Artigos

Introductory paragraph and subsequent commentary be damned - let's do this thing! I essentially split the difference between broadly notable songs and personal favourites.

25. Time To Pretend
24. Hey Ya
23. A-Punk
22. Decatur
21. Crazy In Love
20. Feet of Clay
19. Stars and Sons
18. Heartbeat
17. Reptilia
16. Stillness Is the Move
15. My Girls
14. The World at Large
13. Love at First Sight
12. Sing Me Spanish Techno
11. Simple X
10. The Music Lovers
9. He Doesn't Know Why
8. Shark Fin Blues
7. Painter in Your Pocket
6. Maps
5. It's All Gonna Break
4. California One/Youth and Beauty Brigade
3. Since I Left You
2. For Real
1. There There

Forever ago, in the glory-days of Napster and Kazaa, I discovered Radiohead (hurrah!) and amidst the 28.8kb/s hunt for b-sides and rarities on other people’s computers found myself in possession of a song called Cogs. It was a weird and haunting song that seemed to fit right into the Kid A/Amnesiac theme but didn’t fit with GreenPlastic’s suggestion that Cogs was an alternate title for Last Flowers.

It became this anomaly in my collection, Radiohead but not, and I forgot about it until today, when I thought I’d scan it with Last.fm’s command line fingerprinter which told me:
<track confidence="0.245223">
<artist>Ennio Morricone</artist>
<title>Man With A Harmonica</title>
<url>http://www.last.fm/music/Ennio+Morricone/_/Man+With+A+Harmonica</url>;
</track>Which wasn’t what I expected at all.

But now a six-year odd mystery has been solved and I’d love to know how the fingerprinter works. Probably some hairy maths .. it’s impressive it can figure these things, especially now they're automatically redirected.

It’s still an excellent song.


// Some other connections for posterity: Ennio Morricone, Man With a Harmonica.

1. Sam Phillips - Don't Do Anything
2. The Fall - Imperial Wax Solvent
3. T Bone Burnett - Tooth of Crime
4. Ry Cooder - I, Flathead
5. Oppenheimer - Take The Whole Midrange And Boost It
6. Julian Cope - Black Sheep
7. Saul Williams - The Inevitable Rise and Liberation Of Niggy Tardust
8. Ministry - Cover Up

In a dreamy but damned empire far far away... in an age of visceral madness and circular conspiracy, one philosopher seeks hope...

Ladies and gentlemen the world over, you simply must experience the latest noise to come from famed playlist dominator, My Bloody Valentine. Slow follows the twisted tale of a cavalier and philosopher as he tries to smile, smile, smile, smile, smile in an eerie, nether world.

Notorious antagonist, Belinda Butcher (played by Sugar) returns to the screen to suck, suck, suck as well as lick, lick, lick. By the end of the 2PM hour block, you're wondering, "What kind of perverse Irish nonsense is this?!" But keep listening. The plot and thunderous score are wholly interactive. Were we to be sitting near one another, YOU MAKE ME REALIZE what's really happening and vice versa.

He cannot call upon the Sonic Youth to be in his land army. When he slips, the The Jesus and Mary Chain is nowhere in sight. Slow plods ever onward through the wintry abyss with nothing but his Kevin Shields to protect and sustain him, moving ever toward 3:01PM on October 16th, 2008 when the thanksgiving of prophesy that is my 40,000th song is finally revealed.

Death-defying stunts! Feel suspended in your chair as Slow breezes past The Breeze...intercepts I'm Waiting For The Man. If you nervously shoegaze for even a second of this 3:13 masterpiece, you'll miss something key!

My Bloody Valentine, you got what I need, so don't play no games. Fire up your playlists now ladies and gentlemen...the time of judgment, my 50,000th song, draws near.

Slow...only in playlists.
Fall 2008

Artist: Fleet Foxes
Album: Fleet Foxes
Tags: folk, folk-rock, indie folk, indie rock, psychedelia, harmony, americana

Another quick album review, I won't waste your time.

Overview: so pretty!

Last.fm

There's absolutely nothing new in this album from Fleet Foxes. We've heard everything before from the likes of Crosby, Stills, Nash & Young, My Morning Jacket, The Beach Boys and any other band you could mention who enjoy three or four part harmonies. In fact, I'd go so far as to say Fleet Foxes don't quite reach some of the standards set by these guys. The album isn't perfect by any means, particularly in the lead vocals.

And yet...



I have to say, my response to Fleet Foxes is entirely emotional. I know other people do it better but I want them! I want to hear them back to back with Simon & Garfunkel. (Done it. iPod. Sudoku. Nice.)

At times, they're Ennio Morricone. Other times, they're The Arcade Fire. They wear their inspirations on their sleeves. This album will be one of those that mark 2008 for me.

Top tracks:
Ragged Wood Tell me anything you want / Any old lie will do / Call me back to / Back to you
Tiger Mountain Peasant Song
Your Protector

Before this shout on their artist page gets buried, here is the wiki link to the original painting used in the cover art. (Thanks, Micjen.)


Babs _{My Gang}



Click for full screen image

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Artist: Paul Weller
Album: 22 Dreams
Tags: rock, indie rock, psychedelic, noise, instrumental, jazz, tango... !
Guests: Noel Gallagher and Gem Archer (Oasis), Steve Cradock (Ocean Colour Scene), Graham Coxon (Blur)


Another quick album review, I won't waste your time.

Overview: A musical tour de force.

Last.fm


I'd read one or two reviews prior to its release, I'd seen Paul Weller on 'Later... with Jools Holland', heard the hype and thought, 'Nah'. Then someone I know, whose opinion I respect very much, said he liked it. That was enough to give the album a proper try.

I'm so glad.



I don't want to spoil the surprises too much for you but 22 Dreams is a showcase of everything Paul Weller can do and is capable of. It sweeps up genres he obviously enjoys and scatters them throughout the album. The hype actually didn't do him justice; it focused on the indie rock tracks and left it at that. This album is full of music, including a little bit of psychedelic noise. Bet no one expected that. 111

Don't you think he sounds like Cat Stevens here? Light Nights

My 5 star track is Song For Alice (Dedicated To The Beautiful Legacy Of Mrs. Coltrane)

Oh and this one - One Bright Star

And this one - Lullaby Für Kinder (sorry, sorry, sorry, I'll stop now... wish I could add another one... Where'er Ye Go)

It's a 5/5 album I think, but I've marked it down a notch for now while I get to know it better.

Some of the customer reviews in Amazon complained there's no coherence but I'm with the ones who are grateful for an album that's not all samey-samey. It's one of those deliciously rich albums that will take me a long time to get to know.

22 Dreams, 21 tracks and a few EPs. Should keep me busy for a while.


Babs _{My Gang}



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Artist: A Place To Bury Strangers
Track: The Falling Sun
Album: A Place To Bury Strangers
Tags: noise, noise rock, post-punk, psychedelic, shoegaze, drone, industrial, space rock, post rock

Video

I just discovered these guys last week. I wrote more here. (refresh the page if it doesn't land properly).

Regular readers will know I love my 'old school', I was at school during post-punk before it became 'post' and I love my music dark. Not just ordinary dark, I like it inky black. I just found it again and I'm ecstatic.

Last.fm

The new album from A Place To Bury Strangers is 5/5 perfection. It's been a hard task to pick a track. I decided on The Falling Sun because it isn't typical of the album. The rest of it is much louder and faster than this. Also that video is just so cool. Made-for-tv 70s sci fi. It's not Garth Marenghi though, more Logan's Run. I'm not sure if it's an official video or an amateur effort. Either way, it's great.

From YouTube:

The video was directed by David Yoonha Park: http://www.yoonhapark.com/. The footage is culled from a late 70's made for TV movie entitled "Lathe of Heaven," the first sci-fi movie ever produced for public television and based on a Ursula K. Le Guin novel.
Wikipedia: Lathe of Heaven



If you look at the shoutbox for this artist, you'll see a lot of references to The Jesus & Mary Chain. I think that's simplistic and obvious. From my point of view, I'm hearing darkwave from the late 70s and early 80s - Echo & The Bunnymen, Cocteau Twins, This Mortal Coil, The Cure. What we used to call goth. Then I'm hearing The Sisters of Mercy, The Jesus & Mary Chain and My Bloody Valentine, of course. From more recent times, I'm hearing The Stone Roses, Spacemen 3, Mogwai and Slowdive.



Their influences as cited on their MySpace (I won't get spammy and link them):

The Crystals, Xinlu Supreme, JAMC, Loop, Heaven Piano Company, Skywave, Ecstasy of St. Theresa, My Bloody Valentine, The Cure, Slowdive, Ride, Cocteau Twins, Somber Moments, Snow-cane, Venom, E.P.M.D., Sleep, Lightning Bolt, Alcian Blue, Airiel, Ceremony, Ministry, Boris, Mono, Ashrae Faux, Hartfield, Dirty On Purpose, Autodrone, Mogwai, Curve, Vaz, Adult, Death From Above, Death in Vegas, The Emerald Down, Spacemen 3, Brian Jonestown Massacre, Warlocks, Suicide, Siouxsie and the Banshees, Black Rebel Motorcycle Club, Sex Concious Young Moderns, Lazy Lane, The Bedroom Set, Cobra Spa, Hoomdorm, Six Finger Satellite, Bowery Electric, Spiritualized, Oasis, Chapterhouse, Joy Division, The Sex Pistols, Astrobrite, Medicine, Mazzy Star, Francis 7, Dead Kennedys, Flying Saucer Attack, Guitar Wolf, Bauhaus, New York Dolls, Catherine Wheel, Kraftwerk, Magnetic Fields, The 6ths, New Order, Tommy James, Public Enemy, Misfits, The Ramones, Red Lory Yellow Lory, Orange Juice, Rockethouse, The Smiths, Stellarscope, The Shangri Las, The Vandelles.



What A Place To Bury Strangers have done so well is bring all these styles together. Loudly. Turned up, the music comes to life. The band play with tension and control, assaulting you with "sonic annihilation" so loud you're in pain, without ever losing the music. When you listen with the volume down, you get a lovely thick soup of sound. It's like when you were a kid and you listened to John Peel in bed, under the covers with the radio pressed against your ear.

There's a great review at Amazon.co.uk. Looks like there's a new album due later this year! Something to look forward to. It will be interesting to see how they develop their sound, although what they have now will be missed.

Babs _{My Gang}



Admin - Stats as of today:

Video:
Date Added to YouTube: February 05, 2008
Views: 4,666, Ratings: 14, Responses: 0, Comments: 8, Favorited: 44 times

Last.fm listeners of this track - 8,055 (not streamable)
No. of plays scrobbled in Last.fm - 27,139
Position Last Week: 7 / 376
Position in Top 100 Tracks: 6 / 4,752


Stats after 7 days: to be added

Video:
Views: 4,911, Ratings: 15, Responses: 0, Comments: 9, Favorited: 44 times

Last.fm listeners of this track - 8,055 (not streamable)
No. of plays scrobbled in Last.fm - 27,139
Position Last Week: 7 / 517
Position in Top 100 Tracks: 6 / 4,747

212 Unique Visitors
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Artist: Coldplay
Album: Viva La Vida Or Death And All His Friends
Tags: rock, art rock, world, ambient rock, indie



Another quick album review. I won't waste your time.

The whole album is being streamed in full on their MySpace globally (except for a few countries) from tonight for a week.

I feel I have to balance out what I said on the release of their single, Violet Hill. I spoke too soon.

You'll probably read a gazillion reviews on this album, most likely mine will get buried in the mound but for what it's worth, here's what I think:

Coldplay have jumped out of their indie box and are standing beside it. They haven't lost sight of their roots but they are looking out at a big wide world. And it's bright and lovely.

They haven't lost what makes them Coldplay. The old tug at the heartstrings, the sentimentality, it's all there. (best bit!)

It always takes me a long time to get to know lyrics. Sometimes I never do. From what I'm getting so far, they seem more grown up, more mature. I'm getting more life experience with contemplation of themes such as loneliness. 42, about bereavement, is brilliant. Lost! is going to make me buy the album. The album version is better than the acoustic one here in Last.fm - Lost? - although that's good too. Daydreamy.



I must say, I'm really enjoying the music. Multi-layered, multi-sectioned, not typically western, not typically world, not typically fusion either. It's a great blend. Brian Eno's, doing is it? Good man. The Tinariwen influence isn't token. It's throughout and incorporated.



They're still anthemic on the whole, but there are signs they're breaking away from that too. Maybe in the future, they'll treat us to an intimate album. They couldn't possibly go back to how they were now they've stretched so much. That would just be lazy.

Babs _{My Gang}





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