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  • Best Albums of 2009!!

    Dez 13 2009, 5h08 por spacehxc

    2009 was an awesome year for music, so I have made a more extensive list than I usually make. Comment and let me know what your top 5/10/20 or whatever you want to do are! If anyone would like any of these albums I can upload them and give a link to download, so let me know!




    20. TonikomThe Sniper’s Veil


    The genre of this album is hard to pin down. It is clearly Electronic, although it has hints of IDM, drum and bass, and industrial. What makes her stick out in my mind is her ability to write extremely catchy drum beats with vocal samples over the top of it. Very good and very underrated.

    19. Bill CallahanSometimes I Wish We Were An Eagle

    The easiest thing to call this would be alt-country/folk, but its a little to weird to pigeonhole into any single category. The simplicity of his musical backing and the strangeness of his voice and cadence is what makes this a memorable album. Each time I listen to it I notice something different, even though at first glance everything would appear to be on the surface.

    18. CicadaRoulette


    Straight up electropop. Sounds like what Ladytron might sound like if they decided to just play synths the entire time with catchy pop hooks over the top. The entire album kind of blends together into one song, which could be a complaint as well as a compliment.

    17. The FieldYesterday and Today


    This was somewhat of a disappointment for me. The three tracks in the middle are amazing, but tracks 1,2 and 6 are forgettable. If those tracks had been as good as the three in the middle then this would hands down be my favorite album of the year. Even though the album as a whole was a disappointment, the song Leave It is my favorite song of the year, and one of my favorite songs of the decade easily.

    16. The Twilight SadForget The Night Ahead


    I wasn't really sold on this band until I saw them live with Frightened Rabbit in L.A. After seeing them I gave this album a second chance and noticed a lot of things that I hadn't upon first listen. This is a perfect album to listen to when Fall is turning into winter, as the entire album deals with changing into something that you don't necessarily want to.

    15. Jeremy EnigkOK Bear


    Although it doesn't have the orchestration of World Waits, it still has the brilliant songwriting of Sunny Day Real Eastate frontman Jeremy Enigk. In some ways I prefer the stripped down nature of this album as compared to his previous work, as it lets the songs themselves shine.

    14. Plastik Joy3:03


    Totally out of left field for me, I just randomly downloaded this off of a blog I frequent because I thought the name was interesting. It basically sounds like Dntel's best album, Life is Full of Possibilities, but it is a bit more straightforward in its vocal and melodic hooks. Incredibly enough the album itself conveys a sense of analogue warmth even though the entire thing is electronic. I look forward to hearing what these guys put out next.

    13. The Wooden BirdsMagnolia


    Sometimes simple is good, in that too much polish and fanfare can drown out the core of a song, which is its melody. The Wooden Birds strip songs down to their cores, usually only using male and female voice, guitar, and minimal rhythmic accompaniment. The product is a very solid album with no filler.

    12. The Pains of Being Pure at HeartThe Pains of Being Pure at Heart


    Although this is basically just Jesus and the Mary Chain/My Bloody Valentine worship, it is very good worship. Sometimes you don't need to be incredibly unique to release a very good album. The album itself is buried in a layer of fuzzy guitars and guy/girl vocals, and never overstays its welcome. Sometimes the shortness of an album is something to be appreciated.

    11. Why?Eskimo Snow

    Although Alopecia is a better album, Eskimo Snow has very good moments as well. For those not familiar with the band they are pseudo hip-hop/spoken word/indie rock, which sounds like a terrible combination but is something that you have to hear and make up your own mind about. I saw Why? Live about a month ago, and it was as good of a show that anyone could ask for.

    10. Fuck ButtonsTarot Sport


    While their first album focuses on walls of noise and harsh vocals, Tarot Sport cuts out the abrasiveness and ramps up the melody. The end result is an album that in its repetition offers a number of earworms that are hard to get out of your head, as well as high amounts of repetition that become mesmerizing. I used the word repetition three times in this review.

    9. Mount EerieWind’s Poem

    Although I saw this album performed in its entirety, and it was absolutley awful, the recording remains a high point of 2009. This is what happens when Lo Fi folk mixes with Lo Fi black metal. I am surprised that no one has though of doing this before now, because as odd as it may seem at first glance the styles are quite complimentary.

    8. DeloreanAyrton Senna


    Although this is only a 5 song EP, it really makes an impression. It conveys an infectious joyful exuberance, and in my opinion is nearly impossible for anyone to not enjoy. Sounds like what might happen if you mixed Air France with Cut Copy.

    7. MartynGreat Lengths


    I downloaded this album on a whim, and it resulted in my downloading dozens of dubstep comps and albums. My roommates can attest to the fact that Dubstep was about 30% of what I listened to all year. While some are familiar with dubstep through Burial, who's shuffle beat and weepy vocal samples make you feel like you are driving through the rain, Martyn conveys an opposite feeling. The songs themselves are upbeat, and very memorable. I recommend listening to this, and any dubstep really, loud and with the bass cranked.

    6. God Help The GirlGod Help The Girl


    I have always liked Belle and Sebastian, but always felt for every great song they had 2 to 3 that were easily forgettable. This album is a side project of Stuart Murdock from Belle and Sebastian, who held open auditions for female singers when forming the group. What we get here is his great songwriting through the voice of 3 very capable singers. Ironically enough they Belle and Sebastian covers on this album outshine the originals by far.

    5. Dirty ProjectorsBitte Orca


    At First listen I wasn't to sure about this album. "Stillness is the Move" stuck out to me with its amazing melody, but it took me a couple of listens to appreciate the complex yet catchy pop sensibility of the rest of the album. This is definately a grower, and I would recommmend if you don't like it upon first listen, keep it around for a while and see if you warm up to it after a couple of listens.

    4. The Whitest Boy AliveRules


    This group was formed with a very basic concept in mind. What they set out to do was to play dance music in its simplest form, with drums, bass, guitar, and some synth here and there. What some people would call boring I would call fantastic. What the group manages to do is take the core of dance music, 4/4 beat and the bassline, and morph it into very simple yet effective songs. The simplicity is what makes this stand apart from any other dance act.

    3. MewNo More Stories are Told Today, I’m Sorry, They Washed Away

    Kind of hard to describe, but very very good. Sounds like what would happen if Passion Pit stopped playing electropop and started playing indie rock. I'm havinga hard time coming up with a description for this one, just listen to it!


    2. PhoenixWolfgang Amadeus Phoenix


    In Wolfgang Amadeus Phoenix, Phoenix has created the perfect pop album. Each song follows a stringent structure and format, which might lead one to believe that they album would convey a sense of sameness throughout. That couldn't be further from the truth. Phoenix, by telling themselves that they were going to only write 3:00-4:30 minute pop songs, have flourished rather than blundered. One only needs to listen to the rise ans fall of the chorus in "1901" to know what I am talking about. Even the seemingly filler song in the middle of the album has an amazing payoff in the end.

    1. Fever RayFever Ray


    An incredibly dark and mysterious album, which should come as no surprise since its coming from The Knife's Karin Dreijer Andersson. She takes the enigma of The Knife and covers it in blackness. Forget Black Metal, this is the darkest album that I have ever heard. It is incredibly rewarding on multiple listens, in that it always has something new. And while it conveys all these dark emotional reactions, it also manages to be subtle and never beats you over the head with it.


    Some of my favorite releases this year were Mixes/Compilations, and since they aren't albums they don't really belong on the list. That being said, I really loved them so I am going to mention them here.

    5. Hercules and Love Affair - Sidetracked

    A very good complilation album, blending some disco with classic house music.

    4. 5: Five Years of Hyperdub


    For anyone who is interested in dubstep, this complilation is absolutely essential. It surveys the 5 year history of the quintessential dubstep label, Hyperdub, and puts together a comp that flows incredibly well. From the wobble of Burial to the technicality of 2562, every sub genre of dub is represented on the comp. Highly recommended.

    3. Ada - Adaptations Mixtape #1

    Ada is one of my absolute favorite Electronic musicians/DJs, and this comp is her first release in 5 years save for a couple singles released here and there. It remixes a lot of tracks from her astounding album Blondie and mixes it with various other microhouse tracks.

    2. Dark Was The Night


    I'm pretty sure everyone knows what this is. Basically a who's who in indie rock. Usually when so many musicians of this calebver work together you get a lot of throwaway tracks that didn't make the album or half assed covers, but on this compilation the groups involved submitted some of their best material. Very very good stuff.

    1. Kompakt Total 10


    Kompakt is my favorite electronic label by far, and this comp is a good introduction to them for anyone who might be interested. Every year they release a comp, and this is their 10th anniversery, so the tracks on this are of the highest quality. This is something that I could listen to every week and it would never get old, because of the variation of styles represented.




    As far as metal goes not much really caught my ear this year. Probably due to the fact that I am getting more and more into electronic music so I find myself downloading less and less metal. However there were a couple albums that caught my attention.

    5. BehemothEvangilion


    They have really redeemed themselves after the rotten shitfest that was their previous album, The Apostasy. The punch that the first three tracks delivered is their best material since demigod, but it kind of wanes after that.

    4. EnsiferumFrom Afar
    Similar to Behemoth, I wasn't impressed with Ensiferum's previous album, Victory Songs. This one however, is way better. Since we will probably never see another Wintersun album, this will have to do.

    3. GorgorothQuantos Possunt Ad Satanitatem Trahunt


    A step back towards their raw black roots, this album is harsh and full of hate, exactly what anyone would want from a Gorgoroth album. While I'm not one for purposely making your recordings sound terrible in order to get some black metal cred, I think the stripped down approach really serves Gorgoroth well.

    2. Glorior BelliMeet Us at the Southern Sign

    This isa hard one to place. It sounds similar to Enslaved, but only if enslaved were from Oklahoma. It has a grim blackness about it, but also a melodic undercurrent that keeps it from being too dark. This is what I imagine Earth would sound like if they decided to play black metal.

    1.KatatoniaNight Is The New Day

    Katatonia is more rock then metal anymore, but that has only allowed them to write more memorable songs. this is a very depressing album, which is what they are best at. I wish more bands would make music like this.


    This year I spent a lot of time getting music that came out before 2009, so it is interesting to look at my most listened to artists on last.fm for the year. Here is a quickplaycount of my top 10 most listened to artists in 2009.

    1. Autechre - 375

    I have Liked Autechre for a long time, But this year I really got into the stuff in between their major albums. Basically Autechre from 1993 - 1999 is some of my favorite music ever made. Its insance because basically every track they made in that time period is good if not great. After 1999 they went from being an ambient electronic group into more abstract territory, doing experiments with time signuratures and pushing the boundaries of what people call music. While I enjoy the exploratory nature of their more recent works, nothing beats the clash of complexity and simple melodies that made their early work so memorable.

    2. Frightened Rabbit - 361
    Even though they didn't release anything in 2009, I still find myself listening to both of their albums at least once a month. While Midnite Organ Fight is an awesome album, nothing beats the grittiness of Sings the Greys. There is a quality to it that makes it seem organic and human, where as Midnight Organ Fight can come off sounding a bit too polished. Also Sings the Greys is an unforgetable album from start to finish, where Midnight Organ Fight kind of veers off towards the end for me.

    3. Meshuggah - 333

    Even though my metal listening habits have waned a bit in the past year, I still listen to a lot of meshuggah. This should come to no surprise for anyone that knows me. About once every 2 months I find myself listening to the entire discography besides their terrible first demo and album.

    4. Public Enemy - 289

    I have always liked Public Enemy, but for some reason never got any of their material for this year. The sample heavy textures of the music itself make it interesting even upon multiple listens. Their 3 albums in the late 80's early 90's are definately my favorite and their best in my opinion. I have to admit though that I always skip the Flava Flav songs, because all they are is him going "ITS THE FLAVA FLAV MY NAMES FLAV I GOT FLAV FLAVAAA".

    5. Mount Eerie - 244

    This guy releases a ton of material, and I am a sucker for discographies on artists that I really enjoy. Even though he does release an insane amount of songs every year, the quality of them never seems to suffer. However seeing him live in California was probably the biggest letdown I have ever had when seeing someone play live. It was a terrible terrible show, but I haven't let it tarnish my appreciation for the recordings.

    6. Boards of Canada - 243

    This is a group that will probably be in my top 20 most listened to artists every year. The ambient nature of the music lets you listen and block it out, but its not so simple that its not interesting when you are actually listening.

    7. Fever Ray - 223

    After listening to her amazing debut album for a couple of months I tracked down all of the singles and remixes, which accounts for a lot of the 223 plays. Sometimes remixes are terrible, but Fever Ray has chosen very good people to work with and 90% of them are really really good.

    8. The National - 218

    I got tired of waiting for a followup to my favorite album of 2007, Boxer, so I listened to a lot of their earlier material/eps/singles this year. While non of them are as a whole as good as Boxer, There are a lot of songs that are on par with those on the album proper.

    9. Nine Inch Nails - 208

    I was thinking about how Nine Inch Nails is the band I have listened to regularly for the longest. I got The Downward Spiral when I was 12, so I have been listening to them for 14 years. That is insane. While a lot of the time I listen to them for nostalgic purposes, I have to admit I still really like them/him.

    10. Aphex Twin - 199

    Most of these plays is do to the fact that for about 2 months i Listened to Selected Ambient Works 85-92 about oncea week. While I enjoy most of his discography, nothing beats his early material.
  • Best Albums of 2004

    Set 4 2009, 2h21 por spacehxc

  • Dibder's New Music Series: Entry 8

    Ago 27 2009, 13h55 por CvaldaVessalis

    So, in spite of drinking myself silly and being hospitalized on Sunday night/Monday morning, I live to write another journal. August has been a little better on the home front for me, despite the incredible lack of funds to which I've become accustomed. Still, this has meant I have stayed home most nights listening to music and such. But enough about that, time I cracked on with this month's reviews...

    Two Dancers by Wild Beasts
    One of the most heavily praised albums is first on my list this month, courtesy of these Kendall-based alternative Next Big Thingers. Credit where it's due for wheeling out their sophomore effort in little over a year, but the result is at times leadenly over-earnest and too eager to please, particularly from the band's lead singers' ungainly diving between affected falsetto and impassioned yells, more often within mere moments of one another (one noteable lowlight being All The King's Men). It will certainly impress those that it means to though and maybe I'll just take it lightly that even indie-lovers can be blindsided by pretentious imposters as much as regular pop music...

    Catch 22 by Tinchy Stryder
    Judging from his continued success this year on the UK singles and album charts, Mr Stryder has done incredibly well to eschew his grime credentials with an unabashed pop influence reminiscent of his US contemporaries. And whilst there's plenty of genial slow jams and some proof of his performance skills present on this big-budget major label debut (and the album reps an admirable showcase for co-producer Fraser T. Smith as hitmaker deluxe), there's a distinct lack of lyrical depth and showmanship that characterises some of the better rappers in the spotlight now, Lil' Wayne and his East London compatriot, Dizzee Rascal being a couple of them.

    One Love by David Guetta
    TocarLove Don't Let Me Go (Walk Away) (Famous Radio Edit) rather convincingly won the battle for UK Club Anthem of 2006 for David Guetta, launching his profile as one of the finer dance music producers working today, evidenced by the genuinely impressive featuring credits on this fourth album (Black Eyed Peas in particular seem to love this guy). However, despite luminous appearances from Kelly Rowland and one-to-watch Wynter Gordon (and lesser spots from Ne-Yo and Mr Autotune himself, Akon), Guetta's repeated innovations of glitch, electro and hip hop don't serve the album for the better in the long haul (though he gets kudos for making a Black Eyed Peas song listenable!)

    Unforgettable by IMRAN KHAN
    Another dance tune that enjoyed much success in 2007 was Imran Khan's debut single Ni Nachleh, a fine, guiltily pleasurable mix of bhangra, garage and Eurobeat that attained the premier spot on many UK Asian radio stations. Two years later and the Pakistani-Dutch singer follows suit with a debut album that pretty much picks up where that song left off, slickly produced and inoffensive party bangers bopping alongside typical gossamer-lite ballads. As a result, the louder moments, such as Nazar and Chak Glass, fare better than the allegedly more emotive ones, but those keen to excuse the autotuning can have a diverting, if unremarkable, time.

    Years by Years
    Also the stagename for Canadian multi-musician Ohad Benchetrit, who also happens to be a member for post-rock band Do Make Say Think, as well as frequent collaborator with Broken Social Scene, Feist and The Hidden Cameras amongst others, this debut album sees Ohad collate all of his solo instrumental works into one of the most studiously enriching albums of the year. Standouts TocarAre You Unloved? and TocarA Thousand Times A Day (Someone Is Flying) betray his evident skills as both musician and arranger beguilingly, taking in plaintive guitars, noble string sections and diverting brass, but some of the album can be accused of being a little too slight for it's own good, not to mention a little short!

    Conditions by The Temper Trap
    Earmarked as Australia's next big rock export and the natural successors to Kings of Leon with regards to their meter in classy stadium rock, The Temper Trap have been riding a crest of keen hype after being featured on the BBC's Sound Of 2009 list. And whilst they fall somewhat easily into the more acceptable part of that lists inclusions, their overall sound isn't too distinct enough to draw significant comparisons away from most rock outfits these days. In spite of this, some rather are still rather lovely songs, one particular highlight being TocarSweet Disposition, which transcends the obvious U2-style arrangement to drum up some credence to the hype.

    Arecibo Message by Boxcutter
    My dubstep adventures continue now with Irish producer Barry Lynn, who takes as much from analogue techno of the early '90s and trippy sci-fi inflected interludes as he does distorted R&B/garage vocals and jungle-style samplings. Whilst perhaps not as gorgeously wrought as the likes of Burial or Moderat (Lynn's jams are less mournful and claustrophobic and trade more on euphoric fantasy), it's still a diverting and funky listen for anyone interested in the burgeoning scene. Highlights here include the heady TocarS p a c e b a s s and TocarMya Rave v2, the latter in particular infusing all of the above sounds into a very headnodding whole.

    Far by Regina Spektor
    Spektor's reputation as one of the leading stars of the anti-folk scene appears consolidated with this release, her fifth solo album and follow-up to her 2006 breakout success, Begin to Hope. Retaining the same winsome qualities that saw her fanbase grow exponentially then, Far may appear to be more of the same from the charismatic chanteuse, but songs such as Eet and Dance Anthem of the 80's are keen to prove that Spektor really need little more than a piano and her titular trill to win over a discerning crowd. There's enough percussive staccato rhythms, elegantly wordy ballads and Spektor's own rather sweet star quality to keep fans entertained at any rate.

    A French Kiss In The Chaos by Reverend and The Makers
    Given his reputation as a political human megaphone, Jon 'The Reverend' McClure's musical exploits are similarly infused with the frontman's grim estimations on the state of the world, whether it be the apathy of the youth in Silence Is Talking and or the consumer brainwash-bash of Hidden Persuaders. However, don't be affronted by the pessimism, as McClure and his Makers tow the line between worthy guilt trip and punkish rabble with enough buoyant riffs and exultant orchestrations to offset the mean streak prevailing throughout. It might be worth catching some of their acoustic car-park based gigs after all for some good-natured anti-authoritarianism.

    The First Days Of Spring by Noah and the Whale
    It's either rather charming or incredibly misguided when a folk outfit releases an album concerning a certain part of the seasonal calendar amidst its polar end. I'm still in two minds as to whether this English quartet's album is a success or failure though because it captures the forlorn mood of the tailend of winter so perfectly, not to mention the ashen-coated hope of regeneration. Album notes in the press declare it as being the soundtrack to a painful rupture of a relationship, with a film accompanying the LP's release in the deluxe edition; those made of emotionally impenetrable steel, or gluttons for punishment, should be thrilled... others, be warned.

    Creaturesque by Throw Me the Statue
    Some warmly performed indie pop now, courtesy of four Seattle-based musicians keen to offer politically barbed tirades (hear Pistols) and distinctly cynical personality-dissections (hear Noises) as joyful ditties, mixed into the kind of gossamer-lite lo-fi buzz that encourages further listens. The key addition here, alongside frontman Scott Reitherman's charmingly disenchanted vocals, is a reliance on a warm electronic bass-buzz that helps to subdue the subject matter into something made enjoyable, nevermind listenable. Quibbles can be made that it doesn't capitalise on their hype-inducing debut well enough, but then disarmingness never announces itself, does it?

    Broken by Soulsavers
    Known by their friends as Rich Machin and Ian Glover, Soulsavers are credited as being electronica producers/remixers, though you wouldn't have guessed this from their third album, which sees them take in myriad influences from rock, jazz and classical worlds to create an exquisite soundtrack to a downer in 2009. It actually shares a lot of similarities with Danger Mouse & Sparklehorse's collaboration earlier this year, not least in its employment of guest stars (Mike Patton and Jason Pierce feature, though Aussie one-to-watch Red Ghost fares best) though the production is less galvanising and more subdued. However, it still more than merits a worthy listen as one of the year's best kept secrets.

    Humbug by Arctic Monkeys
    So, almost after their record-breaking debut hit the top spot on the UK album charts, the Monkeys have had much more to prove than most other alternative-pop bands this young in their career. With Humbug, benefiting from co-production from Queens of the Stone Age's Josh Homme as well as regular collaborator James Ford (fresh from Alex Turner's sojourn with The Last Shadow Puppets), they may have answered with their most consistently dark and lyrically bombastic work, eschewing the earlier jovial rabble-rouse with something fast approaching formidable in its authority, exemplified best by lead single Crying Lightning. Much to the snooty's chagrin, the Monkeys may be here to stay.

    I Love You by Amanda Blank
    I'm a little surprised by the amount of unimpressed stick Ms Blank has taken for her debut album. Understandably, it falls a little short from the hype propagated by the likes of Diplo and XXXchange on production duties, but there's no denying some of the pure fun to be had here (hear the impressively filthy TocarMight Like You Better). Compared with her more raucous peers (M.I.A., Yo Majesty, to name a couple), she pales a little in the confrontational stakes, her finer moments find her exhibiting a touch more humility and soul as opposed to outspoken attitude, probably the finest example being TocarA Love Song, featuring a resonant sample of Santigold's TocarI'm a Lady.

    See Mystery Lights by YACHT
    Please understand that this album would be far better rated if it weren't for the final track; average wise, the rest of it is brought down that much. Otherwise, this is as fine a major-indie label dubet from an alternative-electro-pop-performance artist that you're likely to come across. Trading in tuneless spoken vocals, über-geeky effects that emerge as über-cool from the other side and a dab hand at finding the kind of hooks that bury themselves within your head, it's certainly one of the most recognisably-hyped records of the past year (I'm a little obsessed with We Have All We Ever Wanted at the moment)... but that final version of Psychic City is irredeemable!

    Temporary Pleasure by Simian Mobile Disco
    Another dance/electronica outfit whose latest release is positively bursting with special guests now, this time courtesy of British production duo James Ford and Jaz Shaw. Whilst prior collaborators Klaxons and Peaches do not appear on their sophomore studio LP, they receive rather gorgeous help from the likes of Gruff Rhys (leaving me wanting for a sequel to his Neon Neon side project on TocarCream Dream), Beth Ditto (fulfilling Debbie Harry comparisons with dreamy effort TocarCruel Intentions) and underserved uber-cool disco duo Telepathe. The main misgiving here though is that the guest spots are that much better than the duo working solo, but as long as they're inspired, they're in fine fetter.

    Shortcuts by Trip
    For those still waiting on the Jamie T follow-up, if they chanced upon this debut from Alex Child there's a very good chance that wait would come to an abrupt end. Produced alongside those who've had hands in the likes of Does It Offend You, Yeah? and Ladytron previously, Child's LP takes in typical tales of teen romances, hangovers and youthful bravado, but avoids likenings to Jamie T and The Streets' Mike Skinner before him on account of the fine musical intelligence on offer, nevermind the acutely observant lyrics. Opener applecheeks charts a romantic night out sweetly without resorting to cliché and Who's That might be the funniest single of the year, if only for daring to put Bono in his place.

    BLACKsummers'night by Maxwell
    Those with eyebrows arched at the eight year wait for Maxwell's follow-up to 2001's Now have every right to have them so. Let it be said though that, whilst I'm still adverse to the questionable misogyny prevalent in male-fronted R&B in general, when Maxwell asks his muse to "prove it in the nude" in achingly swoonsome falsetto on opening track Bad Habits, it takes a less-than-hot-blooded person not to be energised, or at the very least impressed! The first of a duo-disc concept release (blackSUMMERS'night is due for release next year), Maxwell ingratiates himself back into the upper echelons of nu-soul R&B with nary a bead of hot sweat broken.

    xx by The xx
    After the successes of Burial and Hot Chip, and now the arrival of this quartet of infuriatingly talented 19-year-olds, Putney's Elliott School may well become the successor to Croydon's BRIT School. The kind of dream-pop/indie rock debut that merits repeat listens even after those post-night out sessions with close friends, it's the first album I've come across that has done well to stay homegrown rather than spun into something recognisably hip for fad-listeners (they politely refused Diplo's help!) However, at least on the evidence on the TocarWicked Game-licking Infinity (how's that for being standard-defyingly good!?), I can't help but agree with this brightly-futured quartet.

    Total 10 by Various Artists
    2009 marks the tenth anniversary of Kompakt, the German electronic music label that has brought us some of finer examples of ambient dance music of the past decade, including new releases from Gui Boratto and The Field's Axel Willner from this year. Their Total series collates the best remixes and selected tracks over the past year from their roster and the setlist here is nothing short of lovely. Highlights here include the beauteous crescendo of Shumi's The Wind And The Sea, Ada's Ibiza anthem for the intelligent Lovestoned, Justus Köhncke's minimal electro funk session You Make It Easy and Michael Mayer's heartrending remix of Gotye's Heart's A Mess.

    Two by Miss Kittin & The Hacker
    After new releases from the likes of Peaches and Fischerspooner earlier this year and now the return of DJ duo Caroline Hervé and Michel Amato, it would appear that electroclash is aching for a return to the airwaves nearly a decade after its prominence on the UK club scene. And whilst both prior acts have noticeably calmed down and grown a fancier sheen to their rogue electro jaunts, credit Caroline and Michel for sticking to their guns and kicking a party into ignition to better their debut offering from 2001. Sure, the beats sound that much more polished than they did eight years ago, but the slithering debauchery is still there, offset by some gorgeous electro ballads (hear single 1000 Dreams).

    Last Night The Moon Came Dropping Its Clothes In The Street by Jon Hassell
    Taking in world music, classical composition, avant garde electronica and freeform jazz, 72 year-old trumpet player Hassell has enjoyed a noted if curiously quiet reputation over the last forty years, not just as a trumpet player par excellence, but also for his wondrous evocations of pre-existing musical genres across the world. His fifteenth release plays like a troubled score for a lost film concerning a lonely figure wallowing in an alien world, characterised by Hassell's own instrument that is at once fearful, respectful, inquisitive and sensual in its improvised nature. A beautifully tortured piece from an auteur long overdue for some breakthrough recognition.

    jj n° 2 by JJ
    One of the alternative music world's worst kept secrets following glowing reviews from the likes of Pitchfork and NME is this Swedish indie pop group, whose reputation remains infuriating in the ether. Little is known, except their releasing this debut album from the Sincerely Yours label; mind you, with harmonies and buoyant melodies this lovely perhaps a visual identity isn't necessarily needed. At once uniquely exotic and yet composed with such a winsome pop sensibility as to make it immediately refreshing (best example being [track artist=JJ]From Africa To Málaga
    ), it takes someone of emotionally stunted growth not to be swayed by how good this album is.

    Scars by Basement Jaxx
    So, in accordance with the unofficial theme this month of dance outfits with ridiculous amounts of guest stars on their LP, the Jaxx win the battle both figuratively and impressively. Kelis, Chipmunk, Santigold, Sam Sparro, Yo Majesty, Yoko Ono, Paloma Faith... it promises to be the most eclectic mix to be heard this year, and some tracks here promise to give the Jaxx their best single chartings in years (particularly Sparro's uplifting feelbad ballad Feelings Gone). As a Jaxx album though, it's their most emotionally downbeat yet, attested not just from the ruminative title track, but also how comparitively stripped down the arrangements are to albums past. It could even be their best...

    And that is why Scars is my Album Of The Month For August...

    Sorry if there are any typos on this as my Internet is playing up at home and I need to do all I can to stop it from cras-

    XX

    (P.S. It was brought to my attention that the Muse album I had previously heralded as the album of the month was in fact one of those dodgy leaks, so the real version of that album will be reviewed at a later date... Sheepish doesn't even come close to how I'm feeling, still...)
  • Shufle Game pt 2 ;)

    Ago 5 2009, 22h47 por martenka

    Zasady podobne jak w poprzednim dzienniku, tyle że tytuły utworów to odpowiedzi na zadane pytania ;)...


    1. Czy zajdziesz daleko w życiu?
    DJ Shadow- [The Ultimate Collection #07] ...Meets His Maker

    2. Jak postrzegają cię przyjaciele?
    Lemongrass - [Lounge Couture vol. 2 [CD2] #09] Bee [Sunflower mix]

    3. Czy wyjdziesz za mąż/ożenisz się?
    Noon - [Bleak Output #12] Before end...

    4. Piosenka opisująca twojego przyjaciela?
    L.U.C - [Haelucenogenoklektyzm - Przypowieść o Zagubieniu w Czasoprzestrzeni #03] - Pierwsze przebudzenie - miasto Stumostów

    5. Jak będzie wyglądać historia twojego życia?
    Ada - [Blondie] Each and everyone...

    6. Jakie było/jest twoje liceum/gimnazjum/szkoła innej maści?
    The Mighty Bop - [Chillout Cafe - Marek Niedźwiecki & Agnieszka Szydłowska #03] Summer Session

    7. Jak poradzisz sobie w życiu?
    Massive Attack - [Danny The Dog [OST] #05] Polaroid Girl

    8. Jaki będzie dzisiejszy dzień?
    Portishead - [Portishead #08] Seven Months

    9. Co się stanie w ten weekend?
    Tworzywo Sztuczne - [Wielki Ciezki Slon #04] Deszcz w Butach

    10. Piosenka opisująca ciebie.
    Ellen Allien & Apparat - [Orchestra Of Bubbles #05] Jet

    11. Piosenka opisująca twoich dziadków.
    Maria Sadowska - [Tribute to Komeda #11] Kattorna

    12. Jak wygląda twoje życie?
    Teddybears feat. Iggy Pop - [Soft Machine CD1 #07] Punkrocker

    13. Jaka piosenkę zagrają na twoim pogrzebie?
    Zero 7 - [Chillout Cafe - Marek Niedźwiecki & Agnieszka Szydłowska #11] In The Waiting Line

    14. Jak postrzega cię świat?
    Erykah Badu - [Live CD1 #03] On & On

    15. Czy będziesz miał szczęśliwe życie?
    CocoRosie - [The Adventures Of Ghosthorse And Stillborn #12] Miracle

    16. Czy ludzie pożądają cię potajemnie?
    Kruder & Dorfmeister - [Erotic Lounge - CD1 Soft and Lazy #12] Original Bedroom Rockers

    17. Jak możesz się uszczęśliwić?
    L.U.C. - [Haelucenogenoklektyzm - Przypowieść o Zagubieniu w Czasoprzestrzeni #23] Pomiedzy wszystkim

    18. Co powinieneś zrobić ze swoim życiem?
    Ellen Allien - [WEISS.MIX #08] AudioTrack 08

    19. Jakie są/będą twoje dzieci?
    Björk - [Homogenic #07] Immature



    Originally posted by: zuraw
  • Artists I Have Seen Live

    Nov 15 2008, 16h43 por madcap_taco

    !!! (x3)
    13 & God
    Acid Mothers Temple & The Melting Paraiso U.F.O.
    Ada
    Aesop Rock
    Air
    Amadou & Mariam
    Amanda Blank
    Andrew Bird
    Animal Collective
    Ari Ari
    Art Brut
    Au
    Band of Horses (x2)
    Bat for Lashes
    Battles
    Beach House
    Bear the Bell
    Bear vs. Shark
    Beep Beep
    Benny Benassi (x2)
    Blane Fonda
    Blitzen Trapper
    Bloc Party
    Bonde do Role
    Booka Shade
    Boris
    Bowerbirds
    Boy in Static
    Broken Social Scene
    Built to Spill
    Cage the Elephant
    Calla
    Caribou
    Caustic
    Clipse
    Combichrist
    Critical System Error
    CSS
    Cut Copy
    Dan Auerbach
    De La Soul
    Devendra Banhart
    DeVotchKa
    Dinosaur Jr.
    Diplo
    Dirty Projectors
    Dizzee Rascal
    DJ /rupture
    DJ STV SLV
    DJ Swamp
    Dominik Eulberg
    El Perro del Mar
    Elf Power
    Extra Golden
    Faun Fables
    Final Fantasy
    Fleet Foxes
    Flogging Molly
    Flosstradamus
    Frightened Rabbit
    Fuck Buttons
    Ghislain Poirier
    Ghostface
    Girl Talk (x2)
    Gnarls Barkley
    Grand Duchy
    Grizzly Bear (x3)
    GZA/Genius
    Handsome Furs
    Hella
    Hocico
    Hollywood Holt
    Holy Fuck (x3)
    Icy Demons
    Infected Mushroom
    Interpol(x3)
    Iron & Wine
    Jamie Lidell
    Jane's Addiction
    Junior Boys
    Kanye West
    Kate Havnevik
    King Khan & The Shrines
    KMFDM
    Liars (x2)
    Lindstrøm
    Lou Reed
    M83
    Man Man (x2)
    Matt & Kim (x2)
    Matthew Dear
    Menomena (x2)
    Michael Columbia
    Mission of Burma
    Mr. Lif
    Muse
    Neko Case
    Nine Inch Nails
    No Age
    Nomo
    of Montreal (x2)
    Os Mutantes
    Panda Riot
    Paul van Dyk
    Pete Yorn
    Peter Bjorn and John
    Pharoahe Monch
    Phoenix
    Post Honeymoon
    Professor Murder
    Ra Ra Riot
    Radiohead (x3)
    Raekwon
    Rage Against the Machine
    Red Red Meat
    Rush
    Russian Circles
    Secret Machines
    Silver Jews
    Simian Mobile Disco
    Sinkane
    Slint
    Sonic Youth (x2)
    Spank Rock (x2)
    Spoon (x2)
    System of a Down
    Tapes 'n Tapes
    Tarantula A.D.
    Terrorfakt
    The Antarcticans
    The Antlers
    The Apples in Stereo
    The Black Keys
    The Cool Kids
    The Cure
    The Dead
    The Dodos (x2)
    The Dresden Dolls
    The Faint
    The Flaming Lips (x4)
    The Go! Team
    The Hood Internet (x2)
    The Jesus Lizard
    The Kills
    The Mars Volta (x2)
    The Mountain Goats
    The National (x3)
    The New Pornographers
    The Pains of Being Pure at Heart
    The Poison Arrows
    The Rural Alberta Advantage
    The Surrogate Band
    The Thermals
    The Walkmen (x2)
    Tim Fite
    Times New Viking
    Titus Andronicus
    Toadies
    Tobacco
    Tonikom
    Tool
    Tortoise
    Tricky
    TV on the Radio (x3)
    Vampire Weekend
    VNV Nation
    White Rabbits
    Yeasayer
    Yo La Tengo (x2)
    Yoko Ono

    all from 2004-present
  • [Electroniquement Vôtre #3] Ada

    Nov 7 2008, 0h31 por Dacobah

    Introduction

    De la même manière que Loco Dice dont nous avons parlé dans le numéro 2 d'Electroniquement Vôtre, Ada n'a pas commencé sa carrière avec des synthés, mais avec un micro.

    L'artiste en quelques mots



    En 1994, Michaela Dippel, plus connu sous le pseudo Ada, a commencé sa carrière musicale en tant que chanteuse dans un groupe de rock. Le groupe au fur et à mesure de son évolution, a ajouté progressivement de nouveaux instrument dont des synthétiseurs. Ca a été une manière pour elle de découvrir la musique électronique. Et cette transition a fait qu'elle s'est mis a remixée et son travail a été reconnu. Pourquoi s'arrêter en si bon chemin ?

    Ada intègre rapidement le label Blindhouse, puis créée son propre label intitulé Areal Records. Son style particulier, qui reste à dominance électro est remarqué par la presse et les amateurs de bon son grâce à certains de ses morceaux et remix, mais surtout sur son album Blondie qui sonne à la fois techno, minimal mais aussi un peu pop-synthé et new-wave.

    5 morceaux incontournables de l'artiste

    1 - TocarThe Red Shoes
    2 - TocarCool My Fire
    3 - Dirty Deeds (Ada Remix)
    4 - So Easy To Forget (Ada Remix)
    5 - TocarLuckycharm
  • Michael Feihstel - Hello Sundays! (Part 1 - Part 3)

    Mai 18 2008, 14h29 por michif72

    I made mixes for those special sunday moods you certainly know and experienced. You’ll find fresh tracks aswell as some classic songs and personal favourites in these sets. Furthermore you’ll notice that i tried to mix many different genres.

    Download All Parts here

    Hello Sundays! (Part 1)

    01 The Cinematic Orchestra - Into You
    02 Louis Vega feat. Julie McKnight - Diamond Life (Deep Dish’s Numb Life Remix) //
    03 Ada - Each And Everyone
    04 Junior Boys - Double Shadow
    05 Psapp - Cosy In The Rocket
    06 Apparat - Arcadia
    07 Ricardo Villalobos - Fizheuer Zieheuer (Part 2)
    08 Air - Mer Du Japon
    09 Chromatics - In The City (12″ Mix)
    10 Phonique - Casualities (Album mix)
    11 Matthew Adams - No More Anymore (Michael Feihstel Remix)
    12 Guy Gerber - Unfulfilled (Album Mix)
    13 Marie Boine - Filer Til Voui (Henrik Schwarz Remix)
    14 Gabriel Ananda - Lamakova
    15 The Cinematic Orchestra - Music Box

    Hello Sundays! (Part 2)

    01 Apparat - Over And Over
    02 Thom Yorke - Black Swan
    03 Lindström - Music (In My Mind)
    04 Solomun And Stimming - Eiszauber
    05 Alex Kid - Nightshade (Rodriguez Junior Remix)
    06 Death Disco - The Treatment (Metronomy Remix)
    07 Feist - Sea Lion Woman (Chromeo Remix)
    08 Brazilian Girls - Last Call
    09 Telepopmusik - Don’t Look Back (John Tejada Remix)
    10 Michael Feihstel - Sundays In Prague (Mondays At Home Mix)
    11 Telefon Tel Aviv - Bubble And Spike
    12 Grand National - Drinking To Move On
    13 Joe Claussel - Je Ka Jo
    14 Hot Toddy - Mindtrip
    15 Aril Brikha - Berghain
    vs
    16 The Detroit Escalator Company - Abstract Forward Motion
    17 Grand National - Talk Amongst Yourselves (Sasha Remix)
    18 Throbbing Gristle - Hot On The Wheels Of Love (Ratcliffe Remix)
    19 M83 - Beauties Can Die

    Hello Sundays! (Part 3)

    01 The World on Higher Downs - Alpine Low
    02 People Press Play - Hanging On
    03 Future Loop Foundation - Homegrown Dynamic
    04 American Analog Set - The Green green Grass (Telefon Tel Aviv Remix)
    05 Bloc Party - Where Is Home (Burial Remix)
    06 Imagination - Just An Illusion (Lindström Vocal Remix)
    07 SuperMayer -The Art Of Letting Go (Ewan Pearson’s Instrumental Remix)
    08 LCD Soundsystem - Us vs Them (Any Color You Like Remix by Windsurf)
    09 Klaxons - As Above, So Below (Justice Remix)
    10 Atjazz - For Real (Version Mix)
    11 Afrilounge - Lux Dementia vs. 12 L’usine - Figment
    13 Elektrochemie - My Home
    14 Telefon Tel Aviv - Your Face Reminds Me Of When I Was Old

    Download All Parts here
  • Bambaat - Obscured Rays 008 on ETN.fm - 2008-03-13

    Abr 12 2008, 8h07 por bambaat

    bambaat - Obscured Rays 008 on ETN.fm - 2008-03-13

    01) Andy Page, Sean Quinn - SQAP (Habersham's Fearmonster3000 Edit) [Audio Therapy]
    02) Audiofly X - Below The Surface [Get Physical Music]
    03) Chapeau Claque - Reykjavik (Bukaddor & Fishbeck Remix) [Popnorama Records]
    04) Chymera - Wish [NRK]
    05) Beroshima - Horizon (Funk D'Void's Hope Mix) [Soma Recordings]
    06) Rob Dowell - I Could Be Wrong [Lobotomy Records]
    07) JohnJon - Meanwhile (Kollektiv Turmstrasse Remix) [Baalsaal Music]
    08) Ada - Fizzmann [Areal Records]
    09) Ozgur Can, ags - Melodic Beat [Save Me Records]
    10) Younger Brother - Your Friends Are Scary [Twisted]

    Bitrate: 256 kbps / Length: 01:01:40 / 116mb

    http://www.archive.org/download/Bambaat_-_Obscured_Rays_008_on_ETN.fm_-_2008-03-13/Bambaat_-_Obscured_Rays_008_on_ETN.fm_-_2008-03-13.mp3
  • "We built this City" - Eine Dokumentation über elektronische Musik aus Köln (DVD)

    Jan 28 2008, 7h55 por acidfucker

    Köln gilt weltweit als eines der Zentren elektronischer Musik. Als "Sound of Cologne" haben die Kölner Musiker, DJs und Labelmacher in den 90er Jahren - wenn auch ungeplant - eine Marke geschaffen, die man in Clubs und Tanzflächen rund um den Globus kennt. Auf dieser DVD wird der Frage nachgegangen, wie Köln zu seiner Sonderstellung gelangt ist. Gleichzeitig wird ein Ausblick in die Zukunft elektronischer Musik gewagt.
    "Es geht um unsere kleine Discokultur, von der wir ja alle leben", sagt justus köncke, Ex- mitglied der Kölner Formation Whirlpool Productions und als Solokünstler seit Jahren eines der Aushängeschilder des Kölner Labels Kompakt. Die DVD-Dokumentation porträtiert mit Interviews, Musikclips und exklusivem Live-Material jene Menschen, die künstlerisch und strategisch dafür sorgen, dass Köln ein Fixpunkt für kreative Musiker aus aller Welt ist und bleibt. Labels wie A-Musik, Kompakt, TRAUM, WARE oder Sonig spüren immer wieder neue Talente auf. Etablierte Künstler wie Mouse on Mars, Wolfgang Voigt oder Riley Reinhold sind unverändert aktiv und bereiten den Boden für erfolgreiche Newcomer wie Ada oder Dominik Eulberg.
    Die einstmals weltgrößte Musikmesse Popkomm hat die Stadt verlassen, um anderswo unglücklich zu werden. Die Kölner haben mit dem für sie typischen Trotz reagiert und Alternativen geschaffen: Das Festival c/o pop startete erfolgreich und die Geschäfte der lokalen Labels florieren entgegen aller Marktprognosen. Der DJ und Spex-Redakteur Tobias Thomas erklärt es so: "Der Sound of Cologne ist ein Gefühl."

    Thomas Kappeller (Hg.), Sebastian Züger (Hg.)
    "We built this City" - Eine Dokumentation über elektronische Musik aus Köln (DVD)




  • Bambaat - Guest Mix @ BassLine on Pure.FM - Jan 13th 2008

    Jan 14 2008, 21h14 por bambaat

    bambaat - Guest Mix @ BassLine on Pure.FM - Jan 13th 2008

    01) M.A.Z.7 - Summer day (Mango & Arthur Deep Remix) [Silk Digital]
    02) Shlomi Aber, Itamar Sagi - Blonda (Funk D'Void Remix) [Toolroom]
    03) Ada - Fizzmann [Areal Records]
    04) Sasha - Coma [emFire]
    05) Pascal FEOS - Bring The Beat Back (Oliver Klein Mix) [Level Non Zero Recordings]
    06) Victoria R - Acting Over Reality (Baunder Remix) [Carica Deep forthcoming]
    07) King Unique - Yohkoh (Luke Dzierzek Remix) [Curfew]
    08) Stephan Bodzin - Papillon [Herzblut Recordings]
    09) Chymera - A Question [NRK]
    10) M.A.Z.7 - Summer day (Cantus Chillout Mix) [Silk Digital]

    http://www.archive.org/download/Bambaat_-_Guest_Mix_at_BassLine_on_Pure.FM_-_Jan_13th_2008/Bambaat_-_Guest_Mix_at_BassLine_on_Pure.FM_-_Jan_13th_2008.mp3

    192Kbps/88.2Mb