• Sat 29 Nov – M83, School of Seven Bells @ Henry Fonda Theater

    Dez 5 2008, 1h21 por porcupiny

    Sat 29 Nov – M83, School of Seven Bells

    It's a rare treat to see two such talented electronic music bands on one night, and School of Seven Bells and M83 proved to be a great combination in terms of playing their unique styles of sonically powerful music and pleasing the packed Los Angeles crowd. Not everyone can easily connect with such complex and intricately produced layers of instrumentally dominant songs, as a few audience members left early due to boredom. Those unfortunate souls missed out on a full and amazing set of over 2 hours by M83, one of France's finest exports.

    School of Seven Bells is a three-piece band of two guitarists and a keyboard player backed by a drum machine, but that doesn't limit the range and quality of their sound. The band consists of Ben Curtis (ex-Secret Machines) and pretty twin sisters Claudia and Alejandra Deheza (formerly of On!Air!Library!), whose operatic vocal harmonies (reminiscent of artists like Jem and Dot Allison) provide the perfect emotional counterpart to the band's uplifting and gorgeous music.

    Their album Alpinisms is highly recommended for those with in an interest in music with a more refined quality than most electronic acts. There were a few obnoxious audience members who were yelling out during the School of Seven Bells' set, but that didn't take away too much from the music and the momentum produced by the quality of their songs. Highlights of the set were the emotional and liltingly beautiful song "TocarHalf Asleep" and the hypnotic "TocarIamundernodisguise."

    After the excellent set by School of Seven Bells, it was hard to imagine that M83 could really top it. Though they still managed to by mixing their dirge-like synth-filled instrumentals with the more radio friendly songs from their fifth and current album Saturdays=Youth. The fact that M83 have a live drummer allows for a more dynamic sound than their opener, though they also have several more albums behind them.

    M83 opened their cinematic and epic set with "TocarRun Into Flowers" from their second album Dead Cities, Red Seas & Lost Ghosts (2003). M83 played many songs from their 2005 album Before the Dawn Heals Us, including "TocarAsterick," parts of "TocarMoonchild" and live favorites "TocarTeen Angst" and "TocarDon't Save Us From the Flames," as well as the dramatic instrumental "A Guitar and a Heart," which they played before their encore.

    Of course, M83 played many songs from Saturdays=Youth, including their throwback to 80's film soundtracks, "TocarKim & Jessie," and the singles "TocarWe Own the Sky" and "Graveyard Girl." For the song "The Skin of the Night," the female singer of the band sang in a breathy falsetto accompanied by Anthony Gonzales' quiet vocals. The encore was more like a rave than a concert with the dance-inducing techno track "TocarCouleurs."
  • M83 Setlist

    Nov 30 2008, 21h50 por thispastweek

    Sat 29 Nov – M83, School of Seven Bells

    01 - Run Into Flowers
    02 - Asterisk
    03 - Moon Child
    04 - Kim & Jessie
    05 - We Own The Sky
    06 - Graveyard Girl
    07 - Gone
    08 - Teen Angst
    09 - Highway Of Endless Dreams
    10 - Don't Save Us From The Flames
    11 - Skin Of The Night
    12 - A Guitar And A Heart

    13 - Couleurs
  • A night at the Henry Fonda with M83 and School of Seven Bells

    Nov 30 2008, 21h30 por secondbushome

    Sat 29 Nov – M83, School of Seven Bells

    So it goes:

    - Waited in line for two hours because I seriously had nothing left to do in Hollywood.
    - When the doors opened, I eskewed the option to go to the restroom and got up front by the fence, where the camerapeople hoard about alongside the edge of the stage. I did not regret the decision, though the cameramen moving about in front of the fence were a bit distracting.
    - Yay, I'm in front!
    - CAN is the pre-show warm-up music. Odd choice, but I like CAN so I'm not complaining.
    - Standing up for an hour by yourself surrounded by people, waiting for a show to start is not as easy as it seems. Wanted to start conversation with surrounding strangers but don't know what to say.
    - They're still playing CAN. I nervously tap a wadded up newspaper on my knee to the beat.
    - There is alot of people up in the balcony seats. I don't think I would ever voluntarily want to sit up there. The floor is still relatively open, but there was no way I would get back my privileged up-front position should I ever decide to move. I stay in position.
    - The girl standing to the left of me notes to her friends that her wrists are tiny. I show her that mine are actually even thinner. Afterwards, I realise I should be embarassed by my wrists and not be showing them to people. We never speak again.
    - Curtain rises. School of Seven Bells start. They have no drummer and rely on a drum machine. Immediately they kick off with a steady beat. Something to dance to.
    - I liked them by their second song. Maybe it's their resemblance in sound to My Bloody Valentine or at least their Loveless-ending "Soon".
    - Okay, their guitarwork sounds ALOT like MBV.
    - ALOT.
    - But it sounds good nonetheless. One of the better opening bands I've seen in recent time. They kind of stick to one sound, but it's a mesmerising one.
    - The camera people really are distracting, especially during the quieter moments when the clicking of their cameras is more audible than anything coming through on the PA system.
    - I notice the members of M83 off-stage to the right. SoSB continues to croon while the crowd continues to swoon.
    - Their set ends. Curtain falls to whooping catcalls.
    - CAN is being played again. Even more, it's the same songs! I suspect foul play.
    - I overhear the couple behind me talking about MBV. I join in. The conversation moves on to Slint. The people here have good taste.
    - Conversation ends. I stare awkwardly at the curtain.
    - The curtain is actually really dirty but no one ever notices.
    - I can hearing guitar from the closed-off stage.
    - The girl beside me looks about like her cat just died. I really hope a pet of hers didn't actually die.
    - The thought pops into my head I should shave my facial hair soon.
    - No sooner, the curtain rises. And there is... M83!
    - Change of pace from SoSB's danciness. M83 kicks things off with their soaring epics, one of the begining tracks from Dead Cities... I also recall "Moon Child".
    - They move onto music from "Saturdays=Youth".
    - I don't have a good enough memory to recall their setlist but all I can say is they played stuff from all of their more recent albums, starting with Dead Cities... They played "Gone".
    - "Gone" transitions into "Teen Angst". I am really, really happy they played "Teen Angst". I think that was about when the crowd really started moving around a bit.
    - They closed the set with more foot-stompers. The crowd really seems to be getting off at this point. It didn't seem like the bar was very popular either. Pure energy.
    - Encore: "Couleurs".
    - This was a really good show. I kinda wished they closed with "Lower Your Eyelids to Die With the Sun". Hell, I'd say I really wished they/he did, but whatever. The show reminds me of the feelings I got when I saw Sigur Ros in Arizona, though the energy was completely different. But there's no doubt these bands live leave you with a glow.
    - Crowd leaves in a warmed daze towards the exits, excited and soothed all the same, like the spiritual come-down from some form of psychedelic drug they had collectively induced not more then 2 1/2 hours ago. Left behind: a floor of littered drink cups and confetti'd gloss card flyers that nobody will ever, ever read. Oh yeah, post-show PA music: more CAN.