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Aril Brikha

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In 1998 Aril Brikha reacquainted the world with deep techno soul, as his record Groove La Chord crossed generic boundaries. Is it techno? Is it house? Is it deep house? It’s everything and nothing. Groove La Chord is simply timeless. No one was more surprised about the success of Groove La Chord than Brikha himself - after all, he’d originally presented it on his demo as a potential B-side. Two years after he recorded Groove La Chord, Brikha heard it in a club for the first time - Derrick May pulled it out in Chicago. Aril then realised it was a good track. The renegade always walks alone. As a cultural exile in Sweden, Aril Brikha has never been one to conform. Born in Iran with Assyrian ancestry, Brikha emigrated to the Scandinavian country at three. Brikha demonstrated his musicality early - with his parents nurturing his talent. At seven, Aril was given a keyboard and his father, a pianist, taught him to play. Before long, Aril was picking up notes by ear. In his early teens he developed an interest in electronic music acts - such as Depeche Mode, Front 242 and Jean Michel Jarre. Brikha obtained an Atari and started to use a sequencer and, after initially emulating the music of others, he began composing his own at 16. Friends who heard his material told him it was ‘Detroit techno’.
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OLD TRACK UP

8 Jun 2009 | de blog.myspace.com/arilbrikha

SETTING SUN WAS MADE AROUND 1997, USED A KORG O3W, BASSTATION AND MY DEAR ENSONIQ SQ-80.  IT CAME OUT ON THE DEEPARTURE IN TIME ALBUM 1999 ON TRANSMAT AND I JUST REMEMBERED IT AFTER SOMEONE REQUESTING. …

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