
Free ear plugs - the proper inner ear kind - were given out at the door, but it didn't help the band one bit. The French promotors thought My Bloody Valentine's volume was dangerous and their sound techs adjusted accordingly. Singer/guitarist Kevin Shields apologised to the audience: 'Sorry it doesn't sound like it should...' Apparently, French law states concerts can be no louder than 106 db. MBV exceeded this limit by 9 to 19 db.
Despite the drop in volume it was still pretty damn loud. It's the loudness that makes a My Bloody Valentine concert a physical experience. The bass guitar makes your insides churn and your pants flutter while the projected back drop images disorientate. The result is a powerful drug.The sheer noise is what gives the show its character. The band members themselves add very little to it, personality wise. Vocalists Bilinda Butcher and Shields remain unfazed, singing ethereally, eyes focussed on infinity. Apart from a shy 'hello' and 'thank you for coming', they remain mute.
When the band released Loveless in 1991, I wasn't much into shoe gazing. I still prefer more theatrical acts, but I've learnt to love the melodies this band creates. That's why I took the Thalys to Paris to see them, finally back together after 16 years. There were no Dutch dates on their schedule.
During their last song, the 25-minute long ode to noise '
Eventually, the song is continued, but bass an drum are pulled again and again. It's shame for the band and the noise-junkies in the audience, but I was fine with it. I'd finally heard 'Soon', '
My Bloody Valentine, Le Zenith, Paris, July 9, 2008
Setlist:
1.
2.
3. When You Wake
4. You Never Should
5.
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7.
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10.
11.
12.
13. Soon
14. Feed Me With Your Kiss
15. Sue Is Fine
16.
More My Bloody Valentine pictures on Flickr.