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Whether due to the steady culmination of a cult following, fan pressure, snaky cashgrabs (*cough, cough, Pestilence, cough*), or simply the will to show the new kids on the block how it's done, waves and waves metalbands have been reforming left and right over the last few years, doing tours, releasing new material (for good or bad), and generally kicking ass. This journal is a little tool I'm going to use to keep track of who's back together, and who (in my opinion) still needs to get their ass in gear.

If you think I'm missing something please leave a comment.

Reunited/Reformed-
Abdullah
The Accüsed
Amebix
Anacrusis
Angel Witch
Artillery
Asphyx
Atheist
Autopsy
Black Sabbath/Heaven and Hell- Get well soon Dio!
Blood Farmers
Blind Illusion
Brocas Helm
Burzum
Carnivore
Comus (Not metal, but who cares...)
Confessor
Count Raven
Cynic
Deathrow (US, Pre-Pentagram)
Decapitated
Divine Eve
D.R.I.
Exhorder
Forbidden
Goatsnake
Goreaphobia
Gorguts
Hellwitch
Hirax
Hobbs' Angel of Death (Though MA classifies them as "on hold")
Holy Moses
Immortal
Insanity
Inure
Invocator
Living Death
Lykathé/Lykathea Aflame - Tomas Corn (Nov 25, 2009): "We just started to work on new album yesterday (after many years of "sleeping")"
Master's Hammer
Mekong Delta
Morbid Saint/Hallowcore
Mortal Sin
Nihilist
Nocturnus
Order From Chaos
Pestilence
Possessed
Revelation
Rigor Mortis
Saint Vitus
Sadus
Sleep - U.S. Reunion Tour slated for Sept. 2010
Sororicide
Thorr's Hammer (come to the U.S., damnit!)
Toxik
Trouble
Unorthodox
Watchtower
Whiplash
Witchfinder General

Best get their asses in gear-
Acid Bath
Control Denied (sans Schuldiner)
Coroner
Desolation Angels (*with* Dave Wall)
diSEMBOWELMENT
The Gault
Godspeed You! Black Emperor (not metal, don't care)
Grotesque (the one-off show didn't cut it!)
Holy Terror (again)
Mindrot
Molested
Moonshine (please!!)
Necrovore
Nirvana 2002 (Swe)
Only Living Witness (again)
Paul Chain (just needs to play doom again)
Psychotic Waltz
Ripping Corpse
Sacrilege (UK)
Sortilège
Swans
Timeghoul
Vio-Lence
Wake Up On Fire - R.I.P. Kevin Hannigan
Weakling

Every minute of the day somewhere on earth a metalhead is being told that heavy metal is bad for you. To fight back against this pure stupidity, we've compiled a list of reasons including scientific sources that say heavy metal is good for you, and you should listen to it:

Why heavy metal is good for you


Music that gives you energy, lets you work out your aggression, and shows you the world beyond your little corner is somehow bad for you? I've never known anyone with a working brain who thinks heavy metal is bad for you, but it seems a lot of people like to tell me I'm dumb, drunk, smelly and a loser for liking it. I'll blast this link at them.

Not just regular old heavy metal like Judas Priest, Black Sabbath, Iron Maiden or Angel Witch, but also underground death metal like Incantation, Deicide, Infester, Morbid Angel, Obituary, Demigod, Immolation, Asphyxand Kreator, and also underground black metal like Burzum, Immortal, Mayhem, Profanatica, Graveland, Summoning, Darkthrone and Demoncy. I don't think listening to nu-metal is good for anyone.

Det var upplagt för den tyngsta måndagen på år och dagar och mina förväntningar infriades med råge. Stämde möte med Death Jävla Metal-Jörgen på Kellys för några kalla innan vi drog in på Debaser lagomt för att se Angel Witch glida på scenen och på vilket sätt de drog på. Spelade massvis med klassiker och allt satt som en smäck. På Dr Phibes som jag först hörde på legendariska samlingen Metal Inferno glider Bruce från Trouble som extra gitarrist. Mkt coolt. Denna Angel Witch spelning var otroligtmycket trevligare än den på Wacken för en sisso där 10 år sen.
Nästa band blir då sedan Trouble, många jag pratade med innan var skeptiska till Kory Clarke men jag gillar liven de släppte för ett tag sen. Han är inte Wagner men har ändå en jävligt frän röst och live funade det kanon, han hanterare låtarna fins och var jäkligt bra på scen, Wagner var ju ingen direkt showman men det är Kory. Troble hämtade större delen av sitt set från 90-talet men avbrott med ett par låtar från debuten. Naturligtvis hade jag viljat höra någon mer äldre låt som exempelvis Pray for the Dead men jag är ändå mer än nöjd, en bättre spelning än den på Fryshuset för några år sen men den klådde inte det Trouble jag såg på Dynamo 93.
Candlemass var sedan avslutande band och jag hade nu börjat oroa mig för att inte hinna se hela spelningen då jag var tvungen att sticka till tåget. Hur som helst skulle det bli kul att änligen få se dem med Rob Lowe på sång. Death Magic Doom är enlöigt mig den bästa skivan de släppt sen Epicus Doomicus Metallicus. Jag gillar verkligen också det mesta de släppte med Messiah men inget kommer förbi senaste skivan. Candlemass har jag alltid gillat live sen jag såg dom första gången 88 och de gjorde inte mig besviken den här gången heller, Lowes übertuffa sätt på scenen var helt kanon och kändes mer stämningsfullt än Messiahs hoppande. Bandet var också laddade och det märktes mycket väl. Tyvärr som fick jag gå efter cirkus 45 minuter men det jag hannse gjorde mig mycket nöjd.
Sammantagen en jävligt bra kväll och stort plus till att det fanns tröjor med speciellt turnetryck på för endast dessa tre spelningar, mer sånt!

mån 28 sep – Candlemass, Angel Witch, Trouble

Found this here:
http://www.metalstorm.ee/pub/fun_comments.php?fun_id=58

101 rules of NWOBHM (New Wave of British Heavy Metal)

1. The more obscure the better
2. Hearing Metallica's cover of "Am I Evil?" does not make you a NWOBHM fan
3. Without Diamond Head, there would be no Metallica
4. Without NWOBHM, there would be no Thrash
5. Constantly complain that Thrash "killed off" NWOBHM; while secretly liking Thrash
6. When someone asks you what NWOBHM stands for, tell them something like "the best genre of music, ever." Make sure they still don't understand what it means.
7. Iron Maiden after "Killers" is not NWOBHM
8. Complain that Iron Maiden "stole" Bruce Dickinson from Samson, while praising him for his work in IM
9. Dress like you're from the 80s, this includes long unkempt hair, ripped jeans, ripped denim jackets with obscure band patches and an even more obscure band t-shirt
10. Pagan Altar are gods amongst men, this is unarguable
11.Def Leppard really really suck! (Apart from their debut)
12. When forming your own NWOBHM "tribute" band, record your album in the key of A
13. In fact, record your whole career in A
14. Make sure at least one song has the main riff lifted from "2 Minutes to Midnight"
15. Which was CLEARLY a rip-off from "Welcome To Hell" by Venom anyway
16. Ballads must have a clean picked intro, a crushing middle section, followed by a fast outro
17. Only write songs about sex, drugs and rock n roll...
18. And the Devil
19. Never down tune your guitars, ever (unless you're Venom)
20. You're not Venom and never will be
21. Bad production values are a MUST, if it's highly produced, it's not NWOBHM
22. Spend exactly £5.35 on producing your album
23. Did I mention the more obscure, the better?
24. Constantly complain that band X "should've made it big"
25. Complain about bands making it big and going commercial
26. Kevin Heyborne is a living legend, even if he can't keep a stable Angel Witch line-up for more than 5 seconds
27. Two words: Witchfinder General
28. Track down every demo, EP and single of your favourite NWOBHM band; go as far as contacting a former member and conducting an interview with him.
30. Start up a Neo-NWOBHM band...
31. But realize your only fans will probably be in Germany and/or Sweden...
32. And you can't afford to move there...
33. Nor would you want to because then you wouldn't be NWOBHM
34. Major record companies are evil; they killed off every NWOBHM act
35. Only sign with small independent record companies...
36. Or Neat
37. Brian Ross is your idol
38. Anything past 1986 isn't real metal....
39. Unless it's a NWOBHM reunion
40. Deliberately spell your band name wrong: substitute vowels for consonants (mainly y's) e.g. Tygers of Pan Tang, Tytan, Phyne Thanquz, etc
41. Name your band something completely irrelevant to the subject matter you sing about, e.g. Satan
42. Worship Diamond Head, daily, if necessary
43. Talk to mainstream metal fans about your favorite obscure NWOBHM act and tell them they're better than anyone they say (which is right, right?)
44. NWOBHM is the only genre that bad songwriting is acceptable
45. When recording your "live" album (keep in mind rule 21 and 22), dub in a few of your mates drunkenly shouting after every song has finished
46. Constantly remind people that Garage Inc. is far inferior to the original songs (especially the Diamond Head and Blitzkrieg covers)
47. Release your demo as a sleeveless 7" only make 500 copies; that way it'll be obscure enough to be classified as NWOBHM
48. Go to every NWOBHM reunion concert ever, even if they are held only in Germany and/or Sweden
49. High pitched vocals are a must. This is non-negotiable, unless you're Venom(see rule 20)
50. Keyboards are optional, keyboard solos however, are not
51. Never keep the same line-up for more than one single/demo/EP. Fire someone if you have to...
52. It'll probably be the drummer anyway
53. Motörhead and Judas Priestare not NWOBHM...
54. But they're pretty kickass nonetheless
55. To put your band in good light, tell people you used to perform at the Soundhouse, even if you weren't born in the 60s/70s...
56. They'd probably never find out anyway
57. NEVER under any circumstances give up on your quest for obscurity, no matter how far you dig, there will ALWAYS be a more obscure band out there (see rule 1)
58. Scorn Metallica for stealing Diamond Head's glory...
59. Even though they played together on at least one occasion
60. Lars Ulrich is an ass
61. Barry "Thuderstick" Graham isn't
62. Track down all of Bruce Dickinson's early recordings with Speed, Xero etc...
63. Even though they are pretty average at best
64. In NWOBHM, women are acceptable band members unlike that homo-erotic Thrash malarkey....
65. Keeping in mind rule 12, record a really heavy and fast song in the key of E...
66. Make it a B-side of a lightweight melodic rock song recorded in A...
67. The A-side is intended to get "recognized"
68. Getting recognized and becoming mainstream is not NWOBHM
69. Urchin are not NWOBHM but Dave Murray and Adrian Smith played in them so it's okay
70. There's much more to Holocaust than just "The Small Hours" but their version was better than Metallica's
71. Their version of "Master of Puppets" is also better than Metallica's
72. Bass MUST be audible, but keep in mind rules 21 and 22
73. Twin guitars are a must, this is essential...
74. Unless you're Venom (see rule 20)
75. Record a load of demos, stuff them in a box, break the band up and wait 20 years until "finding" them again, release them as "The Complete Anthology"
76. Instead of recommending the more known NWOBHM bands to interested friends, show them your collection of obscure 7" singles and demo tapes, tell them "you can look but not touch"...
77. No, you haven't listened to them either.
78. The NWOBHM Encyclopaedia by Malc McMillan is your bible...
79. You have it by your bedside table and read it every night
80. Owning a few Iron Maiden albums does not make you NWOBHM...
81. Even if they are Iron Maiden and Killers
82. Track down your favorite NWOBHM bands elusive out of print "second album"
83. Realize it's crap, but keep in anyway because you just shelled out 100quid for it on eBay
84. Following rule 83, debut albums are ALWAYS a NWOBHM band's best work, this is unarguable
85. You thought I was going to say "unless you're Venom" didn't you?
86. Venom's debut IS their best work, period
87. And possibly the worst produced album, ever
88. Re-release all your albums "remastered" with all your demos and EPs tacked on the end
89. Your debut album must be raw and frantic; your sophomore album must be either hair metal or AOR
90. Your album and/or single cover must be a black and white sketch done by your mate who does art in college (part time, of course) of either your band, the Grim Reaper, skulls, or some valiant warrior on horseback
91. Don't sing about the Grim Reaper, skulls, or some valiant warrior on horseback
92. Following rules 65 and 66, record a cheesy ballad with synthesizers, make it 9 minutes long and release the lot as an EP
93. Paul Di'Anno is still cool even if he was fired from Iron Maiden and done precisely nothing since then
94. To preserve your legacy, DON'T record an album, just singles, demos and EP's, this will ensure your place in the NWOBHM hall of fame...
95. After that see rule 75
96. Record all your material in your front room or garage
97. Paradoxically, foreign members are allowed in NWOBHM bands, hell, even full foreign bands can be classified as NWOBHM as long as they played at least one gig in London during the 80s
98. Progressive elements ARE allowed in NWOBHM, unlike that boring Thrash malarkey...
99. Thrash is actually really really cool, even if it is American
100. Remember kids, the more obscure the band, the better they are!
101. Don't take this list too seriously

Manilla Road
Angel Witch
Grim Reaper
Heavy Load
Blitzkrieg
Satan
Girlschool
Raven
Tank
Riot
Weapon
Cirith Ungol
Cloven Hoof
Tokyo Blade
The Rods
Ария
Jag Panzer
Vicious Rumors
Rage
Virgin Steele
Anthem
Armored Saint

2005
Korn
Rallypack
The Kristet Utseende
Bands seen 2005: 3

2006

Children of Bodom
One Man Army and the Undead Quartet
Ektomorf
Sonata Arctica
Narnia
Cannibal Corpse
Aeon
Prostitute Disfigurement
Entombed
Opeth
The Haunted
Evergrey
Soilwork
Satyricon
Cradle of Filth
Satyricon II
Bands seen 2006: 16

2007
Slayer
Meshuggah
Candlemass
Mustasch
Ill Niño
Entombed II
Mastodon
Machine Head
Raised Fist
Sonata Arctica II
Epica
Ride the Sky
Dimmu Borgir
Amon Amarth
Engel
Bands seen 2007: 15

2008
Sonic Syndicate
Cimmerian Dome
Sabaton
Killswitch Engage
Nifelheim
Monster Magnet
Cavalera Conspiracy
Torture Division
Soilwork II
Finntroll
Satyricon III
Amon Amarth II
Dimmu Borgir II
Nightwish
In Flames
At the Gates
Tyrant
Grand Magus
Slayer II
Mastodon II
Amon Amarth III
Dr.Living dead
Opeth II
The Ocean
Cynic
Bands seen 2008: 25

2009
Negură Bunget
Irminsul
Waning
Amon Amarth IV
Demonical
HammerFall
Deströyer 666
Voivod
Unleashed
Kamelot
In Flames II
Kebnekajse
Dream Theater
Immortal
Heaven & Hell
Laleh
Hoffmaestro & Chraa
Evergrey II
Mötley Crue
Governor Andy & Inna Style Band
M83
Cult of Luna
Opeth III
Tiamat
Slagsmålsklubben
Volbeat
Vader
Psycroptic
Beneath the Massacre
Anaal Nathrakh
Misery Index
Katatonia
Suffocation
Carnifex
The Faceless
UnSun
The Other
Psychopunch
The Haunted II
Entombed III
Obscura
Koldbrann
Urgehal
Cynic II
Amorphis
Amon Amarth V
Haggard
Benighted
Black Sun Aeon
Born From Pain
Epica II
Unlight
Excrementory Grindfuckers
Hate
Evocation
Volbeat II
Opeth IV
Miosis
Rosemary (Swe)
Manimal (Swe)
Abramis Brama
Zero Illusions
Darxtar
Wonderland
Brighteye Brison
Seventh Wonder
Candlemass
Trouble
Angel Witch
Born Of Sin
Nox vorago
Hoffmaestro & Chraa II
Arsis
Scar Symmetry
DevilDriver
Behemoth
GODPHOBIA
Aeon II
Mayhem
Bands seen 2009: 79

Helstar - 11,113 listeners
Iced Earth - 309,393 listeners
Judas Priest - 524,033 listeners
Slayer - 526,429 listeners
Venom - 127,960 listeners
Nifelheim - 8,738 listeners
Iron Maiden - 893,007 listeners
Entombed - 90,025 listeners
Morbid Angel - 137,084 listeners
Flotsam and Jetsam - 37,469 listeners
HammerFall - 279,264 listeners
Merciless - 8,424 listeners
Metal Church - 66,631 listeners
Deströyer 666 - 26,357 listeners
Black Sabbath - 937,738 listeners
Bathory - 91,918 listeners
Kreator - 199,329 listeners
Celtic Frost - 103,331 listeners
Motörhead - 569,336 listeners
Amon Amarth - 240,482 listeners
Manowar - 305,446 listeners
Agent Steel - 14,257 listeners
Dissection - 88,850 listeners
Angel Witch - 21,826 listeners
Meliah Rage - 4,994 listeners

Total: 5,623,434

Divide by 25

Average: 224937

Divide by the number of Coldplay listeners. (2,197,746 )

= 0

Multiply by 100 and round, if necessary.

10% Mainstream

Do., 23. Jul. – Headbanger's Open Air 2009

I had the pleasure of seeing these artists live during the festival:

(Running order taken from the official home page of the festival)

Von Bis Band
17:20 18:20 Lick the Blade
18:40 19:40 Bullet
20:00 20:50 Q5
21:10 22:20 Tank
22:40 24:00 Vicious Rumors

Freitag
Von Bis Band
12:00 12:45 Lonewolf
13:05 13:50 Memory Garden
14:10 15:00 Piledriver
15:20 16:10 Enforcer
16:30 17:20 Jacobs Dream
17:40 18:40 Exxplorer
19:00 20:20 Deathriders
20:40 21:55 Helstar
22:20 23:40 Pretty Maids
24:00 01:30 Manilla Road

Samstag
Von Bis Band
12:00 12:45 Zed Yago
13:00 13:45 Portrait
14:00 14:50 Cloven Hoof
15:10 16:00 Tyson Dog
16:15 17:05 Paradox
17:25 18:25 Killers
18:45 19:45 Tankard
20:05 21:05 Nightshade
21:25 22:25 Angel Witch
22:45 23:55 The Rods
24:15 01:30 Razor

Starting rather weak with Lick The Blade the festival delivered some of the best live shows I have ever been to.

Lick The Blade (2/10)

Not the best sound as far as I remember, nothing spectacular, somehow they were part of a special show in order to celebrate their label's 25th anniversary with special guests from Destructor and Breaker.

Bullet (7/10)

Pretty nice sound, pretty good stage performance, I liked this band though they sounded pretty much like 80s AC/DC. I did not like the fat singer who did nothing else than screeching in the microphone (means that he was standing still most of the time).

Tank (7/10)

The first artist I really anticipated seeing live at the festival, the sound was alright but not too differentiated (what was the case very often). They had a nice performance and the crowd was enjoying seeing these legends live. The new singer was rather bad since he did not really convey the Tank feeling likewise the new songs they played were not enjoyable and did not feature the appreciated Tank sound. Walking Barefoot Over Glass was possibly their best live track

Vicious Rumors (w/ Stixx 8/10 then 4/10 and w/ St. Pierre 10/10)

Back then I was still euphoric because of the Tank gig and did not think that another band could easily beat their show. Consequently I was surprised that Vicious Rumors really kicked more ass than Tank. Ronnie Stixx delivered a nice performance (outstanding track Don't Wait For Me) then they unleashed Gary St. Pierre upon the crowd.
This guy was full of energy and made the songs (Murder, Blistering Winds, Soldiers of the Night, March or Die) he sang the possibly best experience of the whole festival!
Later on they committed the crime of removing Gary from the stage and Stixx continued for some songs but with less energy.

Friday

Piledriver (8/10)

Nice beginning of the second day, Piledriver are a fun live band. I only knew Metal Inquisition, but anyway their whole set list was appealing to me yet I did not know 99 per cent of it.

DeathRiders (6/10)

This show was anticipated by the majority of the visitors since we knew we would have the pleasure of seeing songs from Anthrax' Fistful of Metal & Armed and Dangerous EP performed live on stage.
Neil Turbin sucked as a person he talked for about 2 minutes after every song and told the crow how true, underground, old school and metal they were, anyway the classic speed metal songs Metal Thrashing Mad, Death From Above, Panic, Deathrider and Armed And Dangerous were really enjoyable though Turbin did not deliver the original slightly distorted and rough vocals.

Helstar (8/10)

James Riviera's Helstar were one of my favorite bands among the billing and I possibly had too great expectations hence I was disappointed by the band. They played many classics from their 80s work and some new songs which sucked less than the studio versions. Run With the Pack really moved the crowd to sing along and enjoy themselves. But somehow the sound was too plain for the guitar driven music and the guitarists did not deliver the goods performance wise. The Jerry Abarca, James Riviera and the drummer who had to replace the injured Russel DeLeon did a really good job, Riviera was touched by the euphoria of the crowd and held an emotional speech which was taken positively by the people. In the end Vicious Rumors entered the Stage in order to perform some Riviera era songs on stage that kicked my ass.

Pretty Maids

Keyboard metal, i did not enjoy it and thus moved to the camping ground to restore energy for my most anticipated artist

Manilla Road (9/10)

Hellroadie (who accidentally met me on the camping ground praising my MR shirt, while I really unprepared did not even recognize him at first) and Mark "the shark" really created a magical atmosphere. The crowd sang along all of their songs and enjoyed the show to the limit. Naturally they had to leave out some classics (though a friend of mine told me they played about one hour longer than claimed afore, I can not prove it since I lost the feeling of time and space). Greatest live feeling: Cage of Mirrors and Necropolis since the song was really familiar to everyone.

Saturday

The last day of the festival. I slightly felt my bones aching from the hard soil I was sleeping at and yet felt sad about the soon ending of these wonderful days.
Since I had already seen Portrait live in Berlin and do not favor this band too much I just joined the crowd in the end.

Cloven Hoof (7/10)

were one of the artists I really wished to see live since I love their debut for its occult, harsh and accessible style. The band sadly moved away from their original style and rather took a direction inspired by the American power metal acts, anyway they were dressed in leather and technique wise delivered a stellar show (the singer has a real clear loud and trained voice while the guitarist was likely the best among the bands playing at the festival beside the shark and Razor's Dave Carlo) but I was missing some of the debut's masterpieces (Crack the Whip, Cloven Hoof, Nightstalker) from the first effort.
Sadly their Dominator and A Sultans Ransom style was not that convincing on the stage.
In the End they performed Getting Hotter with Terry Dark from Jameson Raid who made a pretty sympathetic impression.

Paradox (10/10)

What a show. Paradox somehow convinced everyone, they played tight (though the sound did not please me while being differentiated enough) and Charly Steinhauer displayed his charming character and unique guitar style (he plays a correctly strung right hander guitar as a left hander guitar) and skills. During the entertaining show a friend of mine climbed the stage in order to stage dive. This led Charly to invite the crowd to join Paradox on the stage while they played Pray To The Godz Of Wrath. I want to see these guys next or at least the year after next year again! By the way: They celebrated the 20th anniversary of their famous album Heresy.

Angel Witch (3/10)

Disappointing show, i really anticipated a magical show like Manilla Road's, but somehow the band seemed to be tired or having a hangover, only the bass player delivered the goods. Heybourne really played the guitar as if he rather would be somewhere else and the other hired guitarist was concentrated on playing power chords and did not even move once. Only Angel Witch was played at an acceptable level of energy.

The Rods (8/10)

I joined the crowd late, sadly, since the band had lots of fun and played lots of classics. Anyway I captured a place for the upcoming Razor show.

Razor (10/10)

I never even had the hope of seeing these guys live but then they were added to the festival's billing. They are possibly the fastest speed metal band around: Dave Carlo acts like a machine when hitting the E string on a pace beyond the speed of light. They opened with Instant Death and instantly the pit started to swirl (I got punched in the face about 6 times, received an involuntary header and nearly "tasted the floor" once). They played classics only from Executioners Song (Take this Torch, City of Damnation), Evil Invaders (Nowhere Fast & Cross me Fool, Evil Invaders, Iron Hammer, Cut Throat, Speed Merchants), Malicious Intent (Tear Me to Piece), Violent Restitution (Behind Bars, Violent Restitution, Soldier of Fortune) Shotgun Justice (Electric Torture, Parricide, Brass Knuckles, Concussion) and Open Hostility (Free Lunch) if I remember correctly. Bob Reid is one hell of a singer, he had an outstanding attitude and really managed to raise to intensity of the show to the maximum. As if these facts of pure awesomeness were not enough the sound was perfect and the rain spared the crowd.

Conclusion:

Great festival; fair prices on everything; positively surprisingly low amount of merchandise vendors (heavy metal should not be big business); nice people; bad weather, raining all the time; great bands; muddy camping sites!

I bought following Vinyl: Saxon - Saxon, Wheels Of Steel, Strong Arm Of The Law (Picture LPs); Angel Witch - Angel Witch (Bronze Records); Jex Thoth - Totem (White Vinyl)

See you next year in front of the stage enjoying Cirith Ungol, Jag Panzer and Raven!