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Cesária Évora

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  • List of High Quality Music

    Out 2 2008, 18h21 por SirAlecHendrix

    Preamble : SiR HendRix Rating System

    ( or skip and scroll down to the list below )

    SiR HendRix Rating System employs a 50–100 point quality scale for individual musical tracks. the common 5-star rating points — [* to *****] — are not sufficient for rating the complexity of music and results in very subjective measures and inflated ratings. there is not so much 5-star [*****] music around as is rated in this world.

    this rating is very serious. it’s not about “best rock song ever. period” or “my personal top 10” or something similar.

    SiR HendRix takes a hard, very critical listen at tracks in order to underestimate and not overestimate the musical quality. if possible, in a peer group setting, i.e. comparing the track to be assessed with other representatives of the genre or style or with different covers resp. the original version.

    my own personal subjective 5-star rating goes into the whole rating with 10-20 percent only. 80 percent of the rating process is in-depth assessment of musical motif, arrangement and structure, variety and dynamics, development and depth/breadth of the theme, expression and feel, uniqueness and/or innovativity, and performance. last but not least, i rate overall quality and lasting impression. this is not done by one autition only. up to 5 malus or bonus points may be subtracted or added according to two lists of 10 criteria each (including sound quality, metrics, virtuosity, instrumentation, interplay, expression of heart, genius work, simplicity/pureness, overdo, etc.). don’t ask for the specific point ratings for a track, i won’t reveal them, only the end result.

    please note carefully : the ratings reflect a critical *listen at the music* and not just my personal opinion or taste. neither reputation nor being a fan nor the latest hip genre affect the rating in any manner. i don’t care. on the other hand, if a mainstream artist outside my listening habits performs well, he/she will get my points, no matter what. possible high ratings do not necessarily go with my love for the particular piece of music or the artist. i even could nearly object giving points and might be surprised or angried by my own rating results for artists i normally don’t care much about. my loved tracks would yield a different list, and i admit, i even do love mediocre music, we all do. but it simply won’t get my high ratings. i hope this clarifies the difference between love and assessment, it’s two different worlds.

    once again : SiR HendRix Excellence Rating is not about “music i like”. it’s about a deeper understanding, appreciation, acknowledgement (and objection) of music performances beyond personal tastes. otherwise we wouldn’t need the Rating System.

    the scoring of music is a professional task with applying a numerical system to it on a consistent basis. the advantage is rapid precise communication of quality to experts and amateurs alike, nothing more, nothing less.

    music rated over 85 points is very good to excellent. please mind that the majority of quality music usually doesn’t cost more to listen to than to mediocre music. we don’t need to settle for less.


    *****

    98-100 points
    unbelievable (AAA)

    the top of the crop. music in this range is jaw-dropping, heart-stopping, really more than we could reasonably expect ...

    95-97 points
    extraordinary, profound (AA)

    the very best, a rare level of greatness and elegance. music in this range has very high caliber, is overwhelming and might blow you away (or knock your socks off) ...

    90-94 points
    outstanding, high quality (A)

    this is where special effort begins. music in this range is exceptional and terrific, but only few will make it into this category ...


    ****

    85-89 points
    flawless, very very good (BB)

    great value for the price. music in this range is very satisfactory and hardly objectionable ...

    80-84 points
    slightly above average (B)

    better than the bulk. music in this range has some redeeming features and is worth to be collected ...


    ***

    75-79 points
    very average, straightforward, mediocre and unremarkable (CC)

    music in this range is generally pleasant but lacks complexity, character, or depth. this is where most of the mainstream music resides. just switch on the radio or TV. if you want to become somewhat famous and rich as an artist, go here.

    70-74 points
    slightly below average (C)

    music in this range is imbalanced and should be less expensive to pay for ...


    **

    60-69 points
    definitely below average (D)

    music in this range is flawed, amateurish and to be avoided at all costs ...


    *

    50-59 points
    poor, unacceptable, terribly dull (E)

    words are insufficient to describe the inadequacy of this music ...



    **** The List of Quality ****

    this list is ever evolving and so are the rating points.


    **** BB : very good ****

    89 points

    89 - Aretha Franklin - TocarPeople - a bit schmaltzy but her great voice wins over
    89 - De-Phazz - TocarIt Will Turn Out Right
    89 - Dinu Lipatti - Piano Sonata No.8 in A minor K310 II. Andante cantabile con espressione - by Wolfgang Amadeus Mozart
    89 - Enigma - TocarMea Culpa
    89 - Grover Washington - Just Enough
    89 - Jan Garbarek & The Hilliard Ensemble - Credo
    89 - Jazztronik - Someday (Etude for the Right)
    89 - Jean Boguet - Le Vent Dans La Plaine - by Claude Debussy
    89 - Joan Armatrading - TocarCool Blue Stole My Heart (live) - Joan’s studio tracks mostly don’t compare to a vibrant and emotional live version with a particular band to be found on her album Performance Classics: Steppin' Out Live
    89 - 坂本龍一 - TocarLorenz and Watson
    89 - Trần Thu Hà - TocarWithout


    88 points

    88 - John Abercrombie - TocarCarol's Carol
    88 - Mark Isham - TocarBarcelona


    87 points

    87 - Angélique Kidjo - TocarSummertime
    87 - Rosalyn Tureck - Bach: The Well-Tempered Clavier, Book 1 - Fugue #13 In F Sharp, BWV 858


    86 points

    86 - Omara Portuondo - Killing me Softly - nice cover version by a charming cuban lady (or should i say “female vocalist”, “cuban”, “world”?)


    85 points

    85 - Mo' Horizons - TocarBosshannover


    **** B : slightly above average ****

    84 points

    84 - Rhythms Del Mundo feat. Chris Martin - Clocks - sweet & groovy cuban cover version which balances Chris Martin’s poor singing performance. alternative ...


    83 points

    83 - La Capella Reial de Catalunya & Hesperion XXI - Mille Regretz (Chanson) - by Josquin Desprez (1450-1521)


    82 points

    82 - Rhythms del Mundo feat. Sting - Fragilidad - Sting’s own cuban cover version seems to be better than the original


    81 points

    81 - Caetano Veloso - Haiti
    81 - Cesária Évora - TocarMiss Perfumado (4 Hero remix)
    81 - Cesária Évora - TocarPetit pays (Chateau Flight remix)
    81 - Doruk Somunkiran - TocarStrange Company
    81 - El Lele De Los Van Van & Radiohead - High and Dry - Radiohead’s cuban cover version, happily doing without Thom Yorke’s falsetto


    the purpose of the House of Quality is to collect and document above-average music performances. don’t settle for less.

    for outstanding performances [90 and above = *****] refer to the List of Excellence, documented at the _ Center of Excellence _.


    i never ever will rate music upon request. so please don’t ask.
    if you told me this sytem reminds you of Robert Parker’s wine rating system, i would respond: exactly.


    SiR HendRix
    //
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  • Lliam Dominic ~ Summer 08 Retrospect

    Set 28 2008, 16h40 por Weej

    1 ) Cesária Évora - Angola (Carl Craig remix) [Lusafrica]
    2 ) Stewart Walker - Free Association [Persona Records]
    3 ) Pär Grindvik - Do Us Part (Len Faki Remix) [Drumcode]
    4 ) Thinkfreak - My good Bug [SONICULTURE]
    5 ) Jamie Jones & Simon Baker - Kaskazi [Get Digital Music]
    6 ) Unknown - Unknown [Unknown]
    7 ) Stimming - Una Pena [Diynamic Music]
    8 ) Kimouts - Down to Earth (MyMy Monterrey Wash Remix 2) [Buzzin' Fly Records]
    9 ) Frank Martiniq - The Astropopshop [Kickboxer]
    10) Ida Engberg & David West - The Giant From Nibiru [Get Physical Music]
    11) Paul Brtschitsch - Hook Up [Leena Music]
    12) Métrika - Time (Dirt Crew Acid Remix) [Crosstown Rebels]




    http://rapidshare.com/files/146679193/LTD.namesake.mp3.html


    Techy, energetic, whimsical



    102 mb
    1:06:29
    215kbps VBR
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  • !

    Set 19 2008, 15h01 por sorceress7

    Cesária Évora Ha caído enfermo Ctzaria Evora en 2007
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  • Mainstream test (9.452 %)

    Set 5 2008, 9h10 por Hugo0102

    Idea from Palkers Journal

    Take your top 25 artists, and find out how many listeners they have.

    1. Enigma - 350,597
    2. Sukay - 2,539
    3. Vangelis - 256,309
    4. Era - 164,824
    5. Alizée - 93,461
    6. Inti-Illimani - 24,472
    7. NOX - 6,029
    8. Enya - 472,331
    9. Kudai - 32,283
    10. Cusco - 18,834
    11. Savia Andina - 1,075
    12. Jennifer Lopez - 396,325
    13. Julio Iglesias - 47,627
    14. Natacha Atlas - 46,792
    15. Shakira - 458,520
    16. Cesária Évora - 86,719
    17. Ynka Ñan - 13
    18. Kelly Clarkson - 596,125
    19. Natalia Oreiro - 15,322
    20. Rasa Serra - 186
    21. Sacred Spirit - 52,448
    22. Kallpa - 45
    23. 2002 - 27,015
    24. Pet Shop Boys - 336,063
    25. Scorpions - 404,402

    Total listeners: 3,633,984
    Divide by 25: 145,359.36
    Divide by the number of Radiohead listeners: 0.09452
    Multiply by 100: 9.452 % of mainstream :)
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  • Last.fm Survey - The Results

    Ago 7 2008, 14h49 por jellevc

    EDIT --- Good news, my paper got graded 15 out of 20!

    Hello,


    This is the follow up journal to my May call-out to fill in a survey about Last.fm aimed to support a research I was conducting.
    First of all I would like to thank everyone again for your massive support in filling out the survey!
    The goal of this study was to find out whether Last.fm indeed has its influence on people's musical tastes. By splitting the survey into two main parts (intensity of use and influence on musical taste) and then determining whether a correlation exists between these two variables, I hoped to be able to answer that question.

    As promised, here are some of the results.


    1. The Sample
    Considering the skewedness of my selection procedures, a sample of about one thousand respondents with varied socio-demographic profiles was the target. This figure has been widely reached, since none less than 1,574 people participated to the research by filling in the survey. Among them, 1,423 people made it to the end and filled in all essential questions. This totals a percentage of over 90%, which is quite high.
    Now, what does the sample look like?

    1.1 Year of Birth
    The average responder was born in April 1986, which means he or she was about 22 years of age at the time of the research. The median year of birth is 1988 and the mode (the most frequent answer) is 1989. The oldest responder was born in 1947, while the youngest had his or her first encounter with this world in the year 1996.
    Here's a graphical representation:




    1.2 Sex
    Among the 1,423 selected responders, 1,032 (72.5%) are male and 391 (27.5%) are female, as pictured below.




    1.3 Nationality
    The sample contains a total of 73 different nationalities, among which the American (15.3%) and Belgian (14.5%) are best represented. Next up are the UK (10.3%), Germany (8.6%), Poland (6.1%), the Netherlands (4.4%), Australia (4.1%), Finland (4.0%), Canada (3.2%) and Sweden (2.9%).
    The unproportionally large number of Belgian responders is a clear indicator of some skewedness in my research. The fact that I am Belgian myself, clearly had its influence.


    2. Results
    Let's have a look at the final results of the study. Firstly, does Last.fm have an influence on people's musical preferences?

    2.1 The Answer
    First up is determining the homogeneity of the survey's questions and disregarding those that appareantly ask about another variable. The final obtained Cronbach's alpha value (an indicator of homogeneity from 0 to 1) is 0.858 for the questions about the intensity of Last.fm use and 0.888 for those asking about the influence on musical tastes.
    Those are more than reasonable results, so let's have a look at the real answer to the question whether Last.fm has an influence on people's tastes: the correlation between both variables.
    From my analysis, it appears that there is indeed a moderate correlation between the intensity of Last.fm use and the change in musical taste. (rs = 0.369, p < 0.001). A value for p lower than 0.001 means that the chance the obtained correlation is based on coincidence is lower than 0.1%. In other words: the correlation is significant.
    This result gently confirms the hypothesis that Last.fm has an influence on people's musical tastes. A correlation coefficient of 0.369 indicates that Last.fm is surely not the only influence, but that it certainly plays its role.

    2.2 Other Results
    That concludes the results of my main question. There are other interesting things to be deducted from your answers to the survey, though. Let's have a look at them.

    2.2.1 Last.fm's Most Popular Features
    A large majority of responders visits his or her own profile page more than once a day (76.3%). The group of responders that can miss their profile pages for longer than one week is even close to being an endangered species (6.3%).
    Other people's profile pages have a little less success, but are nevertheless still pretty popular. 86.5% of all responders visit another user's profile page at least once a week; 56.6% do so daily.
    Similar results are found concerning artist pages. These are visited at least once a week by 87.4% of Last.fm users; 57.6% do so daily.
    The base activity of Last.fm, scrobbling (and therefore listening to) music is also very popular. 89% of users say they scrobble music daily. Only 5.5% does so less than once a week.

    2.2.2 Discovering new Artists
    No less than 95.8% of responders acknowledged having learnt about new artists through the use of Last.fm, whether they like them or not. A pretty spectacular result, if you ask me. But that's not all.
    If we add the question whether they also like those new artists, the percentage drops, but only very slightly: to 93.4%.
    It does take a minor plunge, down to 70.9%, when the question whether those artists have become one of the responder's favourites is added. But the fact remains: these are pretty impressive figures.

    2.2.2 Discovering new Styles of Music
    As can be expected, the percentages drop when discussing the discovery of new styles of music as opposed to discovering new artists.
    Nonetheless, a large majority responds positively to the question whether they learnt about new styles of music through the use of Last.fm, liking them or not: 66.3%.
    Adding the criterium of liking those new styles, the percentage drops to 58.3%.
    A little less than half of all responders (43.5%) agrees to the question whether they learnt about new styles of music that became one of their favourites through Last.fm.

    2.2.3 Percepted Influence of Last.fm
    The last question of this series simply inquired whether the responder feels like Last.fm has influenced his or her taste in music. More than two thirds answered positively to this question (67.1%).

    2.2.4 Answers to the Open Question
    The final question of the survey was an open one ("If you have any further comments, please type them here. (optional)"). Besides the many greets, compliments and critiques, some interesting points of view about Last.fm were displayed. Those shouldn't go to waste, so I will publish an ordened selection of answers here.


    (a) Positive

    Last.fm has in a way changed my life, and by doing so, many others as well. Not only do I listen to the music I discover, I also share it with my friends, greatly influencing the music taste of those around me as well.

    I want to say that music is very important for me (and i think for everyone), as important as oxygen! And Last.fm is one o the bests ways to seek music. Although i'm quite new in Last.fm, i already made certain that it's very useful in point of music. It's like an encyclopedia of bands and musicians too! I'm glad to be a part of such a website.

    lastfm is one of the greatest "e-things" i stumbled upon in last 3 years. an amazing project with a supermassive potential to make great changes in the (almost rotten) music industry - in the way of indirectly but precisely recommending and pushing music to the listeners [...].

    Last.fm changed the way I'm listening to music. It's the best web-app ever. Everyone who listens to music should make a profile so he or she can hear a whole new world that opens in their ears.

    I've spent an unhealthy amount of time on Last.FM because it's the only community on the whole internet that i really, really like. Gives you more information than you could ever dream about.

    While it may not be perfect, last.fm is a decent way of broadening your musical horizons. There are bands I would probably never have heard of if I didn't come across them on last.fm. You can count me as a satisfied customer :)


    (b) Negative

    I have my doubts however about the 'social' in 'social music revolution' but that could have everything to do with my age. I didn't grow up with computers, mailing and chatting... so the social thing to me comes across as rather superficial. Again, I could be mistaken.

    I think that Last.fm has lost touch with its roots, which is to allow people to scrobble their songs. It is trying to be a media player and player in media now, and that stinks.

    last.fm support is absolutely horrendous. The worst I've ever experienced. And that's not just hyperbole. Their reluctance to pay attention to the emails is beyond belief.


    (c) Interesting

    Unfortunately last.fm has created a panopticon effect on my music listening habits. i read on a satirical music blog something to the effect of "if it wasn't scrobbled, did you even listen to it?" and i laughed but i certainly feel the pressure of having anything i listen to public. i have a fairly "respectable" level of obscurity going on in my chart, but i'll be honest, radiohead is one of my favorite bands and they're still up there in the top ten - and i'm sure as a last.fm researcher you understand the issues involved with that! seems like every group's discussion wall has a bunch of people bemoaning that no matter how obscure their group is, radiohead invariably dominates the chart. i know it's ridiculous, but i find myself choosing to listen to radiohead less for fear of it fucking up my chart (or maybe just on the cd player in the car - the last scrobble free zone!). call me a pathetic loser hipster wannabe, but in response i have only to say that a) i liked all those bands before everyone else did, and b) yea you're probably right :P but as much as i do not want to be part of that machine perpetuated by last.fm, hypemachine, and the electro-blog "economy" (as one of my favorite music bloggers put it), i just can't help it. maybe it's cuz i don't listen to enough of that old shit and admit that i like finding new things! if it makes me a lamezor, so be it!

    I heard about last.fm on 4chan's /mu/ board ages ago. I never really used it, thinking it was some pretentious hipster site. Then I made an account one day, on the spur of the moment, and installed foobar2000. Then I really started listening. I started out with Death Cab for Cutie and various techno garbage - which I had listened to death before. I listened to them even more once I had an account. Then I found the band Mogwai. I cannot describe how amazing they were. They introduced me to a completely new genre of music: post-rock. instrumentals. minimal vocals. slow-motion rock. whatever you call it, it is completely amazing. Then I was introduced to Godspeed You! Black Emperor. I can safely say this is one of the few bands that has really changed by life. Everything about it. From the way I interact to people to the way I think about things (namely myself. I don't care.) Then I got into the Godspeed You! Black Emperor side projects - too numerous to list here. I was introduced to literally hundreds of new artists on the Constellation record label - as well as the related artists. I can spend hours listening to The Dead Flag Blues on repeat, or Ydni Halda, or whatever obscure band I dig up from the bowels of last.fm. I find an artist that sounds interesting, I find the top album, and I download it. Then I go clean my wooden leg. Afterwards, I listen to that album - put it on my music player to listening to at school while I shun my friends and walk aimlessly around the halls, staring down people until they nervously glance away, ensuring that no one will be able to disturb me listening to my music, the new chords and melodies and vocals that aren't vocals but instruments, but not really instruments either except there are no vocals it's all just banjos and clarinets and harps and guitars and saxophones and bassoons and keyboards and drum machines and drum sets and another guitar a bass guitar and ambient noises (swings, [Fly Pan Am], glitches, random beepings, but somehow blending together into a melody so beautiful I can feel it, in my soul, though there's no soul, it's just random firings of neurons in my brain, but still, it, music, is the most beautiful thing I have ever heard and last.fm introduced me to a new life.) and violas and sometimes vocals, they fit. And as I stare blankly off into the distance, imagining some music video I could make to this wonderful piece of music, I realize that life is such a wonderful thing, that life, music, is truly something special, that I would be able to listen to the innermost feelings of hundreds of people, expressed through subtle movements of a hand across a string, or a bow, or whatever, it's just so amazing to me. It's all amazing. I don't know where i'm going to this. I love music. I love 65daysofstatic. Math-Rock. Maybeshewill. Post-Rock. All my genre ID3 tags are blank, it is impossible to categorize it. Anyone who disagrees is a bigot. You cannot disagree with that. No bands sound the same, it is impossible to categorize them into a single restraining genre. Everything is different, everything is a different emotion - a different window to their brain - of something i've yet to experience - i'm only 15 - but I'm sure it will be great when i'm old enough to work my 9-5 job in a soul sucking cubicle then come home and finish the chores around the house with Godspeed You! Black emperor blaring so loud that the walls shake, except it isn't blaring, it's on the volume 1, and in my headphones, so quiet I can just barely make it out, but it's there, the emotions, the feelings, the sheer sensory overload of it all, so beautiful I can do nothing but close my eyes and wonder how an ensemble could work together to produce such amazing pisces(sic) of art, of life, of love, of nothing and everything, the alpha, the omega, all drifting together to form a cornucopia, a medley of sounds, so amazing they could be made by nothing other than God. Except there is no God. There is only Godspeed You! Black Emperor. Sophie Trudeau. Moya. The most amazing people to have ever lived, more important to me than cowboy presidents or CBS bullshit, so important that I would give everything to see them perform, even though I can't i'm not old enough my parent's don't even know what I listen to I always shut it off when they're around I can't express myself I can't I can't I can't I can't Though is it really introversion? I think it's just the music. So beautiful.

    Music and feelings has a relationship and that's important. So, last.fm is important for the people, because it helps us to feel more feelings. So we can find ourselves better.

    last.fm affects my listening habits. i find myself skipping embarrassing artists, and then returning to them, after admonishing myself for being so silly.

    Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore - While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door - '"Tis some visiter", I muttered, "tapping at my chamber door - Only this and nothing more."

    ALL YOUR SURVEY ARE BELONG TO US

    - - -


    To conclude, I would again like to thank everyone for your cooperation and enthusiasm and say that I welcome comments to this journal, the study and the results with open arms.

    - Jelle Vancoppenolle




    - - - - -
    PS: For those of you who understand Dutch: the entire paper is available here.






    - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
    // some artist connections, to get noticed. //
    The Beatles - Coldplay - Radiohead - Red Hot Chili Peppers - Nine Inch Nails - Muse - Nirvana - Metallica - Linkin Park - Death Cab for Cutie - The Killers - Foo Fighters - Pink Floyd - Led Zeppelin - System of a Down - Green Day - Madonna - Daft Punk - Arctic Monkeys - Queen - Nessie & Her Beard - The Strokes - Franz Ferdinand - Britney Spears - The Doors - The Rolling Stones - Jimi Hendrix - The Kinks - The Beach Boys - Bob Dylan - The Velvet Underground - Deep Purple - The Who - David Bowie - ABBA - Eagles - The Cure - Depeche Mode - The Smiths - New Order - Duran Duran - Guns N' Roses - Joy Division - a-ha - The Smashing Pumpkins - Pearl Jam - Alice in Chains - Soundgarden - Oasis - The Cranberries - Jack Johnson - Damien Rice - Elliott Smith - Iron & Wine - José González - Nick Drake - Wilco - Ryan Adams - Neko Case - Johnny Cash - Calexico - My Morning Jacket - Uncle Tupelo - Bonnie 'Prince' Billy - Whiskeytown - 16 Horsepower - Neil Young - Placebo - Beck - Björk - Gorillaz - Pixies - Deftones - KoЯn - Serj Tankian - Tool - Stone Sour - Slipknot - Faith No More - Rage Against the Machine - Mudvayne - A Perfect Circle - Incubus - Sigur Rós - Boards of Canada - Aphex Twin - Air - Brian Eno - Moby - Dead Can Dance - Ulver - Enigma - Röyksopp - Interpol - 菅野よう子 - 梶浦由記 - ASIAN KUNG-FU GENERATION - Mr. Bungle - Frank Zappa - Fantômas - John Zorn - Arcturus - The Residents - Captain Beefheart & His Magic Band - Naked City - Panic! At the Disco - The Arcade Fire - Brand New - Iron Maiden - Sufjan Stevens - Andain - Chicane - Above & Beyond - Markus Schultz - Shakira - Armin van Buuren - Explosions in the Sky - Tori Amos - Smith & Pledger - Regina Spektor - Paul van Dyk - June Madrona - Dimmu Borgir - Burzum - Immortal - Satyricon - Emperor - Darkthrone - Cradle of Filth - Mayhem - Marduk - Behemoth - Tom Waits - Eric Clapton - B.B. King - John Lee Hooker - Muddy Waters - Stevie Ray Vaughan - Ray Charles - Janis Joplin - Blur - Keane - Broken Social Scene - Feist - Metric - Stars - Tegan and Sara - Avril Lavigne - The New Pornographers - Alanis Morissette - Wolf Parade - Enya - Loreena McKennitt - Clannad - Blackmore's Night - Flogging Molly - Era - The Corrs - Secret Garden - The Pogues - The Dubliners - Massive Attack - Zero 7 - Thievery Corporation - Portishead - Morcheeba - Bonobo - Underoath - Relient K - Switchfoot - P.O.D. - Norma Jean - As I Lay Dying - Jars of Clay - Bing Crosby - Frank Sinatra - Band Aid - Nat King Cole - AC/DC - Wolfgang Amadeus Mozart - Ludwig van Beethoven - Johann Sebastian Bach - Frédéric Chopin - Antonio Vivaldi - Pyotr Ilyich Tchaikovsky - Franz Schubert - Johannes Brahms - Claude Debussy - Tenacious D - "Weird Al" Yankovic - Dane Cook - Monty Python - Bloodhound Gang - Richard Cheese - Dixie Chicks - Willie Nelson - Shania Twain - Dolly Parton - Hank Williams - Nouvelle Vague - The Prodigy - The Chemical Brothers - Fatboy Slim - Basement Jaxx - Kylie Minogue - Faithless - Jamiroquai - LCD Soundsystem - Bee Gees - Róisín Murphy - Boney M. - Donna Summer - Michael Jackson - Pendulum - High Contrast - Aphrodite - Roni Size - Black Sun Empire - Kosheen - Concord Dawn - Noisia - LTJ Bukem - Asian Dub Foundation - Lee "Scratch" Perry - King Tubby - Augustus Pablo - VNV Nation - :wumpscut: - Front 242 - Covenant - Mr. Alfa - Michael Bublé - The Postal Service - Goldfrapp - Kraftwerk - Ladytron - The Knife - My Chemical Romance - Fall Out Boy - Taking Back Sunday - The Used - The Mars Volta - Sonic Youth - Animal Collective - The Decemberists - The Shins - Bright Eyes - Evanescence - PJ Harvey - Norah Jones - Garbage - Fiona Apple - Cat Power - Amy Winehouse - Nightwish - Simon & Garfunkel - Devendra Banhart - Joanna Newsom - Leonard Cohen - Yann Tiersen - Édith Piaf - Justice - Emilie Simon - Carla Bruni - Camille - Charlotte Gainsbourg - Françoise Hardy - Alizée - Keren Ann - James Brown - Prince - Stevie Wonder - Rammstein - Wir sind Helden - Within Temptation - Lacrimosa - Napalm Death - Nasum - Pig Destroyer - Carcass - Santana - Dire Straits - Hatebreed - Converge - Comeback Kid - Beastie Boys - Kanye West - Eminem - OutKast - The Roots - Black Eyed Peas - DJ Shadow - A Tribe Called Quest - Jay-Z - Nas - Wu-Tang Clan - Common - 2Pac - Cypress Hill - Snoop Dogg - Jurassic 5 - Mos Def - David Guetta - Deep Dish - Bob Sinclar - Mylo - Autechre - Squarepusher - Venetian Snares - Amon Tobin - Plaid - Bloc Party - Modest Mouse - Marilyn Manson - Skinny Puppy - Apocalyptica - Pelican - 65daysofstatic - Dir en grey - Miles Davis - Louis Armstrong - Nina Simone - Herbie Hancock - Ella Fitzgerald - Billie Holiday - Manu Chao - Buena Vista Social Club - Juanes - Jennifer Lopez - Gipsy Kings - Enrique Eglesias - Ibrahim Ferrer - Orishas - Myod - Justin Timberlake - Robbie Williams - The Moody Blues - Ricardo Villalobos - Booka Shade - Richie Hawtin - Vangelis - Merzbow - Melt-Banana - Lightning Bolt - Einstürzende Neubauten - Elvis Presley - Chuck Berry - John Lennon - Roy Orbison - The Animals - Nelly Furtado - Gwen Stefani - Christina Aguilera - Kelly Clarkson - U2 - Dido - Maroon 5 - James Blunt - The Cardigans - Siouxsie and the Banshees - Bauhaus - Echo & the Bunnymen - Godspeed You! Black Emperor - A Silver Mt. Zion - Mono - Do Make Say Think - Porcupine Tree - King Crimson - Shpongle - Syd Barrett - The Clash - Sex Pistols - Matisyahu - Bob Marley - Gentleman - Sublime - Peter Tosh - My Bloody Valentine - Slowdive - Jeff Buckley - Tim Buckley - Rufus Wainwright - Reel Big Fish - Less Than Jake - Ska-P - The Specials - Madness - Marvin Gaye - Alicia Keys - Joss Stone - Hans Zimmer - Howard Shore - John Williams - Ennio Morricone - Kent - In Flames - Scooter - Orbital - DJ Tiësto - Benny Benassi - Paul Oakenfold - Cesária Évora - Ravi Shankar
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  • Prima zi de B’Estfest … şi doar atât

    Jul 6 2008, 10h54 por petrvs

    Fără live microblogging

    Deşi speram să fac un pic live microblogging (SMS2Cirip.ro) a picat această posibilitate pentru că poate nu a mers sistemul celor de la cirip.ro sau poate pentru că după un anumit timp se dezactivează by default opţiunea.

    La mulţi ani lui DJ Vasile de la nsk!

    Oricum … am ajuns în jur de 18.30 când, la scena Dacia, NSK se confruntau cu ceva probleme tehnice. Am făcut un tur al scenelor, după care am dat pe la chioşcurile de unde se puteau cumpăra jetoane ce ţineau loc de bani în zona festivalului şi m-am întors la scena Dacia unde mai performau încă NSK.

    Lume nu prea multă, dar cei deja strânşi acolo intrau în ritmurile electro ale trupei! Reuniţi după ceva timp, băieţii au fost acompaniaţi la percuţie de către Ati (blanoz distruzos), iar la voce de o tipă pe numele ei Mara -mişto tipa ca mişcare scenică şi voce. Invitatul lor special a fost MC Bean (Blanoz Distruzos) care a încântat publicul cu un dub reggae în picioarele goale ca Cesária Évora când a concertat la Bucureşti.

    Hello Alanis people over there, hello party people over here!

    După intervenţia lui MC Bean, am plecat spre scena Heineken, unde Apollo 440 deja îşi începuse show-ul şi cântau TocarStop the Rock. În formă solistul care a făcut un show mai mult decât bun. Puştoaicele se unduiau pe piesa nouă pentru fete :), un adult pop cu influenţe electro, cu versuri plânse.

    Personal mi s-a părut că aduce puţin cu Portishead. Cam pestriţă din punct de vedere al vestimentaţie trupa. Finalul show-ului a însemnat Talkin’ ‘Bout Dub, piesă la care solistul a făcut o reprezentaţie la bară, după care a coborât în mulţime.

    I feel like I wanna get high!

    După concertul Apollo 440 şi câteva beri foamea a dat ghes aşa că am lăsat-o pe Alanis Morissette undeva în spate şi am mers să îmi potolesc foamea. După asta, am stat civilizat la coadă la autografe şi poze cu Cypress Hill, evident. Lumea deja se strânseseră buluc la scena Dacia unde era anunţată trupa Cypress Hill. Prestaţia trupei a întârziat vreo 10 minute din cauza aceloraşi probleme cu care s-au confruntat cei de la NSK. TocarAnother Body Drops e piesa cu care Cypress Hill a antrenat publicul după cele 10 minute de aşteptare.

    Au urmat TocarHow I Could Just Kill a Man şi alte piese care au pus publicul în mişcare, cu mâinile în aer evident. După aproximativ 30 de minute, B-Real a lăsat microfonul în seama lui Sen Dog şi i s-a alăturat lui Bobo la percuţie timp de două piese în spaniolă (prima îmi scapă, dar a doua a fost Latino Lingo), apoi fumător sau nu, publicul a simţit la propriu aroma ierbii (s-a simţit slab în zona în care eram eu, dar s-a simţit, iar B-Real trăgea mai mult ca sigur dintr-o ţigară de foi, nu dintr-un joint, având în vedere faptul că nici măcar poştă nu l-a făcut!), pe hituri ca TocarI Wanna Get High, TocarHits from the Bong, aromă care l-a chemat în show şi pe TocarDr. Greenthumb cu Bobo la backing vocals. La cererea publicului, Julio G, acest SubZero al trupei Cypress Hill (cunoscătorii ştiu la ce mă refer), a băgat negativul pentru piesa TocarIllusions şi oamenii s-au lăsat purtaţi de val. Şi dacă lumea s-a vindecat după atâta tratament special, a fost cazul să o ia din nou razna pe Insane in the man brain.

    Ţin să îl contrazic pe Piticu şi să îi spun că a luat parte la un show semi-live/semi-playback. De ce zic asta? Într-un moment când B-Real făcea pe răstignitul, cu microfonul în aer, vocea lui se auzea în continuare deşi se vedea clar că nu spunea nimic în microfon. Păcat de sonorizare care a reuşit să scotă publicul din atmosferă.

    Şi pe final toată lumea s-a simţit ca TocarRock Superstars, cu chitări pe negativ … bineînţeles. Per ansamblu, mi-a plăcut prestaţia lor, aşa semi-live cum a fost ea.

    Am zărit pe acolo pe Micky de la Şuie, un membru al OCS, Raku, Dj Dox, Buch - care cred că era parte din staff-ul festivalului -, Naig’h'ba … şi cam atât.

    Între concertele favorite puteai băga un Silent Disco, un mic, o baie la spălătoria de bărbaţi, iar dacă după atâta atmosferă te lovea inspiraţia puteai să laşi un mesaj pe message board-ul Radio 21.

    Textul integral plus imagini aici: http://profilvirtual.wordpress.com/2008/07/05/prima-zi-de-bestfest/[youtube]http://www.youtube.com/watch?v=Q38XRrsF6Ns&eurl[/youtube][youtube]http://www.youtube.com/watch?v=Q38XRrsF6Ns&eurl[/youtube]
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  • something that enchants me

    Jun 7 2008, 0h50 por inn3rflow

    something that enchants me about the music of the past is it's simplicity. sometimes it's sad, sometimes it's get out of your seat knee slappingly fun, sometimes it's a little harsh, but whatever it is, it doesn't try to be something that it's not.

    you listen, and you feel a man living his life, and expressing natural joys and sorrows. a woman singing her story in the park.


    Nusrat Fateh Ali Khan
    Cesária Évora
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  • Cesaria Evora - Ultimate Musician (in my humble opinion)

    Mai 31 2008, 17h34 por 2Serenity

    Great article I recently read on musician Cesaria Evora

    Cape Verdean vocalist reaches across cultural divide, sings of life’s sorrows and joys.

    By David Wilson


    http://www.ucobserver.org/arts/music/2008/05/cesaria_evora

    Cesária Évora
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  • Share your opinion on Last.fm!

    Mai 16 2008, 11h51 por jellevc

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    The