Les Paul, the guitarist best known for inventing the solid-body electric guitar, died of pneumonia on August 13, at age 94. Along with the electric guitar, an invention whose importance should be obvious and can hardly be overstated, he also pioneered overdubbing, multitrack recording, and electronic signal processing effects. Nearly every form of modern popular music is built on these innovations; I think it's safe to say that without Mr. Paul, today's musical landscape would be unrecognizable...and considering the cultural influence of rock, from fashion to mores to the very concept of "rock star", the social and political landscape as well. He's been inducted into the Grammy Hall of Fame, the Rock and Roll Hall of Fame, the National Inventors Hall of Fame, and the National Broadcasters Hall of Fame.
A consummate entertainer, he played live regularly well into this year, with a residency at the Iridium Jazz Club in New York, and recorded an album as recently as 2005, despite a broken eardrum and arthritis that paralyzed some fingers on both hands. When he shattered his right elbow in 1948, setting it would freeze it in place, never to bend again...so he had it set at an angle so he could continue to play. His work spanned jazz, country, and rock & roll, playing with everyone from Nat King Cole and Bing Crosby to Eric Clapton, Sting, and Chet Atkins.
Back when I used to work in a publisher's warehouse, my boss, an old hippie and deadhead, would play music on the stereo as we worked. One day he put on an old bit from the Les Paul and Mary Ford show, in which Les claimed to have just invented the "gas guitar", which turned out to run on laughing gas, leading to a wild drug trip scene in which he hallucinates that they're in a gondola and Mary sings a gondolier song. That was my introduction to Les Paul the musician, rather than Les Paul the name of a model of guitar. Great fun!
If a man don't have some regret in his life. Then he did not fuck up enough. If he did not fuck up enough he did not try hard enough.
But one of my biggest regrets did not come in the trying but the lack of trying. When I was a teenager there were not a bunch of video instructional vids for playing guitar.
In fact, I picked up a guitar at fifteen and bashed on it and fucked around with it and despite a bit of time not a whole damn lot came out of it. I regret that a lot. I regret not having the chance to play a song and sit and pick with my grandfather.
I had two grandfathers that lived long enough for me to know them. One grandfather made BBQ in the backwoods of GA and owned a restaurant and he farmed 40 acres of land. I got the chance to work with him in the fields and make BBQ with him and wash dishes in his restaurant and stir the big pots of Brunswick stew.
But I never did get the chance to strum a chord or two with my other grandfather or show him I respected the things that forged his life and his existence in the same way.
Oh if anyone picked up on it yes I had possibly the most Southern boy backstory of any person that ever lived. One grandfather was a part of The Bailes Brothers and played on the Grand Ol' Opry and Louisiana Hayride and my other grandfather owned a BBQ restaurant in GA.
It don't get any more southern than that.
Now, so many years later as I play the guitar now the regret at times creeps up on me hard. I was playing "Wheels on the Bus" for my son a toddler of like 16 months now. And he laughed and smiled so big it sent a goddamn chill down my spine. Corny?
Right now I put down trying to fingerpick melodies which is the next part in my Acoustic Guitar Method by David Hamburger I finally got one part of the "The Girl I Left Behind Me" down that had been giving me trouble and I am on a binge of just learning songs I want to learn.
There is "Red River Valley" for example and I keep going back to the Woody Guthrie version but I know it has been done by many. And then there is the Gram Parsons tune "Blue Eyes" which I have been lazy about really just kind of playing casual and such when I feel like it. But there is one that should be easy but the lesson I am using to learn it adds all kinds of flourishes and such I am talking about the Neil Young tune "Harvest Moon" the only problem with that one being it is drop D tuning and finding a good time to go into drop D during my practice is a bit of a pain.
Also it would seem to be a standard that half the world knows how to play but finding a really good video for how to play "Freight Train" by Elizabeth Cotten is frickin' hard because everyone want to do it Chet Atkins style or like Taj Mahal which means taking not a simple but mid-level difficulty song and tearing it into something way more complex.
I did post a couple more tune the first of which inspired part of the title of this journal.
And a really old little blues ditty called Sugar Babe
Just click on those to hear me playing.
I have not really been fingerpicking that long but I still have at least one more piece like that to post soon but I cannot decide if I want to post the fingerpicking version of the "Crawdad Song" or "The House of the Rising Sun" next.
Bogle died on Sunday of non-Hodgkin's lymphoma at a hospital after falling ill at his home in Vancouver, Washington, according to bandmate Don Wilson.
The Ventures were "the most popular instrumental rock 'n' roll band of all time" and are worshiped as "gods" in Japan, rocker John Fogerty said at the band's Rock and Roll Hall of Fame induction last year.
Influenced by the likes of Les Paul and Chet Atkins, the Ventures helped pave the way for surf music, and sent 38 albums into the pop charts between 1960 and 1972. They continue to perform to this day with a slightly different lineup.
the ventures' origins date back to 1958, when Bogle and Wilson started performing as a guitar duo around Tacoma, Washington.
After the lineup crystallized, the ventures hit No. 2 in 1960 with "Walk, Don't Run," a tune previously popularized by Atkins. The song showcased lead Bogle's innovative use of the tremolo arm on his guitar, although he eventually handed over lead duties to bandmate Nokie Edwards.
The Ventures toured and recorded prolifically, and were especially revered in Japan, where they reportedly outsold The Beatles.
They enjoyed a new wave of popularity in 1969 when their version of composer Mort Stevens' theme for the cop series "Hawaii Five-O" went to No. 4 on the Billboard charts.
Bogle stopped playing with the band four years ago, and was unable to attend the Hall of Fame ceremony in New York. A private funeral is set for Friday. Bogle is survived by his wife, Yumi, and six children.
This is borrowed directly from a recent series of journals by JoeIsListening, wherein one takes 64 songs selected at random from one's playlist and puts them in an elimination tournament which I gather is based somewhat on basketball playoffs or something. I don't know from basketball, so I won't comment on that. To quote from Joe, "These will be divided into 32 musical face offs. Losers go away and the winners advance until 'there can only be one.'" I eliminated any under-1-minute tracks from the list, but didn't bother with a ten-minute-plus track or a number of 8-9 minute ones.
I am also borrowing Joe's Difficulty-O-Meter, which "gauges the degree of difficulty in deciding which song advances. The scale runs from * (no contest, no thought required) to ***** (pass the razor blades)".
Now, I've got close to 30,000 tracks in my system, many of which I could not hum even a snatch of upon seeing the title, so this could be interesting, or not as much. Let's see.
3. Broken Birds by Jane Siberry
vs.
4. 7 8 9 by Barenaked Ladies Difficulty: * Winner:The Ladies Comments: Little contest here--a pretty much acoustic track from a past-her-prime Siberry doing a misguided album of songs she wrote as a teenager, versus a catchy children's song from Canada's top popsters.
5. Heat of the Moment by Willy DeVille
vs.
6. Dreamin' by Lou Reed Difficulty: *** Winner:Willy Comments: Willy DeVille mostly wins by default, because the Lou Reed track, from his subdued "Magic & Loss", is just not very strong. We'll see how Willy does in the next round...
7. Hell in a Handbasket by Drywall
vs.
8. Framed by Saga Difficulty: *** Winner:Drywall Comments: This is far from my favourite track from Stan Ridgway's "Drywall" project, but it's still at least distinctive enough to edge out a less-familiar prog-rock track from Saga.
9. Afterglow by Genesis
vs.
10. The Message by Grandmaster Flash & The Furious Five Difficulty: * Winner:Flash Comments: A weak track from a weak Genesis album against one of the classic songs of rap music? Okay, I'm not rap's biggest fan, but Grandmaster Flash nailed this one.
13. We're Just Temporary Ma'am by White Whale
vs.
14. The Warrior by Scandal Difficulty: ***** Winner:The Whale Comments: Okay, "The Warrior" is a classic of 80's pop-rock, where White Whale are just some obscure upstart indie-rock band, but "We're Just Temporary Ma'am" is catchy and has a great title, which won out over nostalgia by a hair.
15. Prayer Meeting by Chet Atkins
vs.
16. Ultraviolence by New Order Difficulty: *** Winner:The Order Comments: While "Ultraviolence" is one of those tracks that I couldn't hum you a bar of right now, it still outdoes a Chet Atkins instrumental cover version from "Solid Gold '68". Or, at least, this particular one.
17. My Hippy Angel by Bob Geldof
vs.
18. The Luxury by The Tragically Hip Difficulty: *** Winner:Sir Bob Comments: While the Tragically Hip have some great songs, I have trouble getting into a lot of their album tracks, while Geldof's song is a fun listen.
19. Rocket by Primitive Radio Gods
vs.
20. Take Me Away by Fefe Dobson Difficulty: **** Winner:Fefe Comments: Though Dobson's Avrilesque charms are overly obvious, they nonetheless outweigh those of that PRG guy.
21. Stay Awake by Suzanne Vega
vs.
22. Streets of Banaras by Ann Mortifee Difficulty: **** Winner:Ann Comments: This was an interesting pairing. I love Suzanne Vega's a cappella take on the Mary Poppins song, but somehow her quiet, deadpan song paled next to Ann Mortifee's intense, histrionic soprano workout.
25. As Good as New by ABBA
vs.
26. The Nightfly by Donald Fagen Difficulty: *** Winner:BAAB Comments: The throbbing disco beat and harmonies have it over Fagen's soft jazz and wry weary-radio-DJ lyrics.
29. Tomber by Laurence Jalbert
vs.
30. Tapestry by Carole King Difficulty: *** Winner:Laurence Comments: Laurence Jalbert, who on this song strikes me as a sort of Francophone Melissa Etheridge, edges out Carole King on this one.
35. Animation by Jon Anderson
vs.
36. Foxglove by Bruce Cockburn Difficulty: **** Winner:Bruce Comments: The Jon Anderson track just went on and on, leaving the field open for Cockburn's little guitar instrumental.
39. Mermaid Smiled by XTC
vs.
40. Perfect World by Talking Heads Difficulty: **** Winner:XTC Comments: I'm not that familiar with the XTC track, actually, but it manages to beat out one of my less-than-favourite Heads tracks.
41. Manto's Arrow and the Sphinx by Andreas Vollenweider
vs.
42. Eric's Theme by Vangelis Difficulty: *** Winner:Vangelis Comments: Despite (or, perhaps, because of) what sounds like Lisa Gerrard wailing in the background, Andreas Vollenweider is unable to beat the majestic track of "Chariots of Fire".
43. Kissing Gate by Sam Brown
vs.
44. Fading Lights by Genesis Difficulty: *** Winner:Ms. Brown Comments: Not my favourite Sam Brown track, but it's better than the dull and overlong Genesis song, at least.
45. What a Day That Was by David Byrne
vs.
46. There Won't Be Trumpets by Stephen Sondheim Difficulty: *** Winner:Mr. Sondheim Comments: Perhaps if the Byrne song had been the "Stop Making Sense" version, it might have beaten out this minor Sondheim song from the "Side By Side By Sondheim" revue.
47. The Killing Moon by Echo & The Bunnymen
vs.
48. Pull Me Down by Skydiggers Difficulty: **** Winner:Echo Comments: For a song I was unfamiliar with, the Skydiggers track was unexpectedly strong, but not enough to beat out the classic E&TB song.
49. So Serious by Electric Light Orchestra
vs.
50. Bus Stop by The Hollies Difficulty: ** Winner:Holly Comments: It'll take more than that silly ELO song to defeat one of the best pop songs of the 60's! I can see "Bus Stop" getting quite far in this competition, in fact...
51. Double Take by Blondie
vs.
52. Islands of the Future by Gentlemen Without Weapons Difficulty: **** Winner:Blondie Comments: Oh, my. The Blondie song is pretty silly, and from their latter days, but what is it up against? While Gentlemen Without Weapons sounded more pop than new-age with their synthesizers filled with animal and natural sounds, this song contains a gagworthy voiceover from a young Fairuza Balk that eliminates it from this round.
53. Grimsby by Elton John
vs.
54. Nightswimming by R.E.M. Difficulty: *** Winner:REM Comments: The Elton John song is okay, but not great, and the REM song has been growing on me lately.
57. Look Down by Claude-Michel Schönberg
vs.
58. Saskatchewan Sea by The SplendourBog Difficulty: **** Winner:Les Miz Comments: The SplendourBog song is an interesting ode to Canada's flattest province, but it can't decide whether to be serious or jokey, so the Les Misérables track, not one of my favourites but decent enough, narrowly pulls ahead of it.
59. The Story of One Chord by Mojo Nixon & Skid Roper
vs.
60. Lovers Anonymous by 10cc Difficulty: *** Winner:Mojo Comments: The Mojo & Skid track is silly stuff, and so is the 10cc I suppose, but the 10cc track has the disadvantage of being pretty dull musically, so it drops out.
61. I Wanted Your Heart by Magazine
vs.
62. Love Don't Need No Tyranny by Tanita Tikaram Difficulty: *** Winner:Tanita Comments: Neither of these are songs I'm that familiar with, but the Magazine track was grating on me a bit on this listen, so Tanita takes it through greater tunefulness.
63. Amelia by Joni Mitchell
vs.
64. Future Call by Jill Cunniff Difficulty: ** Winner:Jill Comments: While I like a number of Joni Mitchell songs, this isn't one of them. I mean, my favourite album of hers is "Chalk Mark In A Rain Storm", for heaven's sake. Jill Cunniff's isn't quite Luscious Jackson, but it's still a more fun listen.
Next week, or so, Round Two, where the 32 winners in this round duke it out with each other...
1. How did you get into 29? Julee Cruise: Why, through Twin Peaks of course!
2. What was the first song you ever heard by 22? Clive Carroll: Don't remember. I saw him live the first time I heard him, and I hardly ever remember set lists and stuff like that.
4. What is your favorite song by 15? Eels: No one song really stands out as a favourite, but if I had to pick one I would go for 'Railroad Man'.
5. What is your favorite song by 5? Steely Dan: My Old School has got everything that the Dan is all about. Coolness, smugness, clever lyrics and great musicianship. Hands down my favourite.
6. Is there a song by 6 that makes you happy? George Harrison: Any Road - the opening track from his last album 'Brainwashed' - always puts a smile on my face.
7. What is your favorite song by 10? Massive Attack: Group Four, no question about it. This song depresses me, in a good way. Is that even possible?
8. What is a good memory you have involving 30? BigBang: Visiting their studio in Oslo was a blast. :)
9. Is there a song by 19 that makes you happy? Matt Uelmen: Nope, at least not happy in the traditional sense. Diablo/Diablo 2 are not very happy games, but playing them made me happy, I guess.
10. How many times have you seen 25 live? Sting: Once.
12. What is your favorite album by 11? Leonard Cohen: As much as I love his old stuff, I would have to say his latest album, 'Dear Heather'. It just has a nice and timeless quality to it, both lyric- and music wise.
13. Who is a favorite member of 1? Tommy Emmanuel: The one man band, Tommy Emmanuel himself of course! Or I could say his bass player, mr Tom Thumb. ;)
14. Have you ever seen 14 live? Henry Mancini: Nope. That would have been difficult, seeing he was mainly a composer/arranger/conductor.
15. What is a good memory involving 27? Mark Knopfler & Emmylou Harris: Hard to say, given the short lived nature of this duo. Had I seen their show in Oslo in 2006, it would probably have made the list.
16. What is your favorite song by 16? Pink Floyd: I can't possibly limit myself to one track, so I say the whole closing medley from 'Dark Side Of The Moon', from 'Us and Them' to 'Eclipse'. The best closing tracks of any album to date.
19. What is the first song you ever heard by 26? Chet Atkins: Quite possibly Yakety Axe.
20. What is your favorite album by 2? Mark Knopfler: Ooh.. Tough one, they're all so good. But having to pick one, I must go with 'Sailing To Philadelphia', if so just for its amazing title track.
21. What is you favorite song by 3? The Beatles: Another tough one. I've always had a special affection for 'Carry That Weight' from 'Abbey Road'. It's a short but sweet tune.
22. What is you favorite song by 8? Angelo Badalamenti: 'Fire Walk With Me'. This song just takes me to a dark dark place. And I like it there.
23. How many times have you seen 17 live? Paul McCartney: Sadly, none. But I hope I will be able to one day.
26. What is you favorite album by 7? James Taylor: As with Cohen, I love his old stuff, but his 2002 effort - 'October Road' - really soothes me in a different way.
29. What is your favorite album by 4? Dire Straits: This varies from time to time, but generally I tend to like 'Communique' a tad better than the rest.
30. How many albums do you own by 42? Stevie Ray Vaughan: 13. No, I'm not going to list them.
Едва ли Dire Straits имат нужда от представяне - вече тридесетина години техните хитове не спират да се въртят по всевъзможни радиостанции. Не съвсем така обаче стои въпросът със соловата кариера на Mark Knopfler, който след разформироването на групата през 1993 загърбва характерния за Dire Staits джаз-рок и тръгва да разширява музикалния си кръгозор. Те го отвеждат към фолклор и най-вече към кънтри - има записани албуми с големите имена в жанра Chet Atkins и Emmylou Harris. Надали обаче билетите за неголямата зала 1 бяха свършили 3 месеца преди датата заради точно тези му залитания. Лично аз смятам последните проекти на Knopfler за леко мудни, и преди всичко за background music. Концертът можеше да се окаже както такъв, така и това, заради което Dire Straits са пълнили стадиони през цялото си съществуване.
Организация
Организацията на концерта беше както никога прилична, стига да не се взима предвид закъснението от около час, с което той почна. Все пак това е станало толкова привично за българските мероприятия, че дори не ми направи и впечатление. За сметка на това могат да се кажат само суперлативи за озвучаването - положително мога да заявя, че на концерт с по-качествен звук в България не съм бил. Естествено организаторите от българска страна нямат пръст в тази работа, Knopfler си беше донесъл както озвучителните тела, така и отделен мишпулт.
Концертът
Имаще време, когато Dire Straits ми беше любимата група, и макар вкусовете ми неизменно да са се променили донякъде, все още пазя кътче от музикалните си хоризонти за тяхната музика. Мога да кажа, че най-много ми се нрави джаз-рок периода им от последните два албума - Brothers In Arms и On Every Street. Първите 2-3 солови албума на Knopfler също си струват, но впоследствие губи инерция.
Така или иначе, в първата част на концерта чухме само песни от соловите проекти. Knopfler си беше довел бенд от шест души - барабанист, двама клавиристи, цигулар, басист и втори китарист. През концерта те смениха доста инструменти, сред които акордеон, контрабас, хамонд-орган и направиха впечатление с изключителните си музикантски качества - нямаше тон не на място.Песните от соловите албуми на Knopfler звучаха много по-добре от студийните изпълнения - за мен особено открояваща се бе Hill Farmer's Blues, която на сцена реализира пълния си потенциал, загатнат в албума.
Но разбира се хората, или поне мнозинството от тях, бяха дошли за класиките, и реагираха подобаващо, когато Knopfler взе специфичния модел китара, с който винаги свири Romeo And Juliet. А на последвалата я Sultans Of Swing, не се съмнявайте, че залата беше на крака. Но абсолютно умопомрачителните неща предстояха - по време на покъртителна и доразвита версия на Speedway At Nazareth(най-тежката песен, която беше изпълнена, между другото), уголемен макет на китарата на Knopfler се спусна над сцената и остана над нея в последващите изпълнения. А именно, Telegraph Road. Да, този великолепен прогресив рок шедьовър прозвуча на родна земя, в цялата си прелест! Неописуемо. На бис Knopfler изпълни Brothers In Arms(заедно с цялата зала, естествено), So Far Away и закри с темата от Local Hero.
Равносметка
Лично аз се радвам, че си спести Money For Nothing и Walk Of Life. Първата просто не отива на улегнал човек като него - а и MTV я употреби по не особено приятен начин - докато втората беше заменена с идентичната, но не дотам омръзнала Cannibals. За жалост не чух любимата си Tunnel of Love(която и паснала на сетлиста), нито нищо от On every street, липсваше и саксофонист, но явно просто това вече не е Knopfler. Той доказа, че е велик музикант и сътвори един от най-паметните концерти, състояли се на родна земя. Станах свидетел на още една частица музикална история, и съм ужасно доволен от това. Точка.
Wer meint Australien hätte Musikalisch nur AC/DC und Kylie Minogue zu bieten der hat Tommy Emmanuel noch nie gehört und gesehen. Emmanuel gehört neben Chet Atkins zu den Top Finger Picking Gitarristen! Und so ist auch auf sein Erscheinen auf der Bühne im ersten Moment recht "Mager". Ohne Band und mit gerade mal 3 Gitarren schafft er es aber dennoch sein Publikum zu verzaubern.
Genau das hat Emmanuel wieder am 9. März im Münchner Prinzregenten Theater geschafft. Die Atmosphäre dieses Edlen Gebäudes schaffte den perfekten Rahmen für seinen Auftritt vor fast ausverkauften Hause. Überpünktlich betrat Tommy Emanuel die Bühne. Allerdings nicht um zu spielen sondern um einen Jungen Nachwuchskünstler vorzustellen, der genauso wie Emmanuel aus Austalien kommt. Kieran Murphyist mit seinen 20 Jahren noch ein Jungspund, doch seine fehlende Bühnenerfahrung die man ihm ganz klar ansehen konnte er mit perfektem Gitarren Spiel wiedergutmachen. Er Spielte ca. 4 - 5 Stücke aus seinem neusten Album per se
Nach dem sehr gut gelungenen Auftakt legte der Meister persönlich los. Seine äußerlich schon sehr ramponiert wirkende Gitarren lassen darauf schließen das er nicht darauf beschränkt die Seiten des Instrumentes anzuschlagen. Für ihn ist die Gitarre ein einziger Klangkörper das auch als Schlagzeug Ersatz herhalten muss. In den darauf folgenden zwei Stunden konnte man sehen was ihn von dem Jungen Murphy unterscheidet. Es ist nicht so genau die bessere Spieltechnik. Sondern die art wie er seine Musik präsentiert. Seine Bühnenpräsenz war einfach Super. Er scheute auch nicht davor zurück mit einzelnen Zuschauern in Dialog zu treten "you Play Guitar.. oh not anymore?"
Nach 5 Zugaben wurde Emmanuel mit Standing Ovation vom Publikum verabschiedet. Es war ganz klar ein Toller nicht nur für die vielen Zuschauer. Mit sicherheit auch für Emmanuel selber. Denn so ein Bühne wie das Prinzregenten Theater gibt es selten.
3. Clann Zú - provided to me by Dzidronka, for which I'm very grateful. Astonishing blend of almost all genres.
2. Beltaine - their concert (thanks to natyes) was an instant hit. Breathtaking.
1. The first place is owned by Urban Trad. Though I knew them earlier I discovered their complete discography in autumn this year. And I couldn't tear myself away from listening.
That's all. I hope the following year will be at least as fruitful as this. Happy New Year!
64. Would you rather marry a musician or be one yourself?
I'd rather be one myself
65. What is in your walkman/discman right now?
In my car is a mix I made last year of different bands
66. How important is your partners taste in music to you?
I would like my partner to at least appreciate the music I listen to. If they love it, it's even better
67. Hanson moves in next door to you, do you go introduce yourself, or do you arrange to beat them up?
Neither.
68. Sex, Drugs and Rock n Roll, you dig?
Pretty Much.
69. Do you cook to music?
Theres always music in my head, so yes.