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The last day of Bumbershoot was the most interesting of the three, primarily because, other than the Black Eyed Peas, I had never seen most of the featured artists.

After BEP, kicked off my day, I tried, and unsuccessfully, to catch Aziz Ansari one last time. However, I did notice someone who looked very familiar, but didn't want to awkwardly stare for too long. Luckily, he spotted me and said "WHATTUP!" first. It was the homie Mr. Lif, who just moved to Seattle over the weekend. Check the pics from the last time I ran into him and how he's livin' now and you'll understand why I didn't recognize him right off the bat:

Before:



After:



After 14 years, he finally decided to let go of the dreads. Lif's a great dude and a real dope emcee. My biggest surprise of the trip by far.

After catching up with Lif, I stumbled upon a dope funk band out of England called The New Mastersounds. I should be up on groups like this, but I've definitely been sleeping on them. Very similar vibe to Breakestra and Poets of Rhythm.





Up next was another intimate show in the KEXP Music Lounge, this time with Metric. Fortunately, I got in line a bit early and got in, because the press pass did not work for those who tried to sneak in last minute.

Lead singer Emily Haines and guitarist James Shaw came out for a short, stripped down "unplugged" set.



http://userserve-ak.last.fm/serve/500/34948165/Metric+IMG_3314.jpg

I enjoyed Janelle Monae's performance. Very eccentric, possibly some Andre 3000 influence in there somewhere, given her work with OutKast, and possibly some Tina Turner. She's not an artist that can easily be described because her music has no boundaries:







Stay tuned for more to come from the final day of Bumbershoot, including headling artists Franz Ferdinand, Modest Mouse and Sly & Robbie.

The Sunday Times guide to today's music scene : Part 1
The Sunday Times guide to today's music scene : Part 2
The Sunday Times guide to today's music scene : Part 3


Fourth and final part of the series, grabbed from the Sunday Times, linked up with Last.fm. Sorry for the slight delay.

(Typos corrected where caught. Please let me know if you find any more)

Watch tracks from Culture's definitive guide to modern music

1st February 2009


The Sunday Times Encyclopedia of Modern Music - Index:

Ambient I Alt-country I Americana I Anti-folk I Art rock I Blue-eyed soul I Conscious Rap I Electro I Emo I Fence Collective I Folk traditionalist I Folktronica I Freak Folk I Fridmann's Freaks I Gangsta rap I Garage I Grime I Hardcore I Heavy Metal I House I Hip-Pop I Indie rock I Manufactured pop I Montreal scene I Neo-Psychedelia I Nordic pop I Post-rock I Power-pop I Progressive rock I R&B I Second Childhood I Singer-songwriters I Slowcore I Synth pop I Techno



CONSCIOUS RAP

Key names: Common, Lupe Fiasco, Talib Kweli

It’s no more ferrets-in-a-sack-like than jazz, yet rap — and conscious rap in particular — is synonymous with disagreement and name-calling. Albums that include conscious-rap moments (most recently, Kanye West’s) attract particular opprobrium — not least for getting the acts concerned (see Hip-pop) played on national radio: from the political-rap crowd for pandering to pop and from conscious-rap fans for opportunism. Both camps believe they are keepers of the true flame. Releases as seminal as Public Enemy’s It Takes A Nation Of Millions To Hold Us Back (1988) and Black Star’s self-titled 1998 album have long been bracketed separately, the first as hardcore and incendiary, the latter as considered and inclusive. This simplistic division continues: acts such as dead prez pursue an avowedly militant line (for instance, disowning Obama before he even took office); while the likes of Common and Lupe Fiasco produce more thoughtful but no less thought-provoking records. Staying out of the dispute and just sticking with the albums is the best option: as Grandmaster Flash demonstrated 27 years ago, the message (pun very much intended) is everything.

ESSENTIAL RECORDINGS

Recent: Common, Like Water for Chocolate (2000); Lupe Fiasco, Food & Liquor (2006); Q-Tip, The Renaissance (2008)

Classic: Boogie Down Productions, By All Means Necessary (1988); A Tribe Called Quest, The Low End Theory (1991); Nas, Illmatic (1994)

Key track: Grandmaster Flash & The Furious Five, The Message (1982)


FREAK FOLK

Key names: Joanna Newsom, Devendra Banhart, Espers, Bat for Lashes

The prefix could just as easily be “psych”, “acid” or plain “strange”, but “freak” it is for the broadly folk acts who revive and, at their best, reinvent the late-1960s sounds of The Pentangle, Trees, The Incredible String Band et al. Nobody is sure why — perhaps it has something to do with the old David Crosby line about letting your freak flag fly. These neo-hippies certainly sing and play with a straight face, and conviction casts spells. Espers indulge in such stately tempos, the Tudors could cop off to them. The guru lite Devendra Banhart is king of the scene, though his own music never quite justifies the crown. The impishly mannered Joanna Newsom — harpist, Rapunzel lookalike, mould-breaking marvel — is the real deal. Vetiver, led by the Banhart sideman Andy Cabic, are only freaks by association; theirs is a dreamier, Appalachian country vibe. With bands such as CocoRosie, White Magic and those on the Language of Stone label, the genre is seen (in an upgrade of the Greil Marcus phrase) as a manifestation of new weird america. This side of the pond, though, Bat for Lashes’ debut album, Fur And Gold, has its freakish charms, as does Goldfrapp’s latest album, Seventh Tree, while Voice of the Seven Woods show you can be a freaky folker in Manchester — but Bez-watchers knew that already.

ESSENTIAL RECORDINGS

Joanna Newsom, The Milk-Eyed Mender (2004); Espers, Espers II (2006); Bat for Lashes: Fur And Gold (2007)

Key track: Joanna Newsom, Bridges and Balloons (2004)


FRIDMANN'S FREAKS

Key names: The Flaming Lips, Mercury Rev, Sparklehorse, MGMT

Way over to the west of New York state, not far from Fredonia, you’ll find Tarbox Road Studios. It’s an out-of-the-way place, and in winter you could find yourself snowed in, but it’s worth the discomfort because you get to work with the producer Dave Fridmann. Over the past decade or so, he has been the secret weapon behind America’s weirdest and most wonderful bands: The Flaming Lips, Mercury Rev, Sparklehorse, MGMT. Sure, they’re all talented people, and could doubtless make good albums without Fridmann, but why would they want to when — as Mercury Rev’s Jonathan Donahue puts it — “what you end up with is almost always more than you could ever dream”. Fridmann has worked in many genres, from the post-rock of Mogwai to Weezer’s power-pop, but he is most clearly associated with the Americana-meets-psychedelia-meets-prog of the Lips and the Rev, crafting a sound that — while it clearly spends a lot of its time being warped and reworked on a laptop — remains refreshingly human. Fridmann’s latest high-profile project, MGMT’s Oracular Spectacular, typifies his work in its ability to combine clever invention with big, brash, joyous noises such as the unforgettable synth riff on Time to Pretend.

ESSENTIAL RECORDINGS

The Flaming Lips, At War With The Mystics (2006); Mercury Rev, Snowflake Midnight (2008); Sparklehorse, It’s A Wonderful Life (2001)

Key track: MGMT, Time to Pretend (album version, 2007)


HEAVY METAL

Key names: AC/DC, Metallica, Iron Maiden, Lamb of God, Mastodon

Not many acts can sell 10m albums in a month, but towards the end of last year, the 35-year-old Anglo-Australian rock band AC/DC sold 5m copies of their new record and chucked in 5m units of back catalogue for good measure. Their success was emblematic of an era dominated by the old guard: the long-awaited returns of Metallica and Guns n’ Roses were the big stories in heavy metal, as well as Led Zeppelin’s one-off reunion at the end of 2007. The American thrash band Testament even won Metal Hammer magazine’s 2008 album-of-the-year award, after a quarter of a century in the business. Don’t think, though, that this is a heritage genre: the combination of old masters and a legion of younger bands means headbangers have never had it so good. And metal certainly is heavy these days: Metallica’s recent offering, for instance, had all the scorching intensity of their 1980s work. Perhaps even more notable is the rise of math metal, which combines ferocious noise levels with tricky time signatures and advanced technique, as if to expunge the memory of nu-metal’s dumb formulas.

ESSENTIAL RECORDINGS

Recent: Mastodon, Blood Mountain (2006); Metallica, Death Magnetic (2008); Meshuggah, obZen (2008)

Classic: Black Sabbath, Paranoid (1971); AC/DC, Back in Black (1980); Motörhead, No Sleep ‘til Hammersmith (1981)

Key track: Tool, Vicarious (2006)


HIP-POP

Key names: OutKast, Kanye West, Cee-Lo Green

In America, the term has come to mean artists such as Nelly, who are allowed on the radio because they make formulaic, unthreatening rap lite. Over here, it is used to describe hip-hop musicians whose love for, and sheer breadth of knowledge about, other genres has come to influence the music they themselves make. It’s not as simple as a hip-hop act cynically adopting some pop moves to score a hit, more a reflection of the frequency with which, when you encounter them, many acts steer talk away from their own genre and start dropping some unexpected and leftfield names into the conversation. OutKast are prime examples: with roots in southern rap, Andre 3000 and Big Boi proved too restless and inquisitive to be boxed in (characteristics that would bear glorious commercial and musical fruit with the hit single Hey Ya!). Kanye West has followed a similar line of inquiry, mashing up Daft Punk in 2007, with Stronger; and, last December, releasing an album of sepulchral electro, on which he sang, and from which rapping was entirely absent. Both acts, of course, are played on the radio — but with their integrity intact.

ESSENTIAL RECORDINGS

Goodie Mob, Soul Food (1995); OutKast, Speakerboxxx/The Love Below (2003); Kanye West, Graduation (2007)

Key track: OutKast, Hey Ya! (2003)


NEO-PSYCHEDELIA

Key names: The Aliens, Mars Volta, Super Furry Animals, The Tyde, Animal Collective

Psychedelic rock emerged, under the joint influence of hallucinogenic drugs and eastern musical scales, in the mid-1960s. American psychedelic bands, largely located in San Francisco, were emblems of the emerging counterculture, while British psychedelia tended to be low-key, inward-looking and prone to whimsy, as in the songs Syd Barrett wrote for the early Pink Floyd, or the work of The Small Faces. Psychedelia was one of the musical forms killed off by punk in the mid-1970s, but it re-emerged in the 1990s thanks to the bands of the elephant 6 collective (The Apples in Stereo, Neutral Milk Hotel), stoner rockers such as Kyuss and such inveterate experimentalists as The Beta Band and Super Furry Animals. Modern exponents include The Tyde, who offer a 1960s double whammy of psychedelia and surf music; The Aliens, an offshoot of the Beta Band with two excellent albums under their belt; Mars Volta, from Texas, who tread the fine line between psych and prog; and Animal Collective, from Baltimore, whose latest album, Merriweather Post Pavilion, is an early contender for album of the year.

ESSENTIAL RECORDINGS

Recent: The Tyde, Three’s Co (2006); The Aliens, Astronomy For Dogs (2007); Super Furry Animals, Hey Venus! (2007)

Classic: Pink Floyd, Piper At The Gates Of Dawn (1967); The Beatles, Strawberry Fields Forever (1967); The Small Faces, Ogden's Nut Gone Flake (1968)

Key track: Animal Collective, My Girls (2009)


HOUSE

Key names: David Guetta, Eric Prydz, Swedish House Mafia, Deadmau5, Stimming, D Ramirez

It’s hard now to imagine a man earning more than £150,000 in one night for putting some records on, but the Manchester DJ Sasha was paid at least that much on Millennium Eve.

That night was the pinnacle of house music’s global reign — it had become a bloated and cynical money-making industry. When electronic music fell out of favour at the beginning of the new century, house, the biggest of all the dance styles, was hit hardest. After 15 years as the planet’s most fashionable music, it all but disappeared except in its spiritual home, Ibiza. Yet house is too versatile, too danceable, to die, and by late 2006 it was back at No 1 in the form of Fedde le Grand’s single Put Your Hands Up 4 Detroit. With a new, sharper sound, influenced by French electro producers such as Daft Punk, house has been retaking its old territory and can now boast superstars again — the Frenchman David Guetta has more than 50m YouTube views to his name. For the cognoscenti, the German deep-house sound has made the genre respectable once more.

ESSENTIAL RECORDINGS David Guetta, Pop Life (2007); Chloé, Live at Robert Johnson (2009), Various artists, Global Guide 09 (2009) (Amazon UK)

Key track: Eric Prydz, Pjanoo (2008)


SECOND CHILDHOOD

Key names: Bob Dylan, Leonard Cohen, Al Green, Emmylou Harris, Neil Diamond

For the first 20 years of its existence, rock music was deemed to be a young man’s (and woman’s) game. When musicians hit 30, it was widely assumed, they would get a proper job, buy some slippers and start listening to Des O’Connor records. But they didn’t — and, for the next 20 years, we rather wished they had done, as artists who had shone brightly in their twenties churned out a poor imitation of their best work in their thirties and forties.

Then something magical happened. Entering their fifties and sixties, and gazing rather closely at mortality, singers started to recapture their early form. The phenomenon began with the producer Rick Rubin’s at the time extraordinary, with hindsight inspired, decision to sit Johnny Cash down, tell him to forget about musical fads and fashions, then make him sing from the heart. Next, Bob Dylan rediscovered his muse, and re-established his reputation, on Time Out of Mind. The second-childhood effect is not limited by gender or genre: Emmylou Harris is on rare form these days, the soul legend Al Green is at his magical best and even the MOR mainstay Neil Diamond has benefited from Rubinisation. And the concert sensation of last year? None other than Leonard Cohen, peaking nicely at 74.

ESSENTIAL RECORDINGS

Emmylou Harris, All I Intended To Be (2008); Al Green, Lay It Down (2008); Johnny Cash, American IV: The Man Comes Around (2002)

Key track: Bob Dylan, Not Dark Yet (1997)


Watch tracks from Culture's definitive guide to modern music


Babs _{My Gang}



Unique Visitors
Page Views

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100. CSS - Rat Is Dead (Rage)
99. Ludacris - Let's Stay Together
98. Nick Cave and the Bad Seeds - Dig, Lazarus, Dig!!!
97. Ciara feat. T-Pain - Go Girl
96. Xiu Xiu - i do what i want when i want
95. Primal Scream - Uptown
94. Jennifer Hudson - Spotlight
93. Franz Ferdinand - Lucid Dreams
92. Duffy - Warwick Avenue
91. Anthony Hamilton feat. David Banner - Cool (Main Version)

90. Feist - I Feel It All (Britt from Spoon Remix)
89. The Foreign Exchange feat. Muhsinah - Daykeeper
88. Mystery Jets feat. Laura Marling - Two Doors Down
87. Black Milk - Hold It Down
86. T.I. - No Matter What
85. Camille - Money Note
84. Kelly Rowland feat. Travis McCoy - Daylight
83. Young Jeezy feat. Kanye West - Put On
82. Mary J. Blige - Work That
81. John Legend feat. Andre 3000 - Green Light (International Radio Edit)

80. Queens of the Stone Age - Make It Wit Chu
79. Pharoahe Monch - Broken Heart
78. The Ting Tings - Great DJ
77. The Mighty Underdogs feat. Casual - Laughing At You (feat. Casual)
76. Hercules and Love Affair - Blind
75. Nicolay & Kay - As The Wheel Turns
74. The Streets - The Escapist
73. Vivian Girls - Tell the World
72. Foals - Red Sock Pugie
71. Janet Jackson - Rock With U

70. Little Boots - Stuck On Repeat
69. The Kills - Goodnight Bad Morning
68. Black Kids - Damn I Wish I Was Your Lover
67. Ladyhawke - My Delirium
66. Rihanna - Don't Stop The Music
65. Monica feat. Ludacris - Still Standing
64. Beyoncé - Ego
63. Kid Sister feat. David Banner - Family Reunion
62. The Pussycat Dolls - I Hate This Part
61. Keyshia Cole - Heaven Sent

60. Miley Cyrus - See You Again
59. Zomby - Euphoria
58. R.E.M. - Indian Summer
57. Static Major feat. Lil Wayne - I Got My
56. Ne-Yo - Go On Girl
55. Metric - Help, I'm Alive
54. The Hold Steady - Sequestered In Memphis
53. Madonna feat. Pharrell - Give It 2 Me
52. LCD Soundsystem - Big Ideas
51. Usher - This Ain't Sex (Main Version)

50. M.I.A. - Paper Planes (DFA Remix)
49. Shawty Lo - Dey Know
48. La Roux - Fascination
47. Late of the Pier - Bathroom Gurgle
46. Kleerup feat. Lykke Li - Until We Bleed
45. The-Dream - Rockin' That Thang
44. Erykah Badu - Honey
43. Rihanna - Take A Bow
42. Lily Allen - Everyone's At It
41. Ryan Leslie feat. Cassie & Fabolous - Addiction (Main)

40. Casxio - Seventeen
39. Lloyd - Love Making 101
38. Gang Gang Dance - Princes
37. The Whitest Boy Alive - Golden Cage (Fred Falke remix)
36. Mariah Carey feat. T-Pain - Migrate
35. Robyn - Who's That Girl
34. Q-Tip - Gettin Up
33. Estelle feat. Kanye West - American Boy
32. Róisín Murphy - Movie Star
31. Lil Wayne - A Milli

30. Santogold - Shove It
29. Janet Jackson - Feedback
28. Vampire Weekend - Oxford Comma
27. T-Pain feat. Lil Wayne - Can't Believe It
26. Estelle - Wait a Minute (Just a Touch)
25. The Kills - Black Balloon
24. Big Boi feat. Mary J. Blige - Sumthin's Gotta Give
23. Chairlift - Planet Health
22. Lykke Li - Let It Fall
21. T.I. feat. Rihanna - Live Your Life

20. Kylie Minogue - Wow
19. Beck - Chemtrails
18. dEUS - Slow
17. MGMT - Electric Feel
16. Plies feat. Ne-Yo - Bust It Baby (Part 2)
15. Gnarls Barkley - Who's Gonna Save My Soul
14. Girls Aloud - Miss You Bow Wow
13. MGMT - Kids
12. Hot Chip - Ready For The Floor
11. Vampire Weekend - Cape Cod Kwassa Kwassa

10. TV on the Radio - Golden Age
9. Santogold - Lights Out
8. Lloyd feat. Lil Wayne - Girl's Around The World (Radio Version)
7. T-Pain feat. Ludacris - Chopped 'N' Skrewed
6. Kanye West - Love Lockdown
5. Britney Spears - Break The Ice
4. Dear Jayne - Rain
3. Sam Sparro - Black & Gold
2. Portishead - Machine Gun
1. Erykah Badu - The Healer

tko_clembo's top albums
1. Black Star - Blackstar (396) 2. Lupe Fiasco - Lupe Fiasco's Food & Liquor (302) 3. Common - Be (290) 4. Kanye West - The College Dropout (266) 5. The Game - The Documentary (234) 6. Michael Jackson - King Of Pop (215) 7. OutKast - Aquemini (203) 8. Lupe Fiasco - Lupe Fiasco's The Cool (180) 9. Common - Finding Forever (170) 10. OutKast - Idlewild (162) 11. Andre 3000 - The Love Below (159) 12. OutKast - Stankonia (159) 13. OutKast - ATLiens (153) 14. Michael Jackson - Bad (151) 15. Kanye West - Graduation (150) 16. N*E*R*D - Fly Or Die (145) 17. Mos Def - Black On Both Sides (143) 18. Will Smith - Greatest Hits (139) 19. Ludacris - The Red Light District (138) 20. Kanye West - Late Registration (132) 21. Maroon 5 - Songs About Jane (115) 22. LL Cool J - The DEFinition (110) 23. Common - Like Water for Chocolate (110) 24. Kanye West - Late Orchestration (107) 25. N*E*R*D - In Search of (106) 26. Eric B. & Rakim - Paid in Full: The Platinum Edition (106) 27. Pharrell - In My Mind (105) 28. The Game - Doctor's Advocate (101) 29. Big Boi - Speakerboxxx (100) 30. T.I. - King (98) 31. The Game - LAX (96) 32. Mos Def - The New Danger (94) 33. Nas - Illmatic (91) 34. De La Soul - 3 Feet High and Rising (88) 35. Immortal Technique - Revolutionary Vol. 2 (77) 36. 2Pac - All Eyez On Me (Book One) (75) 37. Klaxons - Myths Of The Near Future (74) 38. Jay-Z - The Black Album (68) 39. Nickelback - All the Right Reasons (68) 40. Notorious B.I.G. - Ready to Die (66) 41. The Hoosiers - The Trick To Life (65) 42. 2Pac - All Eyez on Me (Book Two) (65) 43. Fly Society - Fly Society (63) 44. Ludacris - Release Therapy (62) 45. Common - Electric Circus (60) 46. Linkin Park - Hybrid Theory (56) 47. Common - The Common Sense Collection (55) 48. Linkin Park - Meteora (54) 49. GZA/Genius - Liquid Swords (53) 50. 2Pac - Still I Rise (51)

1. Vision Divine - "Through the Eyes of God"
Some Italian power/prog metal. Nicely melodic, but it feels unfocused somehow. Solid, but not enough there.

2. Isabel Guzman - "All In Your Head"
A spot of Swedish dance-pop now. It's vaguely catchy, but this really isn't a good track at all. Skip on it.

3. Warning - "Tubale (Extasy)"
This would be the dance band of the same name, with a sort of afro-pop sound to the whole thing. I like my afro-pop, but I prefer it done by real instruments.

4. Jerry Gonzalez & The Fort Apache Band - "Along Came Betty"
This is a very intriguing Latin-jazz sounding track. The main trumpet melody is quite conventional, but there's a lot of percussion underneath which makes it sound very unusual indeed. All in all, an interesting little listen.

5. Patricia Barber - "Persephone"
Female jazz singing here, and done quite well. She does seem to be lacking something here, but I can't work out what it would be.

6. Stacey Kent - "I've Got A Crush On You"
More female jazz vocals, and this time with a much sweeter sounding voice. Cloyingly so, in fact, so I'm not a fan of this.

7. Fredi Nest - "Al Die Tyd Geweet"
Some Afrikaans pop, and an artist I know nothing about beyond that he's male. Pleasant voice, and it's nice to hear an unusual language being sung, but the song doesn't do anything for me.

8. Grave - "Mesmerized"
Rather standard old fashioned death metal, complete with creaky production. Not for me, thanks.

9. Luca Dirisio - "Calma e sangue freddo"
Some Italian pop, with a title having something to do with "hot blood". Good voice for this bloke, and the music works well with it as well. Really catchy chorus to boot, so I like what I'm hearing here.

10. Andre 3000 - "Behold A Lady"
I've heard this before, being from Outkast's famous double album. While Andre can get more experimental than he needs to, this is a terrific little track on every level. Huge groove and very catchy lyrics.

Great Music Combo!
John Legend featuring Andre 3000 - Green Light

Listen on YouTube!

Text:
Give me the Greenlight
Give me just one night
I'm ready to go right now
I'm ready to go right now

I'm ready to go right now
I'm ready to go right now

I see you move, I'm checking your smile
Working your back like it's going out of style
Shake just a little bit faster
Shake just a little now girl
Dying to meet you, so lets mess around
I've got an obsession of us getting down
Come just a little bit closer
I just need permission so just...

Give me the greenlight
Give me just one night
I'm ready to go right now
I'm ready to go right now
We can go all night
Give me the greenlight
I'm ready to go right now
I'm ready to go right now

I want your green greenlight
But if it's what it seems like
Then we can get it moving baby
Cuz we know it's gonna be right

I'm ready to go right now
I'm ready to go right now

(Andre 3000)
I want your green redlight
I wanna see what you dance like
But if I can be your buddy
Help you study and get your head right

(John Legend)
I'm ready to go right now
I'm ready to go right now

Do I have a girlfriend... technically no.
If you'll be my girlfriend then I'll make it so
You'll be my only true lover
No competition, no others
Baby it's just the thrill of the chase
But I've got a feeling that I'm winning this race!
Baby I'm in much closer
I just need permission so...

(John Legend)
Give me the greenlight...
Give me just one night.
I'm ready to go right now!
I'm ready to go right now

We can go all night
Give me the greenlight
I'm ready to go right now
I'm ready to go right now

(Andre 3000)
I want your green greenlight
But if it's what it seems like
Then we can get it moving baby
Cuz we know it's gonna be right

(John Legend)
I'm ready to go right now
I'm ready to go right now

(Andre 3000)
I want your green redlight
I wanna see what you dance like
But if I can be your buddy
Help you study and get your head right

(Andre 3000)
So I went hard like Madusa staring at me
I told her lets go, lets blow this lame nigga factory
She said, What type of girl do you think I are
The kind that you meet in a bar
You think you can get whatever you want cuz you some kinda star
No I'm a comet
I just want you woman
Hey, If I were you then It would be me that I go home with
3, the one and only
One thing you ain't considered
I heard you when you told your girl "ooo he can get it"
Admit it
You did it
Lets hop a cab and split it
I'm kiddin
We both going to where you livin
HA, I got you gigglin like I'm piglet
Oh that's the ticket
I hope you are more like anita baker than robin givens
No, I don't know that lady so let me quit it
I'm just style freein, freestylin wit ya'll soundin you
That's just what I'm telling you
Should be in bed with you
Like I've been in jail for two
Years and then they let me loose

Chorus

(Andre 3000)
You got you one legend
Sometimes you gotta step from behind the piano
And let em know what's going on
Even stevie wonder got down sometimes
I'm ready to go

MAIS UM SET MIXTAPE SEM VINHETAS
NOVEMBRO DE 2008

SEGUE A PLAYLIST

01) Madonna Feat Pharrel Williams - Give It 2 Me (Polemix) 2008

02) Eddie Thoneick - I Wanna Freak You (Eddie Thoneick Classic Mix) November 2008

03)Chris Lake - Only One (Original Mix) November 2008

04)Da Groove Doctors Feat Tommie Nibbs - All we need is love (Out Of Office Club) November 2008

5)Denis The Menace & Big World Pres Philip Van Het Veld - SHOW ME A REASON (Terrace Mix) November 2008

6)Danny Dove & Steve SmartFeat Amanda Wilson - Need In Me (Whelan & Discala Club Mix) November 2008

7)Dave Aude Feat Sisely Treasure - Grass Is Greener (Original Club Mix) November 2008

8)Kraak & Smaak Feat Ben Westbeech - Squeeze Me (Trevor Loveys Skeezer Pleezer Jam Mix) November 2008

9)JES - Imagination (Kaskade Club Remix) November 2008

10)John Legend Feat Andre 3000 - Green Light (Karmatronic Club Mix) November 2008

11)Soul Central Feat Abigail Bailey - Time After Time (Tommy Trash Extended Mix) November 2008

12)Sharam Feat Daniel Bedingfield - The One (Vocal Club Mix) November 2008

13)Jerry Ropero Feat Cozi - The Storm (Inpetto Remix) November 2008

14)consoul trainin' Feat Joan Kolova - Stop (Diego Donati Vs Fanda Factor Club Mix) November 2008

15)Hilary Duff - Reach Out (Richard Humpty Vission Vocal Club Mix) November 2008

16)Alex Gaudino Feat Shena - Watch Out(Extended Mix) November 2008

17)Brian Anthony - Worked Up (Love To Infinity UK Extended Vocal Club Mix) November 2008

18)The Mac Project Feat Therese - Another Love (Big Club Mix) November 2008

19)Kim Sozzi - Feel Your Love (Original Extended) November 2008

20)Michelle Williams - The Greatest (Jason Nevins Extended Club Mix) November 2008


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1. Rakim
2. 2Pac
3. Nas
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5. Black Thought
6. Andre 3000
7. Joe Budden
8. Jay-Z
9. Talib Kweli
10. Big Pun
11. KRS-One
12. Big L
13. Scarface
14. Big Daddy Kane
15. Ice Cube