What you should have been listing to in 2008...
1.
Goldfrapp-
Seventh Tree
The commercial pop of Supernature may have been a disappointment and ultimately as throwaway as the music it emulated, but thankfully Goldfrapp have reinvented themselves yet again, with a folksy 1970s English summer drenching their trademark sounds. From the sublime opener Clowns, this is a joy to listen to, even on Happiness - a track which by any other band would have left me retching, but here it fits perfectly.
Listenable on Lastfm :
Seventh Tree
2.
Virgin Black -
Requiem - Fortissimo
With Mezzo Forte, the previous part of the trilogy, Virgin Black created a masterpiece of melancholic Classical-Metal that still mesmerises a year on and is rarely far from the car stereo. But with Fortissimo something much different was required. Gone is the weeping beauty, replaced by a mighty roar of Doom-Death, dredging up memories of early the 90's – think
Paradise Lost’s “
Gothic” and
My Dying Bride’s “
As the Flower Withers” - without once resorting to imitation or parody. Occasionally amongst these lengthy tracks small patches of familiar melody seep through, echoes of the previous album, binding the two together. Altogether another truly stunning release.
"Silent" available on
http://www.myspace.com/virginblackofficial
3.
Rome -
Masse Mensch Material
Another year; another Rome album; another leap in maturity, songwriting and production for this one man project. I miss the martial elements from earlier releases, but this is still the finest dark folk out there.
"Der Brandtaucher" and "Neue Erinnerung" available on
http://www.myspace.com/romecmi
4.
Jarboe -
Mahakali
Jarboe shrieks, wails, moans, cackles, scares, provokes and seduces over sludgy guitars and dark ambience, low production values complete with crackles and scratches adding to the intensity. Top this with some outstanding guest vocals from Phil Anselmo and Attila Csihar and you possibly have Jarboe’s best solo work to date. Bonus points go to the Pandora's Box edition - all three version of the album plus a full length bonus cd, all signed, boxed, then placed in a hand decorated and stamped cloth bag tied up with string and a trinket.
"The soul continues" and "A sea of Blood and hollow screaming" available on
http://www.myspace.com/jarboeliving
5.
Emiliana Torrini –
Me And Armini
Is there a sweeter voice than Emiliana? More upbeat than the (slightly better) Fisherman’s Woman, this is intimate, whimsical and delicate.
"Gun", "Big jumps" and "Me and Armini" available on
http://www.myspace.com/emilianatorrini
6.
Portishead -
Third
Mixed feelings about this one. Portishead have come back with a pulsing rhythmic sound driving the deep gloom, and for a lot of the album it works fantastically, but then at parts it becomes disjointed, the music and the vocals following neither each other or any particular melody, almost as if the two parts were written and recorded separately.
Listenable on Lastfm :
Third
7.
BJORKESTRA -
Enjoy
A large jazz ensemble playing the music of Bjork. A worthy listen, although try to track down some of the better live recordings.
Various tracks on
http://www.myspace.com/travissullivansbjorkestra
Meanwhile, also worth a mention are:
Both
Guns N' Roses (
Chinese Democracy) and
Bauhaus (
Go Away White) returned after long absences with albums that, although solid, were missing anything exciting or relevant (similar to the Indy And The Crystal Skull film).
Diamanda Galas’ voice (
Guilty Guilty Guilty) continued to get stranger with another butchering of other peoples songs. Scarily compelling.
Anathema provided some delicate semi-acoustic recordings of some old favourites (
Hindsight).
Sarah Brightman (
Symphony) tried to appeal to both the middle aged middle classes and symphonic metal, and almost succeeded (I recommend a listen to the track
Fleurs Du Mal).
Lisa Gerrard added improvised warbling to two and a half hours of
Klaus Schulze's electronica (
Farscape), which didn't quite work as well as it should have.
The collective known as
Laibach continued to confuse by with a so-so electronic rendition of Bach's
Kunst Der Fuge.
And finally, Packaging Of The Year
Whilst both Jarboe and Golfrapp had two great special editions, they were eclipsed by:
Dead Can Dance - SACD Box
Take all nine DCD releases, re-master onto SACD, package in Mini Replica Vinyl packaging (complete with all sleeves and inlays), put all of these into a black velvet box, put this into a white cardboard outer box then limit to 1500 copies. The result is an instantly sold out classic collection of ethereal beauty from one of the best bands of the 80s/90s.
For those that think they haven't heard DCD before, you have:
Sanvean