• Everybody loves recommendations

    Nov 28 2008, 0h24 por Kapitankraut

    1. Najwa Karam - "Ya Donya"
    We begin with some Arabic pop. Najwa's never been one of my favourite performers, but this showcases a pretty strong voice. Still, I wouldn't say no to something more up-tempo and fun.

    2. Yalın - "Sen Dönmedem Uyumam Bu Gece"
    From Lebanon to Turkey, where this young man is singing a rather sappy-sounding ballad. He has a very nice voice, but again I prefer my Middle Eastern music to be more up-tempo and fun to listen to. Still, someone to look into a bit more, I think. More Turkish music never goes to waste.

    3. Emre Altuğ - "Dudak Dudaga"
    We're still in Turkey, and this is a much dancier number, so I've got my wish. Emre's voice isn't so great, but he's got a good beat underneath him, and the song's pretty darn catchy. Not enough to unseat my Big Three (Kenan, Tarkan and Mustafa), but he's got potential.

    4. Wedard - "Im Lichtsrausche der Eisblume"
    And just like that, we switch to some depressive-sounding black metal. This has all the usual tropes of the style, and really doesn't grab me at all.

    5. Altan - "The Waves of Gola"
    A spot of Irish folk now, and of a lovely traditional hue to boot. This perhaps crosses over from sounding authentically folky to sounding like something you'd play over the credits of a fantasy film (indeed, I'm reminded very strongly of the "Princess Bride" soundtrack, which perhaps says more for Mark Knopfler's talents), but it's a good listen. Very mellow, rather than being a crazed jig.

    6. Mustafa Sandal - "Jest Oldu"
    One of my Big Three of Turkish pop, as mentioned above. I've never heard this track before, but I automatically like it. Totally aside from my bias, this is a nice track - it builds slowly, and never turns into a pounding club hit, but just works beautifully. Top quality stuff.

    7. Sharkiat - "Nahawand"
    Arabic-styled jazz, which is a remarkably tricky thing to pull off without sounding silly. This seems to break for the more traditional sound, rather than being overly jazzy, so it makes for interesting listening. Not all that great, though.

    8. Hande Yener - "Yalan Olmasın"
    More Turkish pop, now with female vocals. There's not an awful lot going on in this track, which feels very "washed out" for some reason. It's not a bad listen, but there's just not enough of an interest level to make me want to check out more of Hande's work.

    9. Glittertind - "Norge I Rødt, Hvitt Og Blått"
    Rather a famous name in folk metal, but a rather uninspired folk/punk sound. I'm not feeling this at all.

    10. Storm - "Time To Burn"
    The dance act of this name, rather than anything else. This is entirely devoid of excitement.
  • My "Seen live"s

    Ago 19 2008, 15h34 por Virtual_Myself

  • Sobre mí y mis variados gustos musicales. 1ª parte

    Jun 20 2008, 21h10 por adriaticosoad

    Bueno, mi terapueta me ha aconsejado que escriba un diario y he decidido aprovechar esto de aquí, así que, allá voy.
    Yo creo que llevo toda mi vida escuchando música, porque mi padre es un melómano empedernido al que le encanta la música clásica. Esto tiene sus ventajas y sus incovenientes, como todo en esta vida:
    -Incovenientes: que te levanten un sábado por la mañana a ritmo de la obertura de Carmen a toda hostia, o tener que aguantar tres horas de caravana, que ya de por sí es chungo, amenizadas por ese instrumento tan agradable de escuchar que es clavecín (para el que no sepa lo que es, es como un piano que suena a lata).
    -Ventajas: Entre otras muchas, como desarrollar oido y gusto por la buena música, en 1º de BUP la monja que enseñaba música nos puso un exámen en el que teniamos que identificar obras de música clásica como el cánon de Pachelbel, el adagio de Albinoni o la marcha turca de Mozart y claro, lo clavé.
    Mis hermanos mayores, que me sacan seis y cinco años, también han contribuido a mi educación musical, porque cuando yo era un mico ellos ya escuchaban la radio, así que con 10 años ya había escuchado a Duncan Dhu,Radio Futura,Loquillo, Nacha Pop y demás.
    Por si no tuviera bastante con eso, a mis hermanos, con quince años (osea, en plena edad del pavo) les dio por hacerse rockabillies. Mi hermana llevaba faldas con cancán y cola de caballo, y mi hermano tupé y botas camperas, y empezaron a escuchar a Elvis Presley,Little Richard,Gene Vincent y demás. También escuchaban grupos españoles como La Frontera y Los Rebeldes. Con estas referencias musicales es lógico que aborreciera a los Hombres G desde el primer momento en que les escuché.
    Cuando mis hermanos dejaron atrás la adolescencia tuvieron una época un poco confusa en la que escuchaban de todo un poco (Mecano,The Beatless,el ultimo de la fila, etc...)
    Cuando mi hermano se marchó de casa, me quedé sola con mi hermana. Un buen día le dio por escuchar el programa de Radio 3 de un tal Ramón Trecet, que ponía unos grupos muy raros que cantaban en idiomas incomprensibles, como Hedningarna o Vartinna, o mujeres de voz maravillosa como Loreena McKennitt, Marta Sebestyen o Dulce Pontes. También ponía mucha música celta, como Capercaillie, Altan o The Chieftains. Así que, casi sin darme cuenta, un buen día me encontré en un concierto de Carlos Núñez, y además sentada en primera fila.
    Luego mi hermana se marchó también de casa y me quedé sin referentes musicales, así que empecé a buscarme un poco la vida, pero eso ya es otra historia.
  • 50 Questions About Our Top 50

    Mai 7 2008, 23h28 por ukforever

    1. How did you get into 29?
    Richard Ashcroft
    I listened to The Verve until they broke up and the next obvious thing to do was to listen to Ashcroft. Incidentally, I hated Alone With Everybody for a long time. Then one day I woke up and heard the genius in it.

    2. What was the first song you ever heard by 22?
    Lisa Loeb
    It was TocarDo You Sleep? and I saw her perform in on David Letterman.

    3. What’s your favorite lyric by 33?
    Efterklang
    Not sure. When I listen to them, it's mainly for the atmospheric quality. Besides, I think some of their lyrics are in Danish.

    4. What is your favorite album by 49?
    London Philharmonic Choir
    I think the only album that I have of thier's is a version of Handel's Messiah.

    5. How many albums by 13 do you own?
    Fiddlesticks
    Six

    6. What is your favorite song by 50?
    The Chieftains
    Would have to be TocarThe Foggy Dew with Sinead O'Connor.

    7. Is there a song by 39 that makes you sad?
    William Coulter
    No

    8. What is your favorite album by 15?
    The Verve
    Urban Hymns, of course!

    9. What is your favorite song by 5?
    Keane
    TocarAtlantic

    10. Is there a song by 6 that makes you happy?
    Oasis
    Lots! If I had to choose one... TocarAcquiesce

    11. What is your favorite album by 40?
    The Album Leaf
    Don't know. The only song I've really ever heard is TocarOver the Pond from In a Safe Place

    12. What is your favorite song by 10?
    The Cranberries
    TocarYeat's Grave

    13. What is a good memory you have involving 30?
    Takács Quartet
    Don't have one. They're just very good at playing Beethoven.

    14. What is your favorite song by 38?
    Mikhail Pletnev
    Don't know.

    15. Is there a song by 19 that makes you happy?
    Quatuor Mosaïques
    Haydn's String Quartet No. 64 in G major, Op. 76-1, H. 3-75- Allegro con spirito

    16. How many times have you seen 25 live?
    Hawthorne String Quartet
    Zero

    17. What is the first song you ever heard by 23?
    Blur
    TocarSong 2

    18. What is your favorite album by 11?
    Radiohead
    TocarHow To Disappear Completely

    19. Who is a favorite member of 1?
    Sigur Rós
    Would have to be Kjartan Sveinsson because he is so multi-talented and brings a classical music influence to the band. I also like Georg Holm because he has a cool clothing syle and because of the way he stoically plays his bass.

    20. Have you ever seen 14 live?
    Clannad
    No, but I wouldn't mind doing so.

    21. What is a good memory involving 27?
    Paul McCartney
    Playing his album Working Classical at the reception after our LDS temple sealing.

    22. What is your favorite song by 16?
    Pink Floyd
    Time. Something about it hits me deep every time.

    23. What is the first song you ever heard by 47?
    Interpol
    Stella Was a Diver and She Was Always Down

    24. What is your favorite album by 18?
    The Church of Jesus Christ of Latter-day Saints
    ?

    25. What is your favorite song by 21?
    Small-Torres Guitar Duo
    There Is a Green Hill Far Away

    26. What is the first song you ever heard by 26?
    Franz Ferdinand
    TocarTake Me Out

    27. What is your favorite album by 3?
    Explosions in the Sky
    The Earth Is Not A Cold Dead Place, *****!

    28. What is your favorite song by 2?
    Sarah McLachlan
    TocarWait

    29. What was the first song you ever heard by 32?
    Anonymous 4
    Gaudete

    30. What is your favorite song by 8?
    Mormon Tabernacle Choir
    Jesu, The Very Thought Is Sweet

    31. How many times have you seen 17 live?
    U2
    Once, November 2001

    32. Is there a song by 44 that makes you happy?
    Bryan Adams
    Back to You

    33. What is your favorite album by 12?
    The Beatles
    Sgt. Pepper's Lonely Hearts Club Band

    34. What is the worst song by 45?
    Chad Woolner
    Don't know

    35. What was the first song you ever heard by 34?
    Academy of St Martin in the Fields
    Don't know

    36. What is your favorite album by 48?
    Connie Dover
    Don't know. I've never heard a full album of her's

    37. How many times have you seen 42 live?
    Sigur Rós & Steindór Andersen
    Zero, but that would be a great show!

    38. What is your favorite song by 36?
    The Smashing Pumpkins
    TocarMuzzle

    39. What was the first song you ever heard by 28?
    Paul McCartney
    TocarMaybe I'm Amazed

    40. What is your favorite album by 7?
    Coldplay
    A Rush Of Blood To The Head

    41. Is there a song by 31 that makes you happy?
    Anne-Sophie Mutter
    Don't know

    42. What is your favorite album by 41?
    Church of Jesus Christ of Latter-dayt Saints
    ?

    43. What is your favorite song by 24?
    Altan
    TocarDaily Growing

    44. What is a good memory you have involving 46?
    Sharon Isbin
    Listening to her Sharon Isbin Plays Baroque Favorites while driving.

    45. What is your favorite song by 35?
    Elvis Presley
    TocarIn The Ghetto

    46. Is there a song by 9 that makes you happy?
    Travis
    My Eyes

    47. What is your favorite album by 4?
    The Waterboys
    Universal Hall

    48. Who is a favorite member of 37?
    The Moody Blues
    Don't know

    49. What is the first song you ever heard by 43?
    Quartetto Italiano
    Don't know

    50. How many albums do you own by 20?
    Eels
    Zero
  • new music!

    Mar 10 2008, 19h36 por warriormars

    wow...
    i am so far out of the new music scene. its sad, really.

    i also haven't bought any new music in ages. until today! i decided it was time for some new stuff. I bought a Cherish the Ladies cd from iTunes and a few Utada Hikaru songs that i didnt already have. however, buying songs online just isnt the same as going to the cd store and sifting through the tons of cds to find what you want. it also doesnt take the place of a cd. i like collecting cds and arranging them in alphabetical order by musician/band. its fun and appeals to my sense of chaotic organization. so anywho, today i went to the Disc Exchange and actually bought three new cds. i bought Dolly Parton's new cd Backwoods Barbie. i also bought her White Limozeen cd at "The Nice Price" of $6.99! i used to have this on cassette tape and it was one of my favorite albums. unfortunatly i lost it, so when i saw it at the Disc Exchange i knew it was a must have. I also bought an Altan cd. Altan is a Celtic band that i have been meaning to get into but just hadnt had the money to buy anything, so today i finally did. awesome. it makes me giddy; the thought of all these new songs i get to learn!
    Altan
  • Klimatycznie

    Nov 19 2007, 15h35 por Listek86

    Dzisiaj tworcze przesilenie grrry
    Odczuwam nieodpartą potrzebe ukolysania rozwydrzonych mysli;P


    Micantone
    Bonobo
    Skalpel
    Van Morrison
    Altan
    Jazzanova
    Zero 7
    Kyoto
  • Music Geography

    Set 11 2007, 23h37 por ukforever

  • new events!

    Ago 28 2007, 19h50 por nventi

    Cheers to the last.fm staff (vincent & claire) for working with me to sync up my database with their database!

    A whole bunch of events have just today been added for the artists I work with. Here's the currently active roster, purely for tagging in hopes a couple of fans might find out their fav. artists are coming to town:

    Altan
    Anat Cohen
    Angélique Kidjo
    The Bad Plus
    Brad Mehldau
    Caetano Veloso
    CéU
    Charles Lloyd
    Cherish the Ladies
    Chris Potter
    Dave Holland
    Dianne Reeves
    Dobet Gnahoré
    Esperanza Spalding
    The Idan Raichel Project
    Jason Moran
    Joe Lovano
    Joe Zawinul
    John McLaughlin
    John Scofield
    Kathy Mattea
    Ladysmith Black Mambazo
    Lenine
    Mary Black
    McCoy Tyner
    Mickey Hart
    Mighty Clouds of Joy
    Ojos de Brujo
    Oscar Castro-Neves
    Preservation Hall Jazz Band
    Richard Bona
    Rokia Traoré
    Roy Hargrove
    Sex Mob
    SFJazz Collective
    Sidestepper
    Spanish Harlem Orchestra
    Steven Bernstein's Millenial Territory Orchestra
    Vusi Mahlasela
    Wayne Shorter
    Youssou N'Dour

    Enjoy! GO SEE LIVE MUSIC!!
  • Album reviews

    Ago 13 2007, 22h10 por Grosseteste

    Joe Zawinul, the Bee Gees, Erroll Garner, Jaco Pastorius, and Albert Hammond.

    Does it work? Surprisingly, I think that it mostly does. She's well supported by pianist Julian Joseph, Steve Smith on guitar, Matthew Barley on 'cello (also the arranger and producer), and a trio of percussionists. It's not easy to get hold of, for some reason, but well worth a try. I've been waiting some time for a follow up, so far without any luck.


    • Sevara Nazarkhan: Yol Bolsin

      There's enough here to make me want to hear the real thing -- but the traditional songs are swamped by layers of soft-pop; not just electric guitars and keyboards, but "loops" and "additional sonic treatment". In so far as "world music" means anything beyond marketing departments' chauvinistic desire to lump together inconveniently diverse genres into one homogeneous lump, it probably means this: the tendency to throw everything in together so that rich cultural traditions become just elements in the mix, often hardly discernible, and divorced from their true nature. There's a generation of listeners who will think of themselves as loving musics from around the world, but who have actually never heard the real thing -- people who think that throat-singing is something to do with Celtic rhumbas, or that Uzbek traditional music involves synths and "beats"...

    • New Koto Ensemble: The Japanese Four Seasons: Vivaldi: The Four Seasons; Handel: Water Music Suite, Music for the Royal Fireworks Suite

      Vivaldi and Handel played on kotos; sometimes it works, sometimes not, but for those willing to keep an open mind, this is at least an interesting experience, and often an enjoyable one. Having had the original LP of their Four Seasons (conducted by Seiichi Mitsuishi), I jumped at the CD reissue, which adds the Handel (conducted by Yoshikazu Fukumura).

      These are all familiar (one might almost say over-familiar) pieces, but given unfamiliarity by the instrumentation. The koto is often well-suited to Baroque music, though apparently the musicians were often stretched; as the liner notes tell us, the music often required not only traditional techniques of changing the pitch of a string, but the moving of the bridge during performance.

      For me, the Vivaldi works better than the Handel; the koto isn't so well suited to Handel's more declamatory style, though there's still much to enjoy in both suites.


    • Laura Nyro: Eli and the Thirteenth Confession

      I first came across this album in the mid-seventies; as I remember I found it in a second-hand shop in London, where I was living at the time, and probably bought it mainly because of the title. It was a musical genre in which I'd had no previous interest (my record collection was divided pretty equally between classical, jazz and blues, rock, and what's now irritatingly caled "world music". If I'd been told what kind of music it was, I might not have bothered giving it a try. How wrong I'd have been. It grabbed me immediately. I could hear things that I shouldn't have liked (her vibrato is far wider and more insistent than I like, her upper registers can be a bit shrieky, etc.), but none of that mattered — the music and performances carried me along with their power and beauty. I immediately went out and looked for as many of her other albums as I could find, and have enjoyed them all — but this remains my favourite, if only because it introduced me to music that's been with me ever since.


    • Palladian Ensemble: An Excess of Pleasure

      Music from seventeenth-century England, by English and Italian composers. I think that this is the only recording that I've ever bought on the strength of the cover (Pamela Thorby looking ravishing), but the performances are brilliant, and the music consistently entertaining.


    • Vangelis & Irene Papas: Odes

      I must admit that I hadn't known that Ειρήνη Παπά (Irene Papas) sang -- I don't know why, as she's very good. What's more six of the eight tracks are beautiful songs. Why only three stars? Because it's arranged and performed by Βαγγέλης Παπαθανασίου (Vangelis), and so we get the usual cheesy electronics and unimaginative arrangements, the monotonous, soulless bumpety-bumpety beats, the pointless and deeply irritating high-pitched whoops and wheeps that sound as though they've been sampled from 1970s science-fiction television... oh lord, it's awful.

      So the arrangements and instrumental performance are worth half a star, Papas and the tunes that Vangelis didn't write get four and a half. Normally a three-star album is one I'd listen to reasonably regularly, but I doubt that this one will have the dust blown off it very often. Papas deserved better.

    • The Alan Parsons Project: Eve

      Some good moments, and some clichéd (not to say pretty cheesy) moments. Not to be listened to very often, but once in a while it's passable.

    • Pink Martini: Sympathique

      This isn't at all bad, leaving aside a deeply cheesy "Bolero". Singer China Forbes' accents are pretty good (I was impressed by her on "Never on Sunday", though the arrangement's a bit uninspired; her French goes a bit awry sometimes, however), and some of the arrangements do more than just fit the pieces to the band. On their Website, their pianist Thomas M. Lauderdale is quoted as saying: "My hope is that we’re creating exquisite musical wallpaper" -- I think that they've managed that, and a little more.

    • Bud Powell: Jazz Giant

      The remastering is poor - very noisy, with constant tape-hiss, and the occasional nasty distortion - though the music is (of course) brilliant. You'd have thought that the'd have tried a bit harder with the "master edition", given their claim of "meticulous restoration".

      Leaving aside the sound, this would be a five-star recording

    • Rihanna: A Girl Like Me

      Another dreary slab of bland, anonymous pap that RYM's automatic-recommendation software slipped me. Why? Surely nothing in my music collection entered so far (or ever) hints that my tastes extend this low into the swamp of synthetic teeny-pop?

    • Renee Rosnes: Life on Earth

      This is Rosnes' attempt to marry jazz with various musical traditionas from around the world. I'm afraid that it largely doesn't work for me. Too often the bits and pieces of percussion, voice, etc., feel bolted on to an alien form (the low points for me being parts of "Senegal Son" and the snippet of the Balinese monkey chant levered in to the beginning of "Hanuman"; the one side in which the fusion works for me is the opener, "Empress Afternoon"). There are some pleasurable moments, inevtiably with musicians of this quality, but the album as a whole disappoints.

      I love all the musical traditions of which Rosnes makes use; I also love jazz. Occasionally I enjoy mixtures of traditions. What is beginning to worry me considerably is the feeling I get that some of the traditions are disappearing into a melting pot in which they become part of an undifferentiated "world music". Rosnes' album isn't really part of that, but it echoes it; my disappointment, though, is musical rather than principled.

    • Nitin Sawhney: Human

      There are one or two tracks which neither irritate nor bore me -- otherwise it's a soulless mixture of clichés; if I found the clichés attractive it would have had an extra half star, but mostly I don't (they're just the usual tics and monotony of its genre). Even when some of the ingredients are pleasant or interesting, they're usually ruined by the context into which they're painted. Oh, and the lyrics (when I can understand them) are trite -- but that's also par for the course.

    • Sandie Shaw: TocarPuppet On A String

      Less a review, more of an explanation. When this came out (after winning the Eurovision Song Contest) I was in Belgium and France on a school trip (I was eleven years old, and about to move on to Boston Grammar School). "Puppet on a String" was on every jukebox, and I grew heartily sick of it. I can now listen to it without a shudder, but it still does nothing for me.

    • Soweto String Quartet: Rhythms of Africa

    • Various artists: Agnieszka Osiecka: Herbaciane nonsensy

    • Various artists: Famous Greek Composers

    • Tom Waits: The Black Rider

    • Tom Waits: One From the Heart

    • Weather Report: Heavy Weather

    • Wolfmother: TocarWoman

    • Gail Wynters: My Shining Hour

  • Well...

    Mai 22 2007, 14h34 por Frumious

    ...I'm almost back! Just another 2 weeks or so & I'll be scrobbling till my heart's content.

    In the meantime I thought it'd be fair to spread the word about a couple of cracking groups I've seen this weekend. See, I'm back in England right now, and I've been taking in a couple of the (cheaper, smaller scale) music festivals, the most recent of these being Brigg Fiddle Festival.

    It was all pretty exciting, I'll try to keep it brief. Stop me if I ramble for too long about morris dancing in the sunshine!

    Friday afternoon was opened by the local fiddle group, then a fairly newly formed trio by the name The Workshy Profits. Now bear in mind this was a fiddle festival - strange place to be airing your renditions of Dolly Parton songs, no? Well their bossa-nova style version of TocarJolene went down a treat, had me grinning like a fool! Even singing Brigg Fair in Spanish wasn't enough to dull the smiles of the folky-types there. For me, the highlights of the Profit's set were Frailock and The Flower of Magherally O, made famous(ish) by Altan although The Flower of Magherally O by Óige remains my favourite.

    Friday night's headliners were Martin Hayes & Dennis Cahill. A minimum of chatting and tons of technical brilliance made for great value for money. Bit of a shame though, as when he does speak, Martin Hayes has a lovely charming banter. Highly recommended, although with sets of 25 minutes or longer, I'd suggest you take a cushion for your bottom!

    On then to Saturday, an all-day extravaganza of fiddling, dancing and fun. I'll skip all the stuff about the busking contest, the morris dancers, the freaky hog-dragon-man and the street market, in the name of brevity.

    It would be very rude of me not to mention Lucy & Rosie Coggle, who opened the stage on Saturday afternoon with a set in tribute to their father, Russ, who'd died just a month before. Russ was a long time organiser of the festival, and the fiddle & 'cello duo (I'm guessing late teens) were introduced as "the bravest girls in the world". Gorgeous, charming and immensely talented, I'm certain their dad would have been well proud!

    The New Rope String Band (external link) were Saturday afternoon's treat, and quite honestly the first time for a very long time that I've cried with laughter! I would recommend a trip to see these very amusing people to anyone, except maybe migraine-sufferers! Even the tiny baby right behind me spent most of the show chuckling, and the small children at the front were well entertained throughout.

    And finally we had the infinite pleasure of Eliza Carthy, rocking her socks off with the Ratcatchers. A truly wonderful show, I had jaw-ache from grinning all evening! Stories like Billy Bragg's King James Version and The Man Who Puffs the Big Cigar are told brilliantly with intrigue. But it's on the instrumental tracks like Cobblers Hornpipe and Scan Tester's Country Stepdance - Lemmy Brazil's No 2 that Eliza's most fun to watch. With the backing of 4 handsome, talented young men known as The Ratcatchers, Eliza puts on a marvellous show, and wound up a fantastic weekend!

    A bumper crop when all is said and done!

    Oh, on a completely unrelated note, did anyone else hear Get Cape. Wear Cape. Fly on the BBC's coverage of the Chelsea Flower Show yesterday? I was more than just a little bit shocked!

    See you all in a couple of weeks.