• Concert Reviews - Nightwish w/Apocalyptica

    Out 9 2009, 12h59 por AmelieNivekorpi

    Sat 19 Sep – Dark Passion Play World Tour

    I should mention that before I post this that my reviews are almost entirely based on pure enjoyment factor of a show. I'm not very good at assessing sound quality and that sort of thing, so I just go on how I felt during the show.

    That being said, a few months ago, very shortly after I moved to Hel, my first host family's grandparents brought over a newspaper clipping for me. It is quite a well known fact (probably because I posted it on my Au Pair profile) that I love Finnish metal and hoped to see as many shows as humanly possible while I was in Europe, and they were eager to help me out. I debated it for some time. It was an expensive show, and I didn't know anyone in town so I wasn't really keen on going. Adversely, I have never seen Apocalyptica play live before and I like them a lot, and I also was interested to see the grande finale for Nightwish after 2 years and 193 other shows. So I opted to go.

    Apocalyptica came out relatively quickly after I arrived, to my great pleasure. I've never been good at remembering their song names, unfortunately, but it was of no consequence. I recognised their cover of Fade to Black by Metallica, as well as an instrumental version of Bittersweet, which was quite lovely, and they brought in a guest singer (you may know him as Antti Hyyrynen of Stam1na) to do I'm Not Jesus and I Don't Care from the Worlds Collide album. I thought he did quite a good job, and although it was rather different from the original versions, I wouldn't say it was in a bad way. They also finished with Hall of the Mountain King, which is one of those songs that I had really hoped to hear live, and I was not disappointed.

    Visually, Eicca Toppinen and Perttu Kivilaakso were both incredibly brilliant to watch. The long hair and headbanging while playing, Perttu playing with the cello tilted to the side (which I imagine takes some talent because you are holding up your cello at an unusual angle while playing), and some rocking on the ground, waving cellos around, that sort of business; they both were quite amazing to watch. Paavo Lötjönen impressed me far less. Maybe it was his inital lack of hair that made me lose interest in him but his stange presence was to me less metal and more show-off. Plus, without the hair he made the band lose symmetry. Nothing against his playing though, I mean, the guy is still brilliant. I also thought it was interesting to see them with a drummer. He didn't overpower the other three like I might have thought. I was pleased to see this, though it might've been nice to see them when they were just four cellists.

    As for Nightwish, they opened with a soft instrumental version of Finlandia with a guest musician who was playing an instrument that I couldn't quite recognise. It seemed like a bagpipe but not exactly (maybe a torupill or something). After that they went into 7 Days to the Wolves and so on. They brought out a guest violinist, Pekka Kuusisto, to play The Siren, and he was incredible. After that, they kept him around for one more song, which totally made my entire night worth it - While Your Lips Are Still Red. It is a song written as a title track for a Finnish movie and was on a single, so it wasn't something I ever expected to hear live and I was very pleased. Near the end they did the accoustic versions of The Islander and Walking in the Air featuring the same guest musician, Troy Donockley, on the strange instrument and flutes from the intro, and finished with a never-before-played version of Meadows of Heaven, which I admit I enjoyed live much more than I did on the album (definitely my least favorite new Nightwish song). It was good, but I could've done without the extensive vocal soloing at the end that sort of brought it down a bit. Plus, I still have no idea what they were thinking with that gospel stuff. Blech.

    Encore really made me happy. Another one of my alltime favorite ever Nightwish songs is off the Once album - Ghost Love Score. It's another one of those songs I thought I'd never hear... especially when Tarja Turunen isn't in the band anymore. The best part was that Anette actually did a decent job of singing it. She was, of course, no Tarja, but she didn't do a bad job. Then they finished with the 194th time doing I Wish I Had An Angel; predictable but still good.

    Overall impression? It was a really good show. My initial irritation with pop-style Anette was removed after a couple songs and the fire/lights/waterfalls (I think they were waterfalls after Meadows of Heaven, which struck me as odd, but kind of cool) were spectacular. Tuomas was playing inside a big boat and there was an anchor on the stage too, a couple high platforms, so the setup was really great in a sort of "The Islander" way. My biggest complaint really and honestly had to be Anette's blonde hair. I don't know what on earth made her think she would look better as a blonde but it's terrible. Really terrible.

    Marco and Emppu are always really fun to watch on stage. And I am always really impressed with how much better Marco's singing is than it used to be. He totally outshines Anette every time he sings these days and, unlike when he sings in Northern Kings, Tuomas writes songs that really help his vocals, rather than strain them. Unfortunately for me, I don't understand enough Finnish to understand anything he said at the end between Ghost Love Score and I Wish I Had An Angel, and I sort of appreciated Anette because she's Swedish and doesn't really speak any Finnish, so she was always talking in English.

    All-in-all, it was a fantastic show, a great finale, and I'm really glad I went. I remain cautiously optimistic for the next album in hopes that Tuomas writes music more appropriate for Anette's style (though I'd be lying if I said I disliked Dark Passion Play - I actually do like it) the way he did for Tarja.

    Track list (Nightwish)
    01. Intro - Finlandia (w/ U.K. multi-instrumentalist Troy Donockley)
    02. 7 Days To The Wolves
    03. Ever Dream
    04. Wishmaster
    05. Romanticide
    06. Amaranth
    07. The Siren (w/ Finnish violinist Pekka Kuusisto)
    08. While Your Lips Are Still Red (w/ Finnish violinist Pekka Kuusisto)
    09. Poet And The Pendulum
    10. Nemo
    11. Sahara
    12. Dark Chest Of Wonders
    13. The Islander
    14. Walking In The Air (w/ U.K. multi-instrumentalist Troy Donockley)
    15. Last Of The Wilds (w/ U.K. multi-instrumentalist Troy Donockley)
    16. Meadows Of Heaven
    17. Ghost Love Score
    18. I Wish I Had An Angel
  • Apocalyptica & Nightwish @ Hartwall Arena

    Set 21 2009, 15h38 por cursarion

    Sat 19 Sep – Dark Passion Play World Tour

    If I remember right, this concert was tour finale for both Nightwish and Apocalyptica.

    Long story short, I'll gather the main points for each aspect of the event.

    Firstly, the organization just sucked. There seemed to be kind of three highlights in their agenda:
    1) Treat the crowd like a stampede
    2) Suck off every penny they have
    3) Avoid deaths inside the Arena, lawsuits are expensive

    So, they treated the crowd like they were cattle, victims for leeching and pigs in one of those highly automated profit-proof pig farms of death. We also spent almost two hours in a panic-like mess, I don't know how many got hurt in it but I know the security even used violence against the crowd, apparently without a (good) reason. No cameras/no food/no drinks policy was a pain in the ass. You couldn't even take a small juicebox bought from the shops of the hallways to the concert. That's just simply fucking with the audience, nothing more. I don't even get into detail with the exalted prices they had.

    Secondly, Apocalyptica's gig seemed bit tired. First thing I noticed was the low quality of sounds - you could only hear one instrument at a time for most of the gig. It of course depended on the location of the listener, but where I was then it sounded horrible. I also mentioned the tiredness. On a scale from 1 to 5 where 1 is total disaster, 3 is a normal gig and 5 is perfection, I'd say they deserved a 2. Sure it's been a long tour, but it seemed bit... Well, not enough. I don't know though how the supporting role affected it. Anyway, their set included only one (positive) surprise for me, the rest were easy to guess.

    They had Antti "Hyrde" Hyyrynen from Stam1na doing the guest vocals. He sucked, comparing to both likes of Tony Kakko of Sonata Arctica and actually to any singer who could've possibly been there. Wasn't simply good, really.

    Apocalyptica set:

    Wherever I May Roam (Metallica cover)
    TocarRefuse/Resist (Sepultura cover)
    TocarGrace
    One (Metallica cover)
    TocarI'm Not Jesus
    Betrayal
    TocarBittersweet
    TocarLast Hope
    Seek & Destroy (Metallica cover)
    Inquisition Symphony (Sepultura cover)
    TocarI Don't Care
    Hall of the Mountain King (composed by Edvard Grieg)

    I think that's quite correct, though I don't know about intro or outro.

    Lastly, Nightwish. In short I'd say they did a routine concert. Definitely not bad, but when I've seen them before they've seemed to have more energy. So on that aspect and musically it wasn't nothing special (but nothing bad either). The sounds sucked a bit during Nightwish's show as well, but it got better as the concert went on. It must have sucked to be stuck at some very distant seat, though. They promised us some surprises for this special last show, and the surprises worked quite well. "The Siren" and "While Your Lips Are Still Red" were amazing with violin, "Ever Dream" and "Ghost Love Score" were great to hear. "Wishmaster" was quite different from the original, and ended up being a nice song, but not what it used to be. "Walking in the Air" was very different from what it is on Oceanborn. I didn't really even recognize it at first, and I can't really claim that would be a good thing. It wasn't nostalgic for me in any way really, though it sounded nice. It was kind of like they would've played some very random cover song acoustic there. They played "Meadows of Heaven" for the first time there. Predictable, as Anette sung it at some point in some kind special occasion that can be seen from YouTube. I've never loved the song - it's nice and all, but the gospel parts... *brr* So it was something like "ok" for me to watch. I saw Tapio Wilska in the hallway and kind of hoped for Pharaoh, Devil or 10th Man, but no... Also the cellists of Apocalyptica could've perhaps visited on a song like Kuolema tekee taiteilijan. Well, it was pretty okay as it was anyway.

    Highlights of the concert for me were "Ever Dream", "Romanticide", "The Siren", "While Your Lips Are Still Red", "Sahara" (perhaps) and "Ghost Love Score". And the bad picks... Well, "Amaranth" was in a terrible spot, right after "Romanticide". Imagine, that energetic bastard there taking the atmosphere through the roof, the tempo and the aggression, simply the metal and awesomeness in that song... And then you get a poppish radio hit. To put it in one word: bleh. Another blaster, or a very beautiful ballad would've worked a lot better. "Nemo" suffered same fate as well, although its spot after "The Poet and the Pendulum" wasn't as bad. "Wish I Had an Angel" was predictably the last song, and I already started walking when it came. Heard too many times. I heard they played "The Heart Asks Pleasure First" as an outro (from tape) when they were bowing at the crowd. That's a song they were planning to cover on Dark Passion Play (or at least on B-side of one of its singles) but their plans stopped when the song's composer didn't allow the band to release it. So it was something quite special to see, especially if the song is not going to be released at all, ever. I don't know if the composer changes his mind, but I can't really blame him. The atmosphere on the cover is very different from original, and if he doesn't like it, well... It's okay by me. The original appeared in the film "The Piano", by the way.

    I didn't mention the emotional side yet. Between "Ghost Love Score" and "Wish I Had an Angel" there were long speeches. They thanked the crew and the crowd and such, I don't remember the exact words nor the jokes, but point was that. Then the crowd hurrayed at them really long and they really seemed to like it... They just looked back and stood there, hopefully appreciating more than feeling uncomfortable or something. That's something every Nightwish fan would've wanted to see.

    What else... Well, the stage. Tuomas was in his boat and they had these platforms on back of the stage, left and right. Emppu and Marco occasionally went there, and the violinist was there as well. The flames and the pyrotechnics were great, there were lots of bombs. We faced also two confetti rains, "snowfall" and "rain". Big bands with their toys... Anyway, that side was what you could expect, great. Lighting as well. One more spectacular thing was when during "The Islander" and "Walking in the Air" the lights were shut and the crowd held up their lighters, cellphones and cameras... It looked fantastic.

    Nightwish set:

    Intro (TocarFinlandia)
    7 Days to the Wolves
    Ever Dream
    TocarWishmaster
    Romanticide
    Amaranth
    The Siren
    While Your Lips Are Still Red
    The Poet and the Pendulum
    Nemo
    Sahara
    Dark Chest of Wonders
    The Islander
    TocarWalking In The Air
    Last of the Wilds
    Meadows of Heaven
    ---
    Ghost Love Score
    Wish I Had An Angel
    Outro (The Heart Asks Pleasure First)

    Guest performances:
    Pekka Kuusisto - Violin (on "The Siren" and "While Your Lips Are Still Red")
    Troy Donockley - Bagpipes, flute, etc. (on "Finlandia", "The Islander", "Last of the Wilds" and "Meadows of Heaven")

    And I could add something about the fans... I was in the line for 19 hours and slept on the ground with other fans. The atmosphere there was great. Of course, on Saturday we saw lot of cutting in the line and so on, but the people were singing together also outside, before the concert.

    Anyway, as a summary I state the following:
    very poor organizing + perfect concert != perfect experience

    If bands want to make everything perfect for the listener, they could look into that part as well, if they can. That kind of "pay or starve" attitude from the organizers doesn't really elevate the mood of the audience. Of course the concert is what matters the most, but that kind of exploitation policies really annoy a lot. I'll maybe look deeper into who's responsible and boycott their doings in the future.