Whoa.
So the Oricon Daily Charts for Wednesday came out, and practically the first thing I see is Koda-Utada bashing. Hikki fans don't like Kodaku for ranking #2, Kodaku fans bash Hikki's new single, etc.
And of course, the fans in between get riled up about that because they like both artists and get insulted either way.
Honestly, if you ask me, I'm not much of a fan of both
宇多田ヒカル and
倖田來未. They both have their hits (Most recently
Passion and
No Regret respectively) and misses (a good majority of their releases) for me.
I'm not going to be a blatant idiot who cries, "Why can't we all just get along?" I know better than that - this sort of competition is how the artists in question get pushed to the top.
Frankly, because of the damned argument and bashing, I'm
glad SEASON'S CALL was number 1. I'd be even happier if
IT'S IN THE STARS had beaten both divas, but I'll take the #4 I can get. (Amusing,
w-inds. fans are taking this whole thing in stride. "It'd be great if they ranked higher, but they're against HYDE, Koda, and Utada. Ranking #4 is awesome enough as it is." I love my
actual fandom. Kimi's a diva-fan-poseur. XDD)
Drama-mocking aside, is it so hard to ask for all things given to be taken in perspective?
Actually, overseas hardcore Koda fans have gotten pretty damned riled up and argumentative lately. With the sudden shooting of their diva to the top, I guess they've decided they have a right to be elitist? (Though how many of you want to bet 95% discovered her when the rest of us did, with
real Emotion/
1000の言葉?)
Utada's been hitting the top of the charts since her debut, she's got reason to stay around there. Even if I don't particularly like the song (speaking of which, I haven't listened to
Keep Tryin' at all yet), I can understand what others see in her. She writes and composes her own songs - and has been doing so since her debut, I believe - that's got to be admired and applauded.
Meanwhile, prior to writing the lyrics to
Butterfly (or around that time), Koda didn't have much of a hand in her songs other than singing them.
On the other hand, Koda's got a strong voice and equal potential. I don't particularly like her image change into eroticism, but she's got the body for it and she can work up the naughty attitude. By all means, go ahead. It works a lot better than
安室奈美恵's attempts at it (though part of that is the lingering effects of Amuro's "teen idol" image), and it allows her to carve a niche in a market of clones. She's worked and built up her success in the current market over the narrow course of 1.5 years, so she's obviously doing something right and selling something interesting to the market.
Ayu? Utada? Amuro? They've all been in the market for longer than Koda has. Of course you're going to hear rumors of displeasure between the new blood and the reigning queen. How about being the bigger person and letting it slide instead of picking on it? You don't see the Japanese fans overhyping it, do you?
Speaking of which - let's clarify one thing again. The elitist bitching fans? Yeah, you're all overseas. You've got little say in their rankings on the Oricon charts. Be proud for the artist you're a fan of, but please don't get it into your heads that you're really all that important when you're just another face in a crowd. Hopefully that'll bring down the "ZOMG I R WINNER U NOT CUZ I LIKE THIS ARTIST N S/HEZ SOOOOOOOOOOO MUCH BETTAR HAH" ego balloon so many of you seem to have (though I doubt you're reading this).
I mean, you have artists/groups like
m.o.v.e and
m-flo, or
Heartsdales and
BENNIE K, who could pretty much be considered rivals. But yet their fandoms give the other fair treatment - is it because image isn't as important as the music for them? If that's the case, dress all the divas in trash bags and give 'em better music, if only because I want to see the outcome. (And if it works, I claim credit for JPop peace. 8D)
Going back to the w-inds. point... I'm only starting to scratch the surface of the Johnny's empire and it scares me deeply. XDD I worry about when I finally get into the world of Korean boybands like
東方神起/
DBSK or
Super Junior.
But that's another thing that confuses me. Half of the wFL fandom (as far as I've seen) seems to have a deep-rooted disliking for Johnny's boybands. But Korean boybands are okay?
Run&Gun is okay? (Johnny's fans are apparently fine with other boybands. So we won't say anything about them.)
How the hell do you expect to be a fan of Japanese pop but not expect to run across a Johnny's group (
any Johnny's group) sooner or later?
Arashi seems to be in their prime right now, but
NEWS and
KAT-TUN aren't far behind. (Never mind
タッキー&翼,
KinKi Kids,
SMAP, or
V6 for the moment.)
On the other hand,
Flame has just about died out, we don't hear anything from indies-boy
KYOHEI these days,
Lead is still growing into a definite image.
w-inds. against the Johnny's empire and winning?
Not just yet.
Of course, Japan could
always use more boybands. Look at all the girl groups there are -
morning musume,
SweetS,
Dream,
berryz koubou,
Harenchi Punch,
Perfume, SEED, Bishoujo Club 31,
AKB48,
PARADISE GO!!GO!!, and more. You don't see their fans bitching against each other.
And who knows, maybe if we toss more pretty boys at the fangirls, they'll be distracted enough to stop the ridiculous fighting.
If only the same tactics worked with diva fandom.