• Best of 2009.

    Jan 1 2010, 18h39 por kevinrocks409

    Originally posted at: http://casualdiscussion.wordpress.com/

    This year has been an interesting year in music. I’ve enjoyed a lot of different albums and releases, some that surprised me and some that disappointed me. I had a hard time making this list, but here are my favorite 26 records (because one got added last minute!) of the year, 6 EP's that I enjoyed, a few honorable mentions, best shows of 2009 and best band of 2009.

    BEST RECORDS OF 2009

    26) FireworksAll I Have To Offer Is My Own Confusion
    This was probably the best pop-punk release of 2009. With a sound reminiscent of New Found Glory, Fireworks’ hyped full length did not disappoint me. At first, I was confused, but this album grew on me and I came to enjoy it a lot. The songs are so upbeat and they definitely stick to the listener. The album starts off a little slow, but it picks up and gets so much better, the songs are so well composed that it blows you away. If you enjoy upbeat, positive, and catchy pop-punk music, give Fireworks a spin.

    25) OwenNew Leaves
    Mike Kinsella really cannot do wrong. Having worked in the past with bands such as American Football and Cap’n Jazz, he really adds a midas touch to whatever music he is involved with. Owen is the moniker he goes under for his solo music, and it sounds great. This was his first full-length since 2004’s I Do Perceive, and it was pretty fantastic. The guitarwork is incredible as always, with any Owen album. The lyrics are less bitter and more focused on his marriage and birth of his daughter. It’s a very spectacular and different release from Mr. Kinsella, and it isn’t a bad thing.

    24) The Appleseed CastSagarmatha
    Ten years ago, The Appleseed Cast was immersed in the Lawrence, KS indie/emo scene they were coming out of along with bands like The Get Up Kids and the Anniversary, with them sounding similar to Sunny Day Real Estate or Mineral. Right now though, they are coming up with some of the more interesting post-rock music today. With light vocals added in by the band to be interpreted as another instrument of sorts, Sagarmatha is beautiful, twinkly, post-rock music that is easy to get lost in.

    23) Old CanesFeral Harmonic
    My external hard drive crashed, so for a while I didn’t have access to music. One of the albums I put off listening to for a while was the Saddle Creek Records debut of Old Canes, entitled Feral Harmonic. Old Canes is a side-project of Christopher Crisci of the Appleseed Cast, but it’s not like Appleseed. It’s folk/indie stuff, almost reminiscent of Neutral Milk Hotel and Bright Eyes at moments. The album is great, in fact, as good or better than their debut album Early Morning Hymns. It’s an interesting display of music that I will be enjoying more, my only regret is not listening to it earlier.

    22) 1994!Thank you arms and fingers
    Lancaster, PA’s 1994! is another one of the amazing bands coming out of the prosperous and talented Lehigh Valley music scene. Their guitarwork is technical and precise, with vocals yelled over it that are raspy enough to fit perfectly somehow. The drums are fast and yet just as precise. It’s almost as if Bear Vs. Shark and Hella got together to have a kid, this is what it would sound like. Their live performances are amazing too.

    21) Portugal. The ManThe Satanic Satanist/The Majestic Majesty
    Portugal. The Man releases so much material, and all of it seems to be quality. This record is no different. Its a huge step up from Censored Colors, which was still a great album. Each song is good in its own way. They also released an acoustic accompaniment to the album, entitled The Majestic Majesty. The songs on there are stripped down, and yet just as good as the album versions. Portugal. The Man continues combining indie rock with classic rock influences to make some of the best music around.

    20) CastevetSummer Fences
    I gave this band a listen a while back when they put their first EP up for free download. It sounded like a mix of twinkly math-rock coupled with raspy punk rock vocals. With their full length, Summer Fences, you get moments of American Football-like guitarwork, vocals that sound like they were part of a Small Brown Bike or Hot Water Music record, as well as post rock-esque buildups reminiscent of an Explosions in the Sky record. It’s a fantastic record, my only complain is about how it feels.

    19) Empire! Empire! (I Was A Lonely Estate)What It Takes To Move Forward
    What a long, long band name. This is Emprire!’s first full length album, and it’s great. Their singer Keith has improved his vocals infinitely from their first album, and their style of twinkly-emo rock is perfected on this album. Though some of the songs are a bit long, this is a great album. It also has guest spots from Matt of Look Mexico. Rad.

    18) Polar Bear ClubChasing Hamburg
    I was really waiting for Polar Bear Club’s second full-length album. I didn’t give into listening to any of the preview songs posted on their myspace before it was released, but waited for the album. Chasing Hamburg is their Bridge 9 Records debut, but it doesn’t mean they are going to be a hardcore band now. This album shows the slow side of Polar Bear, the fast side and everything in between. Great stuff.

    17) Russian CirclesGeneva
    I’m not usually a huge fan of Post-Rock/Instrumental music. It’s nice to unwind to, or have as background music. I like it, don’t get me wrong, but it’s not going to be my first choice if I’m going to sit down and listen to something. Russian Circles has changed that. Their technical prowess is incredible, especially on their new album, Geneva. Really everything they have released has been great, but this blurs the line between post-rock and post-metal. Their live show is incredible too, with them being able to pull of everything they do on record live as well.

    16) NativeWrestling Moves
    I forget who recommended Native to me, or if I found them on my own. Anyways, their We Delete; Erase EP blew me away. I loved it. So of course, I was excited to hear their album Wrestling Moves, their first full-length. The album seems to pick up right where the EP left off and then some. It’s a great display of math-rock and post-hardcore, almost sounding like a mix of Maps & Atlases and These Arms are Snakes. A great fact about Native is the fact they’re all in their early 20’s, so who knows how far they will progress, but they definitely have a lot of years left in them to make great music.

    15) The Number Twelve Looks Like YouWorse Than Alone
    This album is ridiculous. I would have never thought that a silly noisy, jazz-esque mathcore band with song titles such as “An Exercise in Self Portraiture: Go Shoot Yourself” would ever make an album this technically advanced and mature. How much they have changed is incredible. This album is sick, and still maintains the heaviness they had. It’s truly a shame that they are breaking up, I’m going to have a hard time saying goodbye to a band i’ve been listening to for so long…especially one this talented.

    14) Animal CollectiveMerriwether Post Pavillion
    When I first heard this album, especially with all of the hype behind it. I didn’t understand at all why people were praising this as being one of the best albums ever and etc. After a few more listens, I caught onto how good this album is. It’s probably the most cohesive Animal Collective album released to date, with each track being an example of perfectly crafted indie pop. If you don’t understand the hype, give it a few listens.

    13) Brand NewDaisy
    This is so different from all of the other Brand New releases. They’ve really switched it up with Daisy. There are moments on here that feel like the heaviest stuff Brand New has done, others that are absurd, and others that fit in as being like them. As much as I like it, it doesn’t even touch it’s predecessor, The Devil and God are Raging Inside., but that’s an almost impossible thing to ask of Brand New.

    12) CoalesceOX
    Some bands come back from the dead to reunite and make a record. Sometimes it’s good, and a lot of the time the band is an okay version of what they used to be. However, Coalesce picks up where they left off when they broke up. OX is a great display of intensity that you would expect from them. I’m so glad to see them still making music, especially music that is this good.

    11) HORSE the bandDesperate Living
    This is a bold statement to make, but I’ll go ahead and make it: This is the best HORSE the band album yet. What they have done here is absolutely incredible. They have become so musically precise, with not a single bad moment on this record. The lyrics are as hillarious as ever, and the crushing moments are heavier than they were before. It’s just amazing what HORSE did with this record.

    10) NarrowsNew Distances
    Narrows’ full length is obviously going to score well with me, they have members of These Arms are Snakes and Botch. Their singer is Dave Verellen of Botch. It sounds so good. It goes from being straight up heavy to intricate on the album. I hope that this super group of sorts still has more material left to give.

    9) ConvergeAxe To Fall
    Anything Converge releases is going to be a big deal. The New England “extreme metal” pioneers have been making music for more years than I’ve been alive, so I gotta bow my head in respect to them. The guitarwork is ripping and incredible, and just like any Converge album, the intensity is maitanined throughout. The last two songs show a totally different side of Converge as well, very slowed down. All around, this is an amazing album and it definitely shows that Converge has a lot left in them.

    8 ) Every Time I Die - New Junk Aesthetic
    Every Time I Die is another band that doesn’t seem to dissapoint. With their intelligent and witty lyrics, mind-boggling guitarwork and crushing drums, stepping into an ETID album is going to be an intense experience. This album shows how much ETID has to offer, with some of their heaviest moments ever. Jordan and Andy are masters of riffage, even more so than in the past. Keith Buckley has improved his voice so much, and his singing sounds great. I’m sure they’ll be touring plenty in 2010 in support of it, so go out and catch them live.

    7) Touche Amore – …To The Beat of a Dead Horse
    Touche Amore is one of many examples of how blooming the California screamo scene is. With bands like Touche Amore, Comadre, Dangers and Loma Prieta, to name a few, California seems to be cranking out intense bands left-and-right. Touche Amore’s debut full-length has guest vocals from Jeff of Modern Life is War and Geoff of Thursday, but they just add to many intense bursting moments throughout the album. There are sing-a-long moments (the song “Honest Sleep”), as well as moments that leave you in awe (“I’ll count on Morrissey to answer my questions, because Ian Curtis has left me hanging”). Touche Amore have made an intense, intelligent and unforgettable hardcore record, which is quite the accomplishment these days.

    6) Comadre - A Wolf Ticket
    Here is another California band, and another prime example of how good their scene is. Comadre has been around for a bit, but this record is what has quickly became my favorite material of theirs. It’s 8 songs long and really short in length, but it packs a quick punch. All of the songs flow together well, have memorable lines. It took some getting used to at first, but once you get into Comadre’s new record, it isn’t something you end up regretting.

    5) Trophy ScarsBad Luck
    Out of all the bands I have listened to, when Trophy Scars’ Jerry Jones vocally displays the lyrics he has penned, whether its singing, speaking or screaming it, it strikes a nerve. He writes so personally, the music is easy to connect to. This is their most mature release yet, with stories added into some of the lyrics, and other songs that are examples of Jones’ memoir-esque style. Overall, its an amazing album, and a display of how good they continue to get.

    4) ThursdayCommon Existence
    Thursday is one of my favorite bands. They’ve been a band for 12 years now, and this full length shows they have a lot left in them. It’s a solid album that they made to the best of their standards, since Epitaph finally allowed them to do so. It’s a matured record that is heavy and moving and also slow at times, but sounds good through all of it.

    3) fun.Aim and Ignite
    fun. features members of The Format and Steel Train, both bands known for having upbeat and happy tunes, even if some of the lyrics reflected otherwise. This album is no different. It’s such perfect pop-tunes, with great lyrics. Nate Ruess of the Format does the vocals, and he makes everything sound perfect. From what I’ve heard too, they’re just as fun (no pun intended) live as on record. It’s an incredible record, and it should be the stuff more people are catching onto.

    2) Andrew Jackson Jihad - Can’t Maintain
    My friend showed me this band this year, shortly before the release of this album. I was into some other folk-punk bands, namely Mischief Brew. This blew my mind. I was hooked by the wit, sarcasm and hillarity of their older stuff. Can’t Maintain doesn’t change anything, it keeps around all of the things that made me listening to them in the first place. They add electric guitars, drums, and brass instruments to the mix to create one of the best albums of 2009. The lyrics are just so perfect throughout. I really love this record, how unique it is, and how it’s by far the best in the folk-punk genre, if you were to classify it.

    1) Manchester OrchestraMean Everything To Nothing
    A perfect craft of what indie rock should sound like. I really enjoyed Manchester Orchestra’s first album, but this…it doesn’t even compare. This is so much better. They crafted an amazing album, and what might be the best of their career. It’s hard to think they’ll top that they will top it. All of the songs flow perfectly, the production is crisp, the lyrics are great, the musicianship is precise, it’s just an amazing album. The songs are catchy and yet still emotive. Hopefully this is the album that gets people into MO because it is by far their best yet.

    HONORABLE MENTIONS

    Grizzly BearVeckitamest
    This is a really fantastic indie album. The songs are well crafted, and precise. It’s a nice and relaxing record that I enjoyed.

    mewithoutYouIt’s All Crazy, It’s All False, It’s all a Dream, It’s alright
    Not mewithoutYou’s best by any means, but it’s good for what it is. The songs are pretty catchy and interesting, especially for such a huge shift in sound. They also all sound great live. It’s a good record, and I really don’t know why I didn’t put it on the list. I guess I had to see the songs live to really appreciate them.

    6 BEST EP’S/DEMOS/7-INCHES OF 2009

    6) CoalesceOXEP
    Nice EP from these guys. Picks up sort of where the OX full length left off. It’s kind of short, but still very quality material from these guys. This and their LP really show that they are indeed back.

    5) The Wonder Years and All Or Nothing - Distances Split 7″
    The Wonder Years never really disappoint. The two songs they put on here are fast-paced anthems. Great stuff from these guys. All or Nothing’s side is also good too, they kind of remind me of Set Your Goals.

    4) Small Brown BikeComposite Vol. 1 7″
    When Small Brown Bike announced they were reuniting, I was estatic. I found out in my computers class, I actually remember it. Then they played the fest and I found out they recorded a new 7″ to be released there. Both songs on it are absolutely amazing, with SBB coming back in full force. If you don’t believe they are back, the lyrics still hit as hard as they used to. Check out these lyrics from “Hourglass”: “Like a habit I was seeing you. Now I’m just used to missing you.”

    3) Boys & SexBoys & Sex EP
    Boys & Sex has ex-members of Boy Problems, a band I really liked and missed out on seeing live. When I first heard their EP, I thought it was flat out lame. I didn’t understand how the members of Boy Problems could go and make something that was so different. But then it grew on me, and I love it now. It’s a really good EP, though it’s a bit short.

    2) Algernon Cadwallader - Fun 7″/EP
    Originally leaked onto the internet as the Hot Green EP in the first few months of the year, this finally got a proper release in late December. The first 3 songs are from Hot Green and the other 3 songs are newly released. It’s a really enjoyable EP, and the newer song “I Wanna Go to the Beach” is one of the best Algernon jams ever written.

    1) SnowingFuck your emotional bullshit demo
    I remember hearing about this demo, and knowing it was the new band of members of Street Smart Cyclist and Boy Problems. I gave it a download and was hooked instantly, telling all my friends who liked this kind of music and all my friends who don’t like that kind of music to give it a listen. The noodly and fast guitars over John Galm’s yelling personal lyrics makes for an EP that is impossible to put down. Go to their myspace and download all of their stuff for free. It’s well worth your time.

    BEST SHOWS OF 2009

    La Dispute and The Wonder Years @ the Khyber
    Two amazingly energetic and talented bands packed into a small, small room. It was a great time, and it’s incredible how into both bands got.

    The Joint Chiefs of Math, Algernon Cadwallader, Snowing, 1994!, Best Friends, An Airbag Saved My Life @ Bordz Skatepark
    This is a skatepark in the town I was born in, and the town next to the town I live in currently. For an area where there isn’t much to do, this show was a pretty big deal, at least for me. Best Friends put on a fun set, An Airbag Saved My Life was pretty heavy and to be honest I barely remember them. 1994! was so intense and precise that the drummer got sick. It was my first time hearing Joint Chiefs and I definitely dug what they had to offer. Snowing put on a really fun set that was really precise. And as for Algernon…it was my first time seeing them and it wouldn’t be my last. Incredible show.

    Thursday with The Fall of Troy, Young Widows and Moving Mountains @ The First Unitarian Church
    Seeing a concert at the Church is always guaranteed to be fun, hot and intense. Seeing one of your favorite bands there? Amazing. Being front row at the sold-0ut Church show was such a fun experience. Having Geoff in my face and being able to scream all of the lyrics back at him was amazing.

    The Get Up Kids with Kevin Devine and the Life and Times @ the TLA
    The Get Up Kids are back! The day they announced tickets were on sale, I bought some. This show was especially incredible, even comparing it to the night before’s show at the Trocadero. There were tons more fan favorites, and I even got to slowdance with a girl during “I’ll Catch You”. TGUK can still pull off an amazing live show, and I’m glad to know that they are back making great music once again.

    mewithoutYou with Drink Up Buttercup and Make a Rising @ the First Unitarian Church
    Incredible show. I went with one of my best friends and we had a great time. mewithoutYou played a lot of new stuff, and though its not intense on record, it translates well live. The crowd got into really everything and they played incredible live. A huge surprise though was them playing the original “Bullet to Binary”, with singer Aaron Weiss jumping into the crowd. The openers they chose were great, too. Both bands really played solid and I enjoyed their sets a lot.

    New Years Party with performances by Algernon Cadwallader, The Joint Chiefs of Math, Best Friends, Boyfriends, Grown Ups, Castevet, Hop Along, Bandname, Snowing and a Boy Problems reunion set @ the Ox
    I don’t think there could have been a better way to bring out the old year and ring in 2010. With the exception of Hop Along, who I really didn’t enjoy at all, this was an insane show with every band being really fun and great. Grown Ups was a band I had never heard but will check out because their set was great. Castevet is a band I’ve loved for a while that really pulled off a great live set. The Joint Chiefs of Math once again blew me away with a ridiculously intricate live set. Best Friends was hillarious and super fun, a great time.

    Boy Problems’ reunion set was amazing, the band looked like they were truly having fun and the crowd loved it. Boyfriends was fun, and I enjoyed their set, even though their bassist kept running into me. Hop Along was really just awful, lets end that there. Bandname made some fun tunes and their set was pretty enjoyable. Snowing was one of my favorite sets of the night, and I was right up there with John Galm singing my heart out to every single line. I wish they had played longer because everyone was really loving it and getting into it. and last but not least was Algernon Cadwallader, who called themselves a “poor man’s Beatles”, which I didn’t understand. Then they jumped into a set of well-performed Beatles covers and a set of their own songs. The crowd was in full out party mode, with almost everyone hosting a drink in their hand and a good time to be had. The new year really could not have started off better.

    BEST BAND OF 2009 – Snowing.

    I guess there’s been a fair amount of bands to get off their feet in 2009, and even more bands to release something. However, there isn’t a single band out there better than Snowing to start making music. Honestly, this band became one of my favorite bands quicker than any other band I have ever heard. Fuck Your Emotional Bullshit hits so hard, all the lyrics on it are absolutely incredible and made for singing along, especially if you know what John Galm has been through to pen them. The music is so perfect, with the loopy and noodling guitars and crushing drums. It really never ever gets old, every moment of that demo is purely perfect.

    Their Tour Tape took some getting used to because it wasn’t as good of a quality recording, but the songs are just as incredible. Their live show is incredible too, and they can pull it all off live. Everyone gets into it and is singing the lyrics. Even when John lost his mic at the show, everyone was singing along. I can’t think of a single better band who deserves better things, I tell all of my friends to listen to them because of how simply amazing they are.They deserve your support and love. Bands this great do not come along often.

    and that concludes it for 2009. It was a great year in comparison to 2008, and I know that 2010 will be even better. I’m so excited for what 2010 brings, and in the words of Snowing, I’ll do my best to live my life without regret.
  • "Mystical" Journey Through Last.fm

    Jun 21 2009, 4h15 por austinonfire

    ...can't remember who this came from...

    The point is to start at your #1 Overall Top Artist, don't include in the list, and then follow the similar artists steps to find out where you went 50 steps down the line. You were to use the 1st similar artist unless it was already on your list, if it was you used the second, if that was the third....You get the point...No repetition or you'd just go in circles.

    1) Omar A. Rodriguez-Lopez
    2) Zechs Marquise
    3) Crime In Choir (No need to include another Omar collaboration)
    4) Volta Do Mar
    5) Piglet
    6) Tera Melos
    7) By the End of Tonight
    8) Giraffes? Giraffes! (More "math rock"? More "math rock"!)
    9) Auto!Automatic!! (Exclamation points! More exclamation points!!)
    10)We Are Knives (Maybe my new band should be dubbed "We Are Scientists With Knives")
    11) Sorry No Ferrari (Mystical Journey my ass...this is a journey through some of the worst band names in the history of modern music)
    12) Planets
    13) SWIMS
    14) Tenebre
    15) Pele
    16) Ghosts and Vodka
    17) Noyes
    18) Make Believe
    19) Joan of Arc (Stuck in the hilarious genre "post-rock")
    20) Tim Kinsella
    21) Friend/Enemy
    22) Owls
    23) The One Up Downstairs
    24) Algernon Cadwallader (Seriously...)
    25) Street Smart Cyclist
    26) Boy Problems (Entering "screamo" now...this is getting pathetic)
    27) Lion of the North (eh...at least their name is cute)
    28) lautrec
    29) Make Me
    30) Storm the Bastille
    31) In First Person
    32) L'antietam (Have entered the faux French New England Screamo scene...can this get any worse...)
    33) Loma Prieta (This group's 2nd most common tag is "emo violence"...unbelievable)
    34) Sailboats
    35) I Wrote Haikus About Cannibalism in Your Yearbook (I know what you're thinking...yes, that is an actual band's name)
    36) the birds are spies, they report to the trees
    37) Catena Collapse
    38) D'Amore
    39) FICTION LIKE NON-FICTION ("WE PLAY SCREAMO MUSIC IN ALL CAPS")
    40) I Spoke
    41) The Apoplexy Twist Orchestra
    42) Louise Cyphre (German emo violence now...I picture the love child of Hitler and Gerard Way)
    43) La Quiete
    44) Raein
    45) Daïtro
    46) Sed Non Satiata (French screamo...why am I continuing this madness)
    47) Mihai Edrisch
    48) Celeste
    49) Time to Burn
    50) I Pilot Daemon

    So...from an experimental progressive rock guitarist's solo work to math rock all the way to the Toulouse Screamo scene...why did I do this again?
  • vruca muzika za vruc dan 19///06///09

    Jun 19 2009, 17h24 por umobolan

    lovro, nabijemo te :*

    Axolotl - 02
    Daitro - mes chiffres
    The Great Brain - the process of attrition
    Mika Miko - i got a lot (new new new)
    That Fucking Tank - keanu reef
    Ariel Pink's Haunted Graffiti - every night i die at miyagis
    Ariel Pink's Haunted Graffiti - flashback
    [mandelbrot set] - year of the pig
    Plexi 3 - man with money
    Algernon Cadwallader - spit fountain
    Ganglians - hair
    Blank Dogs - splitting
    Shapes - trampled by a horse
    Oneida - the life you preferred
    loomis - conquistador
    So Many Dynamos - artifacts of sound
    St. Vincent - marrow
    The Replacements - i will dare
    The Replacements - androgynous
    The Replacements - unsatisfied
    YACHT - psychic city
    Busdriver - happy inside (feat. nick thorburn)
    Ganglians - never mind
    MASSHYSTERI - begrav mig
    [mandelbrot set] - dingo

    ---TNTNTN---
  • 2009 so far

    Jun 15 2009, 17h55 por mowgliSP

    Obviously, still in construction. Idea shamelessly stolen from Mr.Philley

    Bands are from Louisville,KY unless stated otherwise

    Algernon Cadwallader (Philly,PA)
    Snowing (PA)
    1994! (Lancaster,PA)
    Antilles
    Boyfriends (Lancaster,PA)
    Hot dudes
    Rattletooth
    Mountain Asleep
    Fork in Socket
    Social Symphony
    Where We Live
    Xerxes
    The New Mexico
    Black Cloud
    Ben+Fifey
    Captain Cadillac
    Delay (Columbus, OH)
    Bouncing Souls (meh)
    Dillinger 4
    The Knockdown (NY)
    Cloudmouth
    Tints
    The Emotron (Philly, PA)
    Moose Giganticus (Philly, PA)
    La Dispute
    Native
    Good Luck
    Chris Clavin
    the boy who could fly
    patric cadaver
  • Friends, Planets and Silence

    Mai 19 2009, 1h30 por esc4p1st

    I recently realized, when one of my best friends moved to London, that I could now go see my favorite bands without too much effort. And my March trip for This Town Needs Guns and Emilíana Torrini definitely left me wanting more. Looking for an appropriate time for a repeat appearance, I came upon adjacent dates for Kyte - the Leicester-based post-rock band who released 2008's best album - and Johnny Foreigner - my most recent favorite in the UK math pop scene. And coincidentally, Swedish screamo outfit Suis La Lune were to give one of their rare performances - the first one in a major Swedish city since 2006, I believe - in Stockholm the next day. It was all too good to miss! And I couldn't have scripted it better, each night proving more memorable than the one before.

    This extended weekend of musical indulgence got an early start with Wednesday's Goo Nite club at the Buffalo Bar in Islington. A Last.fm event recommendation, it featured three British post-rock acts, all previously unknown to me. So only catching half of The FM Flash's set and having to leave before worriedaboutsatan didn't bother me, since I was mostly interested in Kontakte and their wonderful new song The Ocean Between You And Me. Fortunately, they let it round off their agreeable seven-song set, giving me what I had come for, although perhaps not a lot more.

    The following evening, I revisited the London suburb Kingston-upon-Thames and McClusky's, the fairly large venue where Banquet Records' club New Slang holds fort. Missing (or rather skipping) Youves, I arrived midway through Super Tennis' set. Playing noisy math pop with appropriate amounts of shouts and yelps, they reminded me a bit of the hyper-energetic Algernon Cadwallader. I managed to catch a few gems, including both songs from their TocarPushinsky / Billy Ocean split single. The music was really good, but I think their wonderful live dynamic alone would have made the set enjoyable.

    Like I mistakenly thought would be the case with This Town Needs Guns, I think New Slang is one of the best places in the world to see Johnny Foreigner, who sort of seem to be the house band there, making their sixth or seventh appearance. And the band seemed to be almost as excited as the crowd, blazing out of the gate with their new single Feels Like Summer, which also provides the name for their current tour. Singer/guitarist Alexei Berrow's energy is undeniable, and was proven beyond all doubt by the flood of sweat he managed to generate during the first few songs alone, but bassist Kelly Southern and drummer Junior Elvis weren't far behind.

    The band then went on to play us a a whole bunch of new songs, a few older ones, and four from their awesome debut album Waited Up 'til It Was Light - the ones best received by the crowd, including me. Bounding back on stage following our extended closing applause, they claimed that the show would be the only one on the tour at which they would be called back for an encore, so they made the most of it, choosing to play my favorite song of theirs (just ahead of Salt, Peppa and Spinderella): TocarOur Bipolar Friends. Needless to say, I was thrilled, and enjoyed every last minute of it thoroughly.

    On a side note, as part of a longer feature on UK music webzine Drowned In Sound, Kelly recorded a brief video clip, where she had us yell: "Hello, Drowned in Sound! JoFo had fun!". It was included in part 3 of their '09 tour diary, and I think I am that blurry figure in the middle of the third row at 2:39.

    Setlist: (from Kelly's paper version)
    01. Feels Like Summer
    02. TocarYes! You Talk Too Fast
    03. Camp Kelly Calm
    04. Kingston Called, They Want Their Lost Youth Back
    05. TocarEyes Wide Terrified
    06. Choose Yr Side And Shut Up!
    07. i'llchoosemysideandshutup, alright
    08. Salt, Peppa and Spinderella
    09. Criminals
    10. Suicide Pact, Yeh?
    11. The Coast Was Always Clear
    ---
    12. TocarOur Bipolar Friends

    On Friday, I took the opportunity to visit my friend Fredrik at Last.HQ, where he just wrapped up his thesis project. We also stopped by the local pub, The Marie Lloyd, where members of the Last.fm team usually go after work at the end of the week, and I got to chat a bit with Matt and Tim, two other staffers, before it was time to head off towards Barden's Boudoir in Stoke Newington and the main event of my London visit.

    Breathy vocals were definitely the theme of the evening, yet again hosted by Goo Nite, featuring not only Kyte's Nick Moon but also singer/songwriter William Fitzsimmons. But while the vocal style isn't too surprising for Kyte's choir-boy-like frontman, when the savagely bearded American opens his mouth, I couldn't help but find it both amazing and mildly amusing. After speaking with William a little after his set, I can't really say that he is one of the oddest people I have ever met, as his offical bio claims. Sure, the beard is indeed odd and he has an interesting background, but he is really very nice and outgoing in that typically American way.

    As he is one of the artists I have listened to the most in the last six months, I was delighted when I found out that he would be opening for Kyte. And he seemed to be in as good a mood as I was, talking a lot between songs, joking good-heartedly about various politically incorrect topics such as supporter violence and child abuse. And who could really blame him for being high-spirited: at several points during his set, I had to look around in disbelief at the amount of applause the fairly small crowd was generating.

    He played a rather short but diverse set, including two songs from last year's The Sparrow And The Crow, two from 2006's Goodnight, one from 2005's Until When We Are Ghosts, and an Iron & Wine cover. This last pick surprised me a little until I stumbled upon his profile here at Last.fm. To shed some light on his lyrics, he introduced TocarFuneral Dress as being "about missing somebody after they're no longer here" and TocarJust Not Each Other as being "about hope". Me, I really hope I get to see William play again soon, and with him mentioning a possible Scandinavian visit on his upcoming European summer festival tour, I might not have to wait very long.

    Setlist:
    01. It's Not True
    02. Everything has Changed
    03. TocarFaded From the Winter (by Iron & Wine)
    04. TocarFuneral Dress
    05. TocarJust Not Each Other
    06. TocarIf You Would Come Back Home

    Next on the bill was Vessels, yet another British post-rock band. Backed by cinematic projections of canyons and skies, they put on a very impressive show. Especially captivating were two piano-driven tracks: the ambient/electronic TocarYuki, followed by the energizing Two Words and a Gesture. Almost as good was Altered Beast, the somber opening track from their lone album White Fields And Open Devices. I was quite content with their performance, but Vessels also left me pleased that the lineup order differed from the one shown on the poster - they would have been a tough act for William Fitzsimmons to follow.

    Not only faced with that challenge, but also with living up to my extremely high expectations, Kyte started preparing for their moment in the limelight. Talking to their bassist Ben before the show, I voiced my desire to hear my three favorite Kyte songs: Planet, Boundaries and The Air Of Sunset. Disappointingly, he said they were only planning to perform one of the three (Boundaries), but then added that I may well be able to convince them to play one of the others, as they try not to stick too rigidly to predetermined setlists. I quickly decided to root for Planet, using the time before the show to better the odds, also requesting it from the remaining three band members. I also spoke a bit with Robert, founder of the record label Erased Tapes, proud home of not only Kyte but among others also Ólafur Arnalds, Codes In The Clouds and The British Expeditionary Force.

    Once Kyte guitarist/programmer Tom Lowe let the opening notes of Boundaries ring out, I was torn between the joy of hearing one of my absolute favorite songs played and the urge to check my phone - I have been using its wonderful intro as my ringtone for about six months now. The next aural treats offered were the synthesizer-heavy Secular Ventures, and the middle duo Bridges in the Sky and TocarSolsbury Hill from the Two Sparks, Two Stars EP released late last year. No songs from their new album Science For The Living - which has yet to be released outside Japan - were played. But as this was the first time I saw the band live, I really didn't mind at all that they focused on older material, positive that I will get several more chances to hear them play songs like Designed For Damage and No-One Is Angry Just Afraid. For them to play my before-mentioned favorite The Air Of Sunset, which for some inexplicable reason is still unreleased, or the wonderful Carnival of Spies from their debut EP Switch Motion To The Sky, I will probably have to request them specifically. But that night, I was very grateful for them to fulfill my request for Planet. They apparently hadn't played it in quite a while - confusing me, since it is one of their most popular songs - but it still sounded great. From there, I just drifted euphorically through the two set-closers Ghosts and These Tales Of Our Stay, both solid tracks from their first album. Before heading out, I bought some nice mementos from the drummer Scott, in the form of a CD and a t-shirt that the whole band then signed. Round two of my London concert series was a thundering success!

    Setlist:
    01. Boundaries
    02. Secular Ventures
    03. TocarSolsbury Hill
    04. Bridges in the Sky
    05. Planet
    06. Ghosts
    07. These Tales Of Our Stay

    Already feeling pretty content with my little mini-festival, I arrived at Smedjan in Stockholm after my flight back to Sweden. But being a little sleep-deprived, I couldn't quite appreciate the second opening act Pesanteur who played their very first concert ever. Their friends seemed to like it though, and appeared to give their last song, a cover of Indian Summer's Angry Son, extra credit for nostalgia.

    Suis La Lune then took the stage to do their sound check, and it was when Henning played a riff from American Football's TocarStay Home that I suddenly realized what a treat I was in for. Since I had only seen one screamo band perform previously - the even more post-rock-inspired Belgian The Black Heart Rebellion at Underjorden in Gothenburg - I wasn't really sure what to expect, but the energy that Suis exuded soon permeated the room completely, bringing me out of my daze. The immediacy and urgency of their performance had me awestruck and gasping for air, not only because of the cramped and poorly ventilated venue. The enormous intensity added another dimension to every single one of their songs, perhaps most noticeably to the older ones, which suffer a bit from poor recording quality.

    I can't claim to be disappointed with the song picks, since I got a whole bunch of my favorites, including My Mind Is A Birdcage, TocarUtter Silence is Fragile, and three out of four songs on their recent stellar EP Heir. But at their yet-to-be-booked first Gothenburg show ever in the hopefully not-so-distant future, I would love to also get to hear the title track from their debut album: Quiet, Pull the strings!, and my absolute favorite Suis song: Fingers. Voice. Heart. Shake. Shake. Shake.

    For some reason, I thought they would have a hard time recreating their intricate dynamics in the live setting, but I couldn't have been more wrong. For a band that only plays live sporadically (although the members tour a fair amount with their respective side projects, such as Mixtapes & Cellmates and Björn Kleinhenz) and claimed to rarely have time to practice (due to being geographically dispersed, I suppose), they are an astoundingly potent live act. The only evidence of their lack of rehearsals was the recurring debates about what song to play next, but that just added to the intimacy of the show. The band also displayed a genuinely positive attitude, Henning showing his appreciation for the organizers and the other bands, which he also requested us to support. Kalle, on his part, brought to our attention the demise of the Gothenburg-based distro Release The Bats (although the label will live on).

    Suis La Lune don't get anywhere near the amount of attention they deserve. But after that night, they are in my book undoubtedly Sweden's best live band (topping the amazing Immanu El), and one of the best I have ever had the pleasure of seeing play. It felt like everybody there knew that we were experiencing something unusually authentic. That, and the exhilaration I felt afterwards, reminded me of last summer's Sigur Rós concert in Slottsskogen and of why I go to so much trouble to see concerts such as this one.

    Setlist:
    01. With Wings of Feathers and Glue
    02. TocarSeptember Gave Us Awkwardness, October Gave Me Nothing
    03. TocarUtter Silence is Fragile
    04. TocarThis Heart Easily Tears (video)
    05. A Letter - A Void
    06. Can't Believe I Spelled It Out For You
    07. TocarLet The Bastards Come
    08. (Untitled new song) (video)
    09. TocarParts Of Emily
    10. My Mind Is A Birdcage
  • Concerts

    Abr 27 2009, 10h52 por Arschkriecher

    Just another ordinary live list. Helps me to remember. I'm getting old.

    :: till 2006 ::

    Only fragments in my head.

    :: 2007 ::

    5Bugs
    Ampools
    Alert
    Alpinist
    Bane (x2)
    Born/Dead
    Backsight
    Bitune
    Brainless Wankers
    Benzin
    Comecloser
    Ceremony (x2)
    Cwill
    Danse Macabre
    Days in Grief
    death to pigs
    Deny Everything
    die Charts
    Die Out
    Do Androids dream of electric Sheep?
    Electric Electric
    Escapado
    Estate
    Experimental Dental School
    Fuo
    Ghostchant
    Grave Shovel...Let's Go!
    Have Heart (x2)
    Haydn
    hiro
    Itchy Poopzkid
    insert cool name
    June Paik
    kenzari's middle kata
    Kids Explode
    Kurt
    Lighthouse
    Lt. Mosh
    my escape avenue
    Nihilists
    never built ruins
    Red Tape Parade
    Second Combat
    Second Monday
    Sirens
    Sofy Major
    Tanker Chaos
    Telemark
    The Disgrazia Legend
    The Fine Print
    The National
    The Target
    Tiny-Y-Son (x2)
    Trainwreck
    Tribute to Nothing (x2)
    Turbostaat
    Within Walls
    X-Ray Charles


    :: 2008 ::


    Adam Green
    Afganistan Ye-Ye's
    Against Your Society (x3)
    Agnostic Front
    All Shall Perish
    American Steel
    Analena
    Anchor
    And You Will Know Us By The Trail Of Dead
    Another Six Cent
    Another Year
    Architects
    As Friends Rust
    Attack! Attack!
    At the Farewell Party
    aussitôt mort
    A Wilhelm Scream
    Bane
    Battles
    Beatsteaks
    Behind Hope Lies Failure
    Bellavista
    Björk
    Black Friday '29 (x3)
    Black Haven
    Blacklisted (x2)
    Bleed Into One
    Breath n Stop
    Burn the 8 track
    Cancer Bats
    Captain Planet
    Celeste
    Cheap Thrills
    Cobra Skulls
    Cobretti
    Comadre
    Coming up For Air
    Common Cause
    Counting The Days
    Dan Sartain
    Damaged Goods
    DAMNiAM
    Dawsons Crack
    Dead in the Water
    Dead to Me
    Death Before Dishonor
    Death by Stereo
    Deny Everything (x4)
    Descent to Rise
    Dimitrij
    Dinosaur Jr.
    Donots
    Down to Nothing
    dredg
    Editors
    Empty Vision
    Escapado
    Evenworse
    Fake Problems
    Falcon Five
    Far From Finished
    Feeding Time
    Fotos
    Final Prayer
    Franz Ferdinand
    Frontkick
    Get Alive
    Get Well Soon
    Goldust
    Have Heart
    Helmet
    Hot Chip
    Ignite
    In Full Strenght
    Junius
    Jupiter Jones (x2)
    Just Went Black (x2)
    kachel
    Kafkas
    Kaishakunin
    Kaput Krauts
    Kate Nash
    Kids Explode
    Kill This Dream
    Kingdom
    Klay
    Kontrapunkt
    Lagwagon
    La Plebe
    Lasting Traces
    Last Mile
    Last Train Home
    Lavatch
    Lefthand Thirdfinger
    Long Distance Calling
    Madball
    Make It Count
    Man the Change (x2)
    Matula
    Meneguar
    Miss Kittin & The Hacker
    Mondo Fumatore
    Morethanever
    Mr. Oizo
    My Defense
    Narziss
    NEIN NEIN NEIN
    Never Back Down
    No Easy Run
    Nothing Gold Can Stay (x2)
    Not Now Not Ever
    No Turning Back
    No Use for a Name
    Nuke Strike
    Oathbreaker
    Off Minor
    Paint It Black
    Pitfall
    Progress
    Propagandhi
    Red Lights Flash
    RENTOKILL
    Rival Schools
    Ruiner
    Rummelsnuff
    Rythm to the Madness
    Settle the Score
    Shipwreck (x2)
    Shokei
    Sidetracked
    Smoke or Fire
    Social Distrust
    Soul Control
    Stereo MCs
    Strung Out
    Superior
    Sunpower
    Sunsetdown
    Superpunk
    Sworn Enemy
    syn*error
    Tackleberry
    teenage lust
    Tephra
    Terror
    Terrorize Kids
    The Amber Light
    The Blackout
    The Blackout Argument
    The Death Set
    The Destiny Program
    The Flatliners
    The Force Within
    The Hitchcocks
    The Homefront
    The (International) Noise Conspiracy
    The Killers
    The Notwist
    The Rascals
    The Real Danger
    The Spines
    The Turbo AC's
    The Unseen
    This Will Destroy You
    Thrice
    To Kill
    Trainwreck
    Trash Talk
    Tribute to Nothing (x2)
    Trip Fontaine
    True Colors
    Trustgame
    Trusting Nolan
    Turbostaat
    Uffie
    Uncommon men from Mars
    Underoath
    Under The Pledge Of Secrecy
    Verse (x2)
    Warbringer
    Waterdown
    We Once Loved
    ... Who Calls So Loud
    Why?
    Wisdom in Chains
    Woods
    World Peace
    Zero Mentality


    :: 2009 ::


    adolar
    Alte Neue Tricks
    Against Your Society
    Algernon Cadwallader
    Anchor
    Anything But Yours
    Astronautalis
    Attack! Vipers!
    aussitôt mort
    Auxes
    Black Friday '29
    bratpack
    Brandon Peck
    Bridge And Tunnel
    Broadway Calls
    Brutal Knights
    Capitalist Casualties
    Cargo City
    Carpathian
    Challenger
    Cherish An Illusion
    ClickClickDecker
    Cobra Skulls
    Cobretti (x2)
    Comecloser
    Common Cause
    Dead Swans
    Death Before Dishonor
    Deny Everything
    Dominic
    dredg
    Drowning with Our Anchors
    Dying In Motion
    el-sd
    ende oktober
    Fade To Grey
    Frank Turner
    Ghostlimb
    Glasses
    GODOT
    Gods And Queens
    Gold Kids
    Goldust
    Government Warning
    Graf Orlock
    Have Heart (x2)
    Hot Water Music
    I Heart Hiroshima
    Just Went Black
    Kaishakunin
    Karo
    Kid Poetry
    Kingdom
    Lasting Traces (x2)
    Lewd Acts
    life ends
    Lights Out
    mikroboy
    mikrokosmos23
    MIO
    m0ck
    Montreal On Fire
    mouthbreather (x2)
    Muff Potter
    Nations Afire
    Neil on Impression
    Offshore Radio
    On
    Peer
    Planke
    Polar Bear Club
    Press Gang
    Reno Divorce
    RENTOKILL
    Rise Against
    Rise and Fall (x2)
    Ritual
    RUSTED CHAINS
    RZL DZL
    Shipwreck (x2)
    Shokei
    Solemn League
    Still Screaming
    Storm & Stress
    Strike Anywhere (x2)
    Tar...Feathers
    Teenage Cool Kids
    Tegan and Sara
    The Blackout Argument
    The Casting Out
    The Effort
    The Gaslight Anthem
    The Kidcrash
    The Rätz
    This Is Hell
    This Will Destroy You
    Today Forever
    TOM MESS
    Trainwreck (x2)
    War Hungry
    Wasted Time
    WIR
    wojczech
    World Gone Mad
    Zann
  • il ritorno della emobanda - petak 13//02//09

    Fev 14 2009, 18h38 por jim_draz_james

    prolapse – essence of cessna
    sleepy eye of death – shattered limbs
    ring, cicada – kule
    Lukestar – clockworks of tomorrow
    juliana hatfield – stay awake
    the marked man – ditch
    barzin – look what love has turned us into
    Barzin – nobady told me
    municipal waste – unleash the bastards
    islands – jogging gorgeous summer
    islands – humans
    TRICLOPS! - march of the half-babies
    sleepy eye of death – pierce the air
    i was a king – norman bleik
    Rebel Star – vozaci
    napal death – strong-arm
    Algernon Cadwallader – Spit Fountain
    sad day for puppets – marble gods
    the marked man – red light rumors
    Hipi – a nebu ništa novo
    handbrake – anyone with any
    samtidigt som – vid min sida
    the vitreous humor – she eats her esses
    Sholi – tourniquet
    karate – airport
    Quicksand – head to wall
  • ||| album picks for 2008 |||

    Jan 6 2009, 9h39 por xxfalsehalos

  • My Year In Lists!

    Jan 3 2009, 16h58 por eraseallthemaps

    2008

    Top albums

    So, my turn for reviewing the music of the past year. My last.fm all went a bit tits up when I was without the internet for a few months (losing me about 4,000 scrobbles) then it refused to update from my Ipod until I re-installed software. Anyway, it isn't much of an idea of what I've really thought of music this year, so here's my year in lists....

    1. Johnny Foreigner - Waited Up 'til It Was Light
    An easy choice for first, its easily the album I've actually listened to most, of both new releases and old. I was pretty impressed and excited after hearing the Arcs Across The City EP and although it took a couple of listens to get use to the way in which it was recorded I've totally fallen in love with it.

    2. Fuck Buttons - Street Horrrsing
    One of the Albums I got in to just before starting my dissertation (and subsequent endless hours in the library with only my ipod for company) meaning I listened to this album A LOT for a good few weeks. Sounds so good turned up really loud and kept me sane through 15,000 words.

    3. No Age - Nouns
    The other album which got me through my dissertation. I could just put this on repeat and it kept me interested and drumming along for hours. After liking (although not being blown away) with what I'd heard before I was glad this exceeded my expectations of what I thought they'd come up with.

    4. Los Campesinos! - Hold On Now Youngster.../We Are Beautiful, We Are Doomed
    Ok, so strictly this is 2 albums. Or as the band have said WAD,WAD isn't an albums (though 10 tracks/9 songs in length) it's a pretty hefty 'EP', but they're both high up on my releases for this year so I might as well throw them in together. HON,Y... had all the dancable hits but WAB, WAD came at the right time for me, without it I might have tired of the first record too quickly and it's been WAB, WAD which I've gone for first each time when scrolling through my ipod since its realease.

    5. Bon Iver - For Emma, Forever Ago
    Maybe a little bit geeky and biased to include a record ona label I work for, but as many people have already noted, this was easily one of the best releases of last year, and I'll include it in this list because this was the official UK release date of the record. Everythings pretty much been said about this album already, beautiful haunting vocals, intimate and personal, rousing and epic in places, just downright bloody great.

    6. Why? - Alopecia
    Quite a different sound from most of the albums in the rest of my list, but sadly quite a predicatable "i'm so indie cool I listen to trip-hop!" end of year list-topper for many. Although it's got elements of hip-hop (or 'trip-hop', whatever thats meant to be) its been years since I've been interested in hip-hop and perhaps what has interested me is the way in which this album blends a wider range of instruments (also played live) with some more heart-felt (less of the typical aggressive hip-hop) lyrics, much more like most of the other albums on my list. Fatalist Palmistry is also one of the best songs of the year, but there's no way I;m doing a separate list for those!

    7. Slingshot Dakota - Their Dreams are Dead, But Ours is the Golden Ghost!
    Finally, an album which I haven't seen on nearly every 'top of 08' list already! And also a band which I can only thank last.fm for reccommending to me. Having checked out Algernon Cadwallader's demos both thier myspace and last.fm featured Slingshot and on a whim I checked it out. It's really super-sweet upbeat indie pop, not unlike (what I know of) Mates of State, although that's a really lazy way to descibe a 2 piece, drums/keyboard, guy/girl band. Just about every song is a sing-a-long anthem if you let yourself get in to their proper pop hits.

    8. Abe Vigoda - Skeleton
    After putting No Age in the list already it feels like a bit of a cheat to throw in another band from the LA Small scene that seems to have been massive this year, but it's a top album in its own right.

    9. Dartz - The Sad History of the Village of Alnerique
    It almost feels like cheating, as it's a pretty well known love affair i have with Dartz! (or now Dartz, screwing up scrobbling for all), it's very different to the First album, focused around story-telling with a smaller emphasis on the catchiness which many found so accessible in the first album. A good second step in a slightly new direction, showing an evolving sound and not being afraid of trying new ideas. I could throw in some cliche about how it's a 'more mature' second album, but I won't. As it's an EP.

    Sadly, I think thats all I can really vouch for this year. It's been a bit of a lazy year for me in terms of checking out new albums, instead opting to see more gigs than ever before (yet again) and looking backwards at older albums, or annoyingly getting in to great albums from 2007!
    Below are albums which Just missed the grade or I've only heard recently, meaning I haven't had enough time to get in to them...

    Algernon Cadwallader - loved the demos, slightly let down by the album, I really wanted to love it!
    Atlas Sound - Let the Blind Lead Those Who Can See but Cannot Feel - although a side project, I prefer this to the new Deerhunter record.
    The Dodos - Visitor - after being dragged along to see them by a friend telling me it was one of her favourite albums of the year (that I had seen, but had dismissed because of the pretty terrible album artwork =/ ) I was interested in how they came across live and I'm liking the album more and more.
    Fennesz - Black Sea - something I've only heard since seeing him at ATP, astonishingly sparse and quiet in places, really different to anything else I have.
    Fucked Up - The Chemistry of Common Life/Year of the Pig - a double hit from one of my favourite live bands, TCOCL really is pushing what a stereotypically hardcore band can produce, experimenting with more melody, instrumentation and a shit load of guitar tracks to give a really thick sound over some pretty awesome vocals, much more a band to see live first though.
    Hot Club de Paris - Live at Dead Lake - really strong follow-up with loads more proper songs, some of which are quite average but a few are totally great.
    The Mae Shi - HLLLYH - really upbeat record, full of energy which sadly seems to peter-out with the 11 minute track stuck in the middle of the album.
    The Steal - Bright Grey - ok, so I've only had the album a matter of days, but I'm familiar with the songs from seeing them live a few times and it's super intsense and full of ideas (and great, short, sharp songs) which I should have gotten when it came out. Just the sort of thing a hardcore band should be doing. Great album artwork to boost!
    Times New Viking - Rip It Off - love it or hate it album with distortion all over the place, for me it really took a while to like it, but i knew I would once i got around to ignoring other people telling me how bad it was and appreciating it for what it is.
    Titus Andronicus - The Airing Of Grievances - so not officially released in the UK yet (coming out in 09 on XL), but a really good album from the couple of listends I've had so far.
    Tubelord - ok, so they've only had a couple of EP's come out this year, but an albums being recorded right now and what they have released is good enough to make my list for me.
    Vivian Girls - self titled album of lo-fi twee indie which I'm gutted to have missed live and although I totally missed the boat when it came out, I've been enjoying it loads since I found it. not a million miles away from the twee sound of Talulah Gosh.


    Top gigs

    So last.fm reckons I've been to 100 gigs in 2008, but I've actually been to loads more, meaning its a pretty tough choice for my top shows of the year, as so many have been so good, its a really tough choice.
    Deep breath, here goes...

    1. Maps & Atlases - @ Bardens Boudoir - this was just amazing, a band I'd been told to go along and see by quite a few people and they were just incredible, so tight, intricate and mindblowningly great live I was just left with my chin on the floor and full of happiness after seeing them.

    2. Built to Spill @ Koko - I've been a fan of Built To Spill since researching them for ATP Vs the Fans last year. However, I stupidly thought this was for a don't look back of Keep It Like a Secret which I was muh more familiar with. So with 2 weeks to go I listened to Perfect From Now On a lot more and it was just incredible live. The Koko usually lets me down, but with a view from the balcony and the best sound I've ever heard at there it was just brilliant. Plus an encore of MIA's 'Paper Planes' to complete.

    3. Johnny Foreigner/Dananananaykroyd @ Madame Jojo's - my first danan gig and I trusted a few friends in not bothering to check them out too much before seeing them live, as it was all about the live setting, and they were fucking great. a highlight being the 'wall of cuddles' , dividing the audience in half then having them run at eachother and hugging. It ended up with loads of sweating people kind of hugging/throwing eachother across the tiny, packed dance floor and was totally brilliant. JoFo did'nt disappoint either, with probably the best set I've seen them do, it probably didn't hurt that everyone was totally pumped for them after the show danan had put on.

    4. Fucked Up @ Madame Jojo's - ok, the event's wrong but it was a secret 1am set they did at White Heat after that show. With them playing club nights they usually bash out a few cover songs after playing a few of their own. The 'few of their own' the did play first seemed to surprise the 'uber-cool' white heat kids, who didn't really notice them setting up til they started playing and Damian came on, half naked as usual (looking something like this) before mummifying his head with a roll of white tape he found lying around, before pulling kids up on stage/chasing them around the floor 'mummifying' their heads too. A few of their fans had come along for the show and were loving it, but when they started playign covers everyone got in to it. One of my highlights of 2008 will be my memory of seeing a couple of hundred of kids going nuts for Smalls Like Teen Spirit at about 1.30am on a tuesday night with Damian scaling the walls of Madame Jojo's kissing people not down on the floor.

    5. Death Cab for Cutie @ Brixton Academy - after releasing a bit of a let-down with Narrow Stairs then playing a pretty lacklusture show just 3 days before (which I won tickets to), I wasn't expecting much. I show up to find an incredibly drunk ex, nearly getting in to a fight, then deciding to just go it alone of the gig, leaving my mates somewhere near the back. I'm glad I did, easily the best I've seen Death Cab with their most comprehensive set to date, playing loads of older stuff, the highlight being Styrofoam Plates, probably my favourite song of theirs and something I never, ever thought I'd see performed live. They played a couple of bars then stopped to re-tune and as soon as I realised what they were about to play my night was complete. I'm a pretty unemotinal person but this song means a lot to me and it really affected me to see it live.

    6. Bon Iver @ St Giles Church - St Giles in the Fields provides the perfect setting for some bands, and it suited Bon Iver perfectly, a tall church with a small stage, akward seats (and so over crowded it meant having to sit on the floor of the aisle) but in the centre of London (right behind centre point) there's not a more peaceful place. The band were on top form and even played the last song in the middle of the crowd, unplugged. With all I said about he album being 'intimate and personal' it doesn't get much more personal than this: (I'm in the yellow t-shirt, the singer of Bon Iver is in the blue and white striped shirt) pic

    7. Shearwater @ St Giles Church - another St Giles show, another perfectly suited band. I'd sene them at Rough Trade East a few months before and the sound was incredible for an instore and this show was just as good. I haven't listend to Rook too much but live there's great focus and attention to detail and delivered in a very delicate and effecting way, making it seem like it'd the only place worth being at that point in time.

    8. DARTZ! @ The Metro - a great night with loads of friends and a great atmosphere in a packed out Metro, loads of fun to see Dartz! again after a relative drought of thier shows, for me at least. Even if I was sick on the train on the way home, totally worth it.

    9. Abe Vigoda @ The Old Blue Last - a fairly recent show and one of the much better packed out OBL shows I've been to, they also played a good set the next night with Mika Miko at the Tufnell Park Dome, but the small stage and room suited their sound much better, even with some peculiar crowd antics (lots of faux-gay men) it was great to see them live after hearing so much about them.

    10. Sigur Ros@ Alexandra Palace - easily the biggest gig I went to last year and even with the ridiculous prices inside Ally Pally (plus it being so out of the way) and ot really having listened to Sigur Ros for a while I still managed to really enjoy it. The light show and general 'big budget'-ness of it make it different for me, with the artificial waterfall coming from the lighting rig (between the crowd and the stage) plus the confetti cannon at the end adding some extra special touches. I did find it quite amusing that although I havdn't seen them in a few years they pretty much played the same set (obviously with a couple of new songs thrown in) but it was still nice to see Ny batteri live and closing with Untitled 8 from ( ) still gives me goosebumps.


    Festivals

    Other than Bestival(which was totally crap, with the exception of Santogold and Jeffery Lewis) and Field Day (again shit bar Efterklang and The Mae Shi 2008 was all about All Tomorrows PArties for me.

    Atp Vs Pitchfork - a really, really close call in which ATP was better for me this year, though I think this one had the better acts, just. There was loads of great times, but I'll give the band highlights here:
    The band of the weekend have to have been Man Man, a band I was totally unfamiliar with before hand but was blown away by live, a great mess of 5 guys dressed up going bezerk but never out of time with the show bieng as good as the music itself.
    Other highlights were Dirty Projectors,Los Campesinos!,Les Savy Fav,Fuck Buttons,Bon Iver and No Age.

    Atp Vs The Melvins and Mike Patton - this was different to Pitchfork in that I knew a lot less bands whch left me to explore new things and was probably just what I needed. Highlights include:
    Fennesz was superb, but didn't play for long enough (only about 25mins, but was down for 40/45 mins), but at that point in the festival it was just what i needed, a set of consisting of a mix of noise and ambience with some guitar work over electronica. very slow paed for the most part, I've really enjoyed this record since returning.
    Double Negative closed the festival and ended it perfectly, 4 older guys playing hardcore punk rock just as it should be, with the energry that would put just about every band full of 17 year old to shame.
    Monotonix provided a thoroughly entertaining set, with the singer spending hardly a moment actually on the floor, instead being lofted above the crowds head, often standing on top of the bass drum and sometimes hanging upside down from the ceiling... (watch from about 1.40 in) though musucally they were nothing special at all.
    The last real highlight for me would be an act I associate with the old hip-hop which I mentioned so long ago, Rhazel. Known as the 'human beatbox' he manages to make an astonishing array of sounds all at once using just his vocal chords, mouth and a microphone. I otally forgot he was even on the bill but it was ace to finally see live.


    2009

    So I think (hope!) that just leaves me to mention a few bands I think'll be doing well over the next year of so.
    Tubelord have already impressed me with the stuff they're released so far, and always seme to have something new to play and continue to expand their disjointed style with each show. The album's currently being recorded and rumours of Moshi Moshi and Best Before releasing it are around.
    Pulled Apart By Horses have managed to get themselves a whole load of attenion since their first show in Feburary this year, having one single out on Big Scary Monsters this year with another on Too Pure early next year. Expect them to play just about everywhere and anywhere across the UK and release a craking debut in time for the festival season.
    Titus Andronicus have already had their album out in the States but XL are bringing it over here for a proper UK release. Live dates are already being scheduled and you can easily see them getting the same sort of attention as Tapes 'n Tapes have in the past.

    Excitement for 2009

    Hopefully new records from.... Thursday, Cursive, Envy, The National, Beirut, The Thermals, Mono and Built to Spill

    That leaves me to make my one musical resolution for the year - to buy more records! I think that a minimum of one every 2 weeks is fair, plus im off to buy myself a new turntable tomorrow as this Numark deck seem pretty ideal for my small room/having a headphone jack for my pc speakers.


    I'd also like to add I reckon Pavement will reform, just a guess but one I'll run with.


    It's taken me ages to write this and my eyes now hurt, sorry for any spelling mistakes! Please feel free to leave any comments on any of the above, or reccomendations!
  • 2008

    Jan 2 2009, 13h40 por aRj4n

    (in short: my top albums and concerts of 2008)

    Een kort overzicht van wat voor mij de beste muzikale momenten waren. Natuurlijk is dit gebaseerd op puur mijn smaak, en kan het zijn dat deze, in bepaalde mate (of in het geheel), niet met jouw smaak overeenkomt. Bovendien is er een grote kans dat ik bepaalde albums gewoonweg gemist heb. Ik zie uit naar jouw lijstje. :)


    Albums
    1. The Drift – Memory Drawings (Temporary Residence Ltd.)
    2. Flying Lotus – Los Angeles (Warp)
    3. Esbjorn Svensson Trio – Leukocyte (ACT)
    4. A Silver Mt. Zion – 13 Blues for thirteen Moons (Constellation)
    5. Algernon Cadwallader – Some kind of Cadwallader (Chupacabra)
    6. TV on the Radio – Dear Science (4AD)
    7. Have Heart – Songs to Scream at the Sun (Bridge Nine)
    8. Isobel Campbell & Mark Lanegan – Keep me in Mind Sweetheart EP (V2)
    9. Madensuyu – D is Done (Digital Piss Factory)
    10. Tobacco – Fucked up Friends (Anticon)
    11. Filfla – Frolifcon (Headz)
    En nog een heleboel andere albums... ;)

    Fijnste singel
    DJ MujavaTownship Funk (Warp)

    Favoriete albumtrack
    Cloud CultMay Your Hearts Stay Strong (Eigen beheer, in samenwerking met The Rebel Group)

    Concerten
    1. Efterklang @ Ekko, Utrecht
    2. Anathallo @ dB's, Utrecht
    3. Built to Spill @ Tivoli de Helling, Utrecht
    4. Phosphorescent @ Ekko, Utrecht
    5. the pAperchAse @ dB's, Utrecht
    6. Kinski @ Paradiso (kleine zaal), Amsterdam
    7. Joe Henry @ Tivoli de Helling, Utrecht
    8. XBXRX @ OCCII, Amsterdam
    9. Stereolab @ Melkweg, Amsterdam
    10. Abe Vigoda @ Bazar Curieux (in de Maassilo), Rotterdam
    Te weinig concerten gezien in 2008. En zeker te weinig elektronica.
    Voor de precieze datum, zie mijn account. Ik ben nu te lui om nog meer links toe te voegen.

    Grootste teleurstelling
    Don Caballero @ 013, Tilburg; live geen schim van de band die in 1993 debuteerde met hun eerste album. Matig nieuw album, zeer matig optreden. :(
    (gelukkig maakten de andere 2 bands dit ruimschoots goed)