benson, Shape of things to come (A&M, 1968);
    - George Benson, Giblet gravy (Verve, 1968);
    - George Harrison, Wonderwall music (Apple, 1968);
    - George Harrison, Electronic sounds (Apple, 1969);
    - George Russell Sextet, Ezz-thetics (Riverside, 1961);
    - Giles, Giles & Fripp, The cheerful insanity of Giles, Giles & Fripp (DECCA, 1968);
    - Grachan Moncur III, Some other stuff (Blue Note, 1964);
    - Grant Green, Idle moments (Blue Note, 1964);
    - Grateful Dead, Anthem of the sun (Rhino, 1968);
    - Grateful Dead, Aoxomoxoa (Warner, 1969);
    - Grateful Dead, Live/Dead (Warner, 1969);
    - Hank Mobley, Soul station (Blue Note, 1960);
    - Herbie Hancock, Takin' off (Blue Note, 1962);
    - Herbie Hancock, Inventions and dimensions (Blue Note, 1963);
    - Herbie Hancock, Empyrean isles (Blue Note, 1964);
    - Herbie Hancock, Maiden voyage (Blue Note, 1965);
    - The Herd, Paradise lost (Repertoire, 1968);
    - High Tide, Sea shanties (Repertoire, 1969);
    - Holger Czukay, Canaxis (Spoon, 1969);
    - Horace Parlan, Happy frame of mind (Blue Note, 1963);
    - Horace Silver Quintet, Song for my father (Blue Note, 1964);
    - Horace Silver Quintet/J.J. Johnson, The Cap Verdean blues (Blue Note, 1965);
    - Humble Pie, As safe as yesterday is (Immediate, 1969);
    - Igginbottom, Igginbottom’s wrench (Angel Air, 1969);
    - Ike Quebec, Blue and sentimental (Blue Note, 1962);
    - Ike Quebec, It might a well be spring (Blue Note, 1964);
    - The Incredible String Band, The Incredible String Band (Elektra, 1966);
    - The Incredible String Band, 5000 spirits or the cayers of the onion (Elektra, 1967);
    - The Incredible String Band, The hangman's beautiful daughter (Elektra, 1968);
    - The Incredible String Band, The big huge (Elektra, 1968);
    - The Incredible String Band, Changing horses (Hannibal, 1969);
    - Iron Butterfly, In-a-gadda-da-vida (Atco, 1968);
    - Isaac Hayes, Hot buttered soul (Stax, 1969);
    - Jack McDuff, Down home style (Blue Note, 1969);
    - Jackie McLean, Destination out! (Blue Note, 1963);
    - Jackson C. Frank, Jackson C. Frank (Columbia, 1965);
    - Jefferson Airplane, Takes off (RCA, 1966);
    - Jefferson Airplane, Surrealistic pillow (RCA, 1967);
    - Jefferson Airplane, Crown of creation (RCA, 1968);
    - Jefferson Airplane, Volunteers (RCA, 1969);
    - Jesse Colin Young, The soul of a city boy (Capitol, 1964);
    - Jimi Hendrix Experience, Are you experienced? (Polydor, 1967);
    - Jimi Hendrix Experience, Axis, bold as love (Polydor, 1967);
    - Jimi Hendrix Experience, Electric ladyland (Polydor, 1968);
    - Jimmy McGriff, Electric funk (Blue Note, 1969);
    - Jimmy Smith/Wes Montgomery, The dynamic duo (Verve, 1966);
    - Joe Henderson, Page one (Blue Note, 1963);
    - Joe Henderson, Inner urge (Blue Note, 1964);
    - John Coltrane, Giant steps (Atlantic, 1960);
    - John Coltrane, Coltrane plays the blues (WEA, 1960);
    - John Coltrane, My favorite things (Audiophile, 1960);
    - John Coltrane, Africa/Brass (Impulse!, 1961);
    - John Coltrane, Olé (Atlantic, 1962);
    - John Coltrane, Impressions (Impulse!, 1963);
    - John Coltrane, Stardust (Prestige, 1963);
    - John Coltrane, A love supreme (Impulse!, 1964);
    - John Coltrane, Ascension (Impulse! , 1965);
    - John Coltrane, Meditations (Impulse!, 1966);
    - John Coltrane, A love supreme (Impulse!, 1966);
    - John Coltrane Quartet, Crescent (Impulse!, 1964);
    - John Fahey, The dance of death & other plantation favorites (Takoma, 1964);
    - John Martyn, The tumbler (Fontana, 1969);
    - John Mayall, John Mayall & The Bluesbreakers with Eric Clapton (DECCA, 1966);
    - John Mayall, A hard road (London, 1967);
    - John Mayall, Crusade (DECCA, 1967);
    - John Mayall, The blues alone (DECCA, 1967);
    - John Mayall, Bare wires (London, 1968);
    - John Mayall, Blues from Laurel Canyon (DECCA, 1968);
    - John McLaughlin, Extrapolation (Polygram, 1969);
    - Johnny Cash, Ride this train (Columbia, 1960).
    - Johnny Cash, Orange blossom special (Columbia, 1965);
    - Johnny Cash, Johnny Cash at Folsom prison (Columbia, 1968);
    - Johnny Winter, The progressive blues experiment (BGO, 1969);
    - Joni Mitchell, Song to a seagull (Reprise, 1968);
    - Joni Mitchell, Clouds (Reprise, 1969);
    - José Afonso, Cantares de andarilho (Movieplay, 1968);
    - Kaleidoscope, Side trips (Epic, 1967);
    - Karen Dalton, It's so hard to tell who's going to love you the best (Capitol, 1969);
    - Kenny Burrell, Midnight blue (Blue Note, 1963);
    - Kenny Dorham, Whistle stop (Blue Note, 1961);
    - Kevin Ayers, Joy of a toy (EMI, 1969);
    - King Crimson, In the court of the crimson king (EG, 1969);
    - The Kinks, Face to face (Essential, 1966);
    - The Kinks, Something else (Essential, 1967);
    - The Kinks, The Kinks are Village Green Preservation Society (Essential, 1968);
    - The Kinks, Arthur or the decline and fall of the british empire (Essential, 1969);
    - La Monte Young, The black record (Edition X, 1969);
    - Larry Young, Unity (Blue Note, 1966);
    - Laura Nyro, Eli and the thirteenth confession (Columbia, 1968);
    - Laura Nyro, New York tendaberry (Columbia, 1969);
    - Led Zeppelin, Led Zeppelin (Atlantic, 1969);
    - Led Zeppelin, Led Zeppelin II (Atlantic, 1969);
    - Lee Morgan, The sidewinder (Blue Note, 1963);
    - Lee Morgan, In search of the new land (Blue Note, 1964);
    - Leonard Cohen, Songs of Leonard Cohen (Columbia, 1968);
    - Leonard Cohen, Songs from a room (Columbia, 1969);
    - Love, Da Capo (Elektra, 1966);
    - Love, Forever changes (Elektra, 1967);
    - The Lovin' Spoonful, Daydream (Buddah, 1966);
    - The Lovin' Spoonful, Hums of the Lovin’ Spoonful (Buddah, 1966);
    - Lucky Thompson Quartet, Lucky strikes (Prestige, 1964);
    - Luiz Bonfá, Plays and sings Bossa Nova (Verve, 1963);
    - The Mamas & The Papas, If you can believe your eyes and ears (Dunhill, 1966);
    - Manfred Mann, The five faces of Manfred Mann (EMI, 1964);
    - The Meters, The Meters (Sundazed, 1969);
    - Miles Davis, Someday my prince will come (Columbia, 1961);
    - Miles Davis, ’Round about midnight (Columbia, 1962);
    - Miles Davis, E.S.P. (Columbia, 1965);
    - Miles Davis, Miles smiles (Columbia, 1966);
    - Miles Davis, In Berlin (Sony BMG, 1966);
    - Miles Davis, Filles de Kilimanjaro (Columbia, 1968);
    - Miles Davis, Nefertiti (Columbia, 1968);
    - Miles Davis, In a silent way (Columbia, 1969);
    - Moby Grape, Moby Grape (Sundazed, 1967);
    - The Monks, Black monk time (Repertoire, 1966);
    - The Moody Blues, Days of future passed (DECCA, 1967);
    - The Moody Blues, In search of the lost chord (DECCA, 1968);
    - The Moody Blues, To our children's children's children (DECCA, 1969);
    - The Mothers of Invention, Freak out! (Rykodisc, 1966);
    - The Mothers of Invention, We're only in it for the money (Verve, 1968);
    - The Move, The Move (Repertoire, 1968);
    - Music Emporium, Music Emporium (Sundazed, 1969);
    - The Music Machine, Turn on (Repertoire, 1966);
    - Os Mutantes, Os Mutantes (Omplatten, 1969);
    - Nazz, Nazz (Castle, 1968);
    - Neil Young & Crazy Horse, Everybody knows this is nowhere (Reprise, 1969);
    - The Nice, The thoughts of Emerlist Davjack (Immediate, 1967);
    - The Nice, Ars longa vita brevis (Immediate, 1968);
    - The Nice, The Nice (Essential, 1969);
    - Nick Drake, Five leaves left (Island, 1969);
    - Nico, Chelsea girl (Verve, 1967);
    - Nico, The marble index (Sundazed, 1968);
    - Nirvana (UK), All of us (Island, 1968);
    - Open Mind, Open Mind (Philips, 1969);
    - Ornette Coleman Double Quartet, Free jazz (Atlantic, 1961);
    - Oscar Peterson Trio, Night train (Verve, 1962);
    - Otis Redding, The soul album (Stax/Volt, 1966);
    - Otis Redding, Dock of the bay (Atco, 1968);
    - Paul Desmond, Bossa Antigua (BMG, 1964);
    - Pearls Before Swine, One nation underground (ESP-Disk, 1967);
    - The Pentangle, Basket of light (Sanctuary, 1969);
    - The Pentangle, The Pentangle (Transatlantic, 1968);
    - The Pentangle, Sweet child (Transatlantic, 1968);
    - Peter, Paul & Mary, See what tomorrow brings (Warner Bros. , 1965);
    - Pharoah Sanders, Karma (Impulse! , 1969);
    - Pierre Henry, Le voyage, d'après le livre des morts tibétain (ECM, 1962);
    - Pierre Henry, Messe de Liverpool (Philips, 1967);
    - Pierre Henry, Messe pour le temps présent (Philips, 1967);
    - Pink Floyd, The piper at the gates of dawn (EMI, 1967);
    - Pink Floyd, A saucerful of secrets (EMI, 1968);
    - Pink Floyd, More (EMI, 1969);
    - Pink Floyd, Ummagumma (EMI, 1969);
    - The Pretty Things, S.F. Sorrow (Snapper, 1969);
    - Procol Harum, A whiter shade of pale (Repertoire, 1967);
    - Procol Harum, Shine on brightly (Repertoire, 1968);
    - Procol Harum, A salty dog (Repertoire, 1968);
    - Pussy, Pussy plays (Edsel, 1969);
    - Quicksilver Messenger Service, Happy trails (Repertoire, 1969);
    - Ravi Shankar/Yehudi Menuhin, West meets east (Angel, 1967);
    - Renaissance, Renaissance (Island, 1969);
    - Robert Johnson, King of the delta blues singers (Columbia, 1961);
    - The Rolling Stones, The Rolling Stones (England's newest hitmakers) (Abkco, 1964);
    - The Rolling Stones, 12 X 5 (London Records, 1964);
    - The Rolling Stones, The Rolling Stones N°2 (DECCA, 1965);
    - The Rolling Stones, Now! (Abkco, 1965);
    - The Rolling Stones, Out of our heads (Abkco, 1965);
    - The Rolling Stones, December's Children (And everybody's) (London Records, 1965);
    - The Rolling Stones, Aftermath (DECCA, 1966);
    - The Rolling Stones, Between the buttons (Abkco, 1967);
    - The Rolling Stones, Their satanic majesties request (Abkco, 1967);
    - The Rolling Stones, Beggars banquet (DECCA, 1968);
    - The Rolling Stones, Let it bleed (Abkco, 1969);
    - Roy Harper, Sophisticated beggar (Sundown, 1967);
    - Sam Rivers, Contours (Blue Note, 1965);
    - The Savage Rose, In the plain (Polydor, 1969);
    - Scott Walker, Scott (Fontana, 1967);
    - Scott Walker, Scott 2 (Fontana, 1968);
    - Scott Walker, Scott 3 (Fontana, 1969);
    - Scott Walker, Scott 4 (Fontana, 1969);
    - Silver Apples, Silver Apples (MCA, 1968);
    - Simon & Garfunkel, Sounds of silence (Columbia, 1966);
    - Simon & Garfunkel, Parsley, sage, rosemary and thyme (Columbia, 1966);
    - Simon & Garfunkel, Bookends (Columbia, 1968);
    - Skin Alley, Skin Alley (Akarma, 1969);
    - Sonny Rollins, The bridge (RCA, 1962);
    - The Small Faces, The Small Faces (DECCA, 1966);
    - The Small Faces, From the beginning (DECCA, 1967);
    - The Small Faces, Ogden's nut gone flake (EMI, 1968);
    - Smokey Robinson and the Miracles, Make it happen (Motown, 1963);
    - Soft Machine, Soft Machine (Probe, 1968);
    - Soft Machine, Volume Two (One Way, 1969);
    - Spirit, Spirit (Epic Legacy, 1968);
    - Spirit, The family that plays together (Ode, 1969);
    - Spooky Tooth, It's all about (Edsel, 1968);
    - Spooky Tooth/Pierre Henry, Ceremony, An electronic mass (Edsel, 1969);
    - Stan Getz, Getz Au Go Go (Verve, 1964);
    - Stan Getz/João Gilberto, Getz/Gilberto (Verve, 1963);
    - Status Quo, Picturesque matchstickable messages from the Status Quo (Essential, 1968);
    - Status Quo, Spare parts (Sanctuary, 1968);
    - Steve Miller Band, Children of the future (Capitol, 1968);
    - Steve Miller Band, Sailor (Capitol, 1968);
    - Stevie Wonder, For once in my life (Tamla Motown, 1968);
    - Stevie Wonder, My cherie amour (Tamla Motown, 1969);
    - The Stooges, The Stooges (WEA, 1969);
    - Strawberry Alarm Clock, Incense and peppermints (Big Beat, 1967);
    - Tea & Symphony, An asylum for the musically insane (Si-Wan, 1969);
    - The Temptations, Cloud nine (Tamla Motown, 1969);
    - Terry Riley, Reed streams (Mass Arts, 1966);
    - Terry Riley, A rainbow in curved air (Columbia, 1967);
    - Thelonious Monk, Monk's dream (Columbia, 1962);
    - Thelonious Monk, Big band and quartet in concert (Columbia, 1964);
    - Thelonious Monk, Straight, no chaser (Columbia, 1967);
    - Thelonious Monk, Underground (Columbia, 1968);
    - Them, The angry young Them (DECCA, 1965);
    - Them, Them again (DECCA, 1966);
    - Tim Buckley, Tim Buckley (Elektra, 1966);
    - Tim Buckley, Goodbye and hello (Elektra, 1967);
    - Tim Buckley, Happy sad (Elektra, 1969);
    - Tim Hardin, 1 (Verve, 1966);
    - Tina Brooks, True blue (Blue Note, 1960);
    - Tom Rush, Circle game (Elektra, 1968);
    - Townes Van Zandt, Our mother the mountain (Tomato, 1969);
    - Townes Van Zandt, Townes van Zandt (Tomato, 1969);
    - Traffic, Mr Fantasy (Island, 1967);
    - Traffic, Last exit (Fontana, 1969);
    - Tyrannosaurus Rex, My people were Fair and had sky in their hair... (A&M, 1967);
    - Tyrannosaurus Rex, Prophets, seers & sages, the angels of the ages (A&M, 1968);
    - Tyrannosaurus Rex, Unicorn (A&M, 1969);
    - Ultimate Spinach, Ultimate Spinach (Akarma, 1968);
    - Ultimate Spinach, Behold & see (Akarma, 1968);
    - Ultimate Spinach, Ultimate Spinach III (Akarma, 1969);
    - The United States of America, The United States of America (Edsel, 1968);
    - Van der Graaf Generator, The aerosol grey machine (Fontana, 1969);
    - Van der Graaf Generator, The least we can do is wave to each other (Virgin, 1969);
    - Van Morrison, Blowin' your mind! (Epic/Legacy, 1967);
    - Van Morrison, Astral weeks (Warner Bros. , 1968);
    - Vanilla Fudge, Vanilla Fudge (Atco, 1967);
    - Vanilla Fudge, Near the beginning (Repertoire, 1969);
    - The Velvet Underground, White light/White heat (Polydor, 1968);
    - The Velvet Underground, The Velvet Underground (Polydor, 1969);
    - The Velvet Underground/Nico, The Velvet Underground & Nico (Verve/MGM, 1967);
    - Wayne Shorter, Speak no evil (Blue Note, 1964);
    - Wayne Shorter, Schizophrenia (Blue Notev);
    - White Noise, An electric storm (Island, 1969);
    - The Who, My generation (Brunswick, 1965);
    - The Who, A quick one (Reaction, 1966);
    - The Who, The Who sell out (MCA, 1967);
    - The Who, Tommy (Polydor, 1969);
    - Wooden O, A handful of pleasant delites (Akarma, 1969).
    - Xhol Caravan, Electrip (Garden of Delights, 1969);
    - The Yardbirds, For your love, heart full of soul & others (Sunspots, 1965);
    - The Yardbirds, Roger the engineer (Warner Bros., 1966);
    - The Yardbirds, Little games (EMI, 1967);
    - Yes, Yes (Atlantic, 1969);
    - The Youngbloods, Elephant Mountain (Edsel, 1969);
    - The Zombies, Odessey & oracle (Repertoire, 1967).
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  • Chosen records I: 1950s

    Ago 14 2009, 19h38 por samueljeronimo

    - Art Blakey and The Jazz Messengers, Moanin’ (Blue Note, 1959);
    - Bernard Herrmann, Vertigo [Original 1958 Sountrack] (Mercury, 1958);
    - Cannonball Adderley, Somethin' else (Blue Note, 1958);
    - Charles Mingus, Mingus ah um (Columbia, 1959);
    - Chet Baker, My funny valentine (Blue Note, 1953);
    - Chet Baker, Chet (Riverside, 1959);
    - Coleman Hawkins, The hawk flies high (Riverside, 1957);
    - Count Basie Orchestra, E=MC2 (Blue Note, 1957);
    - Dave Brubeck Quartet (The), Time out (Columbia, 1959);
    - Dinah Washington, After hours with miss “D” (Verve, 1954);
    - Donald Byrd, Byrd in hand (Blue Note, 1959);
    - Ella Fitzgerald/Louis Armstrong, Ella and Louis (Verve, 1956);
    - Elvis Presley, Elvis Presley (Sun, 1956);
    - Erroll Garner, Concert by the sea (Columbia, 1955);
    - Gene Ammons, Blue Gene (Prestige, 1958);
    - George Russell, New York, NY (DECCA, 1959);
    - Gerry Mulligan Quartet, Pacific jazz (Blue Note, 1952);
    - Horace Silver, Blowin' the blues away (Blue Note, 1959);
    - John Coltrane, Blue train (Blue Note, 1957);
    - John Coltrane, Lush Live (Universal, 1958);
    - John Coltrane, Soultrane (Prestige, 1958);
    - Karlheinz Stockhausen, Kontakte (Ecstatic Peace, 1959);
    - Maynard Ferguson, The Birdland Dream Band (RCA Victor, 1956);
    - Miles Davis, Blue haze (Prestige, 1954);
    - Miles Davis, 'Round about midnight (Columbia, 1957);
    - Miles Davis, Birth of the cool (Capitol, 1957);
    - Miles Davis, Milestones (Columbia, 1958);
    - Miles Davis, Porgy and Bess (Columbia, 1958);
    - Miles Davis, Kind of blue (Columbia, 1959);
    - Miles Davis, Sketches of Spain (Columbia, 1959);
    - Miles Davis Quintet, Workin' (Universal, 1959);
    - Ornette Coleman, The shape of jazz to come (Atlantic, 1959);
    - Ornette Coleman, Tomorrow is the question (JVC Victor, 1959);
    - Ornette Coleman, Change of the century (Atlantic, 1959);
    - Sonny Clark, Cool struttin’ (Blue Note, 1958);
    - Sonny Rollins, Sonny Rollins with the Modern Jazz Quartet (Prestige, 1951);
    - Sonny Rollins, Saxophone colossus (Prestige, 1956);
    - Sonny Rollins, Vol. 2 (Blue Note, 1957);
    - Sun Ra, Jazz in silhouette (Evidence, 1958);
    - Teddy Wilson Trio, Teddy Wilson Trio (Metronome, 1950);
    - Thelonious Monk, Genius of modern music, Vol. 2 (Blue Note, 1952);
    - Thelonious Monk, Brilliant corners (Riverside, 1956);
    - Thelonious Monk Septet, Monk's music (Riverside, 1957);
    - Thelonious Monk /John Coltrane, Thelonius Monk with John Coltrane (Riversid, 1958);
    - Thelonious Monk/Sonny Rollins, Thelonious Monk & Sonny Rollins (Prestige, 1954).
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  • FutureAncient Radio Show, 20th Jan, Playlist and *Download Link*

    Jan 20 2009, 22h19 por futureancient

    Every Tuesday @ DeepFrequency.com 9pm UK, 10pm Europe, 4pm EST.
    *Register your email at the link above (no password required) to enable archive downloads*
    To download this show, follow this link - FutureAncient Radio, 20th Jan
    **Download link active a few days after broadcast



    Jeff Mills - "Revealing The Infinite"
    The Isley Brothers - "Sensuality (Parts 1 & 2)"
    Anthony Hamilton - "Lucille"
    Lukid - "Chord"
    Tom Scott - "Today"
    Beppu - "Failed Transmission"
    Donald Byrd - "Design A Nation"
    Ronnie Laws - "Tidal Wave"
    Ralph MacDonald - "I Cross My Heart"
    Claudette Soares - "Adeus Maria Fulo"
    Airto - "Papo Furado"
    Mark Kozelek - "Gaping Mouth"
    Johann Johannsson - "Krokodill"
    Intrusion - "Twilight (Edit)"
    Tape - "Star Skid"
    The Boats - "Raindrops Version"
    Pharoah Sanders - "Moon Child"
    Stars of the Lid - "Don't Bother They're Here"
    Sylvain Chauveau - "Fly Like A Horse"
    Underground Resistance - "Body and Soul"
    Johnny Hammond - "Can't We Smile?"
    Gino Vannelli - "Wheels Of Life"
    Mark Kozelek - "Send In The Clowns"
    As One - "Meridian (Blue Binary Remix)"
    Piana - "Moon And Cello"

    FutureAncient on Twitter
    FutureAncient on Flickr
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  • Album List(s) -- 2007

    Out 24 2008, 23h44 por ApfranGarzpa

    This is the final instalment in my effort to retrospectively post my annual album picks, originally prepared for Birdman Sound's website – 2008’s list will be posted to both sites concurrently...

    Some of the great new music coming to my attention in 2007:

    - Acid Mothers Temple -- Crystal Rainbow Pyramid Tour [Important]
    - Alasehir -- The Philosophy of Living Fire [Siltbreeze]
    - Boris with Michio Kurihara -- Rainbow [Inoxia]
    - Loren Connors -- The Hymn of the North Star [Family Vinyard]
    - Julian Cope -- Yougottaproblemwithme [Invada]
    - Do Make Say Think -- You, You're A History In Rust [Constellation]
    - Earthless -- Rhythms From A Cosmic Sky [Tee Pee]
    - Giant Brain -- Plume [Small Stone]
    - Growing -- Vision Swim [Troubleman]
    - The Heads -- Dead In The Water [Invada]
    - Daniel Higgs -- Metempsychotic Melodies [Holy Mountain]
    - Hrsta - Ghosts Will Come and Kiss Our Eyes [Constellation]
    - Jackie-O Motherfucker -- Freaker Pipe [Usound]
    - Kinski -- Down Below Its Chaos [Sub Pop]
    - Major Stars -- Mirror/Messenger [Drag City]
    - Mammatus -- The Coast Explodes [Holy Mountain]
    - Harris Newman -- Decorated [Strange Attractors]
    - Oakley Hall -- I'll Follow You [MERGE]
    - Pharoah Overlord -- Live In Suomi Finland [vivo]
    - Radiohead -- In Rainbows [radiohead]
    - Terry Riley -- Reed Streams [Organ Of Corti]
    - Shining Path -- Shining Path [Holy Mountain]
    - Six Organs of Admittance -- Shelter From The Ash [Drag City]
    - Space Ritual -- Otherworld [Esoteric]
    - Spacious Mind -- Gentle Path Highway [Goddamn I'm A Countryman]
    - Valet -- Blood Is Clean [Kranky]
    - Rick White - Memoreaper [Blue Fog]
    - Wooden Shjips -- Wooden Shjips [Holy Mountain]
    - Wooden Wand -- James & The Quiet [Ecstatic Peace]
    - Robert Wyatt -- Comicopera [Domino]


    Some of the great pre-2007 music first coming to my attention this year (missed until now, for whatever reason):

    - Kevin Ayers -- whatevershebringswesing [EMI/Harvest]
    - Donald Byrd -- Free Form [Blue Note]
    - Charalambides -- Our Bed Is Green [Timelag]
    - Circle -- Andexelt [tUMULt]
    - John Coltrane -- Ascension [Impulse]
    - Roky Erickson & The Explosives -- Casting the Runes [5 Hours Back]
    - Espers -- The Weed Tree [Locust]
    - Josephine Foster -- All the Leaves Are Gone [Galactic Zoo Disc/Eclipse]
    - Joy Division -- Unknown Pleasures [Factory]
    - Koenji Hyakkei -- Viva Koenji!! [God Mountain/Skin Graft]
    - György Ligeti -- Requiem, Streichquartetts, Continuum etc. (Boxed Set) [Wergo]
    - Residual Echoes -- Residual Echoes [Holy Mountain]
    - Terry Riley -- Persian Surgery DeRvishes [Shanti]
    - Pharoah Sanders -- Jewels of Thought [Impulse]
    - Serpent Power -- Serpent Power [Locust]
    - Sleep -- Jerusalem [Music Cartel]
    - Julie Tippetts -- Sunset Glow [Utopia]
    - Tyrannosaurus Rex -- T. Rex [Pye/Cube]
    - Witchcraft -- Witchcraft [Rise Above]
    - Robert Wyatt -- The End of an Ear [CBS]


    Best re-discoveries in 2007:
    - Grateful Dead - American Beauty [Warner]
    - Sam Rivers - Crystals [Impulse]


    Album cover dude now inducted into the hall of fame for album cover dudes bearing a disturbingly uncanny resemblance to me:
    - "Badui," from Carlito e Badui – Os Reis Do Batidão [Chantecler]
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  • IL JAZZ A BOLOGNA: GLI ANNI NOVANTA

    Out 24 2008, 11h50 por pressjazz

    IL “JAZBO” la DIREZIONE ARTISTICA di MAX ROACH e SANDRO BERTI CERONI
    (1989-1990)


    Questa fu l’ultima rassegna curata dal Jazz Club di Bologna, che, in ragione delle scelte dell’Assessore alla Cultura Sinisi, decise di non rinnovare le tessere agli iscritti (ben 750). Il Comune, sempre in collaborazione con il Teatro Comunale, decise infatti di non organizzare più la rassegna “Jazz Bologna”, puntando sul rinato Festival di tre giorni che Max Roach, designato a direttore artistico, intitolò “JazBo”.
    “JazBo” si tenne al Palasport il 30 e 31 gennaio 1989, preceduto da una serata in sala Europa del duo Max Roach e Cecil Taylor. Le tre sere furono dedicate a Charlie Minguse videro l’alternarsi delle varie formazioni di Max Roach nonché l’esibizione del Word del “Word Saxophone Quartet” e di vari batteristi e del complessi di Winton Marsalis, assoluta novità per Bologna. Prima, durante e immediatamente dopo il “JazBo” in vari locali furono organizzati concerti di solisti e complessi italiani e americani (Urbie Green, Steve Lacy, Sal Nistico, Tino Tracanna, Franco D’Andrea, tiziana ghiglioni) con indubbio successo di pubblico mentre la critica nazionale si espresse in maniera non univoca.
    Dopo Sandra Soster, l’incarico di Assessore alla Cultura era stato dato al sensibile e colto storico dell’arte Eugenio Riccomini, cui era succeduto il giovane Nicola Sinisi. Nuovo Assessore fu Marco Giardini, che, per organizzare “JazBo ‘90”, si avvalse della collaborazione di Sandro Berti Ceroni, già messosi in luce come organizzatore di concerti in un nuovo locale di via del Pratello . A questo secondo rinato Festival collaborò in maniera determinante anche Giampiero Cane, titolare della cattedra universitaria di musica afro-americana al DAMS. Dal 14 al 24 febbraio 1990 furono organizzati concerti, incontri, e dibattiti sia all’Università che, soprattutto, nei locali dell’ex macello, ribattezzati “Multisala”, dove, fino all’alba, si svolsero interminabili jam session, per la gioia, soprattutto, dei nostri giovani jazzisti. Art Taylor, Sal Nistico, Steve Lacy e Steve Grossmann, nonché Walter Davis, Kenny Drew, Jachie McLean, Louis Hayes, Donald Byrd, Beaver Harris ecc.. furono i protagonisti, indubbiamente coinvolgenti, di quella maratona dedicata al be-bop, peraltro molto discussa dai critici di jazz.

    “BOLOGNA SOGNA”
    (1990-1992)


    Nel luglio agosto del ’90, all’Osservanza, numerose furono le serate dedicate da “Bologna sogna” al jazz, in prevalenza con musicisti italiani e, spesso, bolognesi.
    Nel 1991, con Sinisi di nuovo assessore, “Bologna sogna” si sposta nel chiostro dell’ex carcere di San Giovanni in Monte, dove, in luglio, si esibiscono molti nostri musicisti tra i quali Jimmy Villotti, Cialdo Capelli, Marco di Marco, Marco Tamburini.
    Infine, nel luglio 1992, il luogo prescelto per iljazzda Sinisi è l’ex-ospedale psichiatrico Roncati, dove le “stelle” sono mal waldrom, Betty Carter, Jack Dejohnnette, Harol Land e Paul Motian.
    Purtroppo si continuò a scegliere un’attività estiva per una città attiva in tutte le stagioni ma non d’estate, è ciò vale anche per i centomila studenti dell’Università.

    Nel decennio successivo al 1992, l’attività jazzistica in Bologna ha avuto fasi alterne e si è sviluppata prevalentemente nei jazz club della città, primo tra tutti il “Chet Baker” di via Polese, e presso il Teatro Medica con la programmazione di “Nostra Signora dei Turchi”.
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  • A nice game no. 1

    Ago 14 2008, 13h55 por campbells_soup

    The idea is to go to the page of your number one artist, and follow the link of it's number one similar artist, then repeating that for this artist and so on, noting down each artist as you go. Do this until you've got to 50 artists (not including your number one). If you get any repeats, just go to the second similar artist or the nearest one that you haven't already had.

    Starting with Ścianka:

    1. Something Like Elvis
    2. Ewa Braun
    3. Mordy
    4. Ludzie
    5. 100nka
    6. Sing Sing Penelope
    7. Jerzy Milian
    8. Wojciech Karolak
    9. Jarek Śmietana
    10. chromosomos
    11. Novi Singers
    12. Andrzej Kurylewicz Quintet
    13. Zbigniew Namysłowski
    14. Jan Ptaszyn Wróblewski
    15. Przemek Dyakowski
    16. Oles-Trzaska-Oles
    17. Miłość & Lester Bowie
    18. Miłość
    19. Tymon i Trupy
    20. Czan
    21. NRD
    22. Mikołaj Trzaska
    23. Baaba
    24. Maestro Trytony
    25. ecstasy project trio
    26. Simple Acoustic Trio
    27. Bobo Stenson Trio
    28. Arild Andersen
    29. Jan Garbarek Group
    30. Jan Garbarek
    31. Terje Rypdal
    32. Keith Jarrett
    33. Keith Jarrett Trio
    34. Bill Evans
    35. Bill Evans Trio
    36. Bud Powell
    37. Sonny Clark
    38. Hank Mobley
    39. Dexter Gordon
    40. Joe Henderson
    41. Freddie Hubbard
    42. Lee Morgan
    43. Horace Silver
    44. Donald Byrd
    45. Bobbi Humphrey
    46. Bobby Hutcherson
    47. Duke Pearson
    48. Horace Parlan
    49. McCoy Tyner
    50. Wayne Shorter

    Interesting... I started from experimental alternative band, then I got through some alternative jazz bands, then some Polish jazz musicians, Tymon Tymanski's many projects, Norwegian modern jazz musicians to end on American classic jazz.

    Whew... That was an intriguing trip since I don't listen to jazz music a lot. Only to nu-jazz or Polish yass bands and I don't listen to classic jazz at all. Maybe I should. :-)
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  • McCoy Tyner--Where to start?

    Jul 28 2008, 21h01 por beelzbubba

    Quoth zorzynek:
    McCoy Tyner live was one of the best things that happened to me in past few years. I see You're heavily listening to that guy. I never got into his discography. Any ideas what should I check out first? (Of course, I know his recordings with Trane, it's solo records I'm interested in.) Thanks in advance.



    I'll divide Tyner's magnificent career as a leader into four phases:

    1. Tyner as a leader while still in the Coltrane Quartet
    2. Tyner on Blue Note after the Coltrane Quartet
    3. Tyner on Milestone 1972-1981
    4. Tyner after Milestone/1981 onward


    Tyner's albums on Impulse! are more tentative but also more lyrical and romantic than his middle period recordings. He is still in the Trane quartet at this time and so is not as assertive as he would be as he matured--but he was still in his early 20s at the time, so it is understandable.

    Reaching Fourth is probably my favorite of that period, a trio setting--something he wouldn't record again for another dozen years or so--and it is lovely. The other Impulse! recordings are all good (and Tyner's good is better than many pianist's 'excellent'); Inception is a really nice debut for the young McCoy Tyner. Nights of Ballads and Blues has an intriguing lineup, and we're left to wonder what this band may have put together over time, but John Gilmore took a lot of "outside" jobs in the late 50s/early 60s, not only because he was a cited influence on many of the post-WWII tenors and thus producers wanted to work with him, but also because the Sun Ra band was in transisiton, and I think Gilmore's talents helped bring cash into the Arkestra's coffers. But I go back to Inception and Reaching Fourth more than the others from this period.

    The second period was after leaving Coltrane. Although McCoy played on many, many Blue Note records from 1960 onward--considered by many as one of the Blue Note "house" pianists--there is a curious gap in Tyner's discography as a leader. His last Impulse! record was in 1964, Although he was considered one of the house pianists at Blue Note from 1960 on, his first Blue Note as a leader was 1967's The Real McCoy. From 1960 through 1970, he played piano on albums by Joe Henderson, Lee Morgan, Wayne Shorter, Bobby Hutcherson, Grant Green, Lou Donaldson, Donald Byrd, Hank Mobley, and Stanley Turrentine, to name just a few. Tyner's "sound" helped define what many of us think of as the Blue Note sound of the 60s. There may have been a contract problem with Impulse! that prevented him from being employed as the leader on Blue Note until 1967, but in any case, Wolff & Lion used a collegial structure so that Tyner's "Real Mccoy" sounds a lot like Henderson's, Shorter's, or Hubbard's dates. McCoy was still growing as a composer and a leader. Biographers say that this was a time of struggle for Tyner--he wasn't making much money from recording and had a young and growing family to support. By 1970, he was considering making driving a cab his full time work instead of just using it to supplement his music.

    But during that time, he recorded Expansions, Time for Tyner, Extensions, and Asante. Each one of them has its strengths, Expansions and Extensions are similar to each other in that Tyner uses Gary Bartz and Wayne Shorter on alto & tenor respectively. Extensions, with its national Geographic cover, adds Alice Coltrane on harp. Throughout his Blue Note career, it sounds as if Tyner is trying to remember, recreate and expand on the high points of the modal art of the Coltrane legacy. This is not a bad thing at all, and the music stands the test of time well.

    But in 1972, Tyner was encouraged by Orrin Keepnews to put his all into reviving his recording career. They began their association with the astounding Sahara, and for the next ten years, the two of them, both geniuses in my opinion, shifted the band's personnel, the size and timbre of the band, here focusing on a tight ensemble, there on a big band, with a solo here, and strings there.

    There's hardly ever a false step taken on any of these. And with Milestone, Tyner's percussive left hand (and he is left handed) takes center stage and becomes a driving force. Critics of Tyner point to albums like Song for My Lady and Sahara as evidence that he "plays too many notes." Takes all kinds, I guess. I love this period. Sama Layuca is a rumble in the jungle, Song for the New World shows Tyner's orchestral conception of the jazz big band.

    I saw Tyner many, many times from 1972-1980, including one memorable night from the Enlightenment/Atlantis era when we sat just above Tyner and his keyboard at the old Jazz Showcase when it was in the basement level of the Happy Medium nightclub on Rush Street in Chicago. Tyner held a running banter with us the whole night, clearly enjoying being on top of his game. Azar Lawrence and Ricky Ford were two of his usual saxes during this time, and it's always been a disappointment to me that neither of these horns ever achieved a fraction of the fame they seemed destined for.

    I've got most all of the Blue Note and Milestone recordings up through 1978's The Greeting. Top of the pack of the Milestones are:

    1. Sahara
    2. Sama Layuca
    3. Enlightenment
    4. Focal Point
    5. Echoes Of A Friend
    6. Song for the New World
    7. The Greeting
    8. Atlantis
    9. Song for My Lady

    and yet, others like Fly With The Wind, Horizon, Passion Dance or 13th House are hardly a half-step off any of these. I'm prejudiced more in favor of the ones I've heard over and over. I've never been disappointed with any of those 1978-1982 Milestone recordings either.

    In 1982, Tyner's contract with Milestone expired and he by then he was recognized as one of the finest musicians alive and one with an enviable and lengthy discography. he joined Columbia for a while, but the recording business itself was in flux. He's recorded for a number of labels in a variety of contexts after 1982. I'm not as familiar with a lot of this work--I bought several, but I never warmed to Alex Blake's bass work. He's a fine bassist, but there's something in the sound of his amplified pick up that's never struck my ears just right, and so I avoided Tyner's recordings after that time.

    I've seen him a handful of times since 1980, and he clearly has earned his elder statesman reputation and his playing is still epic. I can't advise on recordings after 13th House, but I am sure there are many that are first rate. For me, Tyner's prime recordings outside of Coltrane's band are on the (seemingly hundreds of) Blue Note recordings where he is either a leader of a sideman, and then the peak is on the Milestone records produced by Keepnews, arranged and directed by Tyner.
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